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Old Holland Classic Pigment Titanium White 110gSave Up to40%Off listWhite Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Sennelier Artist Dry Pigments Gold Ochre 110 gramsSave Up to37%Off listGold An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Yupo Multimedia Translucent Paper Pad 104lb. 6X15" 10 SheetsSave Up to45%Off list…of synthetic paper with Yupo, the world's first erasable watercolor paper! You Can use YUPO Watercolor Paper For:Acrylic Painting, Alcohol Inks, Debossing, Monotype, Offset, Oil Pastel, Pencil/Graphite, Silkscreen, Sumi-e Ink, Watercolor Available in white with either medium 74lb or heavy 144lb… A slick, smooth, non-absorbent substrate that dramatically changes the way you paint, print or draw Yupo is the first and most popular synthetic art paper on the market. The world's first erasable watercolor paper! The non-absorbent, ultra-smooth surface allows paints like watercolor and acrylics to sit right on top of the paper, making for beautiful, watery effects unachievable on any other paper. It also holds pen and ink lines with razor sharp precision, and markers work beautifully on Yupo's unique surface as well. With its durable, non-tearing construction it can withstand multiple erasures and you can even run it under a faucet to erase watercolors! The non-absorbent nature of Yupo also means it will not buckle, no matter how much water you put on it, and it makes colors more vibrant and brilliant than on standard papers as all of the color sits on the surface. It's a synthetic paper, machine-made in the USA of 100% polypropylene. What is YUPO Watercolor Paper? It is waterproof, stain resistant, extremely strong and durable non-absorbent substrate that dramatically changes the way you paint. Available in medium and heavy weight white varieties and now new translucent YUPO! Explore the versatility of synthetic paper with Yupo, the world's first erasable watercolor paper! You Can use YUPO Watercolor Paper For:Acrylic Painting, Alcohol Inks, Debossing, Monotype, Offset, Oil Pastel, Pencil/Graphite, Silkscreen, Sumi-e Ink, Watercolor Available in white with either medium 74lb or heavy 144lb weight, and translucent with a 104lb weight Key Features:* Available in white with either medium 74lb or heavy 144lb weight, and translucent with a 104lb weight* Erasable synthetic paper* Non-absorbent surface resists tearing and buckling* Machine-made in the USA of 100% polypropylene* Waterproof, stain resistant, and extremely strong and durable* Durable, non-tearing construction* pH-neutral, flawlessly smooth, and recyclable* Pads are tape bound on the short side Perfect For:* Acrylic Painting, Alcohol Inks, Debossing, Monotype, Offset, Oil Pastel, Pencil/Graphite, Silkscreen, Sumi-e Ink, Watercolor* Watercolors and acrylics* Resists tearing and buckling and remains perfectly flat* Eliminating the need for soaking, stretching, or taping* Making colors more vibrant and brilliant than on standard papers YUPO Medium Paper: 200 gsm / 74lb - Acid Free, Neutral pH, Smooth Surface- A true innovation in fine art substrates. This synthetic, tree-free paper is everlasting and non-absorbent. It resists buckling with wet media and can be wiped clean. Pigments will retain true clarity and brightness. A new way for techniques to flourish. Applications: Acrylic Painting, Alcohol Inks, Markers, Monotype, Offset, Oil, Pastel, Pencil/Graphite, Silkscreen, Watercolor YUPO Heavy Paper: 390 gsm / 144lb - Acid Free, Neutral pH, Smooth Surface- A radically novel breed of paper. Tree-free, bright white and stainproof, it allows artists to create shapes, patterns and nuances that are impossible to achieve on conventional papers. Non-absorbent and slick, a revelation for artisans. Applications: Acrylic Painting, Alcohol Inks, Markers, Monotype, Offset, Oil Pastel, Pencil/Graphite, Silkscreen, Watercolor YUPO Translucent Paper: 153 gsm / 104lb - Acid Free, Neutral pH, Smooth Surface- With a translucent finish, these slick sheets are an excellent beginning point for a variety of mediums. Remaining true to all YUPO® revolutionary qualities, this substrate allows artists to rethink coloring from a fresh perspective. Applications: Acrylic Painting, Alcohol Inks, Markers, Monotype, Oil Pastel, Pencil/Graphite, Silkscreen, Watercolor * Yupo 10-Packs - Available in white with either medium 74lb or heavy 144lb weight, and translucent with a 104lb weight. Sold in packs of 10 sheets.