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Old Holland Classic Pigment Titanium White 110gSave Up to25%Off listWhite Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Sennelier Artist Dry Pigments Gold Ochre 110 gramsSave Up to37%Off listGold An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Rembrandt Watercolor Postcards 140lb Cold Press Pad (30-Sheets) 4.1 x 5.8Save Up to20%Off listWhite Design Postcards To Share With Family and Friends! Rembrandt Watercolor Postcards meet the requirements of professional artists. The back of the paper has a postcard layout with lines for writing. Each card contains 25% cotton and the best lignin-free cellulose with a 140lb paperweight. The postcard paper is acid-free, PH-neutral, and buffered to guarantee maximum durability. Internal sizing, along with unique surface sizing, ensures perfect water absorption and optimal color lifting. The paper’s medium grain texture, considered a soft cold-press makes it ideal for media such as watercolor, gouache, acrylic, ink, charcoal, and pencil. Key Features:* Medium grain, soft cold-press* Acid-free, PH-neutral, and buffered* 30 sheets, one side glued* 25% cotton + lignin-free cellulose* 140lb, 300 gsm* Internal and surface sizing* Lightly ruled backside for writing* Made in Italy Perfect For:* Creating postcards* Wet and dry media* Watercolor, gouache, acrylic, and ink* Charcoal and pencil* Optimal color lifting* Sending artwork to friends* Professional artists* Travel paintings* Art gallery invites See More
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Van Gogh Watercolor Postcards 140lb Fine Grain (25-Sheets) 4.1 x 5.8 BlackSave Up to20%Off listBlack Create Postcards for Family And Friends! Van Gogh Watercolor Postcards are made of 100% high-quality lignin-free cellulose and have a durable 140lb weight. Acid-free, pH-neutral, and buffered to guarantee maximum durability, the paper is tested and carefully selected to make your paintings look their best. Moreover, the internal and external surface sizing ensure perfect water absorption and optimal color lifting. Van Gogh Black Watercolor Postcards are perfect for creating fantastic watercolors on a dark background. Opaque colors such as Metallic and Interference colors show up particularly well on the Black paper. The back of each card has a printed layout with lines for writing. Each postcard has a fine grain surface, which makes it ideal for watercolors, acrylic, gouache, ink, charcoal, and pencil. Key Features: * Fine-grain surface * Acid-free, PH-neutral, and buffered * 25 sheets, one side glued * 100% lignin-free cellulose * 140lb, 300 gsm * Black or White paper card * Internal and surface sizing * Lightly ruled backside for writing * Great water absorption * Paper sourced responsibly * Made in Italy Perfect For: * Creating postcards * Wet and dry media * Watercolor, gouache, acrylic, and ink * Metallic and interference colors * Charcoal and pencil * Optimal color lifting * Sending artwork to friends * Professional artists * Art gallery invites * Lightweight and portable * Travel or Plein air sketching See More
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Arches Natural White Watercolor Roll, 134lb En-Tout Cas, 52" x 10ydSave Up to40%Off list100% Cotton Strong Character, Rich in Texture Watercolor 10yd. Paper Rolls Arches watercolor rolls come in 10 yard rolls are acid-free, 100% cotton paper ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing and airbrushing. The 10 yard rolls are offered in a… 100% Cotton Strong Character, Rich in Texture Watercolor 10yd. Paper Rolls Arches watercolor rolls come in 10 yard rolls are acid-free, 100% cotton paper ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing and airbrushing. The 10 yard rolls are offered in a variety of weights and textures. Two deckle edges run along the outside of each roll. Ideal for watercolor painting, as for all wet techniques such as ink, gouache and acrylic. Sized to the core with natural gelatin: a process exclusive to ARCHES®. Available Surfaces: * Hot Pressed * Cold Pressed * Rough Available Roll Styles * D-Arches 51" - 156lb (356 gsm) * D-Arches 44" - 140lb (300 gsm) * En-Tout-Cas 52" - 134lb (280 gsm) 51” Wide 156 lb wt. - Extra wide rolls of D’Arches 100% rag watercolor paper that is approximately 11% heavier than conventional 140 lb (300 gsm) weight paper. Available in all three popular surfaces. 2 deckle edges run along the outside of the roll. En-Tout-Cas 52”, 134lb wt. - An impressive sheet with 2 deckle edges. This gelatin sized, 134 lb (280 gsm) weight, mould made sheet has a dual surface character. On one side it’s cold pressed for watercolor painting, on the other side, it is rough for ink and drawing. Plus it is 25% cotton. See More
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Strathmore Paper Roll 300 Series Charcoal 36"x10yd RollSave Up to33%Off list…paper. Ideal for use with pencil, colored pencil, charcoal and sketching stick. Paper weight is 70 lb.* 400 Series Watercolor-Â Heavy weight, cold-press, natural-white watercolor paper that will allow lifting and scraping applications. Features deckled edges with a weight of 140 lb.* 400 Series… Create artwork on any size and any shaped paper with these Strathmore rolls! Strathmore's specialty grade paper rolls provide artists with the convenience and flexibility of creating without size or scale limitations. Perfect for either practice of techniques or finished artwork, depending on roll.* 400 Series Drawing-Â Smooth, medium weight, cream colored drawing paper. Ideal for use with pen and ink, pencil, charcoal, crayon, and markers. Paper weight is 80 lb.* 300 Series Bristol-Â Smooth, stiff, illustration paper. This high quality bristol is ideal for mechanical drawing, marker, airbrush, pencil or pen. Bristol weight is 100 lb.* 300 Series Drawing- Medium weight, student-grade drawing paper. Ideal for use with pencil, colored pencil, charcoal and sketching stick. Paper weight is 70 lb.