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Old Holland Classic Pigment Titanium White 110gSave Up to25%Off listWhite Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Sennelier Artist Dry Pigments Gold Ochre 110 gramsSave Up to37%Off listGold An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Global Arts Fluid 100 Watercolor Paper 140lb Hot Press Watercolor Roll 55"x6 ydsSave Up to55%Off list100% cotton Watercolor Paper Sheets, Blocks & Pochettes Fluid 100 Watercolor Paper is made using traditional paper milling techniques used by the old European masters coupled with modern technology to create a fine watercolor paper that is 100% cotton. Fluid 100 Professional Watercolor Paper is… 100% cotton Watercolor Paper Sheets, Blocks & Pochettes Fluid 100 Watercolor Paper is made using traditional paper milling techniques used by the old European masters coupled with modern technology to create a fine watercolor paper that is 100% cotton. Fluid 100 Professional Watercolor Paper is natural white and is available in 140lb/300lb in both hot pressed and cold pressed surfaces and in sheets, blocks, rolls, and pochettes. Each sheet of paper, block, roll or pochette is strong with a subtle and pleasing surface texture that is acid-free and archival. Gelatin sizing gives the artist brilliant color and increased control that is perfect for use with both wet and dry media. Fluid 100 Professional Watercolor Paper Sheets, Blocks & Pochettes - Made by European Mill Masters who Combine Traditional Papermaking Techniques with Modern Technology! Each watercolor block has 10 or 15 sheets glued on two edges. Each watercolor pochette has 10 sheets. Key Features: * 100% cotton, natural white surface * Acid-free, archival quality * External gelatin sizing * Easy Blocks have 2 glued edges Perfect For: * Watercolor paints and watercolor pencils * Artists looking for a variety of paper formats * Practicing your watercolor painting See More
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Rembrandt Watercolor Postcards 140lb Cold Press Pad (30-Sheets) 4.1 x 5.8Save Up to20%Off listWhite Design Postcards To Share With Family and Friends! Rembrandt Watercolor Postcards meet the requirements of professional artists. The back of the paper has a postcard layout with lines for writing. Each card contains 25% cotton and the best lignin-free cellulose with a 140lb paperweight. The postcard paper is acid-free, PH-neutral, and buffered to guarantee maximum durability. Internal sizing, along with unique surface sizing, ensures perfect water absorption and optimal color lifting. The paper’s medium grain texture, considered a soft cold-press makes it ideal for media such as watercolor, gouache, acrylic, ink, charcoal, and pencil. Key Features:* Medium grain, soft cold-press* Acid-free, PH-neutral, and buffered* 30 sheets, one side glued* 25% cotton + lignin-free cellulose* 140lb, 300 gsm* Internal and surface sizing* Lightly ruled backside for writing* Made in Italy Perfect For:* Creating postcards* Wet and dry media* Watercolor, gouache, acrylic, and ink* Charcoal and pencil* Optimal color lifting* Sending artwork to friends* Professional artists* Travel paintings* Art gallery invites See More
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Van Gogh Watercolor Postcards 140lb Fine Grain (25-Sheets) 4.1 x 5.8 BlackSave Up to20%Off listBlack Create Postcards for Family And Friends! Van Gogh Watercolor Postcards are made of 100% high-quality lignin-free cellulose and have a durable 140lb weight. Acid-free, pH-neutral, and buffered to guarantee maximum durability, the paper is tested and carefully selected to make your paintings look their best. Moreover, the internal and external surface sizing ensure perfect water absorption and optimal color lifting. Van Gogh Black Watercolor Postcards are perfect for creating fantastic watercolors on a dark background. Opaque colors such as Metallic and Interference colors show up particularly well on the Black paper. The back of each card has a printed layout with lines for writing. Each postcard has a fine grain surface, which makes it ideal for watercolors, acrylic, gouache, ink, charcoal, and pencil. Key Features: * Fine-grain surface * Acid-free, PH-neutral, and buffered * 25 sheets, one side glued * 100% lignin-free cellulose * 140lb, 300 gsm * Black or White paper card * Internal and surface sizing * Lightly ruled backside for writing * Great water absorption * Paper sourced responsibly * Made in Italy Perfect For: * Creating postcards * Wet and dry media * Watercolor, gouache, acrylic, and ink * Metallic and interference colors * Charcoal and pencil * Optimal color lifting * Sending artwork to friends * Professional artists * Art gallery invites * Lightweight and portable * Travel or Plein air sketching See More
