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Weber Permalba Professional OilsSave Up to31%Off listPermalba White & Black Paints Weber Permalba White contains an exclusive blend of titanium, zinc and safflower oil, that gives it great covering power and make it one of the most opaque whites available. Original Permalba White is acid and alkali resistant, and it won’t yellow with age. It has a… Permalba White & Black Paints Weber Permalba White contains an exclusive blend of titanium, zinc and safflower oil, that gives it great covering power and make it one of the most opaque whites available. Original Permalba White is acid and alkali resistant, and it won’t yellow with age. It has a smooth, buttery consistency that dries to an elastic film with no tendency to crack. Key Features:* 150ml tube of white or black* Made in the USA* Formulated from refined linseed oil, safflower oils* Highly concentrated, lightfast pigments* Maximum film flexibility* Lead-free, acid-resistant, and alkali-resistant* Yields tints of true color value and brilliance* Won't yellow over time* Smooth, buttery consistency* Dries to a non-cracking, elastic film Perfect For:* Purest white* Superior opacity* Lead free painting* Artists of all levels Permalba White - An exclusive blend of titanium and other pigments. Permalba White is acid and alkali resistant, extremely opaque, and will not yellow or discolor. This fine paint tints to true color value with exceptional brilliance and has no tendency to crack due to its buttery consistency that dries to an elastic-like film. Non-toxic. Simply "the ultimate in artists' white oil color." Permalba Black - A unique blend of organic and inorganic blacks and other pigments. The ingredients are carefully selected, tested, formulated, and processed to obtain an intense, rich, color with subtle undertones when tinted with Permalba White. Permalba Black has a buttery consistency that works easily with a brush or painting knife. Non-toxic. See More
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Prizzi 11x14" Ready Made Gold Leafing Wood FrameSave Up to60%Off listGold Set your work apart with an Elegant Frame! Prizzi frames are built in an old-world manner by taking select carved lumber and building up a surface design with gesso, gold leafing, and black rub. The timeless 4¼” wide x 2” deep Estate Replica frame molding is enhanced by a natural color linen liner, while the 3/8" deep rabbet allows for framing paper artworks behind glass, or even canvas panels! Each frame is superbly constructed and outfitted with hardware in the form of D-rings and hanging wire. Your artwork will stand out from the crowd in a Prizzi frame! Please Note: A minimum purchase of 2 assorted frames is required. Bulk Pricing Available! Key Features:* 4¼” wide x 2” deep, 3/8" rabbet.* Antique Estate replica design* Linen liner w/ Gold Fillet* All frames come with hangers and wire. Perfect For:* Framing canvas panels* Framing works on paper Details: 4 1/4” wide 2” deep 3/8" Rabbet 7/8" Linen Liner 1/4" Gold fillet All hardware included See More
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Alexandria 11x14" Estate Replica Gold Frame,3.35” deepSave Up to57%Off listGold Set your work apart with an Elegant Frame! Alexandria frames are built in an old-world manner by taking select carved lumber and building up a surface design with gesso, gold leafing, and black rub. The timeless 3 1/2" wide x 2 3/8” Estate Replica frame molding is enhanced by a raised antique top edge and offset inner groove, while the 3/8" deep rabbet allows for framing artworks behind glass, or even 1/2" deep canvases with the use of offset clips! Each frame is superbly constructed and outfitted with hardware in the form of D-rings and hanging wire. Your artwork will stand out from the crowd in an Alexandria frame! Please Note: A minimum purchase of 2 assorted frames is required. Bulk Pricing Available! Key Features:* 3.5” wide x 3.35” deep, 3/8” rabbet.* Antique Estate replica design* 1/8” offset clips needed for ½” canvas fitting* All frames come with hangers and wire. Perfect For:* Framing canvas or works on paper See More
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Weber Odorless Turpenoids & Slow-Dry & Natural TurpenoidsSave Up to43%Off list…making it an excellent oil paint thinner for artists seeking safer painting alternatives for themselves or their children. Turpenoid Natural can also work well as an oil or alkyd medium, though it should not be used for washes, glazes, or to "wet" a canvas prior to painting.* Natural, non-toxic and… The most popular artists' oil paint thinners and cleaners! Odorless Turpenoid - An odorless substitute for traditional turpentine that retains the same painting properties and drying time as the original. Odorless Turpenoid works well for thinning oil or alkyd colors, creating mediums and cleaning brushes, and is perfect for artists working in small (but well-ventilated) spaces or for those who are allergic to or are affected by the strong odor of conventional turpentines and solvents.