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Old Holland Classic Pigment Titanium White 110gSave Up to25%Off listWhite Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Sennelier Artist Dry Pigments Gold Ochre 110 gramsSave Up to37%Off listGold An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Viviva Watercolor Colorsheet - Sketcher Colors, Set of 16Save Up to28%Off listAssorted Colors Stunning watercolors designed for mess-free painting Viviva Watercolor Colorsheets make painting easier because they are ridiculously convenient! Each set features 16 brilliant, transparent watercolors in a tiny booklet that weighs less than 1.5 ounces and fits in your pocket. The colors are made with pure dye and are very, very vibrant. Women in the Viviva community handmake each sheet by applying concentrated dyes to paper with almost no binder. Each colorsheet is handcrafted and sunbaked for a premium, smooth finish. They're fun to play with and easy to use. Key Features: * Ultra-pigmented colors premium watercolors * Super fun and easy to use * Made with concentrated dye and almost no binder * Sunbaked for a premium, smooth finish * Glassine sheets prevent the colors from sticking together * Color-coded sheets for easy use * A reusable mixing palette is included in each booklet * Each set weighs less than 1.5 oz * 100% Eco-friendly and biodegradable Perfect For: * A mess-free and stress-free painting experience * Travel and Plein air painting * Urban sketching * Painting with rich brilliant colors * Basic and advanced color mixing * Exploring unique color combinations * Artists of all skill levels Viviva is a small family-owned business in Sheridan, Wyoming. Our products are still made in our hometown of Nasik, India. We are proud to generate dignified employment for tens of women who lovingly handcraft every product that comes to you. Original Colors, Set of 16 - Colors include Crimson, Deep Pink, Vermillion, Dusk Orange, Chrome Yellow, Golden Ochre, Burnt Sienna, Burnt Umber, Sap Green, Light Green, Veridian, Peacock Blue, Persian Blue, Magenta, and Slate Black. Sketcher Colors, Set of 16 - Comes with one water brush. Colors include Crimson, Deep Pink, Vermillion, Dusk Orange, Chrome Yellow, Golden Ochre, Burnt Sienna, Burnt Umber, Sap Green, Light Green, Veridian, Peacock Blue, Persian Blue, Magenta, and Slate Black. Metallic Colors, Set of 10 - Colors include Ruby Red, Pink Pearl, Fire, Lava, Jade, Emerald, Aurora, Sapphire, Silver, and Gold. Spring Colors, Set of 16 - Colors include Vivid Red, Cherry Blossom, Burgundy, Saffron, Happy Yellow, Treebark Brown, Foliage Green, Olive Green, Metallic Red, Metallic Pink, Metallic Light Green, Metallic Sky Blue, Lemon Grass, Ocean Blue, Midnight Blue, and Indigo Blue. Please note: Colorsheet Sets can last as long as a regular half-pan watercolor set if used properly. Colorsheets are dye-based and highly fugitive. The colors are not lightfast. See More
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SoHo Watercolor Block 4"x10", 140 lb. (20 Sheets)Save Up to62%Off listWhite 25% Cotton Paper For Watercolorists And Illustrators SoHo Watercolor Paper is a reliable choice whether you're a student or a seasoned artist. The 140 lb. cold press paper is a 25% cotton and 75% lignin-free cellulose blend, both internally and externally sized for optimal absorbency. The longer cotton fibers add strength and absorbency to the shorter cellulose fibers, ultimately creating a paper that ranks above other student-grade watercolor papers. Each sheet is machine-made and has a balanced grain that softens evenly when wet, making it an ideal surface for watercolor and gouache. SoHo Blocks and Pads are available in various sizes, with 20 sheets per block and 12 sheets per pad. Responsibly Made With Sustainable Resources! The cellulose used to create SoHo Watercolor Paper is responsibly sourced from FSC-certified forests, and the pulp is bleached with chlorine dioxide instead of elemental chlorine gas. Thus, making SoHo Watercolor Paper a sustainable choice for the planet and your artwork. Key Features: * 140 lb. cold press texture * 25% cotton, 75% cellulose * Machine-made for consistency * Acid-free and lignin-free * Sized internally and externally * Elemental chlorine-free (ECF) * Sourced from FSC-certified forests Perfect For: * Watercolor and gouache * Acrylic and ink * Charcoal and graphite * Plein air painting and travel * Fine students and artists See More
