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Related Categories: Permanent Alizarin Crimson | Cobalt Green | Cadmium Scarlet | Mars Violet | Aureolin Watercolor | Opera | Raw Pigments | Iridescent Medium
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Old Holland Classic Pigment Titanium White 110gSave Up to25%Off listWhite Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Sennelier Artist Dry Pigments Zinc White 110 gramsSave Up to37%Off listWhite An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Magnani 1404 Italia Watercolor Block 140lb Cold Press - 6.3" Diameter, Round (20 Sheets)Save Up to40%Off listWhite Top-quality 100% Cotton Watercolor Paper. Love Your Papers! Imagine yourself using the same high-quality papers as the great masters of history. Magnani has been producing papers for over 600 years. Its clientele has included famous figures such as Napoleone Bonaparte and artists such as Picasso, De Chirico, Annigoni, and Morandi. Magnani 1404 watercolor paper is perfect for anyone who desires the highest quality paper available. Magnani 1404 Acquerello Watercolor Papers are made entirely from 100% cotton. Long cotton fibers are evenly distributed onto a slowly rotating wire cylinder before being pressed onto special Magnani marking felts and dried. The paper has superior absorbency and can withstand multiple layers and washes thanks to its internal and external vegan sizing. Want your art to withstand the test of time? Magnani's acid-free pH-neutral paper is UV resistant and can last for over a century, making it a wise investment for anyone who values longevity and quality. Choose from 3 different surface textures made in Italy: Italia (cold press), Portofino (hot press), and Toscana (rough). Key Features: * 100% cotton, acid-free archival watercolor paper * Italia (cold press), Portofino (hot press), or Toscana (rough) * Mould made on a cylinder machine * 140lb and 300lb weight * Internal and external vegan sizing * Acid-free, pH-neutral, and chlorine-free * Alkaline (calcium carbonate) buffer * Traditional natural white color * No optical brighter agents used * Sheets have 4 deckled edges and a watermark * Round blocks come with a cotton bag * Made in Italy Perfect For: * Professional watercolorists * Wet and dry media * Watercolor, gouache, ink, and fluid acrylic * Working with graphite, colored pencils, pastels, and charcoal * Scrubbing and lifting techniques * Repeated erasing and painting * Keeping paper perfectly flat * Painting on the go * Traveling Magnani 1404 Acquerello Watercolor Paper is ideal for wet and dry media, especially watercolor, gouache, ink, and fluid acrylic paint. Prime with a clear acrylic gesso to use with oil paint. Every round watercolor block comes with a cotton drawstring bag to keep your watercolor paper clean and protected. See More
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Bee Creative Art Journal 110lb Marker Paper 8.5X11Save Up to23%Off listWhite Express your creativity your way. Designed for artists specializing in watercolor, colored pencils, mixed media, marker art, and drawing. Each journal has the highest quality paper for your media of choice, making them the perfect choice not only for your practice work but your finished pieces as well. These journals feature a wire-bound, true-sized micro-perforated sheets with a sturdy black chipboard cover. The double wire binding creates a flat surface, allowing the artist to work across the page. The sturdy black cover is made of 100% recycled chipboard and can be customized with your media of choice: stickers, gel pens, and even paint. Key Features: * Acid-free paper * Double wire binding * Sturdy 100% recycled chipboard cover * Micro-perforated sheets Perfect For: * Your media of choice: Marker, Watercolor, Colored Pencil, Mixed Media * Practice work * Finished pieces Marker Art Journal Weight: 110lb. (180 g/m2) Surface: Ultra smooth Color: Bright white Media: Pen & ink, crowquill pens, technical pens, water-based, & permanent markers Designed specifically for detail work, this smooth paper allows the artist to maintain sharp edge with even the thickest of markers. Approved for use with both Copic & Touch Markers, this marker art journal can withstand heavy use with no bleed! Mixed Media Art Journal Weight: 93lb. (150 g/m2) Surface: Dual surface, textured & smooth Color: Natural white Media: Pencil, pen & ink, crayon, chalk, charcoal, pastel, & light washes Distinctly two side with a cold-pressed pronounced texture for dry media on top and a smoother hot-pressed surface for en & ink, & light washes on the flipside, allowing artists to create in the media of their choosing. Colored Pencil Art Journal Weight: 90lb. (147 g/m2) Surface: Hard textured Color: Natural white Media: Pens, pastels, charcoal, & drawing pencils Hard, textured surface and 30% post-consumer waste recycled paper is perfect for colored pencil shading and highlighting. Other dry media perform exceptionally on the paper and allow for great detail. Watercolor Art Journal Weight: 140lb. (300 g/m2) Surface: Cold pressed and toothy Color: Natural white Media: Pencil, pen, charcoal, pastels, watercolor, and acrylic Cold pressed sheet composed of 100% cotton. The European milled paper is of immense quality and can handle even some of the heaviest washes. Heavyweight Draw Art Journal Weight: 160lb. (260 g/m2) Surface: Toothy, rough vellum surface on one side and a smooth surface on the other Media: Pencil, pen & ink, crayon, chalk, charcoal, pastel, and light washes Acid free, superior archival quality, heavyweight sheet is composed of 25% cotton. Pronounced surface lends itself to drawings and preliminary artwork designs. Contains 35 heavy duty sheets in each spiral bound book. See More
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