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Old Holland Classic Pigment Vermillion Extra 55gSave Up to25%Off listRed Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Canson Montval Watercolor Blocks Cold Press 15" x 20" (15 Sheets)Save Up to33%Off listCanson's Montval watercolor paper is naturally surfaced, acid-free with a grain and texture similar to cold pressed papers. Montval has an excellent strength and is recommended for wet techniques in watercolor, gouache and acrylics. Paper expertly bound in 15 sheet blocks, 140 lb. Canson's Montval watercolor paper is naturally surfaced, acid-free with a grain and texture similar to cold pressed papers. Montval has an excellent strength and is recommended for wet techniques in watercolor, gouache and acrylics. Paper expertly bound in 15 sheet blocks, 140 lb. See More
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Strathmore Paper Roll 300 Series Charcoal 36"x10yd RollSave Up to33%Off list…paper. Ideal for use with pencil, colored pencil, charcoal and sketching stick. Paper weight is 70 lb.* 400 Series Watercolor-Â Heavy weight, cold-press, natural-white watercolor paper that will allow lifting and scraping applications. Features deckled edges with a weight of 140 lb.* 400 Series… Create artwork on any size and any shaped paper with these Strathmore rolls! Strathmore's specialty grade paper rolls provide artists with the convenience and flexibility of creating without size or scale limitations. Perfect for either practice of techniques or finished artwork, depending on roll.* 400 Series Drawing-Â Smooth, medium weight, cream colored drawing paper. Ideal for use with pen and ink, pencil, charcoal, crayon, and markers. Paper weight is 80 lb.* 300 Series Bristol-Â Smooth, stiff, illustration paper. This high quality bristol is ideal for mechanical drawing, marker, airbrush, pencil or pen. Bristol weight is 100 lb.* 300 Series Drawing- Medium weight, student-grade drawing paper. Ideal for use with pencil, colored pencil, charcoal and sketching stick. Paper weight is 70 lb.* 400 Series Watercolor-Â Heavy weight, cold-press, natural-white watercolor paper that will allow lifting and scraping applications. Features deckled edges with a weight of 140 lb.* 400 Series Toned Sketch Paper-Â Medium weight, 100% recycled, acid-free sketch paper in shades of cool gray or warm tan. Toned paper weight is 80 lb.* 300 Series Newsprint Rough-Â A heavier weight, natural-toned newsprint for practicing sketching and drawing. Rough surface readily accepts graphite, colored pencil, charcoal, and sketching sticks. Newsprint weight is 32 lb.* 300 Series Bristol Vellum-Â Good for graphite, colored pencil, charcoal, sketching sticks, mixed media, airbrush, and oil pastel. Bristol weight is 100 lb.* 300 Series Charcoal- This laid finish, traditional white, strong surface is ideal for charcoal or pastel. Also suitable for graphite, colored pencil, sketching sticks, crayon, and oil pastel. Paper weight is 64 lb.* 400 Series Drawing Smooth-Â Cream-colored drawing paper ideal for graphite, colored pencil, pen and ink, and marker. Designed to be ideal for sketching, it is heavy enough for most finished drawings. Paper weight is 80 lb.* 400 Series Layout Bond-Â Crisp, smooth surface is ideal for rough drawings or finished layout renderings in pencil, pen, or marker. Paper weight is 16 lb.* 400 Mixed Media- This Mixed Media roll features a vellum surface, combining characteristics of watercolor paper with a drawing sheet finish. Used for studies or finished art in watercolor, gouache, acrylics, graphite, pen and ink, colored pencil, marker, pastel, or collage. Paper weight is 140 lb.* 400 Series Recycled Drawing-Â Medium surfaced, bright white paper is good for graphite, colored pencil, charcoal, sketching sticks, marker, pen and ink, and soft or oil pastels. 30% post consumer fiber. Paper weight is 80 lb.* 400 Series Recycled Sketch-Â Fine-toothed sketch paper is ideal for experimentation, perfecting techniques, and preliminary drawings with all dry media. 30% post consumer fiber. Paper weight is 60 lb. See More
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Mount Vision Soft Pastels Set of 25 - Flesh TonesSave Up to38%Off listPortrait Colors Beautiful, hand-made soft pastels! Mount Vision Handmade Soft Pastels consist of the highest quality pigments with the addition of chalk, talc, or clay and binders. Various combinations, depending on pigment, create different handling properties. The Mount Vision Pastel Company was founded in 2000, by artist Karl Kelly (a former paint maker for a small oil paint company). Handmade in small batches in Mount Vision, New York, the pastels possess a wonderfully soft and buttery feel. The pigment easily releases to the pastel surface with little resistance, allowing layers to build without becoming slick. Mount Vision Handmade Soft Pastels are consistently tested to achieve the best feel and color intensity for each pastel color. Mount Vision utilizes both traditional and synthetic pigments, which make great substitutes for traditional painting pigments that are health hazards to use in pastels (such as cadmiums, cobalts, etc.) Mount Vision's manufacturing process is simple and straightforward, creating a truly handmade product with great love and care by dedicated craftsmen. First, the pigments and chalks(or other binder) are weighed out on a scale, and then placed in an industrial sized mixing bowl. The mixture is fully mixed to the consistency of cookie dough, and then put through a sausage stuffer, where it is extruded onto wood boards. The boards are placed outside to dry the long pastel lines a little, to firm them slightly before handling. Once ready, the pastel lines are cut to size and then carefully rolled by hand to create a more uniform shape. The finished pastels are then placed on a drying rack to cure before hand labeling. Key Features:* Created from the finest traditional and synthetic pigments* Handmade by craftsmen in small batches in the U.S.