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Old Holland Classic Pigment Titanium White 110gSave Up to40%Off listWhite Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Sennelier Artist Dry Pigments Gold Ochre 110 gramsSave Up to37%Off listGold An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Yupo Multimedia Translucent Paper Roll 104lb 30" in x 10ydSave Up to45%Off listWhite A slick, smooth, non-absorbent substrate that dramatically changes the way you paint, print or draw Yupo is the first and most popular synthetic art paper on the market. The world's first erasable watercolor paper! The non-absorbent, ultra-smooth surface allows paints like watercolor and acrylics to sit right on top of the paper, making for beautiful, watery effects unachievable on any other paper. It also holds pen and ink lines with razor sharp precision, and markers work beautifully on Yupo's unique surface as well. With its durable, non-tearing construction it can withstand multiple erasures and you can even run it under a faucet to erase watercolors! The non-absorbent nature of Yupo also means it will not buckle, no matter how much water you put on it, and it makes colors more vibrant and brilliant than on standard papers as all of the color sits on the surface. It's a synthetic paper, machine-made in the USA of 100% polypropylene. What is YUPO Watercolor Paper? It is waterproof, stain resistant, extremely strong and durable non-absorbent substrate that dramatically changes the way you paint. Available in medium and heavy weight white varieties and now new translucent YUPO! Explore the versatility of synthetic paper with Yupo, the world's first erasable watercolor paper! You Can use YUPO Watercolor Paper For:Acrylic Painting, Alcohol Inks, Debossing, Monotype, Offset, Oil Pastel, Pencil/Graphite, Silkscreen, Sumi-e Ink, Watercolor Available in white with either medium 74lb or heavy 144lb weight, and translucent with a 104lb weight Key Features:* Available in white with either medium 74lb or heavy 144lb weight, and translucent with a 104lb weight* Erasable synthetic paper* Non-absorbent surface resists tearing and buckling* Machine-made in the USA of 100% polypropylene* Waterproof, stain resistant, and extremely strong and durable* Durable, non-tearing construction* pH-neutral, flawlessly smooth, and recyclable* Pads are tape bound on the short side Perfect For:* Acrylic Painting, Alcohol Inks, Debossing, Monotype, Offset, Oil Pastel, Pencil/Graphite, Silkscreen, Sumi-e Ink, Watercolor* Watercolors and acrylics* Resists tearing and buckling and remains perfectly flat* Eliminating the need for soaking, stretching, or taping* Making colors more vibrant and brilliant than on standard papers YUPO Medium Paper: 200 gsm / 74lb - Acid Free, Neutral pH, Smooth Surface- A true innovation in fine art substrates. This synthetic, tree-free paper is everlasting and non-absorbent. It resists buckling with wet media and can be wiped clean. Pigments will retain true clarity and brightness. A new way for techniques to flourish. Applications: Acrylic Painting, Alcohol Inks, Markers, Monotype, Offset, Oil, Pastel, Pencil/Graphite, Silkscreen, Watercolor YUPO Heavy Paper: 390 gsm / 144lb - Acid Free, Neutral pH, Smooth Surface- A radically novel breed of paper. Tree-free, bright white and stainproof, it allows artists to create shapes, patterns and nuances that are impossible to achieve on conventional papers. Non-absorbent and slick, a revelation for artisans. Applications: Acrylic Painting, Alcohol Inks, Markers, Monotype, Offset, Oil Pastel, Pencil/Graphite, Silkscreen, Watercolor YUPO Translucent Paper: 153 gsm / 104lb - Acid Free, Neutral pH, Smooth Surface- With a translucent finish, these slick sheets are an excellent beginning point for a variety of mediums. Remaining true to all YUPO® revolutionary qualities, this substrate allows artists to rethink coloring from a fresh perspective. Applications: Acrylic Painting, Alcohol Inks, Markers, Monotype, Oil Pastel, Pencil/Graphite, Silkscreen, Watercolor * Yupo 10-Packs - Available in white with either medium 74lb or heavy 144lb weight, and translucent with a 104lb weight. Sold in packs of 10 sheets.* Yupo Assorted Pack - Includes five 20 x 26" sheets of 74lb medium weight and five 20 x 26" sheets of 144lb heavy weight white Yupo brand paper.* Yupo Pads - Available in 2 sizes with white or translucent paper. 10 sheets per pad.* Yupo Rolls - A 60" x 10 yard roll & 30" x 10 yard roll of Yupo's popular medium 74lb white synthetic paper, perfect for large-scale pieces! See More
