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Related Categories: Earth | Cadmium Scarlet | Prussian Blue Watercolor Paint | Permanent Alizarin Crimson | Mars Violet | Aureolin Watercolor | Iridescent Medium | Raw Pigments
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Old Holland Classic Pigment Titanium White 110gSave Up to25%Off listWhite Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Sennelier Artist Dry Pigments Gold Ochre 110 gramsSave Up to37%Off listGold An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Matisse Structure Acrylic 4 Liter Jar - Mars BlackSave Up to50%Off listBlack A Heavy Body Acrylic Suited to Impasto Techniques Matisse Structure Acrylics come in 98 highly pigmented lightfast colors! Because of their heavy body and high viscosity, Matisse Structure Acrylic Colors are ideally suited to impasto techniques and thick textured applications. You can easily apply the paint with a brush or palette knife straight from the tube. Matisse Mediums can be mixed in to alter the body and texture, gloss and sheen, or working time of the paint. Key Features: * Heavy body, high viscosity acrylic * Excellent lightfastness * No masking agents! * Brilliant and highly pigmented * 98 Brilliant professional colors Perfect For: * Impasto painting techniques * Painting colorful backgrounds * Mixing with acrylic mediums * Large-scale acrylic paintings * Intermediate to professional artists Artist Review & Testimonial Professional Artist Andy Russell - "Matisse Acrylic Paints have proven to be a pleasure to work with in so many ways. They are of the highest quality, richly pigmented and creamy smooth and perfect for the professional artist." “I use Matisse Structure Acrylics for a thick textured, bold impasto look and Matisse Flow Acrylics for the smooth, highly detailed results. They are also excellent for covering large areas." “I love colors and they come in a full range, which makes me feel like a kid in a candy store. I almost think of them as flavors. I really like their unique colors such a Cadmium Orange Deep, Australian Red Violet and Australian Blue Gum, Australian Salmon Gum and Australian Sienna. After years of painting in acrylics, it is exciting and refreshing to use these new colors. Discovering them was like getting a ‘booster shot’ of creativity for my work." See Full Review and Videos In Our Blog - Click here > See More
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Strathmore Paper Roll 300 Series Charcoal 36"x10yd RollSave Up to33%Off list…paper. Ideal for use with pencil, colored pencil, charcoal and sketching stick. Paper weight is 70 lb.* 400 Series Watercolor-Â Heavy weight, cold-press, natural-white watercolor paper that will allow lifting and scraping applications. Features deckled edges with a weight of 140 lb.* 400 Series… Create artwork on any size and any shaped paper with these Strathmore rolls! Strathmore's specialty grade paper rolls provide artists with the convenience and flexibility of creating without size or scale limitations. Perfect for either practice of techniques or finished artwork, depending on roll.* 400 Series Drawing-Â Smooth, medium weight, cream colored drawing paper. Ideal for use with pen and ink, pencil, charcoal, crayon, and markers. Paper weight is 80 lb.* 300 Series Bristol-Â Smooth, stiff, illustration paper. This high quality bristol is ideal for mechanical drawing, marker, airbrush, pencil or pen. Bristol weight is 100 lb.* 300 Series Drawing- Medium weight, student-grade drawing paper. Ideal for use with pencil, colored pencil, charcoal and sketching stick. Paper weight is 70 lb.* 400 Series Watercolor-Â Heavy weight, cold-press, natural-white watercolor paper that will allow lifting and scraping applications. Features deckled edges with a weight of 140 lb.* 400 Series Toned Sketch Paper-Â Medium weight, 100% recycled, acid-free sketch paper in shades of cool gray or warm tan. Toned paper weight is 80 lb.* 300 Series Newsprint Rough-Â A heavier weight, natural-toned newsprint for practicing sketching and drawing. Rough surface readily accepts graphite, colored pencil, charcoal, and sketching sticks. Newsprint weight is 32 lb.* 300 Series Bristol Vellum-Â Good for graphite, colored pencil, charcoal, sketching sticks, mixed media, airbrush, and oil pastel. Bristol weight is 100 lb.* 300 Series Charcoal- This laid finish, traditional white, strong surface is ideal for charcoal or pastel. Also suitable for graphite, colored pencil, sketching sticks, crayon, and oil pastel. Paper weight is 64 lb.