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Old Holland Classic Pigment Titanium White 110gSave Up to40%Off listWhite Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Sennelier Artist Dry Pigments Gold Ochre 110 gramsSave Up to37%Off listGold An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Daniel Smith Watercolor Ground - Transparent, 4ozSave Up to40%Off listClear Transparent Paint with watercolors on any surface! You can use watercolors on any surface with Daniel Smith's Watercolor Ground! After applying the Ground you can paint with watercolors on wood, plaster, metal, plastic, glass, and fabric! Simply brush the Watercolor Ground on and within 24 hours the surface will be transformed into an exciting absorbent ground for watercolor! If you make a mistake, rescue your painting with Titanium White Watercolor Ground the “white out” for artists that allows you to cover up and start over with a fresh white surface. You can use one of the colored Grounds to create surface texture or use the Transparent Watercolor Ground which allows the surface of your substrate, for example, wood grain or decorative paper, to show through when you paint over with watercolors. DANIEL SMITH Watercolor Ground creates a soft, absorbent watercolor surface with a slightly cottony texture that’s similar to cold press paper. With this breakthrough archival-quality ground, artists can create new work on any surface, rescue flawed paintings, lift and scrub without damaging the painting surface, and frame without glass. There’s really no end to what can be done! Key Features:* Absorbent watercolor ground* Works on multiple surfaces* Archival and acid-free.* Holds up to vigorous scrubbing Perfect For:* Watercolor Artists* Mixed media applications* Framing without Glass The beauty of watercolor is transparency and transparency is what gives watercolor paintings their distinctive clarity, luminosity, and realism. Now, with DANIEL SMITH Watercolor Ground, artists can get this unique visual quality on any surface they choose: * Wood & Plaster* Canvas & Masonite* All types of paper* Fabric* Glass & Plexiglass* Metal* Plastic* Stone & Masonry Preparation Absorbent or semi-absorbent surfaces require no special prep before brushing on DANIEL SMITH Watercolor Ground. These include paper, canvas and other fabrics, wood, plaster, shells, and hardboard. Non-absorbent surfaces such as metal, plastic or glass should be lightly abraded with sandpaper or steel wool before brushing on the Watercolor Ground. Application We recommend using Watercolor Ground straight from the container. It has a thick, brushable consistency. Use a soft-haired synthetic brush, foam brush or foam roller for a smoother finish, or a hog bristle brush for a more textured finish. The ground is highly pigmented so one coat will cover most surfaces; very absorbent surfaces such as unfinished softwood may require two coats, allowing the first coat to cure before adding the second. Wash brushes immediately after use. TIP – when using the Watercolor Ground to Rescue a Painting, thin some Watercolor Ground in a small dish with up to 10% of water and use a soft brush like a hake brush to blend the edges. Curing Let Watercolor Ground dry and cure for at least 24 hours. This allows it to attain the right degree of absorption. Painting DANIEL SMITH Watercolor Ground works beautifully with watercolors and thinned acrylics. Because it creates a surface more absorbent than paper, you will want to use less water with your paint. Experiment and see what works best for you. It also works beautifully with DANIEL SMITH Masking Fluid. Finishing As with all watercolors, your work on DANIEL SMITH Watercolor Ground will need to be fixed if it will not be framed behind glass. We suggest spraying with a high quality, Archival Aerosol MSA Varnish with UVLS to protect your painting. DANIEL SMITH Watercolor Grounds give artists more freedom to paint with their watercolors; on any surface, rescue a watercolor painting and add more creative opportunities for painting with watercolors! See More
