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Related Categories: Prussian Blue Watercolor Paint | Permanent Alizarin Crimson | Cobalt Green | Aureolin Watercolor | Earth | Cadmium Scarlet | Mars Violet | Bright
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Old Holland Classic Pigment Titanium White 110gSave Up to25%Off listWhite Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Sennelier Artist Dry Pigments Gold Ochre 110 gramsSave Up to37%Off listGold An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Silver Brush Atelier Goat Hair Quill Brush #80Save Up to35%Off listCreate your next masterpiece with this series of premium brushes for artists working with oils, watercolors and acrylics! Silver Brush Atelier Brushes are a series of premium paint brushes that are available in three different styles. The Mottler series is a 72 brush assortment that has extra long… Create your next masterpiece with this series of premium brushes for artists working with oils, watercolors and acrylics! Silver Brush Atelier Brushes are a series of premium paint brushes that are available in three different styles. The Mottler series is a 72 brush assortment that has extra long handles with bristle brushes in angle and oval shapes for varnishing, graining, transparent painting and priming and badger blend brushes in flat shapes for softening edges and blending. The dressed goat hair of the Hake series, in an assortment of 62 brushes, is ideal for washes and backgrounds in watercolors and acrylics, and for softening brush strokes in oils. Quill Series brushes are made with white goat hair, golden taklon, or a blend of black squirrel and synthetic hair. This assortment of 54 quill brushes is perfect for detail work, washes, and blending with oils, acrylics or watercolor. Key Features: * Series of high-quality paintbrushes in 3 styles * The Mottler Series has extra long handles & bristle or badgers brush heads * The goat hair of the Hake series is great for washes and backgrounds * The Quill series are made of squirrel blend, white goat hair or golden taklon Perfect For: * Portrait artists * Watercolor artwork * Working in oils * Acrylic artwork See More
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Arches Watercolor Paper Pad 140 lb. Cold Press - 11.5"x16.5" (12 Sheets)Save Up to40%Off listPerfecting the art of papermaking since 1492! Each ARCHES® Watercolor Pad holds 12 sheets of natural white, 140 lb (300 gsm), 100% acid-free cotton paper. Perfect for Plein air painting and travel, ARCHES® Paper is ideal for watercolor, gouache, ink, acrylics, and drawing. Made on a traditional… Perfecting the art of papermaking since 1492! Each ARCHES® Watercolor Pad holds 12 sheets of natural white, 140 lb (300 gsm), 100% acid-free cotton paper. Perfect for Plein air painting and travel, ARCHES® Paper is ideal for watercolor, gouache, ink, acrylics, and drawing. Made on a traditional cylinder mold in France, this paper has a balanced natural grain that softens evenly when wet. The long 100% cotton fibers give the paper its strength and a beautiful natural white color. Each sheet is externally and internally gelatin sized "to the core." Gelatin sizing preserves the luster and transparency of watercolors and gives the paper added strength to withstand erasing and scratching. You can rely on ARCHES® to always be consistent. Key Features: * 100% cotton paper * Made on a cylinder mold in France * Gelatin-sized to the core * 12 sheets, 140 lb / 300 gsm weight * Cold press, hot press and rough textures * Natural white color * PH-neutral, gelatin-sized, and air-dried * Acid-free, no optical brightening agents * Fungicidal treatment to prevent the appearance of mildew Perfect For: * Watercolor painting * All wet techniques * Gouache, ink, acrylics, drawing, and printmaking * Repeated erasing and painting * Finished artwork * For traveling or spontaneous with watercolor creativity * Plein aire artists See More
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SoHo Watercolor Block 4"x10", 140 lb. (20 Sheets)Save Up to54%Off listWhite 25% Cotton Paper For Watercolorists And Illustrators SoHo Watercolor Paper is a reliable choice whether you're a student or a seasoned artist. The 140 lb. cold press paper is a 25% cotton and 75% lignin-free cellulose blend, both internally and externally sized for optimal absorbency. The longer cotton fibers add strength and absorbency to the shorter cellulose fibers, ultimately creating a paper that ranks above other student-grade watercolor papers. Each sheet is machine-made and has a balanced grain that softens evenly when wet, making it an ideal surface for watercolor and gouache. SoHo Blocks and Pads are available in various sizes, with 20 sheets per block and 12 sheets per pad. Responsibly Made With Sustainable Resources! The cellulose used to create SoHo Watercolor Paper is responsibly sourced from FSC-certified forests, and the pulp is bleached with chlorine dioxide instead of elemental chlorine gas. Thus, making SoHo Watercolor Paper a sustainable choice for the planet and your artwork. Key Features: * 140 lb. cold press texture * 25% cotton, 75% cellulose * Machine-made for consistency * Acid-free and lignin-free * Sized internally and externally * Elemental chlorine-free (ECF) * Sourced from FSC-certified forests Perfect For: * Watercolor and gouache * Acrylic and ink * Charcoal and graphite * Plein air painting and travel * Fine students and artists See More