* Odorless formula should not aggravate allergies* Excellent paint thinner and brush cleaner* Flammable; store carefully Turpenoid Natural - A certified AP non-toxic and environmentally friendly brush cleaner and conditioner, Turpenoid Natural is made from citrus essences and other natural products. It is not flammable, does not emit harmful vapors, and will not irritate skin or eyes, making it an excellent oil paint thinner for artists seeking safer painting alternatives for themselves or their children. Turpenoid Natural can also work well as an oil or alkyd medium, though it should not be used for washes, glazes, or to "wet" a canvas prior to painting.* Natural, non-toxic and eco-friendly* Safe for artists of all ages* Excellent brush cleaner and conditioner Turpenoid Gel - Fast drying gel medium designed for use with oil and alkyd paints. Turpenoid Gel is clear and semi-soft, making it ideal for impasto techniques while also ensuring the paint layer dries completely. Gel will increase color translucence and decrease drying time of oil paints, rinses out with plain water, and dries to a stable and flexible film.* Fast drying medium body gel for oils and alkyds* Excellent for impasto techniques* Dries to a stable, flexible film Turpenoid Slow Dry - (Formally called Turpenoid Light) Similar to Original Odorless Turpenoid, a mild solvent, but with a much higher 200°F/93 °C degrees Flash Point, and more open work time when combined with other mediums. Turpenoid Slow Dry is a great medium for thinning artist oil colors, plus cleaning artist brushes, painting knives, and palettes. Turpenoid Slow Dry is a highly refined mixture of odorless mineral spirits. It is used for thinning artist oil colors, for modifying oil painting mediums. Safer Studio. It meets California Air Resources Board (CARB) exemption for consumer products. Very slow and complete evaporation, allowing more open time when combining with other mediums.* 200 degree °F flash point* Complete evaporation* Odorless See More
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Mijello Multi Use Water BucketSave Up to42%Off list…with a textured bottom for agitating the paint out of your brushes. A dedicated space on the back of the bucket is perfect for hanging a cloth to wipe excess water off of brushes. The bright orange handle is formed with grooves to hold active paint brushes. This heavy duty water bucket is great… Keep your brushes clean and ready with this large capacity water bucket The Mijello 2 Liter Water Bucket is a large capacity blue plastic bucket with three separate wells with a textured bottom for agitating the paint out of your brushes. A dedicated space on the back of the bucket is perfect for hanging a cloth to wipe excess water off of brushes. The bright orange handle is formed with grooves to hold active paint brushes. This heavy duty water bucket is great to use in the studio or out on the road. Key Features: * Three multi-use water wells * Bright orange handle with grooves to hold active brushes * Dedicated space for a wiping pad * Easy to clean and dry brushes Perfect For: * Studio artists * Watercolor work * Classroom use * Working with acrylics See More
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Prima Economy Acrylic Gesso
Starting At: 49.83
…in an acrylic 100% polymer emulsion. They provide an excellent flexible film and fine-tooth surface to canvases and non-oily surfaces for acrylic, oil, watercolor, tempera, gouache, etc. Ideal for professional artists, hobbyists, decorative, and beginner painters. Available in 16 oz. and a gallon… Excellent covering power for an economical price! Prima® White Gesso has excellent covering power for an economical price. Prima Gesso contains pure Titanium White pigment in an acrylic 100% polymer emulsion. They provide an excellent flexible film and fine-tooth surface to canvases and non-oily surfaces for acrylic, oil, watercolor, tempera, gouache, etc. Ideal for professional artists, hobbyists, decorative, and beginner painters. Available in 16 oz. and a gallon jug. The gallon size has a built-in carrying handle and a stay-tight lid. The pint-size (473ml) comes in a flexible squeeze bottle container with a flip-top lid perfect for smaller projects. Key Features:* Pure Titanium White pigment* 100% polymer emulsion* Flexible film with fine tooth Perfect For:* For acrylic, oil, watercolor, gouache* Professional artists* Decorative and hobby use See More -
