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Claessens Linen #15 Double Oil Primed Medium Texture Roll, 54" x 3 ydSave Up to69%Off listWhite Claessens Oil Primed Medium Textured Linen Rolls Feature Meticulous Craftsmanship - Their Most Popular All-Purpose Surfaces! Claessens Linen Rolls provide artists with optimal professional quality in painting surfaces and craftsmanship. Each specific primed linen type passed through its own set of manufacturing steps and quality control, resulting in the premium painting surfaces Claessens is renowned for. After receiving the raw linens, quality control carefully inspects the entire surface for weaving faults. Abnormally thick threads are scrupulously removed. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. For oil primed canvases, zinc white is used as the first coat, bound with linseed oil; carefully applied to the glued linen with trowel-like knives. Then the canvas is sanded and a layer with a titanium white base is applied in the same fashion, then placed in a drying room for 3 days to air dry naturally. Double primed canvases undergo the same process again, as do additional primings. After the final coating is applied, the canvas is moved back to the drying room for 10 days. The finished canvases are then again carefully inspected one last time before they are place on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create an archival, exceptional linen canvas worthy of your finest masterpiece! Single Oil Primed Linen Roll #15 - Single OP #15 - Claessens Linen features a pronounced medium weave and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with landscape and general subject painters (slightly more weave texture than commercial cotton canvas). Warp 17cm/14.5cm weft; weighs 13.12oz. Double Oil Primed Linen Roll #15 - Double OP #15 - Claessens Linen features a pronounced medium weave and a double layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with landscape and general subject painters (slightly more weave texture than commercial cotton canvas). Warp 17cm/14.5cm weft; weighs 14.75oz. Single Oil Primed Linen Roll #66 - Single OP #66 - A favorite of many famous artists world wide due to its even medium texture, a tight weave and strength. The world’s most popular linen for landscape painting. It has a 43.2 TPI warp and 36.8 TPI weft. Single primed weighs 13.48 oz. per square yard. 2 coat sizing. Key Features: * Professional Quality Linen * Popular Medium (all purpose) weave * Oil primed by hand * Best bonding surface for oils * Perfect For: * Professional Oil Painters * Landscapes, still life, general purpose * General painting techniques * Aspiring students & amateurs See More
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Claessens Linen #13 Double Oil Primed Very Fine Texture Roll, 54" x 3 ydSave Up to68%Off listWhite Claessens Oil Primed Linen Rolls Feature Meticulous Craftsmanship for Techniques needing a smooth surface! Claessens Linen Rolls provide artists with optimal professional quality in painting surfaces and craftsmanship. Each specific primed linen type is passed through its own set of manufacturing steps and quality control, resulting in premium painting surfaces Claessens is renowned for. After receiving the raw linens, quality control carefully inspects the entire surface for weaving faults. Abnormally thick threads are scrupulously removed. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. For oil primed canvases, zinc white is used as the first coat, bound with linseed oil; carefully applied to the glued linen with trowel-like knives. Then the canvas is sanded and a layer with a titanium white base is applied in the same fashion, then placed in a drying room for 3 days to air dry naturally. Double primed canvases undergo the same process again, as do additional primings. After the final coating is applied, the canvas is moved back to the drying room for 10 days. The finished canvases are then again carefully inspected one last time before they are place on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create a archival, exceptional linen canvas worthy of your finest masterpiece! Single Oil Primed Linen Roll #12 - Single OP #12 Claessens Linen features a moderately fine texture and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with portrait and realist artists who enjoy the fine tooth it offers. Warp 20cm/16cm weft; weighs 11.36oz. Double Oil Primed Linen Roll #12 - Double OP #12 Claessens Linen features a moderately fine texture and a double layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with portrait and realist artists who enjoy the fine tooth it offers. Warp 20cm/16cm weft; weighs 12.59oz. Double Oil Primed Linen Roll #9 - Single OP #9 