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NY Central Watercolor Block 140lb Hot Press - 4" x 10" (20 Sheets)Save Up to75%Off listWhite Premium 140lb & 300lb watercolor paper at an affordable price New York Central’s 100% Cotton Watercolor Paper is made on a slowly rotating cylinder mould. The machine evenly distributes long cotton fibers to make each durable sheet. Internal gelatin sizing prevents paint bleed-through and preserves color vibrancy. Each sheet has a balanced grain that softens as a unit when wet. The paper can withstand a multitude of techniques, including wet color blending, paper scratching, and scrubbing. New York Central Watercolor Blocks are available in a range of unique sizes, and come in 140lb and 300lb weights. The rigid backing board supports the paper and makes plein air painting simple. All four sides of the block are glued to prevent the top sheet from curling and buckling as you paint. There is no need to stretch the paper before using it! New York Central Watercolor Blocks are ideal for wet and dry media, especially watercolor, gouache, ink, and fluid acrylic paint. Key Features: * Bright white 140lb and 300lb paper made with 100% cotton * Acid-free and archival * Internally sized with gelatin sizing * Seven block sizes * Available in cold and hot press * Sizing preserves the luster and transparency of watercolors * Blocks eliminate the need to stretch paper * Superior surface stability * Made on a cylinder mould * Holds up to scrubbing and erasing Perfect For: * Wet and dry media * Watercolor, gouache, ink, and fluid acrylic * Scrubbing and color lift techniques * Professional watercolorists * Simplifying the painting process * Keeping paper perfectly flat * For traveling or painting on the go Please note: The bottom edge of each block has a one-inch section that is not glued. Insert a clean palette knife between the sheets in this section to separate the top sheet from the rest of the block. Gently slide the knife around all four edges until the top sheet is separated. See More
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Lascaux Thick Bodied Artist Acrylics Cadmium Red Light 750 mlSave Up to38%Off listRed The richest acrylic paints in the world! All Lascaux Thick Bodied Artist Acrylic colors dry to a consistent satin finish. The richness of the pigment along with the uniform character of the paint film produces vivid compositions not capable with any other brand. Colors are intensely pigmented, extraordinarily lightfast, and completely resistant to aging. They layer well without shrinking and cover exceptionally. Colors do not oxidize, yellow or crack even in the thickest layers. Synthetic Iron Oxide colors are substituted for natural earth colors to produce a richness in hue not possible with natural pigments. The range includes both transparent and opaque colors. Key Features: * In Sizes: 45ml, 200ml, 750ml * Maximum pigmentation * Lightfast, age-resistant & non-yellowing * Water-resistant when dry * Very good film flexibility * Semi-matt finish * Smooth and thick consistency * Highly concentrated and economical Perfect For: * Precision application with brush or palette-knife * Impasto * Thick texture * Painting on practically any surface * Plein air painters * Quick and easy cleanup * Artists and teachers See More
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Lefranc & Bourgeois Flashe Vinyl Paint - Black, 750 ml JarSave Up to30%Off listBlack Highly Pigmented Opaque Vinyl Paint On All Supports Lefranc & Bourgeois's FLASHE is a vinyl-based opaque paint that dries to a uniform, velvety matte finish. Vinyl paint is like acrylic in that you can use it on different surfaces, but FLASHE has a velvety matt finish and can be painted on glass and plastic without a primer, unlike acrylic. Special properties in the paint allow you to apply the same color to different surfaces without any big color shift, and you can dilute the paint with water to create wash effects. The paint adheres well and is resistant to weather, which makes it perfect for painting theatre decorations, faux finishes, frescos, and more. All FLASHE colours have a distinctive matt finish, except the iridescent colours, which have a luminous, satin finish due to their pearlescent pigmentation. Key Features: * Highly pigmented opaque vinyl paint * Radiant colour, matt finish, and exceptional durability * High-quality pigments specially selected for fine art * Identical color finish on all surfaces * It can be heavily diluted without breaking the film * Guaranteed to be 100% stable over time * Most surfaces do not need to be primed Perfect For: * Artists and illustrators * Non-oily painting surfaces, canvas, wood, fabric, leather, metal, paper, plastic, glass, and polystyrene * Creating transparent wash effects and patinas * Use as an undercoat for oil or acrylic murals * Transferring artwork from analog to digital * Spontaneous painting in the studio or outdoors * Fresco and wall painting, faux finishes, theater decorations, and more * Brush, sponge, spray gun, or an airbrush application FLASHE Colours have a uniform 30-minute drying time, and once dry, they are water-resistant. You can only remove the paint with alcohol-based solvents. Apply opaque colours with a single application, semi-opaque colours with two applications, and transparent colours with three to four applications. Watercolour: To create washes and patinas, dilute with between 1/3 and 2/3 water as desired. Varnish: Matt varnish can be applied on top to maintain the vibrancy of the colour without altering the shade. Gloss varnish will make shades a tone deeper and more vivid. Varnish is recommended for all outside applications. See More
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