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Da Vinci Masking Fluid 4 oz BottleSave Up to50%Off list…are produced with the same high-quality standards found in Da Vinci Watercolors. They are ideal for artists seeking to control the dispersion of watercolors or to add an iridescent effect. Gum Arabic - Mix into watercolor to reduce spread while increasing flow, gloss, and transparency. Iridescent… Paint Fit for Masters™ These mediums are produced with the same high-quality standards found in Da Vinci Watercolors. They are ideal for artists seeking to control the dispersion of watercolors or to add an iridescent effect. Gum Arabic - Mix into watercolor to reduce spread while increasing flow, gloss, and transparency. Iridescent Medium - Inspired by the shimmering Pacific Ocean, Da Vinci’s Iridescent Medium will help your watercolor glisten when mixed into a wet on wet technique or applied over dry paint film. Masking Fluid - Da Vinci’s Masking Fluid will protect selected areas of your work from washes of water based color. Quick drying, non-staining, easily removable and smooth flowing, this product can be used on many surfaces including paper and board. Watercolor Medium - Mix into watercolor to increase flow, gloss, and transparency. See More
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Liquitex Basics Acrylic Paint - Tranparent Mixing White, 4oz TubeSave Up to47%Off listWhite BASICS is for all - from those new to painting, to experienced artists! Liquitex BASICS Acrylic Paints, developed for students and artists that need dependable quality at an economical price. Liquitex BASICS paints have a medium-viscosity that allows for easy use, mixing and easy blending. Paint provides great coverage, drying to a satin finish, with colors uniquely formulated to bring out maximum pigment. Basics paints are more economical due to lower pigment content, striking a balance between affordability and quality and maintain a consistent medium viscosity across all colors for versatility! Colors are uniquely formulated to bring out the maximum pigment and are intermixable with all Liquitex BASICS colors and mediums. With a full color range of 72 colors, BASICS are great for learning color mixing and color theory. Perfect for beginners, large scale works or backgrounds, murals, and learning color mixing! Liquitex BASICS medium-viscosity paint is made with lightfast, artist-quality pigments. All colors hold the AP seal from ACMI for being non-toxic, so they are safe for even young beginners. Key Features:* 4oz., 32oz., 250ml and 400ml* Dependable paint, affordable cost* Value/Student Series Acrylic* 48 color spectrum* Excellent working qualities* Great coverage, drying to a satin finish* Medium viscosity paint is made with lightfast, artist-quality pigments Perfect For:* Underpainting or sketching if you’re a serious artist* Students learning Acrylics* Artists painting large scale* Budget-minded Artists* Color studies and practice* Characteristics: Medium viscosity, Fine art pigments, Satin finish & Easy blending Techniques: Sketching & underpainting, Color theory/mixing, Collage & mixed media USES AND TECHNIQUES:* Traditional Acrylic Painting on canvas or panel, easy blending* Experimental Acrylic Painting* Collage and Mixed Media * Printmaking: Screen Printing, Mono Prints, Block Prints* Color Theory & Mixing See More
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Liquitex Acrylic Additive 4 oz Masking FluidSave Up to46%Off list…masking fluid to block off sections of a painting that they don't want to paint. The masking fluid works well with washes of fluid acrylic and watercolor. Key Features: * Latex masking fluid formula * Preserve white areas by blocking paint * Peel away once color dries to reveal the design * Leaves… Leaves No Stain Once Peeled Away Liquitex Masking Fluid is a colorless, latex-based liquid that you can use to mask areas of a painting. Most artists use masking fluid to block off sections of a painting that they don't want to paint. The masking fluid works well with washes of fluid acrylic and watercolor. Key Features: * Latex masking fluid formula * Preserve white areas by blocking paint * Peel away once color dries to reveal the design * Leaves no trace or stain once removed Perfect For: * Watercolorists and acrylic artists * Working on small, delicate details * Creating sharp lines and defined effects * Maintaining archival quality See More