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Arches Natural White En-Tout Cas Watercolor Roll,134lb - 52" x 10ydSave Up to40%Off list100% Cotton Strong Character, Rich in Texture Watercolor 10yd. Paper Rolls Arches watercolor rolls come in 10 yard rolls are acid-free, 100% cotton paper ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing and airbrushing. The 10 yard rolls are offered in a… 100% Cotton Strong Character, Rich in Texture Watercolor 10yd. Paper Rolls Arches watercolor rolls come in 10 yard rolls are acid-free, 100% cotton paper ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing and airbrushing. The 10 yard rolls are offered in a variety of weights and textures. Two deckle edges run along the outside of each roll. Ideal for watercolor painting, as for all wet techniques such as ink, gouache and acrylic. Sized to the core with natural gelatin: a process exclusive to ARCHES®. Available Surfaces: * Hot Pressed * Cold Pressed * Rough Available Roll Styles * D-Arches 51" - 156lb (356 gsm) * D-Arches 44" - 140lb (300 gsm) * En-Tout-Cas 52" - 134lb (280 gsm) 51” Wide 156 lb wt. - Extra wide rolls of D’Arches 100% rag watercolor paper that is approximately 11% heavier than conventional 140 lb (300 gsm) weight paper. Available in all three popular surfaces. 2 deckle edges run along the outside of the roll. En-Tout-Cas 52”, 134lb wt. - An impressive sheet with 2 deckle edges. This gelatin sized, 134 lb (280 gsm) weight, mould made sheet has a dual surface character. On one side it’s cold pressed for watercolor painting, on the other side, it is rough for ink and drawing. Plus it is 25% cotton. See More
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Yupo Watercolor Medium Paper Roll 30"x10 Yards, White 74lb.Save Up to41%Off list…you paint Yupo is the first and most popular synthetic art paper on the market. The world's first erasable watercolor paper! The non-absorbent, ultra-smooth surface allows paints like watercolor and acrylics to sit right on top of the paper, making for beautiful, watery effects unachievable on any… A slick, smooth, non-absorbent substrate that dramatically changes the way you paint Yupo is the first and most popular synthetic art paper on the market. The world's first erasable watercolor paper! The non-absorbent, ultra-smooth surface allows paints like watercolor and acrylics to sit right on top of the paper, making for beautiful, watery effects unachievable on any other paper. It also holds pen and ink lines with razor sharp precision, and markers work beautifully on Yupo's unique surface as well. With its durable, non-tearing construction it can withstand multiple erasures and you can even run it under a faucet to erase watercolors! The non-absorbent nature of Yupo also means it will not buckle, no matter how much water you put on it, and it makes colors more vibrant and brilliant than on standard papers as all of the color sits on the surface. Key Features:* Rolls: 60" x 10 yard roll & 30" x 10 yard roll* Yupo's popular medium 74lb white synthetic paper, perfect for large-scale pieces!* Erasable synthetic paper* Non-absorbent surface resists tearing and buckling* Machine-made in the USA of 100% polypropylene* Waterproof, stain resistant, and extremely strong and durable* Durable, non-tearing construction* pH-neutral, flawlessly smooth, and recyclable* Pads are tape bound on the short side Perfect For:* Watercolors and acrylics* Resists tearing and buckling and remains perfectly flat* Eliminating the need for soaking, stretching, or taping* Making colors more vibrant and brilliant than on standard papers See More
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Arches Natural White En-Tout Cas Watercolor Roll,134lb - 52" x 10ydSave Up to40%Off list…Strength and Longevity The Artists' Choice For Watercolor Papers Since 1492! Mould-made in France, Arches Natural White Watercolor Paper is 100% cotton rag watercolor paper. Considered the most popular in the world, each gelatin-sized Arches watercolor paper sheet has four deckle edges and may be… Natural White 100% Cotton Paper, Lasting Whiteness with Strength and Longevity The Artists' Choice For Watercolor Papers Since 1492! Mould-made in France, Arches Natural White Watercolor Paper is 100% cotton rag watercolor paper. Considered the most popular in the world, each gelatin-sized Arches watercolor paper sheet has four deckle edges and may be repeatedly erased and over-painted while still maintaining its beautiful surface quality and integrity. Arches natural white watercolor paper is available