* 400 Series Drawing Smooth-Â Cream-colored drawing paper ideal for graphite, colored pencil, pen and ink, and marker. Designed to be ideal for sketching, it is heavy enough for most finished drawings. Paper weight is 80 lb.* 400 Series Layout Bond-Â Crisp, smooth surface is ideal for rough drawings or finished layout renderings in pencil, pen, or marker. Paper weight is 16 lb.* 400 Mixed Media- This Mixed Media roll features a vellum surface, combining characteristics of watercolor paper with a drawing sheet finish. Used for studies or finished art in watercolor, gouache, acrylics, graphite, pen and ink, colored pencil, marker, pastel, or collage. Paper weight is 140 lb.* 400 Series Recycled Drawing-Â Medium surfaced, bright white paper is good for graphite, colored pencil, charcoal, sketching sticks, marker, pen and ink, and soft or oil pastels. 30% post consumer fiber. Paper weight is 80 lb.* 400 Series Recycled Sketch-Â Fine-toothed sketch paper is ideal for experimentation, perfecting techniques, and preliminary drawings with all dry media. 30% post consumer fiber. Paper weight is 60 lb. See More
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Global Arts Handbook Journal 5-1/2 x 5-1/2" Square - Vermilion RedSave Up to44%Off listRed Attractive and functional Journal! Global Art Handbook Journals feature attractive book cloth hand-bound covers with just the right amount of flexibility. Each journal contains 128 pages of heavyweight, 130 gsm, acid-free, buff drawing paper. Excellent for pen and ink, pencil, and markers. The lightly toothed paper accepts light watercolor washes. A resilient elastic closure keeps the journal closed, and a useful, clear plastic envelope on the inside back cover is perfect for notes or business cards. Key Features: * Book cloth hand-bound cover * 128 pages * Heavyweight, 130 gsm paper * Acid-free * Buff drawing paper * Resilient elastic closure * Clear plastic envelope on the inside back cover Perfect For: * Pen and ink * Pencil and markers * Uncomplicated, spontaneous creativity * Light watercolor washes * Journal or sketchbook * Use in classes, studios, or outdoors! See More
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Goldfaber Dual Aqua Marker, Warm GreySave Up to20%Off listGrey Countless techniques, Fine or flat drawing, dry or wet! Faber-Castell Goldfaber Aqua Dual Markers open up all sorts of design possibilities because the dye-based ink is fully water-soluble. The ink of the creative markers is odorless, acid-free and pH-neutral. Each marker has a soft, flexible brush nib for painterly brush strokes and a metal-encased fineliner tip (0.4 mm) for details and contours. The paint is in the marker! To start creating mesmerizing watercolor artwork, you simply add pigment to the paper and then add water with a brush. Goldfaber Aqua Dual Markers are perfect for calligraphy, detailed watercolor painting, dry brushing, sketching, coloring, and more! Goldfaber Markers are an ecologically responsible product. Each pen barrel and cap is made from post-consumer recycled plastic. In addition, all the sets come in cardboard packaging made from recycled paper. Key Features: * Each pen has 2 nibs; a brush tip and a fine nib * Dye-based ink is fully water-soluble * Acid-free, odorless, and pH neutral * Streak-free smooth color laydown when used wet or dry * Ink won't bleed through most papers * The cap and barrel are made from 100% recycled material * Cardboard packaging is made from recycled paper Perfect For: * Dry and wet drawing techniques * Detailed watercolor painting * Sketching, illustrating, and coloring * Calligraphy lettering and more * Comic and mandala artists * Achieving swaths of color and thin and thick lines * Drawing fine details and lettering * Creating with confidence * Ages 13 and up Wallet Set of 24: Contents Include: #107 Cadmium Yellow, #109 Dark Chrome Yellow, #122 Brilliant Red, #121 Pale Geranium Lake, #128 Light Purple Pink, #284 Purple, #137 Blue Violet, #449 Azure Blue, #356 Light Cobalt Green, #171 Light Green, #283 Burnt Siena, #115 Dark Cadmium Orange, #104 Light Yellow Glaze, #196 Lavender Light, #137 Blue Violet, #277 Titanium Violet Light, #116 Apricot, #281 Sand, #164 Water Blue, #228 Magenta Bright, #272 Warm Grey III, #183 Light Yellow Ochre, #163 Emerald Green, #110 Phthalo Blue and #199 Black. Wallet Set of 18: Contents Include: #107 Cadmium Yellow, #109 Dark Chrome Yellow, #122 Brilliant Red, #121 Pale Geranium Lake, #128 Light Purple Pink, #284 Purple, #137 Blue Violet, #449 Azure Blue, #356 Light Cobalt Green, #171 Light Green, #283 Burnt Siena, #115 Dark Cadmium Orange, #228 Magenta Bright, #272 Warm Grey III, #183 Light Yellow Ochre, #163 Emerald