* Yupo Assorted Pack - Includes five 20 x 26" sheets of 74lb medium weight and five 20 x 26" sheets of 144lb heavy weight white Yupo brand paper.* Yupo Pads - Available in 2 sizes with white or translucent paper. 10 sheets per pad.* Yupo Rolls - A 60" x 10 yard roll & 30" x 10 yard roll of Yupo's popular medium 74lb white synthetic paper, perfect for large-scale pieces! See More
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Arches Natural White 300lb Watercolor Paper, 40"x60" Cold Press (5 Sheets)Save Up to40%Off list…Strength and Longevity The Artists' Choice For Watercolor Papers Since 1492! Mould-made in France, Arches Natural White Watercolor Paper is 100% cotton rag watercolor paper. Considered the most popular in the world, each gelatin-sized Arches watercolor paper sheet has four deckle edges and may be… Natural White 100% Cotton Paper, Lasting Whiteness with Strength and Longevity The Artists' Choice For Watercolor Papers Since 1492! Mould-made in France, Arches Natural White Watercolor Paper is 100% cotton rag watercolor paper. Considered the most popular in the world, each gelatin-sized Arches watercolor paper sheet has four deckle edges and may be repeatedly erased and over-painted while still maintaining its beautiful surface quality and integrity. Arches natural white watercolor paper is available in all three popular watercolor paper finishes, hot press, cold press and rough grain Ideal for watercolor painting, as for all wet techniques such as ink, gouache and acrylic. Arches natural white watercolor paper has been a favorite among artists for over 500 years, and it's easy to see why! Made from 100% cotton linters and both internally and externally gelatin sized, acid-free Aquarelle watercolor paper is one of the finest art papers in the world. Sized to the core with natural gelatin, a process exclusive to ARCHES®. Even if it is soaked for a long time, the paper will still retain enough gelatin not to become too absorbent. Arches Hot Pressed papers are plate smooth and are ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing, and airbrushing. The rich Arches Cold Pressed surface is a particular favorite of illustrators, watercolorists, and airbrush artists. For a bolder, more robust surface, Arches Rough provides just enough texture allowing for easy working, and is strong enough to maintain its character even after reworking. The Rough texture is also used by watercolorists, airbrush artists, and acrylic painters. 260 lb. is approximately the same weight as 140 lb. paper but in double elephant (available in larger sizes than 22x30"). Key Features:* 100% long rag cotton* Mould-made in France* Available in hot press, cold press and rough grain!* Two natural deckle edges, two torn deckle edges* Acid-free, no optical brightening agents* Natural color* Sized to the core with natural gelatin Perfect For:* Watercolorists* Maintaining the integrity of the paper after repeated erasing and painting* Finished artwork* Wet techniques such as ink, gouache, and acrylic Arches Watercolor Paper, Natural White Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706), fungicidal treatment to prevent the appearance of mould Uses: ideal for watercolor painting, as for all wet techniques such as ink, gouache, and acrylic Exclusive to ARCHES®: it is sized to the core with natural gelatin, which means it can be scratched without tearing or linting. It also preserves the luster and transparency of the colours whilst preventing paints from penetrating into the thickness of the paper. See More