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Akua Liquid Pigment 4oz - Yellow OchreSave Up to19%Off listYellow Print directly onto dry paper, without a press with Akua Liguid Pigments! Developed by a professional printmaker, Akua Liquid Pigments provide artists with intense colors and unmatched working properties. These liquid pigments are crafted from the highest-quality lightfast pigments, pure gum binders and honey. Absolutely no suspending agents, chalks, dryers or polymers are used! The color values of these Liquid Pigments are exceptionally strong, yet transparent, allowing for multi-layer printing. Akua Liquid Pigments' unique slow drying formula keeps the ink wet for hours while artists develop an image. The consistency of Akua Liquid Pigments is perfect for all monotype techniques and can be easily adjusted with Akua modifiers. Use Akua Liquid Pigments for monotype brushwork, Japanese woodcut and drawing. Akua Liquid Pigments can also be used on dry paper and without a press! Key Features: Crafted from light fast pigments, pure gum binders, and honey A rich working consistency Slow drying formula Highly pigmented, brilliant colors Developed by a professional print making artists Can be rolled directly onto a plate Prints on dry paper Contains no suspension agents, chalk, dryers or polymers! Perfect For: Artists of all skill levels Monotype brushwork, Japanese woodcut and drawing Use wtih Akua modifiers to adjust sheen, thickness and transparency Multi-layer printing Extended open times Tinting Akua Intaglio Inks Printing without a press Safe and easy clean up with soap and water See More
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Strathmore Paper Roll 300 Series Charcoal 36"x10yd RollSave Up to33%Off list…paper. Ideal for use with pencil, colored pencil, charcoal and sketching stick. Paper weight is 70 lb.* 400 Series Watercolor- Heavy weight, cold-press, natural-white watercolor paper that will allow lifting and scraping applications. Features deckled edges with a weight of 140 lb.* 400 Series… Create artwork on any size and any shaped paper with these Strathmore rolls! Strathmore's specialty grade paper rolls provide artists with the convenience and flexibility of creating without size or scale limitations. Perfect for either practice of techniques or finished artwork, depending on roll.* 400 Series Drawing- Smooth, medium weight, cream colored drawing paper. Ideal for use with pen and ink, pencil, charcoal, crayon, and markers. Paper weight is 80 lb.* 300 Series Bristol- Smooth, stiff, illustration paper. This high quality bristol is ideal for mechanical drawing, marker, airbrush, pencil or pen. Bristol weight is 100 lb.* 300 Series Drawing- Medium weight, student-grade drawing paper. Ideal for use with pencil, colored pencil, charcoal and sketching stick. Paper weight is 70 lb.* 400 Series Watercolor- Heavy weight, cold-press, natural-white watercolor paper that will allow lifting and scraping applications. Features deckled edges with a weight of 140 lb.* 400 Series Toned Sketch Paper- Medium weight, 100% recycled, acid-free sketch paper in shades of cool gray or warm tan. Toned paper weight is 80 lb.* 300 Series Newsprint Rough- A heavier weight, natural-toned newsprint for practicing sketching and drawing. Rough surface readily accepts graphite, colored pencil, charcoal, and sketching sticks. Newsprint weight is 32 lb.* 300 Series Bristol Vellum- Good for graphite, colored pencil, charcoal, sketching sticks, mixed media, airbrush, and oil pastel. Bristol weight is 100 lb.* 300 Series Charcoal- This laid finish, traditional white, strong surface is ideal for charcoal or pastel. Also suitable for graphite, colored pencil, sketching sticks, crayon, and oil pastel. Paper weight is 64 lb.* 400 Series Drawing Smooth- Cream-colored drawing paper ideal for graphite, colored pencil, pen and ink, and marker. Designed to be ideal for sketching, it is heavy enough for most finished drawings. Paper weight is 80 lb.* 400 Series Layout Bond- Crisp, smooth surface is ideal for rough drawings or finished layout renderings in pencil, pen, or marker. Paper weight is 16 lb.* 400 Mixed Media- This Mixed Media roll features a vellum surface, combining characteristics of watercolor paper with a drawing sheet finish. Used for studies or finished art in watercolor, gouache, acrylics, graphite, pen and ink, colored pencil, marker, pastel, or collage. Paper weight is 140 lb.* 400 Series Recycled Drawing- Medium surfaced, bright white paper is good for graphite, colored pencil, charcoal, sketching sticks, marker, pen and ink, and soft or oil pastels. 30% post consumer fiber. Paper weight is 80 lb.* 400 Series Recycled Sketch- Fine-toothed sketch paper is ideal for experimentation, perfecting techniques, and preliminary drawings with all dry media. 30% post consumer fiber. Paper weight is 60 lb. See More