Brush & Pencil Advanced Colored Pencil Spray FixativesSave Up to16%Off listSpecially formulated for colored pencil artwork Brush and Pencil developed the Advanced Colored Pencil Fixatives for colored pencil artists. Both of the fixative sprays are non-yellowing and non-darkening. Texture Fixative is essential if you burnish a lot or sometimes forget to draw details. It's a… Specially formulated for colored pencil artwork Brush and Pencil developed the Advanced Colored Pencil Fixatives for colored pencil artists. Both of the fixative sprays are non-yellowing and non-darkening. Texture Fixative is essential if you burnish a lot or sometimes forget to draw details. It's a lifesaver when it comes to adding color to areas that are slick with too many layers. You can also use Texture Fixative when adding color to dark backgrounds for ''dark to light'' and ''light to dark" work. The spray dries fast and protects covered layers from water, alcohol, and odorless mineral spirits. Once you have finished your drawing, you should protect it with a coat of Advanced Colored Pencil Final Fixative. The Final Fixative spray adds an extra layer of UV protection. Both Textured Fixative and Final Fixative are archival, UV-resistant, and fast-drying. Please note: You should only use these fixatives on rigid (non-flexible) surfaces. Both of the sprays harden once dry. Key Features: * Acid-free and archival * Protects work from UV Rays * Minimal color shift * Non-toxic and low odor * Non-yellowing and non-darkening * It dries and hardens in minutes * Permanently bonds to wax medium * Texture Fixative layers are resistant to OMS Perfect For: * Protecting colored pencil artwork * Preventing smudging * Adding additional colored pencil layers * Restoring the surface tooth * Isolating colored pencil layers * Working with colors on black or dark surfaces See More
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Brush and Pencil Colored Pencil AdditivesSave Up to10%Off listBlend color, add back tooth, or whiten areas of your drawing! You can blend color, add back tooth, or whiten areas with Brush and Pencil Colored Pencil additives. Powder Blender is a non-toxic archival blending lubricant for colored pencils. The blending powder unlocks oil-based colored pencils so… Blend color, add back tooth, or whiten areas of your drawing! You can blend color, add back tooth, or whiten areas with Brush and Pencil Colored Pencil additives. Powder Blender is a non-toxic archival blending lubricant for colored pencils. The blending powder unlocks oil-based colored pencils so that you can make corrections and even erase areas. With Touch-Up Texture, you can recover lost surface tooth in your drawing. All you need to do is apply a small amount of Touch-Up Texture, allow it to dry, and add new layers of colored pencil. Or use it to create bright white highlights by mixing it with their Titanium White Powder. You can also apply Titanium White Powder with an applicator sponge in areas where you need to add white. No matter what you need to fix in your drawing, Brush and Pencil have the additive for the job. Key Features: * Colored pencil additives * Each additive has its own characteristics * Archival colored pencil tools * Sifter's included with powders * Glass bottle comes with a brush applicator Perfect For: * Oil-based colored pencils * Blending color * Adding back tooth * Whitening areas and highlights * Works best on rigid toothy surfaces * Apply with sponges or short bristle brushes Powder Blender Jar + Sifter: Powder Blender is a non-toxic and archival dry blending lubricant for colored pencils. The non-toxic powder works best on rigid, toothy surfaces like gessoed panels and sanded paper. You can dispense the powder with the included sifter and blend it with a sponge or short bristle brush. Powder Blender unlocks oil-based colored pencils and makes everything adjustable, correctable, and erasable. The powder performs best with oil-based pencils, but you can use it to pretreat a wax-based drawing before adding more layers. Once everything is blended, you can secure the layer with Fixative. Titanium White Jar + Sifter: Brush and Pencil took the Titanium White found in colored pencils and created a ground-breaking powder with it. The white powder is completely opaque and has excellent covering power. In areas where you need white, you can apply Titanium White powder with an applicator sponge. If you use too much, you can lift it back with mounting putty. Mix a pinch of Titanium White with a few drops of Brush and Pencil's Touch-Up Texture to add highlights. You can apply the creamy mixture with a detail brush. Once dry, you can draw over the highlights. Touch-Up Texture Bottle: Recover lost tooth in your drawings with a bottle of Touch-Up Texture. All you need to do is apply a small amount of Touch-Up Texture, let it dry, and add new layers of colored pencil. Or mix it with Colored Pencil Titanium White to create bright white highlights. Colored Pencil Touch-Up Texture is non-toxic, archival, and pH-neutral. The glass bottle comes with a brush applicator. See More
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