Green, #110 Phthalo Blue and #199 Black. Wallet Set of 12: Contents Include: #107 Cadmium Yellow, #109 Dark Chrome Yellow, #122 Brilliant Red, #121 Pale Geranium Lake, #128 Light Purple Pink, #284 Purple, #137 Blue Violet, #449 Azure Blue, #356 Light Cobalt Green, #171 Light Green, #283 Burnt Siena and #199 Black. Wallet Set of 6: Contents Include: #107 Cadmium Yellow, #122 Brilliant Red, #128 Light Purple Pink, #449 Azure Blue, #171 Light Green, and #199 Black. Tuscany - Wallet Set of 6 - Contents Include: #267 Pine Green, #283 Burnt Siena, #446 Sky Blue Pastel, #269 Green Ochre, #186 Terracotta, and #190 Venetian Red. Portrait - Wallet Set of 6 - Contents Include: #281 Sand, #116 Apricot, #114 Pale Pink, #195 Vintage Pink, #283 Burnt Siena and #186 Terracotta. Lettering - Wallet Set of 6 - Contents Include: #185 Naples Yellow, #114 Pale Pink, #125 Middle Purple Pink, #446 Sky Blue Pastel, #174 Chromium Green Opaque, and #199 Black. Shades of Grey - Wallet Set of 6 - Contents Include: #279 Purple Grey, #282 Hyacinth, #277 Titanium Violet Light, #230 Cold Grey I, #233 Cold Grey IV, and #199 Black. Graffiti - Wallet Set of 6 - Contents Include: #228 Magenta Bright, #229 Pink, #208 Middle Chrome Yellow, #163 Emerald Green, #137 Blue Violet, and #199 Black. Flowers - Wallet Set of 6 - Contents Include: #126 Permanent Carmine, #229 Pink, #197 Lavender Dark, #119 Light Magenta, #208 Middle Chrome Yellow, and #174 Chromium Green Opaque. Fantasy - Wallet Set of 6 -Contents Include: #249 Mauve, #113 Orange Glaze, #104 Light Yellow Glaze, #151 Helioblue Reddish, #279 Purple Grey, and #199 Black. Candy Shop - Wallet Set of 6 - Contents Include: #107 Cadmium Yellow, #121 Pale Geranium Lake, #128 Light Purple Pink, #249 Mauve, #154 Light Cobalt Turquoise, and #112 Leaf Green. See More
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Guild-Gold Imitation Gold Leaf Book of 50 (Loose)Save Up to71%Off listGold Add dazzling magical accents to your art with imitation gold and silver leaf! Available in: Champagne, Rose Gold, Gold & Silver Leaf, Guild-Gold Leaf Books are known by suppliers worldwide for consistent quality and reliable purity. The thin sheets of imitation leaf are created by hammering and stretching metal to its limit. Guild-Gold Metal Leaf is used for accenting artwork or objects with an ultra-thin layer of metal foil leaf. Traditionally used to decorate frames and paintings, gold leaf is now widely used for a wide range of decorative projects. You can apply Guild-Gold Metal Leaf to ceramic, metal, stone, glass, wood, plastic, and leather surfaces through the gilding process. The leaves are arranged in paper booklets, loosely inset in compartments, one for each leaf. You can use a gilder's tip brush to pick up and place the loose leaf on the prepared surface. Key Features: * Imitation Champagne, Rose Gold, Gold, and Silver leaf * Champagne Gold, Champagne Silver leaf: Available in books of 50 sheets * Rose Gold leaf: Available in books of 50 sheets * Gold and Silver leaf: Available in books of 100 sheets * Leaves measure 140 mm × 140 mm (5.51" × 5.51") * Perfect For: * Water gilding or adhesive gilding * Jewelry design and Keum-Boo * Ceramic, metal, stone, glass, wood, plastic, and leather surfaces * Paintings on canvas or board * Gilding frames or sculptures * Icon paintings and mixed media work Keum-Boo (attached gold) is an ancient Korean jewelry technique. This method uses heat to fuse gold leaf to sterling silver or other metals. Agate burnishers are used to buff and brighten the resulting jewelry pieces. How to Apply Guild-Gold Metal Leaf: * Make sure that the surface you plan to leaf is clean and free of dust. Cotton gloves are recommended when working directly with metal leaves (gold leaf will stick to the oils in your fingers). * Apply a thin layer of metal leaf adhesive size to the area you want to cover. Let the adhesive set until tacky (be sure to follow instructions on your adhesive). * Pick up the leaf with statically charged wax paper or a gilding brush. You can achieve a static charge by gently rubbing on fabric, like your shirt, for example. * Carefully lay each leaf onto the tacky adhesive areas. A soft brush will help guide each leaf into crevices or textured surfaces. * Overlap leaves as you go until you have covered the entire tacky area. * Gently dust away loose flakes. Larger pieces can be saved for future use. * Ensure good adhesion by patting all over with a soft cloth. Use gentle pressure and avoid rubbing. * Varnish your finished work to prevent tarnishing. See More
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