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Sennelier Artist Dry Pigments HelIos Red 40 gramsSave Up to37%Off listRed An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Creative Mark Mural Max Large Scale Brush - Filbert, #46Save Up to77%Off listStiffness Watercolors Acrylics Oils The Ultimate in Large-Scale Mural Brushes! Designed as an upgrade from the already popular Creative Mark Mural Brushes, Mural Max Large Scale Brushes offer excellent control and a longer handle for reach. Mural Max features multi-diameter synthetic filament hair… Stiffness Watercolors Acrylics Oils The Ultimate in Large-Scale Mural Brushes! Designed as an upgrade from the already popular Creative Mark Mural Brushes, Mural Max Large Scale Brushes offer excellent control and a longer handle for reach. Mural Max features multi-diameter synthetic filament hair that is resilient and bouncy, holds it shape well, and can withstand constant use on rough surfaces like brick, stone, plaster, and drywall. Paints like a dream on smoother surfaces like fabrics and canvas, for large scale paintings or fabrics affixed to the wall for murals. The longer balanced handles are finished with 8 coats of lacquer for a strong, attractive finish, with a finished brush size of over a foot long! Even ferrules are tough and durable, using seamless nickel-plated brass. Brushes are glued into the handle and ferrules are securely fastened (larger ones are secured doubly with finish nails) for long lasting performance. Finally, a high-quality, tough, and responsive brush for the large-scale painter or muralist - Creative Mark Mural Max Brushes are the ultimate choice for large format art! Available in Rounds, Flats, and Filberts, the complete assortment is offered at an incredible value. Each brush is over a foot long! Key Features: * All brushes a foot+ long! * Ultimate choice for ANY large format art * Covers surface quickly and holds paint extremely well * Rounds, Flats, and Filberts, Set of 12 * Lacquered, balanced handles * Seamless nickel-plated ferrules * Ferrule is securely glued to the handle * Multi-diameter synthetic hair * Balanced handles are lacquered with 8 coats of paint Perfect For: * Acrylics, oils, alkyds, tempera * Large scale paintings or murals * Outdoor surfaces, larger scale canvas * Resiliency on rough painting surfaces * Faux finish & decorative painting * Ultimate choice for large format art * Great for glazing large areas * Holds large amount of paint The ultimate large-scale mural brushes all in one set! Set of 12 includes all brushes in Round, Flat and Filbert shapes Multi-diameter synthetic hair hold its shape Lacquered, balanced handles for durability Each brush is over a foot long! Great with acrylics, oils, alkyds, tempera and more The perfect brush for large-scale mural art! See More
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Charbonnel Etching Ink Additive - Hard Black Ball Ground, 40 GramsSave Up to28%Off listBlack Intaglio Inks, 100% natural, Trusted by Artists Throughout Time Charbonnel Etching Inks are 100% natural and non-toxic. Every color is highly pigmented and delivers impressive covering power even after dilution. The inks feature pigments chosen for their low acidity and exceptional lightfastness. Like oil paints, Charbonnel etching inks dry through oxidation. Depending on the color, the drying time can vary between 2 and 3 weeks. You can easily lighten the highly pigmented Charbonnel Etching Ink with transparency medium to create a range of tones. Key Features: * High-quality printmaking ink * 100% natural and non-toxic * Highly pigmented * Linseed oil-based binder * Additive-free intaglio inks * Wash up with oil or solvent * Inks absorb oxygen to dry * Made in France Perfect For: * Etching * Printmaking * Monotypes and monoprints * Intaglio printing * Professional artists See More
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Old Holland Classic Pigment Schev. Rose Deep 40gSave Up to25%Off listRed Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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