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Magnani 1404 Portofino Watercolor Pad 140lb Hot Press - 6" x 15" (20 Sheets)Save Up to46%Off listWhite Top-quality 100% Cotton Watercolor Paper. Love Your Papers! Imagine yourself using the same high-quality papers as the great masters of history. Magnani has been producing papers for over 600 years. Its clientele has included famous figures such as Napoleone Bonaparte and artists such as Picasso, De Chirico, Annigoni, and Morandi. Magnani 1404 watercolor paper is perfect for anyone who desires the highest quality paper available. Magnani 1404 Acquerello Watercolor Papers are made entirely from 100% cotton. Long cotton fibers are evenly distributed onto a slowly rotating wire cylinder before being pressed onto special Magnani marking felts and dried. The paper has superior absorbency and can withstand multiple layers and washes thanks to its internal and external vegan sizing. Want your art to withstand the test of time? Magnani's acid-free pH-neutral paper is UV resistant and can last for over a century, making it a wise investment for anyone who values longevity and quality. Choose from 3 different surface textures made in Italy: Italia (cold press), Portofino (hot press), and Toscana (rough). Key Features: * 100% cotton, acid-free archival watercolor paper * Italia (cold press), Portofino (hot press), or Toscana (rough) * Mould made on a cylinder machine * 140lb and 300lb weight * Internal and external vegan sizing * Acid-free, pH-neutral, and chlorine-free * Alkaline (calcium carbonate) buffer * Traditional natural white color * No optical brighter agents used * Sheets have 4 deckled edges and a watermark * Round blocks come with a cotton bag * Made in Italy Perfect For: * Professional watercolorists * Wet and dry media * Watercolor, gouache, ink, and fluid acrylic * Working with graphite, colored pencils, pastels, and charcoal * Scrubbing and lifting techniques * Repeated erasing and painting * Keeping paper perfectly flat * Painting on the go * Traveling Magnani 1404 Acquerello Watercolor Paper is ideal for wet and dry media, especially watercolor, gouache, ink, and fluid acrylic paint. Prime with a clear acrylic gesso to use with oil paint. Every round watercolor block comes with a cotton drawstring bag to keep your watercolor paper clean and protected. See More
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Richeson Studio Watercolor Paper 22"x30" 135lb Cold Press, 110 Sheet BONUS PackSave Up to38%Off list…Studio Watercolor paper is ideal for work not only in watercolors, but also in gouache, light acrylic, pen and ink, pencil, charcoal and more! This Jerry's Exclusive offering is sure to become a staple in studios and classrooms everywhere! Key Features:* 135lb. cold pressed watercolor paper* Super… 110 sheets of watercolor paper perfect for students and practice! Acid Free Alpha Cellulose - Jerry's Exclusive! These economical packs of acid free, alpha cellulose-based paper are the perfect choice for use in classrooms, by students, or for any artist looking for high quality paper at an excellent value. With a 135 lb. weight and lightly textured cold pressed surface, Richeson Finest Studio Watercolor paper is ideal for work not only in watercolors, but also in gouache, light acrylic, pen and ink, pencil, charcoal and more! This Jerry's Exclusive offering is sure to become a staple in studios and classrooms everywhere! Key Features:* 135lb. cold pressed watercolor paper* Super Value Bulk packs of 110 sheets * Acid-free alpha cellulose composition* Available in 22.5x30.5" and 11x15" sheets* Full sheets for Classroom, practice and value! Perfect For:* Watercolors, gouache, light acrylic, pen & ink and more!* Sketching, practice and experimentation* Students, beginners and classroom use* Any artist in need of quality paper at a great value!* Trying a new technique, testing paint or a brush Richeson 110 sheets bonus packs in a resealable bag! - Jerry's Exclusive! Richeson has been one of America's top art material suppliers for decades, and now we are pleased to offer their new line of Finest Studio Watercolor Paper in generous bulk packs available only at Jerry's Artarama! For: Sketching, practice and experimentation-Students, beginners and classroom use - Teaching students to practice and expanding your programs - Not intended for professional use Run, do not walk, to get yourself some of this paper! It's a real deal and a pleasure to use. You don't have to be "precious" in your work because it is inexpensive and its great surface encourages painterly experimentation and discovery. - Cat, Belmont Ma See More
