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Sennelier Artist Dry Pigments Gold Ochre 110 gramsSave Up to37%Off listGold An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Old Holland Classic Pigment Titanium White 110gSave Up to25%Off listWhite Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Rembrandt Watercolor Postcards 140lb Cold Press Pad (30-Sheets) 4.1 x 5.8Save Up to20%Off listWhite Design Postcards To Share With Family and Friends! Rembrandt Watercolor Postcards meet the requirements of professional artists. The back of the paper has a postcard layout with lines for writing. Each card contains 25% cotton and the best lignin-free cellulose with a 140lb paperweight. The postcard paper is acid-free, PH-neutral, and buffered to guarantee maximum durability. Internal sizing, along with unique surface sizing, ensures perfect water absorption and optimal color lifting. The paper’s medium grain texture, considered a soft cold-press makes it ideal for media such as watercolor, gouache, acrylic, ink, charcoal, and pencil. Key Features:* Medium grain, soft cold-press* Acid-free, PH-neutral, and buffered* 30 sheets, one side glued* 25% cotton + lignin-free cellulose* 140lb, 300 gsm* Internal and surface sizing* Lightly ruled backside for writing* Made in Italy Perfect For:* Creating postcards* Wet and dry media* Watercolor, gouache, acrylic, and ink* Charcoal and pencil* Optimal color lifting* Sending artwork to friends* Professional artists* Travel paintings* Art gallery invites See More
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Van Gogh Watercolor Postcards 140lb Fine Grain (25-Sheets) 4.1 x 5.8 BlackSave Up to20%Off listBlack Create Postcards for Family And Friends! Van Gogh Watercolor Postcards are made of 100% high-quality lignin-free cellulose and have a durable 140lb weight. Acid-free, pH-neutral, and buffered to guarantee maximum durability, the paper is tested and carefully selected to make your paintings look their best. Moreover, the internal and external surface sizing ensure perfect water absorption and optimal color lifting. Van Gogh Black Watercolor Postcards are perfect for creating fantastic watercolors on a dark background. Opaque colors such as Metallic and Interference colors show up particularly well on the Black paper. The back of each card has a printed layout with lines for writing. Each postcard has a fine grain surface, which makes it ideal for watercolors, acrylic, gouache, ink, charcoal, and pencil. Key Features: * Fine-grain surface * Acid-free, PH-neutral, and buffered * 25 sheets, one side glued * 100% lignin-free cellulose * 140lb, 300 gsm * Black or White paper card * Internal and surface sizing * Lightly ruled backside for writing * Great water absorption * Paper sourced responsibly * Made in Italy Perfect For: * Creating postcards * Wet and dry media * Watercolor, gouache, acrylic, and ink * Metallic and interference colors * Charcoal and pencil * Optimal color lifting * Sending artwork to friends * Professional artists * Art gallery invites * Lightweight and portable * Travel or Plein air sketching See More
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Jacquard Cyanotype Sun Printing Mural Fabric, 5x7ftSave Up to10%Off listHarness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for… Harness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for indexing plant specimens with what were called photograms at the time. The Cyanotype process is incredibly simple and only employs two inexpensive chemicals and UV sunlight. Prints can be created on any natural fiber: paper, cotton, silk, wool, wood, etc. Jacquard has made Cyanotype printing easy as pie with pre-sensitized fabric that is ready for cyanotype printing. Simply pull the sheet out of the package, place objects or an inverted photographic negative on top, expose to light for three to fifteen minutes, submerge the fabric in water to reveal the blue cyanotype print, and finally hang the fabric to line dry. With Jacquard’s Cyanotype Pretreated Mural Fabric you can actually create a full-body print by laying on top of the mural fabric for the duration of exposure while not moving. The creative possibilities for Photographers, Mixed Media Artists, and Quilters are endless! If you would prefer to use your own papers or fabric Jacquard has made the chemistry of Cyanotype attainable with lightproof black bottles of Potassium Ferricyanide and Ferric Ammonium Citrate. The chemicals used for cyanotype are inexpensive and go a long way. Despite their perhaps alarming names, both are safe to handle and mix. That said, care should be taken to avoid ingestion, inhalation, and contact with skin. The instructions for the use of Potassium Ferricyanide and Ferric Ammonium Citrate are included in the link bellow Great for photographers, mixed media artists, printmakers, quilters, kids and more, the cyanotype process is easy, forgiving, quick, magical and fun. Capture the nuance of every shadow Key Features: * Harness the power of the sun to make detailed prints * Simply place the object on the sensitized surface and expose to sunlight (UV) * Sun exposure time is 3-15 minutes * Pre-sensitized Cyanotype fabric Perfect For: * Quilters and Surface Design Artists * Photographers * Mixed media artists, printmakers, quilters See More
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