in all three popular watercolor paper finishes, hot press, cold press and rough grain Ideal for watercolor painting, as for all wet techniques such as ink, gouache and acrylic. Arches natural white watercolor paper has been a favorite among artists for over 500 years, and it's easy to see why! Made from 100% cotton linters and both internally and externally gelatin sized, acid-free Aquarelle watercolor paper is one of the finest art papers in the world. Sized to the core with natural gelatin, a process exclusive to ARCHES®. Even if it is soaked for a long time, the paper will still retain enough gelatin not to become too absorbent. Arches Hot Pressed papers are plate smooth and are ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing, and airbrushing. The rich Arches Cold Pressed surface is a particular favorite of illustrators, watercolorists, and airbrush artists. For a bolder, more robust surface, Arches Rough provides just enough texture allowing for easy working, and is strong enough to maintain its character even after reworking. The Rough texture is also used by watercolorists, airbrush artists, and acrylic painters. 260 lb. is approximately the same weight as 140 lb. paper but in double elephant (available in larger sizes than 22x30"). Key Features:* 100% long rag cotton* Mould-made in France* Available in hot press, cold press and rough grain!* Two natural deckle edges, two torn deckle edges* Acid-free, no optical brightening agents* Natural color* Sized to the core with natural gelatin Perfect For:* Watercolorists* Maintaining the integrity of the paper after repeated erasing and painting* Finished artwork* Wet techniques such as ink, gouache, and acrylic Arches Watercolor Paper, Natural White Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706), fungicidal treatment to prevent the appearance of mould Uses: ideal for watercolor painting, as for all wet techniques such as ink, gouache, and acrylic Exclusive to ARCHES®: it is sized to the core with natural gelatin, which means it can be scratched without tearing or linting. It also preserves the luster and transparency of the colours whilst preventing paints from penetrating into the thickness of the paper. See More
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Sennelier Giant Solid Oil Stick - Titanium Buff, 96mlSave Up to60%Off listWhite Made from pure, concentrated pigments, the finest safflower oil and high-quality mineral wax Sennelier Extra-Fine Artist Oil Sticks can be used alone or in combination with tube oil paints. Like regular oils, they can be diluted with turpentine and dry to a hard film. These creamy, lightfast sticks may be used for sketching or for producing complete works of art on any traditional oil paint surface. Sennelier Artists’ Oil Sticks allow you to approach oil painting in an entirely new and expressive manner. They extend the degree of spontaneity, allowing for greater freedom in approach and without the need for a brush. Please note that packaging may vary - same great oil painting stick, with a new label! Key Features: * 82 colors available * Series 1: 41 colors (labeled S1) * Series 2: 21 colors (labeled S2) * Series 3: 20 colors (labeled S3) * Made of pure pigment, safflower oil, and mineral wax * Excellent lightfastness ratings * Can be diluted with turpentine * Intermixable with oil paints and mediums Perfect For: * Oil painters * Use for quick sketching * Canvas, panels, boards * Working with texture effects * Painting complete works of art * Traditional and contemporary techniques Sennelier Oil Sticks are a combination of oil paint, with a small amount of the oil substituted with natural mineral wax enabling them to be produced in stick form. These sticks are produced from pure pigments and have the highest possible lightfast and permanence ratings. Oil sticks can also be fully intermixed with conventional oil colors and mediums. A special mineral wax gives the sticks a creamy consistency, which ensures the adhesion of the color on all commercial oil painting surfaces. These Sennelier Extra-Fine Oil Sticks contain selected vegetable oils to guarantee permanent protection against yellowing. Varnish can be applied to your work after 6 months, as with conventional oil paints. Before using these Sennelier Extra-Fine Oil Sticks, remove the fine protective film on the stick. This film will re-form in a few days if the stick is not used. Colors dry in 2-4 days, depending on the thickness of the paint layer and the ambient temperature. See More
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