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Global Arts Handbook Journal 5-1/2 x 5-1/2" Square - Vermilion RedSave Up to44%Off listRed Attractive and functional Journal! Global Art Handbook Journals feature attractive book cloth hand-bound covers with just the right amount of flexibility. Each journal contains 128 pages of heavyweight, 130 gsm, acid-free, buff drawing paper. Excellent for pen and ink, pencil, and markers. The lightly toothed paper accepts light watercolor washes. A resilient elastic closure keeps the journal closed, and a useful, clear plastic envelope on the inside back cover is perfect for notes or business cards. Key Features: * Book cloth hand-bound cover * 128 pages * Heavyweight, 130 gsm paper * Acid-free * Buff drawing paper * Resilient elastic closure * Clear plastic envelope on the inside back cover Perfect For: * Pen and ink * Pencil and markers * Uncomplicated, spontaneous creativity * Light watercolor washes * Journal or sketchbook * Use in classes, studios, or outdoors! See More
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Guild-Gold Imitation Gold Leaf Book of 50 (Loose)Save Up to68%Off listGold Add dazzling magical accents to your art with imitation gold and silver leaf! Available in: Champagne, Rose Gold, Gold & Silver Leaf, Guild-Gold Leaf Books are known by suppliers worldwide for consistent quality and reliable purity. The thin sheets of imitation leaf are created by hammering and stretching metal to its limit. Guild-Gold Metal Leaf is used for accenting artwork or objects with an ultra-thin layer of metal foil leaf. Traditionally used to decorate frames and paintings, gold leaf is now widely used for a wide range of decorative projects. You can apply Guild-Gold Metal Leaf to ceramic, metal, stone, glass, wood, plastic, and leather surfaces through the gilding process. The leaves are arranged in paper booklets, loosely inset in compartments, one for each leaf. You can use a gilder's tip brush to pick up and place the loose leaf on the prepared surface. Key Features: * Imitation Champagne, Rose Gold, Gold, and Silver leaf * Champagne Gold, Champagne Silver leaf: Available in books of 50 sheets * Rose Gold leaf: Available in books of 50 sheets * Gold and Silver leaf: Available in books of 100 sheets * Leaves measure 140 mm × 140 mm (5.51" × 5.51") * Perfect For: * Water gilding or adhesive gilding * Jewelry design and Keum-Boo * Ceramic, metal, stone, glass, wood, plastic, and leather surfaces * Paintings on canvas or board * Gilding frames or sculptures * Icon paintings and mixed media work Keum-Boo (attached gold) is an ancient Korean jewelry technique. This method uses heat to fuse gold leaf to sterling silver or other metals. Agate burnishers are used to buff and brighten the resulting jewelry pieces. How to Apply Guild-Gold Metal Leaf: * Make sure that the surface you plan to leaf is clean and free of dust. Cotton gloves are recommended when working directly with metal leaves (gold leaf will stick to the oils in your fingers). * Apply a thin layer of metal leaf adhesive size to the area you want to cover. Let the adhesive set until tacky (be sure to follow instructions on your adhesive). * Pick up the leaf with statically charged wax paper or a gilding brush. You can achieve a static charge by gently rubbing on fabric, like your shirt, for example. * Carefully lay each leaf onto the tacky adhesive areas. A soft brush will help guide each leaf into crevices or textured surfaces. * Overlap leaves as you go until you have covered the entire tacky area. * Gently dust away loose flakes. Larger pieces can be saved for future use. * Ensure good adhesion by patting all over with a soft cloth. Use gentle pressure and avoid rubbing. * Varnish your finished work to prevent tarnishing. See More
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