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Old Holland Classic Pigment Titanium White 110gSave Up to25%Off listWhite Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Sennelier Artist Dry Pigments Gold Ochre 110 gramsSave Up to37%Off listGold An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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New York Central Oasis Synthetic Brush Short Handle, 75mm MottlerSave Up to80%Off listElite Professional Watercolor Brushes - Designed and optimized with advanced 3D imaging tech The New York Central brush makers didn't just try to imitate the characteristics of natural hair they set out to create something superior and succeeded with Oasis! The brushes were created by combining… Elite Professional Watercolor Brushes - Designed and optimized with advanced 3D imaging tech The New York Central brush makers didn't just try to imitate the characteristics of natural hair they set out to create something superior and succeeded with Oasis! The brushes were created by combining centuries of brush-making knowledge with the latest technology. Each brush is made by blending different filament diameters, taper ratios, and lengths. A computer simulation determines the precise combination of filaments before each brush is assembled by hand. Over 30 types of synthetic hair are blended to accurately imitate natural hair. This attention to detail results in a soft, extremely absorbent brush that holds its shape well and has great snap. One of the first brushes designed using computer simulation for every single brush. This will outshine virtually all brushes! Each brush has the optimal combination of hair to maximize its performance. This yields a uniform brush response and color-holding ability. Oasis brushes are extremely thirsty and can hold a large amount of water and paint compared to other brushes. After working with these brushes, you will be amazed by how well they perform. Move Over Kolinsky! Oasis is the Best Brush for Watercolor and Design Why: Oasis Brushes outperform and hold more color than Kolinsky. Designed and optimized with cutting edge technology Key Features: * Designed and optimized with advanced 3D imaging tech * Hair Type: Over 30 types of synthetic hair blended to accurately imitate natural hair * Absorbent synthetic filaments hold a large amount of liquid * Superior split-proof point * Designed to outperform natural hair * Vegan (no animal by-products) * Ergonomically shaped birch wood handle * High-quality anthracite colored ferrule * Hand-made by skilled artisans in Germany Perfect For: * Animal-friendly artists * Use with watercolor, gouache, ink, and acrylics * Painting fine details or bold washes of color * Controlled painting techniques that require a sharp edge * Professionals, art enthusiasts, and students Don't be alarmed if your Oasis brush is still wet after a day! The brush is designed to retain water for a very long time. It's best to dry Oasis brushes with the bristle pointing down. Drying the brush this way will help maintain the brush shape and allow any remaining water to drip out. The Set of 3 Includes: Travel Round sizes 2, 4, and 8. Mot's Favorites Set of 5 Includes: Round sizes 2 and 12, one French Quill size 10, a 3/4" Flat, and a 1/4" Oval Wash The Set of 5 Includes: Round sizes 0, 4, 8, and 12, and a Script Liner size 6. The Set of 7 Includes: Round sizes 0, 4, 6, 10, and 16, Script Liner size 6, and a 3/4" Oval Wash. The Set of 8 Includes: Round sizes 00, 2, 4, 8, and 12, Flat size 3/4, liner size 2, and a 50mm Mottler. Contents in the set may be substituted without notice. Innovation & The Technology Behind Oasis Synthetic Watercolor Brushes Read Article See More
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Fabriano 1264 Watercolor Cold Press Glue Bound Pad - 4x8, 140lb (30-Sheet)Save Up to33%Off listWhite Perfect for all lifting and scrubbing techniques! Fabriano 1264 Watercolor Pads feature 140lb. (300gsm) Cold Press, acid-free, Bright White paper. The paper's Cold Press finish is very forgiving, enabling all lifting and scrubbing techniques while enhancing color vibrancy. Each paper sheet is made using Hydro-Power in Italy and is FSC Certified. Available in spiral-bound (with micro-perforations) and glue-bound (fold-over sheet) format. Fabriano 1264 Watercolor Pads satisfy the needs of student and professional watercolorists. The paper is ideal for watercolor, gouache, and acrylic ink. Key Features: * 140lb (300gsm) weight * Bright White * Cold Press texture * Super color retention and intensity * Spiral-bound or glue-bound pad * Spiral-bound pads have micro-perforated sheets * Glue-bound pads feature fold-over sheets * FSC certified paper * Made in Italy Perfect For: * Watercolor, gouache, and acrylic ink * Bold washes of color * Students and professionals alike * Beginner and classroom use * All watercolor techniques * Lifting and scrubbing techniques * Spontaneous sketching and Plein air work See More