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Mount Vision Soft Pastels Set of 25 - Flesh TonesSave Up to48%Off listPortrait Colors Beautiful, hand-made soft pastels! Mount Vision Handmade Soft Pastels consist of the highest quality pigments with the addition of chalk, talc, or clay and binders. Various combinations, depending on pigment, create different handling properties. The Mount Vision Pastel Company was founded in 2000, by artist Karl Kelly (a former paint maker for a small oil paint company). Handmade in small batches in Mount Vision, New York, the pastels possess a wonderfully soft and buttery feel. The pigment easily releases to the pastel surface with little resistance, allowing layers to build without becoming slick. Mount Vision Handmade Soft Pastels are consistently tested to achieve the best feel and color intensity for each pastel color. Mount Vision utilizes both traditional and synthetic pigments, which make great substitutes for traditional painting pigments that are health hazards to use in pastels (such as cadmiums, cobalts, etc.) Mount Vision's manufacturing process is simple and straightforward, creating a truly handmade product with great love and care by dedicated craftsmen. First, the pigments and chalks(or other binder) are weighed out on a scale, and then placed in an industrial sized mixing bowl. The mixture is fully mixed to the consistency of cookie dough, and then put through a sausage stuffer, where it is extruded onto wood boards. The boards are placed outside to dry the long pastel lines a little, to firm them slightly before handling. Once ready, the pastel lines are cut to size and then carefully rolled by hand to create a more uniform shape. The finished pastels are then placed on a drying rack to cure before hand labeling. Key Features:* Created from the finest traditional and synthetic pigments* Handmade by craftsmen in small batches in the U.S.* Pastels possess a soft, “buttery” feel in use* No hazardous pigments used Perfect For:* Serious Pastel Artists* Artists supporting U.S. Made manufacturers* Pastelists desiring softer pastels* Handmade pastel aficionados The beauty of Mount Vision’s color selection and color values is by other manufacturers that make a handmade product. Drawing on his extensive painting and printmaking background, Karl Kelly carefully designed the color palettes and selections to create every color imaginable a pastelist could imagine, from the palest color values to the most vibrant brights and darkest darks. Sold in both open stock individually and as sets. Health and Safety Statement from Mount Vision Pastel Company: If you have any Health and Safety questions please do not hesitate to Call 888 413-2009. Your health is our biggest concern. At Mount Vision Pastels we use no heavy metal pigments such as Cobalt or Cadmium. Because of the nature of pastels, i.e.. drawing directly with the pigment with very little binder, I question the use of these pigments. With the advances in the manufacture of synthetic pigments I feel that there are alternatives available for use that will serve the artist as well without the possible side effects. That said probably the biggest concern for pastelists is the pigment dust created by them. Whenever possible it is better to clean dust with a wet rag, sponge, or paper towel than to sweep it up (which causes more dust). Care should be taken if using a vacuum as often the pigment is finer than the bag and can blow through causing quite a dust storm. See More
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Sennelier Oil Pastels Cardboard Box Set Seascape (Set of 6)Save Up to45%Off listAssorted Colors The world's finest oil pastels, made with high-quality pigments The world's finest oil pastels were originally created in 1949 by Henri Sennelier for Pablo Picasso. Picasso, a frequent patron of Henri's art supply shop across from the Louvre, was looking for a vibrant colored pastel he could use to paint on anything, giving examples of wood, metals, paper, canvas, etc. Picasso enjoyed the immediacy of children's crayons and soft pastels but wanted to be able to use their freer, gestural qualities on all surfaces and wanted them to be professional quality and lightfast. Sennelier's first oil pastels have since been the hallmark and long-time standard of the medium. Creamy, lightfast, and vibrant, Sennelier Oil Pastels use the same high-quality pigments and high pigment loads as their other lines, combined with a pure, synthetic binding medium and mineral wax. As the binding medium does not oxidize, it will not jeopardize the artwork's film stability or surface. They are acid-free, so there is no need to prime any surface as a preventative barrier for protection against deterioration from acid. The neutral pH mineral wax provides a remarkably creamy texture that will never harden or yellow, thus providing excellent adhesion to any support without ever fearing cracking. They may be thinned with spike lavender oil, turpentine, or mineral spirits to make washes or soften drawing strokes or blended with the Transparent Blending Medium stick for a wide array of effects. They are the ideal medium for artists on the go, as sets can be taken on airplanes without any restrictions since they contain no solvents or liquids like tubed paints. The traditional and La Grande sticks come in over 120 vibrant colors, including iridescent, metallic, and fluorescent colors. Sennelier's sets offer assorted colors dedicated to drawing landscapes, still lifes, and portraits, both in sturdy Cardboard and Wood Boxes, perfect for gift-giving or extensive travel. Sennelier Oil Pastels are available in both Standard (2 9/16" long x 3/8" diameter) and La Grande (5" long x 3/4" diameter) sizes. Sets can easily be replenished with individual pastels as you finish a stick! Key Features: * Cardboard box & Wood box sets * Compatible with all media * Can be applied to most surfaces such as paper, canvas, wood, or metal * Great for mixed media works * Highly pigmented, outstanding opacity and lightfastness * Draw on virtually any surface! * Unlike oil paint, substrates do not require priming * Soft, creamy application of color * Available in open stock of 120 vibrant colors (including iridescent, metallic, and fluorescent colors) Perfect For: * Sketching in color * Mixed Media Artists * Professional Artists * Plein Air - no need to lug brushes, solvents, palette, etc.! * Beautiful wood box sets make perfect gifts! See More
