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Sennelier Artist Dry Pigments Gold Ochre 110 gramsSave Up to37%Off listGold An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Old Holland Classic Pigment Titanium White 110gSave Up to25%Off listWhite Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Holbein Heavy Body Acrylic 330ml Paynes GreySave Up to35%Off listGrey Professional heavy bodied paints are affordable with Holbein! Holbein's brilliant Heavy Body Artist Acrylics will bring your paintings to life. The lightfast colors are easy to mix and thin because the paint contains only the best organic and inorganic pigments. The buttery texture is brushable and retains peaks and marks when applied thickly. You can also thin the decadent color with water or medium to create a glaze or dry brush effect. Satisfyingly smooth and vivid, the Holbein heavy body acrylic colors are unforgettable. Holbein's luminous colors offer a glamorous glow not found in traditional pigments. The luminous colors contain fugitive fluorescent dyes that will fade over time. We recommend that you photograph your luminous artwork before the colors fade. Key Features: * 113 Sensational colors * Heavy body acrylic * High-quality organic and inorganic pigments * Buttery texture similar to extra fine oils * The brushable paint retains peaks * Longer working time * Superior covering power * Excellent lightfastness (except luminous colors) * Made in Japan Perfect For: * Acrylic painters * Adding luster and brilliance to your work * Effortless color mixing * Seamless thinning with medium * Thick impasto application * Professional quality at an affordable price * Painting with a brush, knife, or spatula * Students and professionals Primary Set of 5: Ideal for color mixing, this set of five primary colors includes 2 oz (60 ml) tubes of Primary Magenta, Primary Yellow, Primary Cyan, Primary Black, and Primary White. Basic Set of 6: This set contains 2 oz (60 ml) tubes of Quinacridone Red, Imidazolone Lemon, Viridian Hue, Phthalo Blue (Red Shade), Mars Black, and Titanium White. Luminous Set of 6: This set contains 2 oz (60 ml) tubes of Luminous Rose, Luminous Opera, Luminous Red, Luminous Orange, Luminous Yellow, and Luminous Lemon. Standard Set of 12: This set contains 12, 2 oz (60 ml) colors, including Naphthol Red Deep, Naphthol Red Light, Hansa Yellow Light, Yellow Ochre, Phthalo Green, Middle Green, Phthalo Blue, Ultramarine Blue, Dioxazine Violet, Burnt Sienna, Mars Black, and Titanium White. See More
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Creative Mark Fine Tip Liner Brush #20X0Save Up to41%Off list…making very fine, delicate lines. Their ultra-fine, split proof points make them extremely reliable for virtually any media. Try them with inks, watercolors, gouaches, acrylics, and even oils when you need finely controlled lines or gentle slight touches of color! Creative Mark Fine Tip Liners are… Perfect For Technical Artists, Fine Detail & Illustrators! These specially developed liner brushes are skillfully fashioned of white multiple filament hair, and are capable of making very fine, delicate lines. Their ultra-fine, split proof points make them extremely reliable for virtually any media. Try them with inks, watercolors, gouaches, acrylics, and even oils when you need finely controlled lines or gentle slight touches of color! Creative Mark Fine Tip Liners are made with nickel plated brass ferrules, firmly attached to lacquered deep bronze-colored, short wood handles. The ends of these Fine Tip Liners are beautifully finished with warm grey dipped ends, making the brushes as attractive as they are functional. Key Features:* Sizes from 6 all the way down to 20/0* Ultra-fine, split-proof points for incredible detail* Brush heads are multifilament, white synthetic soft hair* Nickel plated brass ferrules* Lacquered deep bronze-colored, short wood handles Perfect For:* Watercolor and gouache* Inks, acrylic and oils* Technical artists and illustrators* Artists of all skill levels* See More