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Fluid Watercolor Paper Easy Block - 140 lb. Cold Press 4x8"Save Up to35%Off listEasy-Block High quality watercolor paper in uniquely-bound blocks Fluid Easy-Block Watercolor Paper is acid-free, 140 lb. / 300 gsm soft white watercolor paper blocks with a unique new take on traditional paper blocks! There is no need to wet and stretch the paper before painting, but since… Easy-Block High quality watercolor paper in uniquely-bound blocks Fluid Easy-Block Watercolor Paper is acid-free, 140 lb. / 300 gsm soft white watercolor paper blocks with a unique new take on traditional paper blocks! There is no need to wet and stretch the paper before painting, but since Easy-Blocks are only glued on 2 sides (instead of the traditional 4) it's also remarkably simple to remove your painting from the block once finished by simply slipping a knife or letter opener around the glued sides. Made by slow milling in small batches, Fluid Easy-Block Watercolor Paper is remarkably strong and is available in an even, low tooth cold press finish or new super-smooth hot press. Perfect not only for watercolors, but for colored pencil, pastel, acrylic washes, multimedia and more! Available in multiple sizes ideal for any subject; 15 sheets per block, bound on two edges. Easy-Block Watercolor Paper Blocks are taped on just two sides, which makes it much easier to remove the top sheet without damaging the sheets below - thus the name: "Easy-blocks"! * Acid-free 15 sheets per block, bound on two edges* Archival, Acid-Free* CCP -Certified Permanent Paper* 140 lb. / 300 gsm* Highest Quality Alpha Cellulose* Also available in packs of 6 loose 22x30" sheets* Cold or hot pressed, soft white paper* Perfect not only for watercolors, but for colored pencil, pastel, acrylic washes, multimedia and more!* The glue along the two long edges will hold the sheet flat as you paint. See More
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Handbook Journal Co. Watercolor Book 8.25 x 10.5 Grand PortraitSave Up to40%Off listWhite Attractive and practical option for travel painting! Hand Book Journal Co. Watercolor Journals are bound in natural linen and offer watercolorists an attractive and practical option for travel painting. Five different sizes are available in portrait, landscape, or square orientation. Each signature bound journal contains 30 sheets of soft-white, acid-free, 140lb watercolor paper with a pleasing cold-press finish. A clear pocket housed conveniently inside the back cover can be used to store extra documents while the durable elastic closure keeps the journal closed for travel. Hand Book Journal Co. premier Watercolor Journals are a practical option for painting landscapes or cityscapes. Key Features: * (30 sheets, soft-white, acid-free) * 140lb (300gsm) watercolor paper * Cold press texture * Available in 5 sizes * Natural linen cloth cover * Signature binding * Elastic closure keeps cover closed * Clear interior pocket * High-quality artist paper Perfect For: * Watercolor painting * Panorama layouts * Landscapes and city scenes * Capturing surroundings * Working on the go * Travel painting * Journal entries See More
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Canson Montval Watercolor Blocks Cold Press 59" x 11 yd RollSave Up to33%Off listCanson's Montval watercolor paper is naturally surfaced, acid-free with a grain and texture similar to cold pressed papers. Montval has an excellent strength and is recommended for wet techniques in watercolor, gouache and acrylics. Paper expertly bound in 15 sheet blocks, 140 lb. Canson's Montval watercolor paper is naturally surfaced, acid-free with a grain and texture similar to cold pressed papers. Montval has an excellent strength and is recommended for wet techniques in watercolor, gouache and acrylics. Paper expertly bound in 15 sheet blocks, 140 lb. See More