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NY Central Watercolor Block 140lb Hot Press - 4" x 10" (20 Sheets)Save Up to77%Off listWhite Premium 140lb & 300lb watercolor paper at an affordable price New York Central’s 100% Cotton Watercolor Paper is made on a slowly rotating cylinder mould. The machine evenly distributes long cotton fibers to make each durable sheet. Internal gelatin sizing prevents paint bleed-through and preserves color vibrancy. Each sheet has a balanced grain that softens as a unit when wet. The paper can withstand a multitude of techniques, including wet color blending, paper scratching, and scrubbing. New York Central Watercolor Blocks are available in a range of unique sizes, and come in 140lb and 300lb weights. The rigid backing board supports the paper and makes plein air painting simple. All four sides of the block are glued to prevent the top sheet from curling and buckling as you paint. There is no need to stretch the paper before using it! New York Central Watercolor Blocks are ideal for wet and dry media, especially watercolor, gouache, ink, and fluid acrylic paint. Key Features: * Bright white 140lb and 300lb paper made with 100% cotton * Acid-free and archival * Internally sized with gelatin sizing * Seven block sizes * Available in cold and hot press * Sizing preserves the luster and transparency of watercolors * Blocks eliminate the need to stretch paper * Superior surface stability * Made on a cylinder mould * Holds up to scrubbing and erasing Perfect For: * Wet and dry media * Watercolor, gouache, ink, and fluid acrylic * Scrubbing and color lift techniques * Professional watercolorists * Simplifying the painting process * Keeping paper perfectly flat * For traveling or painting on the go Please note: The bottom edge of each block has a one-inch section that is not glued. Insert a clean palette knife between the sheets in this section to separate the top sheet from the rest of the block. Gently slide the knife around all four edges until the top sheet is separated. See More
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Yes! All Media 11oz Cotton Canvas Roll 60" x 6 YardsSave Up to70%Off listWhite The canvas that accepts any media! We do not know where art will lead you. You may want to start with watercolor and gouache, reworking or removing areas then finishing off with permanent acrylics. With Yes! You can! Yes! Mixed-Media Canvas accepts watercolors, oils, acrylics, casein, permanent markers, alkyds, shellac, acrylic-based inks, airbrush, egg tempera, or any other media of your choice. It uses only the finest closed weaved cotton that is triple-primed to a super smooth surface. A versatile canvas that will accept any paint, ink, or marker you have in your studio. Perfect for portrait artists and realistic technique artists. A unique twist to this canvas is that you can draw with a permanent marker and use the lines to form a resist for your watercolors without feathering or smudging. Similar to the resists used for silk painting, you can paint on top of the drawing. For traditional watercolor painting, the color sits on the surface, allowing for easy lifting, scratching, and reworking the painted surface and even layering for unique effects using opaque or transparent colors. This surface is fantastic with virtually any acrylic-based paint, from heavy-body acrylics to acrylic-based inks to airbrush colors. Key Features: * 11oz weight, 100% unbleached cotton * Portrait smooth, fine weave surface * Triple-primed with acid-free special wet media primer * Perfect For: * Accepts all media! * Watercolors, Water-based inks, Airbrush colors * Acrylics, Markers, Acrylic inks * Oil, Shellac, and Alkyds The Portrait Cotton - Portrait artists and super realistic technique artists craved for a surface that was plate smooth but also affordable. Yes, is plate smooth using only the finest close weaved cotton and primed three times to a super smooth surface. So smooth you can easily draw on it. But here's the twist you can also paint on it with any media! The priming is the key. Imagine a canvas so versatile that it will accept any paint, ink or marker you have in your studio. Imagine the possibilities. The Watercolor Surface - Many watercolorists draw with permanent marker as they create their watercolors. With this surface you can draw right into your watercolor without feathering or smudging or you can paint on top of the drawing. A unique twist to this canvas is that you can draw with permanent marker and use the lines to form a resist for your watercolors. This is very similar to resists used for silk painting. It is quite amazing and interesting. For traditional watercolor painting the color sits right up on the surface and allows for easy lifting, scratching into the paint film, reworking the painted surface and even layering for unique effects. Use with opaque or transparent colors. This canvas works best with tube