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Liquitex BASICS Acrylic Fluid - Cadmium Orange Hue, 4oz BottleSave Up to41%Off listOrange Ultra fluid, super versatile, everyday fine art acrylic Liquitex BASICS Acrylic Fluid Paints have a fluid consistency perfect for pouring, splattering, and stippling. The fluid paint provides excellent coverage and dries to a permanent, water-resistant finish when dry. Each color is formulated with the highest quality pigments and undergoes the same rigorous manufacturing process as professional Liquitex paints. The only difference is that Basics paints have a lower concentration of pigments. With a range of 48 colors, BASICS Acrylic Fluid Paints are perfect for beginners, large-scale backgrounds, mixed media collages, and murals! All Liquitex BASICS colors hold the AP seal from ACMI for being non-toxic, so they are safe for even young beginners. Click on the item number to view more information on each set Key Features: * 48 Fluid viscosity colors * Made with fine art pigments * No dilution needed * Easy blending * Dries to a satin sheen * Water-resistant once dry * Highly flexible and durable paint * Non-yellowing and UV-resistant * AP certified non-toxic Perfect For: * Painting fine details * Pouring, splattering, and stippling * Sketching and underpainting * Color theory / mixing * Collage and mixed media * Artists painting large scale * Budget-minded artists * Painting on canvas, paper, wood, metal, styrofoam, and ceramics See More
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GOLDEN SoFlat Matte Acrylic - Burnt Umber, 4oz JarSave Up to40%Off listBrown Saturated color that dries to an even, glare-free surface! GOLDEN SoFlat Matte Acrylic Paints are a professional grade acrylic paint that is completely matte and self-leveling, leaving no brush strokes once dry. GOLDEN formulated SoFlat for the growing number of artists who want to create uniform fields of rich matte color in fewer paint layers. GOLDEN SoFlat artwork is easier to photograph and looks fantastic online. GOLDEN'S stringent paint quality requirements demand high pigment concentration and a creamy, fluid, dense paint consistency with optimal covering power. With GOLDEN SoFlat paint, you can brush out a smooth, saturated field of color that dries to an even glare-free surface. See Sets of 6 in 2oz. Jars: Zing and Pop Key Features: * Super opaque acrylic * Self-leveling- no visible brush strokes once dry * Available in 2, 4, and 16 oz. jars * Available in 2oz. jar sets (ZING, POP) * Smooth, viscous, fluid consistency * Most colors are opaque in one or two coats * Glare-free once dry * 100% acrylic composition * Compatible with GOLDEN paints and mediums * Perfect For: * Acrylic painters of all levels * Creating large, graphic, matte artworks * Flat manufactured look once dry * Photographing glare-free artwork * Muralists, street artists, students * Applying with ease onto the palette or directly onto canvas SoFlat Pop Set Of 6, Colors in 2oz. Jars: Cadmium Primrose, Naphthol Red Light, Ultramarine Blue, Permanent Green, Black, and Titanium White. SoFlat Zing Set Of 6, Colors in 2oz. Jars: Bismuth Vanadate Yellow, Cadmium Orange, Naphthol Pink, Red Violet, Cobalt Teal, and Yellow Green. See More
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GOLDEN Fluid Acrylics Viridian Green Hue 4 ozSave Up to40%Off listGreen GOLDEN Fluid Acrylics provide a highly intense, permanent acrylic with a consistency similar to india ink. Equal the intensity of GOLDEN Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying (particularly when mixed with GOLDEN Airbrush Medium), staining techniques and many others. Fluids are created by loading an acrylic polymer binder with concentrated levels of quality pigments for a wide selection of permanent and lightfast colors. No fillers or extenders are added to achieve the desired consistency, nor is the fluid quality achieved with additional water. GOLDEN Fluid Acrylics have the same pigment load as the Heavy Body Acrylics, but in a viscosity similar to heavy cream. Fluids allow for smooth flowing applications while retaining color intensity, tinting strength, film integrity, and adhesion. Fluids blend easily with all acrylic colors, and readily tint gels, mediums, gessoes and grounds. Fluid Acrylics are extremely versatile, and ideal for fine brushwork, glazing, staining, water media techniques and many more. Mix Fluid Acrylics with Airbrush Medium for airbrush application of artwork including textiles. Key Features: * Smooth