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Da Vinci Micro-Nova Series 170 Golden Synthetic sz. 20x0 Detail RoundSave Up to30%Off list…Watercolor and acrylic * Fine detail work * Miniature and micro painting * Watercolorists of all skill levels * Students, teachers, professionals * Finessing delicate patterns The Nova Blue brush set contains high-quality synthetic bristles that mimic the performance of natural watercolor… The Ultimate miniature detail brush! The short handle da Vinci Micro-Nova series 170 and series 175 synthetic detail brushes are perfect for painting intricate details. The bristles are made of the finest golden synthetic fiber. The Series 175 brush head is bent by hand at an ideal angle for intricate details. All Micro-Nova brushes hold a perfect point and are suitable for all types of miniature, tabletop, and micro painting. da Vinci production masters take great pride in selecting only the finest quality synthetic hair for the brush's longevity and flexibility. Each brush has a nickel-plated seamless ferrule that is rust-resistant. Before leaving the brush workshop, each brush is examined to ensure that the brush-head is flawless and that the ferrule is firmly attached to the handle. The family-owned da Vinci brush company has designed quality brushes for three generations in Germany. Utilizing the latest innovations, they produce brushes of unsurpassed quality, elegance, and durability. Key Features: * Finest golden synthetic fiber * Extra-sharp point * Rust-resistant seamless ferrule * Spring and control * Series 175 brush head is bent * Made in Germany Perfect For: * Watercolor and acrylic * Fine detail work * Miniature and micro painting * Watercolorists of all skill levels * Students, teachers, professionals * Finessing delicate patterns The Nova Blue brush set contains high-quality synthetic bristles that mimic the performance of natural watercolor hair. The set includes a number 30 flat, a round number 4, a filbert 8, and a flat 6 providing you with 4 essential watercolor brushes for your next project. Experience the smooth and controlled brushstrokes, remarkable color retention, and excellent durability of da Vinci's Series 11660 Nova Blue brushes, a must-have for aspiring and professional artists. See More
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Princeton Velvetouchâ„¢ Series 3950 Synthetic Blend Brush #20/0 Mini LinerSave Up to46%Off list…smooth, signature Velvetouchâ„¢ handle. Key Features:* A superior blend for performance* Best quality for multimedia* Velvetouchâ„¢ comfortable handle* Excellent color-holding capacity Perfect For:* Acrylic & watercolor application* Professional artists* Mixed media applications* Decorative painting Princeton Velvetouchâ„¢ Luxury Synthetic Blend 3950 Series Brushes Princeton Velvetouchâ„¢ Luxury Synthetic Blend 3950 Series Brushes are comprised of a multiple-filament, luxury synthetic blend for excellent color-holding capacity, precision tapering and resilient spring. The synthetic blend is unique to each individual shape to ensure maximum performance. Comfort is ensured with our smooth, signature Velvetouchâ„¢ handle. Key Features:* A superior blend for performance* Best quality for multimedia* Velvetouchâ„¢ comfortable handle* Excellent color-holding capacity Perfect For:* Acrylic & watercolor application* Professional artists* Mixed media applications* Decorative painting See More
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Silver Silk 88 Short Handle Brush Size 20X0 Monogram LinerSave Up to35%Off list…color control * Smooth, even strokes * Carries color reliably from the palette to painting surface * Maintain chisel edges and sharp points * The Mini Mop is made with Natural Goat hair Perfect For: * Fluid Acrylics, Interference Acrylics * Watercolors, gouache & more * Wet-on-wet techniques Make your mark with Silver Silk 88™! Silver Silk 88™ by Silver Brush is the best quality synthetic brush on the market for use in fluid acrylics, interference acrylics, gouache, watercolors, and more. These brushes have great absorbency, exceptional holding capacity, wonderful color control, and excellent wear resistance. The Mini Mop brush shape is made of natural goat hair, unlike the other brush shapes in the Silver Silk 88™ line. Natural goat bristles make the Mini Mop perfect for scrubbing, blending, and softening. Silver Silk 88™ surpasses all others in performance, durability, and affordability. Key Features: * Excellent absorbency & color control * Smooth, even strokes * Carries color reliably from the palette to painting surface * Maintain chisel edges and sharp points * The Mini Mop is made with Natural Goat hair Perfect For: * Fluid Acrylics, Interference Acrylics * Watercolors, gouache & more * Wet-on-wet techniques See More
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Awagami Ginwashi 39gsm Cream 25" x 38" (Pack of 25)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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