* Pastels possess a soft, “buttery” feel in use* No hazardous pigments used Perfect For:* Serious Pastel Artists* Artists supporting U.S. Made manufacturers* Pastelists desiring softer pastels* Handmade pastel aficionados The beauty of Mount Vision’s color selection and color values is by other manufacturers that make a handmade product. Drawing on his extensive painting and printmaking background, Karl Kelly carefully designed the color palettes and selections to create every color imaginable a pastelist could imagine, from the palest color values to the most vibrant brights and darkest darks. Sold in both open stock individually and as sets. Health and Safety Statement from Mount Vision Pastel Company: If you have any Health and Safety questions please do not hesitate to Call 888 413-2009. Your health is our biggest concern. At Mount Vision Pastels we use no heavy metal pigments such as Cobalt or Cadmium. Because of the nature of pastels, i.e.. drawing directly with the pigment with very little binder, I question the use of these pigments. With the advances in the manufacture of synthetic pigments I feel that there are alternatives available for use that will serve the artist as well without the possible side effects. That said probably the biggest concern for pastelists is the pigment dust created by them. Whenever possible it is better to clean dust with a wet rag, sponge, or paper towel than to sweep it up (which causes more dust). Care should be taken if using a vacuum as often the pigment is finer than the bag and can blow through causing quite a dust storm. See More
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Sennelier Oil Pastels Cardboard Box Set Seascape (Set of 6)Save Up to45%Off listAssorted Colors The world's finest oil pastels, made with high-quality pigments The world's finest oil pastels were originally created in 1949 by Henri Sennelier for Pablo Picasso. Picasso, a frequent patron of Henri's art supply shop across from the Louvre, was looking for a vibrant colored pastel he could use to paint on anything, giving examples of wood, metals, paper, canvas, etc. Picasso enjoyed the immediacy of children's crayons and soft pastels but wanted to be able to use their freer, gestural qualities on all surfaces and wanted them to be professional quality and lightfast. Sennelier's first oil pastels have since been the hallmark and long-time standard of the medium. Creamy, lightfast, and vibrant, Sennelier Oil Pastels use the same high-quality pigments and high pigment loads as their other lines, combined with a pure, synthetic binding medium and mineral wax. As the binding medium does not oxidize, it will not jeopardize the artwork's film stability or surface. They are acid-free, so there is no need to prime any surface as a preventative barrier for protection against deterioration from acid. The neutral pH mineral wax provides a remarkably creamy texture that will never harden or yellow, thus providing excellent adhesion to any support without ever fearing cracking. They may be thinned with spike lavender oil, turpentine, or mineral spirits to make washes or soften drawing strokes or blended with the Transparent Blending Medium stick for a wide array of effects. They are the ideal medium for artists on the go, as sets can be taken on airplanes without any restrictions since they contain no solvents or liquids like tubed paints. The traditional and La Grande sticks come in over 120 vibrant colors, including iridescent, metallic, and fluorescent colors. Sennelier's sets offer assorted colors dedicated to drawing landscapes, still lifes, and portraits, both in sturdy Cardboard and Wood Boxes, perfect for gift-giving or extensive travel. Sennelier Oil Pastels are available in both Standard (2 9/16" long x 3/8" diameter) and La Grande (5" long x 3/4" diameter) sizes. Sets can easily be replenished with individual pastels as you finish a stick! Key Features: * Cardboard box & Wood box sets * Compatible with all media * Can be applied to most surfaces such as paper, canvas, wood, or metal * Great for mixed media works * Highly pigmented, outstanding opacity and lightfastness * Draw on virtually any surface! * Unlike oil paint, substrates do not require priming * Soft, creamy application of color * Available in open stock of 120 vibrant colors (including iridescent, metallic, and fluorescent colors) Perfect For: * Sketching in color * Mixed Media Artists * Professional Artists * Plein Air - no need to lug brushes, solvents, palette, etc.! * Beautiful wood box sets make perfect gifts! See More
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