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Fabriano Studio Watercolor Cold Press Roll, 59"x11 ydsSave Up to64%Off list…standards. It is a fantastic sheet for artists at all skill levels seeking high-quality paper at a modest price. Fabriano Studio Watercolor Paper is perfect for watercolor, gouache, tempera, acrylic, ink, charcoal, and drawing. Key Features:* 25% Cotton* Archival quality* Acid-free* Internal and… Now Available In Easy-To-Frame Sizes! Fabriano Studio Watercolor Paper is made of 25% cotton and lignin free cellulose and is available in a lovely cold pressed or hot pressed surface. The paper is sized internally and externally, providing a paper surface that will hold up to vigorous painting while guaranteeing optimal absorbance. The paper is made up of 100% of E.C.F. pulp (Elemental Chlorine Free), from responsibly managed forests that are respectful of environmental standards. It is a fantastic sheet for artists at all skill levels seeking high-quality paper at a modest price. Fabriano Studio Watercolor Paper is perfect for watercolor, gouache, tempera, acrylic, ink, charcoal, and drawing. Key Features:* 25% Cotton* Archival quality* Acid-free* Internal and external sizing* 100% elemental chlorine free pulp* Exceptional value and quality* Available in different sizes and bindings* Perfect For:* Watercolorists* Drawing and sketching* Fine artists and students* Artists at all skill levels* Watercolor and gouache* Tempera, acrylic, ink* Charcoal and graphite See More
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Strathmore Paper Roll 300 Series Charcoal 36"x10yd RollSave Up to33%Off list…paper. Ideal for use with pencil, colored pencil, charcoal and sketching stick. Paper weight is 70 lb.* 400 Series Watercolor-Â Heavy weight, cold-press, natural-white watercolor paper that will allow lifting and scraping applications. Features deckled edges with a weight of 140 lb.* 400 Series… Create artwork on any size and any shaped paper with these Strathmore rolls! Strathmore's specialty grade paper rolls provide artists with the convenience and flexibility of creating without size or scale limitations. Perfect for either practice of techniques or finished artwork, depending on roll.* 400 Series Drawing-Â Smooth, medium weight, cream colored drawing paper. Ideal for use with pen and ink, pencil, charcoal, crayon, and markers. Paper weight is 80 lb.* 300 Series Bristol-Â Smooth, stiff, illustration paper. This high quality bristol is ideal for mechanical drawing, marker, airbrush, pencil or pen. Bristol weight is 100 lb.* 300 Series Drawing- Medium weight, student-grade drawing paper. Ideal for use with pencil, colored pencil, charcoal and sketching stick. Paper weight is 70 lb.* 400 Series Watercolor-Â Heavy weight, cold-press, natural-white watercolor paper that will allow lifting and scraping applications. Features deckled edges with a weight of 140 lb.* 400 Series Toned Sketch Paper-Â Medium weight, 100% recycled, acid-free sketch paper in shades of cool gray or warm tan. Toned paper weight is 80 lb.* 300 Series Newsprint Rough-Â A heavier weight, natural-toned newsprint for practicing sketching and drawing. Rough surface readily accepts graphite, colored pencil, charcoal, and sketching sticks. Newsprint weight is 32 lb.* 300 Series Bristol Vellum-Â Good for graphite, colored pencil, charcoal, sketching sticks, mixed media, airbrush, and oil pastel. Bristol weight is 100 lb.* 300 Series Charcoal- This laid finish, traditional white, strong surface is ideal for charcoal or pastel. Also suitable for graphite, colored pencil, sketching sticks, crayon, and oil pastel. Paper weight is 64 lb.* 400 Series Drawing Smooth-Â Cream-colored drawing paper ideal for graphite, colored pencil, pen and ink, and marker. Designed to be ideal for sketching, it is heavy enough for most finished drawings. Paper weight is 80 lb.* 400 Series Layout Bond-Â Crisp, smooth surface is ideal for rough drawings or finished layout renderings in pencil, pen, or marker. Paper weight is 16 lb.* 400 Mixed Media- This Mixed Media roll features a vellum surface, combining characteristics of watercolor paper with a drawing sheet finish. Used for studies or finished art in watercolor, gouache, acrylics, graphite, pen and ink, colored pencil, marker, pastel, or collage. Paper weight is 140 lb.* 400 Series Recycled Drawing-Â Medium surfaced, bright white paper is good for graphite, colored pencil, charcoal, sketching sticks, marker, pen and ink, and soft or oil pastels. 30% post consumer fiber. Paper weight is 80 lb.* 400 Series Recycled Sketch-Â Fine-toothed sketch paper is ideal for experimentation, perfecting techniques, and preliminary drawings with all dry media. 30% post consumer fiber. Paper weight is 60 lb. See More
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