flowing applications * Permanent and lightfast colors * Extremely versatile * High tinting strength * Low-viscosity, pigment-saturated paint * Retain excellent flexibility when dry * High pigment levels suspended in an acrylic polymer vehicle * Perfect For: * Fine brushwork * Glazing and staining * Water media techniques * Dry brush application * Spraying, brushing, and staining * Allowing for longer, more uniform brush strokes * Absorbing the constant stress and strain placed on canvas Golden Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility, and good adhesion. * Golden Fluid Acrylics Interference Colors which reflect their own colors in intense direct light and transmit a complement in indirect light. This "flip" varies according to the surface and the surface color. Adding a small amount of black will produce brighter colors. * Golden Fluid Acrylics Iridescent Colors reflect their own light. They appear differently dependent on the light source being either direct or indirect. Mix these colors into other GOLDEN colors to produce the greatest array of pearlescent colors imaginable. Experiment for unique and fascinating effects. See More
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Golden High Flow Acrylic - Light Green (Yellow Shade), 4oz BottleSave Up to40%Off listGreen High-fluidity, ink-like acrylic colors perfect for airbrush, illustration, mixed media and more! Golden High Flow Acrylics are acrylic paint that can go from brush to marker or from dip pen to airbrush and more. From fine lines to broad strokes, High Flow Acrylic Paint has an ink-like consistency that lends itself to a wide range of techniques, including staining, leveling, calligraphy, and mixed media. High Flow acrylics flow like ink and are non-clogging but boast the same intense pigment load, high lightfast ratings, and superior permanence as exhibited in GOLDEN's other professional quality paint lines. High Flow Acrylics can be used in refillable paint markers, technical pens, and airbrushes but perform equally well with traditional brush work, pen and ink techniques, staining and washing, and even pouring directly from the bottle! The artistic possibilities are endless. Available in a wide range of 49 vibrant, intermixable colors, GOLDEN High-Flow acrylics work beautifully on almost any surface, including paper, raw or primed canvas, board, wood, fabric, and more. Whether doing technical drawings, airbrush art, calligraphy, graffiti, watercolor techniques, illustration, detailed or abstract art, High Flow Acrylic Colors can keep up with your every artistic move! Key Features:* Super-fluid, high intensity acrylic paint* Superior pigment load & light fastness* 85 colors including iridescent & fluorescents* All compatible with GOLDEN acrylics & mediums* Can be used in refillable paint markers, technical pens, and airbrushes* High Flow acrylics work beautifully on almost any surface* How to use High Flow - See Video: * Available in 1 oz., 4 oz., 16 oz., & gallon bottles Perfect For:* Airbrush, technical pen & refillable marker* Traditional painting & illustration techniques* Staining, washing, & pouring straight from the bottle* A versatile, ink-like paint ideal for any artist!* Paper, raw or primed canvas, board, wood, fabric, and more* Traditional brush work, pen and ink techniques, staining and washing, and even pouring directly from the bottle See More
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GOLDEN Heavy Body Acrylics - Pearl Mica Flake, 4oz JarSave Up to40%Off listBlack Golden Heavy Body Acrylic Paints - Professionally Loved Acrylics! The original line of paints! GOLDEN Heavy Body acrylic paints are known to be exceptionally smooth with a thick, buttery consistency and contain the largest assortment of unique pure pigments in a 100% acrylic emulsion vehicle available to the professional artist. These colors offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body acrylic color is formulated differently depending on the nature of the pigment. Colors that tolerate higher pigment "loads" dry to a more opaque, matte finish. Colors that are more reactive and do not accept high pigment loading, dry to a glossy finish and tend to be more transparent. Heavy Body colors contain no additives, such as matting agents, therefore the gloss of each color will be different. Key Features:* Exceptionally smooth, rich, buttery consistency* Dries quickly, permanent and archival in quality* Ability to "stand up" and retain brush