watercolor and provides rich, vibrant expressions. Acrylics and Watercolors - We don't know where art will lead you but you may want to start off playing with watercolors and gouache reworking or even removing areas then fine tuning and finally finishing off the top layers with permanent acrylics. Of course you don't need to use watercolors with your acrylics but you can if you want. You'll find this surface to be fantastic with virtually any acrylic based paint from heavy body to acrylic based inks to airbrush colors. Before applying watercolor, we suggest that you clean the canvas thoroughly with high-strength Isopropyl alcohol to remove any hand-oils from the canvas. Surface oils may have accumulated from manufacturing, packaging, or unwrapping the canvas. Cleaning the canvas should prevent the paint from beading up on the surface. See More
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Global Arts Handbook Journal 5-1/2 x 5-1/2" Square - Vermilion RedSave Up to44%Off listRed Attractive and functional Journal! Global Art Handbook Journals feature attractive book cloth hand-bound covers with just the right amount of flexibility. Each journal contains 128 pages of heavyweight, 130 gsm, acid-free, buff drawing paper. Excellent for pen and ink, pencil, and markers. The lightly toothed paper accepts light watercolor washes. A resilient elastic closure keeps the journal closed, and a useful, clear plastic envelope on the inside back cover is perfect for notes or business cards. Key Features: * Book cloth hand-bound cover * 128 pages * Heavyweight, 130 gsm paper * Acid-free * Buff drawing paper * Resilient elastic closure * Clear plastic envelope on the inside back cover Perfect For: * Pen and ink * Pencil and markers * Uncomplicated, spontaneous creativity * Light watercolor washes * Journal or sketchbook * Use in classes, studios, or outdoors! See More
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Guild-Gold Imitation Gold Leaf Book of 50 (Loose)Save Up to68%Off listGold Add dazzling magical accents to your art with imitation gold and silver leaf! Available in: Champagne, Rose Gold, Gold & Silver Leaf, Guild-Gold Leaf Books are known by suppliers worldwide for consistent quality and reliable purity. The thin sheets of imitation leaf are created by hammering and stretching metal to its limit. Guild-Gold Metal Leaf is used for accenting artwork or objects with an ultra-thin layer of metal foil leaf. Traditionally used to decorate frames and paintings, gold leaf is now widely used for a wide range of decorative projects. You can apply Guild-Gold Metal Leaf to ceramic, metal, stone, glass, wood, plastic, and leather surfaces through the gilding process. The leaves are arranged in paper booklets, loosely inset in compartments, one for each leaf. You can use a gilder's tip brush to pick up and place the loose leaf on the prepared surface. Key Features: * Imitation Champagne, Rose Gold, Gold, and Silver leaf * Champagne Gold, Champagne Silver leaf: Available in books of 50 sheets * Rose Gold leaf: Available in books of 50 sheets * Gold and Silver leaf: Available in books of 100 sheets * Leaves measure 140 mm × 140 mm (5.51" × 5.51") * Perfect For: * Water gilding or adhesive gilding * Jewelry design and Keum-Boo * Ceramic, metal, stone, glass, wood, plastic, and leather surfaces * Paintings on canvas or board * Gilding frames or sculptures * Icon paintings and mixed media work Keum-Boo (attached gold) is an ancient Korean jewelry technique. This method uses heat to fuse gold leaf to sterling silver or other metals. Agate burnishers are used to buff and brighten the resulting jewelry pieces. How to Apply Guild-Gold Metal Leaf: * Make sure that the surface you plan to leaf is clean and free of dust. Cotton gloves are recommended when working directly with metal leaves (gold leaf will stick to the oils in your fingers). * Apply a thin layer of metal leaf adhesive size to the area you want to cover. Let the adhesive set until tacky (be sure to follow instructions on your adhesive). * Pick up the leaf with statically charged wax paper or a gilding brush. You can achieve a static charge by gently rubbing on fabric, like your shirt, for example. * Carefully lay each leaf onto the tacky adhesive areas. A soft brush will help guide each leaf into crevices or textured surfaces. * Overlap leaves as you go until you have covered the entire tacky area. * Gently dust away loose flakes. Larger pieces can be saved for future use. * Ensure good adhesion by patting all over with a soft cloth. Use gentle pressure and avoid rubbing. * Varnish your finished work to prevent tarnishing. See More
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