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Blockx Oil Color 35 ml Tube - Veronese GreenSave Up to65%Off listGreen Finest Quality Artists' Oil Colors Made and processed by the Blockx family in Belgium, still handground in the Blockx tradition with slowly rotating stone mills, our extra-fine artists' colors are made from the finest selection of pigments and oil. Only pure pigment is used for maximum lightfastness, buttery consistency and easy mixing on the canvas itself. All colors have a minimum lightfast rating 7 out of 8 on the blue wool scale. So they all can be considered perfectly lightfast. Iron oxides, earths and blacks are ground with linseed oil. All other pigments are ground with poppyseed oil which is well-known for its lack of yellowing and the non-forming of wrinkles at the time of the drying. As an oil colorist you deserve the very best colors to paint with. Blockx has been made in the same way in Belgium by family members for over 140 years. Today, Blockx is the oldest artist paint manufacturer continuously run and operated by a family. The story began when Jacques Blockx, a noted chemist, was asked by his artist friends to make reliable oil colors that would be permanent and extremely expressive. His formulas for permanent and lightfast colors are legendary and carefully guarded by the Blockx family today, who still test each batch of color to personally insure absolute quality and satisfaction. Key Features:* Slowly stone ground in pure Poppy Seed Oil* 84 colors available in 35ml & 200ml tubes* The preferred color of Rene Magritte, Salvador Dali and Frank Stella* All colors have a minimum lightfast rating 7 out of 8* Made from the finest selection of pigments and oil* Maximum lightfastness, buttery consistency and easy mixing on the canvas* Iron oxides, earths and blacks are ground with linseed oil* Other pigments are ground with poppyseed oil* Lack of yellowing and the non-forming of wrinkles at the time of the drying* Colors produced in maximum color concentration Perfect For:* Colors in still life that deliver consistent results* Fine quality paint that moves beautifully* Beginner to Professional artists* Amazing pigment load* Color that holds it's tone beautifully when mixed with titanium white* Use in studios or professional classrooms New: historical pigments handground with poppyseed oil; Vermillon, Naples yellow light, Naples yellow dark, Lapis Lazuli How Blockx Oils Are Made Using Blockx oils is a tactile experience—they are creamy yet firm, and allow the artist to feel the color with brush or painting knife. Indeed Blockx is a bit expensive, but these paints are worth every penny. An investment in Blockx is an investment in your art and truly one that will pay dividends in the future. Mixing: Pigments, oil, generally poppyseed oil, and specific ingredients are pre-mixed according to their particular nature to achieve the best paste for milling. Grounding: The paste is ground on a three roll mill made of stone rolls, to preserve the purity of paints, rotating at low speed to avoid heating. This operation is conducted 3 or 4 times-each time reducing the size of particles-allowing us to fill the tube immediately to preserve all the qualities of the paint. Test: Besides the long experience of the craftsman, numerous checks are made of particle size, consistency, drying time, density, and so more. A sample of each batch is carefully kept for years. See More
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Schmincke Mussini Oil Color 35ml - Natural Burnt SiennaSave Up to49%Off listBrown Unparalleled luminosity and outstanding lightfastness! Schmincke MUSSINI® Fine Artist Resin Oil Colors use the recipes of the old masters to provide unparalleled brilliance and luminosity in a truly reliable paint film. Vats of Schmincke oil colors are stored for up to three months before paint is added to the tubes. This vat time allows the linseed, safflower, and walnut oil to coat the pigment thoroughly. Different amounts of dissolved damar resin are then added to guarantee tension-free color layers that dry harmoniously. The addition of dissolved dammar resin depends on the oil requirement of the particular color. As a result, each of the 108 color shades has an individually balanced recipe. The high luminosity, outstanding lightfastness, and depth of light that can be achieved with Schmincke MUSSINI® Resin Oil Colors make them a pleasure to use. Key Features: * Balanced and tension-free drying process * Mixture of linseed, safflower, walnut oil, and dissolved dammar resin * Colors based on recipes of old masters * High luminosity * Excellent lightfastness * Truly reliable paint film * Imported from Germany * Perfect For: * Professional oil painters * Creating beautiful glazes * Pigment aficionados * Upgrading to professional oils * Portrait painting * Painting beautiful atmospheric landscapes See More
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