* 400 Series Watercolor-Â Heavy weight, cold-press, natural-white watercolor paper that will allow lifting and scraping applications. Features deckled edges with a weight of 140 lb.* 400 Series Toned Sketch Paper-Â Medium weight, 100% recycled, acid-free sketch paper in shades of cool gray or warm tan. Toned paper weight is 80 lb.* 300 Series Newsprint Rough-Â A heavier weight, natural-toned newsprint for practicing sketching and drawing. Rough surface readily accepts graphite, colored pencil, charcoal, and sketching sticks. Newsprint weight is 32 lb.* 300 Series Bristol Vellum-Â Good for graphite, colored pencil, charcoal, sketching sticks, mixed media, airbrush, and oil pastel. Bristol weight is 100 lb.* 300 Series Charcoal- This laid finish, traditional white, strong surface is ideal for charcoal or pastel. Also suitable for graphite, colored pencil, sketching sticks, crayon, and oil pastel. Paper weight is 64 lb.* 400 Series Drawing Smooth-Â Cream-colored drawing paper ideal for graphite, colored pencil, pen and ink, and marker. Designed to be ideal for sketching, it is heavy enough for most finished drawings. Paper weight is 80 lb.* 400 Series Layout Bond-Â Crisp, smooth surface is ideal for rough drawings or finished layout renderings in pencil, pen, or marker. Paper weight is 16 lb.* 400 Mixed Media- This Mixed Media roll features a vellum surface, combining characteristics of watercolor paper with a drawing sheet finish. Used for studies or finished art in watercolor, gouache, acrylics, graphite, pen and ink, colored pencil, marker, pastel, or collage. Paper weight is 140 lb.* 400 Series Recycled Drawing-Â Medium surfaced, bright white paper is good for graphite, colored pencil, charcoal, sketching sticks, marker, pen and ink, and soft or oil pastels. 30% post consumer fiber. Paper weight is 80 lb.* 400 Series Recycled Sketch-Â Fine-toothed sketch paper is ideal for experimentation, perfecting techniques, and preliminary drawings with all dry media. 30% post consumer fiber. Paper weight is 60 lb. See More
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Creative Mark Fine Tip Liner Brush #15x0Save Up to41%Off list…making very fine, delicate lines. Their ultra-fine, split proof points make them extremely reliable for virtually any media. Try them with inks, watercolors, gouaches, acrylics, and even oils when you need finely controlled lines or gentle slight touches of color! Creative Mark Fine Tip Liners are… Perfect For Technical Artists, Fine Detail & Illustrators! These specially developed liner brushes are skillfully fashioned of white multiple filament hair, and are capable of making very fine, delicate lines. Their ultra-fine, split proof points make them extremely reliable for virtually any media. Try them with inks, watercolors, gouaches, acrylics, and even oils when you need finely controlled lines or gentle slight touches of color! Creative Mark Fine Tip Liners are made with nickel plated brass ferrules, firmly attached to lacquered deep bronze-colored, short wood handles. The ends of these Fine Tip Liners are beautifully finished with warm grey dipped ends, making the brushes as attractive as they are functional. Key Features:* Sizes from 6 all the way down to 20/0* Ultra-fine, split-proof points for incredible detail* Brush heads are multifilament, white synthetic soft hair* Nickel plated brass ferrules* Lacquered deep bronze-colored, short wood handles Perfect For:* Watercolor and gouache* Inks, acrylic and oils* Technical artists and illustrators* Artists of all skill levels* See More
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Da Vinci Micro-Nova Series 175 Golden Synthetic sz. 15x0 AngleSave Up to37%Off list…Watercolor and acrylic * Fine detail work * Miniature and micro painting * Watercolorists of all skill levels * Students, teachers, professionals * Finessing delicate patterns The Nova Blue brush set contains high-quality synthetic bristles that mimic the performance of natural watercolor… The Ultimate miniature detail brush! The short handle da Vinci Micro-Nova series 170 and series 175 synthetic detail brushes are perfect for painting intricate details. The bristles are made of the finest golden synthetic fiber. The Series 175 brush head is bent by hand at an ideal angle for intricate details. All Micro-Nova brushes hold a perfect point and are suitable for all types of miniature, tabletop, and micro painting. da Vinci production masters take great pride in selecting only the finest quality synthetic hair for the brush's longevity and flexibility. Each brush has a nickel-plated seamless ferrule that is rust-resistant. Before leaving the brush workshop, each brush is examined to ensure that the brush-head is flawless and that the ferrule is firmly attached to the handle. The family-owned da Vinci brush company has designed quality brushes for three generations in Germany. Utilizing the latest innovations, they produce brushes of unsurpassed quality, elegance, and durability. Key Features: * Finest golden synthetic fiber * Extra-sharp point * Rust-resistant seamless ferrule * Spring and control * Series 175 brush head is bent * Made in Germany Perfect For: * Watercolor and acrylic * Fine detail work * Miniature and micro painting * Watercolorists of all skill levels * Students, teachers, professionals * Finessing delicate patterns The Nova Blue brush set contains high-quality synthetic bristles that mimic the performance of natural watercolor hair. The set includes a number 30 flat, a round number 4, a filbert 8, and a flat 6 providing you with 4 essential watercolor brushes for your next project. Experience the smooth and controlled brushstrokes, remarkable color retention, and excellent durability of da Vinci's Series 11660 Nova Blue brushes, a must-have for aspiring and professional artists. See More
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