strokes* All HB colors are thixotropic in nature* Retain excellent flexibility when dry, diminishing the possibility of cracking* Heavy Body viscosity can also be reduced successfully with water* No flattening agents* No opacifiers added to colors* Clearest and cleanest quality* 101 different colors, shades and tints* 30 colors are mixture colors, the rest of produced from single, unique pigments* Concentrated/Chemically Pure Cadmiums Perfect For:* Approved for professional artist* 100% acrylic binder* Freeze-thaw stability* "stand up" and retain brush strokes or palette knife marks on the canvas* Largest assortment of unique pure pigments* There are no fillers, extenders, opacifiers, toners, or dyes added* Can be mixed with all of our GOLDEN Mediums, Gels and other paint lines C.P. Cadmiums = A grade that has a high concentration of cadmium and is considered the highest quality. The C.P. designation has been associated with both “Chemically Pure” and "Concentrated Pigment". Which translation you come across will often depend on the source and context. In terms of “(CC)”, it refers to “Concentrated Cadmium” and was adopted by the ASTM (American Society for Testing and Materials) as a way to differentiate higher quality cadmiums from lesser quality cadmium-barium pigments. All Heavy Body colors are thixotropic in nature This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of our pigments Please note: The items on this page are available at the Best Lowest Price Possible and no further discounts can be applied. See More
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Jacquard Pearl Ex Powdered Pigment - Sunset Gold .75ozSave Up to41%Off listMetallic Use with oils, acrylics, watercolors, fabric paint and more! Pearl-Ex pigment colors can be mixed into any media and applied to any surface! And the variety of finishes Pearl Ex can produce is nearly endless—from metallic sheens to pearlescent shimmers to all manner of faux finishes. Pearl Ex creates a metallic look without being a metal. The particles are flat platelets with two surfaces, therefore it lays down beautifully like a thin coating of metal. The different particle sizes produce different looks from a fine, smooth, pearly luster to a highly metallic sheen. It is a safe, non-toxic, inert powdered pigment with a neutral pH. It is extremely color fast and stable. These colors will not tarnish or fade and is therefore ideal for archival applications. Add Pearl-Ex pigments to any viscous medium such as acrylic, gouache, oils, varnish, wax, paper pulp and clay. Great for faux finishing, mixed media art and more. Pearl Ex powdered pigment colors can be mixed into any media and applied to any surface Key Features:* Can be mixed into any media* Applied to any surface* Creates a metallic look without being a metal* Lays down beautifully like a thin coating of metal* Produce different looks from a fine, smooth, pearly luster to a highly metallic sheen* Safe, non-toxic, inert powdered pigment with a neutral pH* Extremely color fast and stable* Archival, colors will not tarnish or fade* Available in: .75oz/22ml jars 32 Color set - 32, 0.1 oz (3 g) bottles - 3 gram jars of each color of Pearl Ex Pigments Series 1 Set of 12 - Micro Pearl, Macro Pearl, Super Russet, Super Copper, Brilliant Gold, Sparkle Gold, Silver, Super Bronze, Sunset Gold, Interference Violet, Interference Gold, and Duo Red-Blue. Series 2 Set of 12 - Includes: Aztec Gold Antique Copper Antique Silver Duo Green-Yellow, Bright Yellow, Flamingo Pink, Spring Green, Turquoise, True Blue, Misty Lavender, Blue Russet, and Sparkling Copper. Series 3 Set of 12 - Includes: Carbon Black, Pumpkin Orange, Salmon Pink, Pink Gold, Reflex Violet, Grey Lavender, Mink, Sky Blue, Pearl White, Antique Bronze, and Duo Blue-Green. NOTE: Click on Yellow Icon Next To Products For Full Color Contents Pearl-Ex Powdered Pigment Details: Pearl Ex Powdered Pigments may be used any time a metallic or pearlescent effect is desired: mix them into acrylics, oils, printing inks, encaustics, alcohol inks, epoxy, glues, casting resins, clay, varnishes...the list goes on! Try it mixed with Gum Arabic for a DIY metallic calligraphy ink or watercolor, in the Pearl Ex Varnish for working on non-porous surfaces Fabric/Fiber/Surfaces polymer clay, encaustics, paper, shrink plastic, leather, glass, canvas, wood, and more! Mix with a binder to use on natural and synthetic fibers See More
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