Claessens Linen features a fine texture and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with portrait, realist artists, and general painters who enjoy the more moderately fine tooth it offers. Warp 11cm/14cm weft; weighs 11.50oz. Single Oil Primed Linen Roll #13 - Single OP #13 Claessens Linen features a very fine texture and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, but is the ideal choice for portrait, troupe l’oeil and realist artists who enjoy the very fine surface it offers. Warp 23cm/23cm weft; weighs 9.59oz. Double Oil Primed Linen Roll #13 - Double OP #13 Claessens Linen features a very fine texture and a double layer of primer for oil and alkyd painting. It accepts most styles of painting, but is the ideal choice for portrait, troupe l’oeil and realist artists who enjoy the very fine surface it offers. Warp 23cm/23cm weft; weighs 10.50oz. Quadruple Oil Primed Linen Roll #13 - Quadruple OP #13 Claessens Linen features a very fine texture and a quadruple layer of primer for oil and alkyd painting. It is the ideal choice for portrait, troupe l’oeil and realist artists who enjoy the very fine surface the quadruple priming and Very Fine weave offers. Warp 23cm/23cm weft; weighs 11.36oz. Key Features: * Available up to 6 yard rolls: see product listing details below * Professional Quality Linen * Very-Fine and Fine textures * Oil primed by hand * Best bonding surface for oils * Click on Yellow Icon near product for more details Perfect For: * Professional Oil Painters * Portraits & trompe l’oeil * Techniques needing a smooth surface * Aspiring students & amateurs * See More
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Sennelier Artist Dry Pigments Cerulean Blue Hue 180 gramsSave Up to37%Off listBlue An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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PanPastel™ Artists' Pastels - Red Iron Oxide Shade, 9mlSave Up to19%Off listRed Ultra Soft, Low Dust, Lightfast, Highly Pigmented Pastels packed in a unique pan format (cake-like) PanPastel Colors are professional artists’ quality soft pastel colors packed in a unique pan format (cake-like). PanPastel Colors Ultra Soft Artists' Painting Pastel Colors are artists' quality soft pastels uniquely packed in a pan format, so that the colors can be mixed and applied like paint, for new effects in pastels, and to make difficult pastel techniques easier! PanPastel Colors are the softest pastels in the world. Each color of PanPastels is loaded with the highest quality pigments; and is made using a unique manufacturing process requiring minimal binder and fillers, resulting in rich, ultra soft and low dust colors. PanPastel Colors are fully compatible with traditional pastel sticks, fixatives and surfaces; and with other artists' colors for mixed media work. 9 ml Pans contain approx. 35% more material than the average pastel stick. Versatile and easy to use PanPastel for a variety of techniques! See Videos for Techniques Key Features:* Great for pastel washes, backgrounds and under paintings* Use for dry-in-dry techniques - mix and blend like paint* Ultra thin "glazing" layers won't overfill the "tooth"* Control painterly effects, from intense to delicate pastel marks* Blend and apply dry color like fluid paint* Can be mixed and applied like paint Perfect For:* Painting & Drawing* Painting (with & without pastel sticks, pencils and other media* Drawing – for sketching & blocking-in drawings* Subtractive (reductive) techniques – tone paper with PanPastel then subtract drawing using an eraser* Underpaintings e.g. initial sketch for paintings* Backgrounds e.g. for colored pencils* Color studies prior to painting in other media e.g. oils* Use PanPastel to Enhance Watercolor Paintings Which surfaces should I use with PanPastel? An important characteristic of PanPastel Colors is that they work well on SO many different surfaces - from very low tooth to high tooth. E.g. from delicate surfaces through to toothy pastel (sand-paper) surfaces and everything in between…drawing papers, pastel papers, canvas, vellum, watercolor papers, print-making papers, cardstock, digital/ink-jet papers (matt) etc. Also, because they are not wet, PanPastel Colors don’t cause lightweight papers to “buckle”, and the Sofft sponge tools are gentle on delicate papers such as Japanese handmade papers. Each artist normally gravitates towards his or her own preferred surface. Don’t limit yourself – experiment! Some examples of how PanPastel looks on different surfaces are shown at our substrates page. Our gallery also shows the variety of surfaces being used by artists with PanPastel. See More
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Marie's Master Quality Watercolor 9ml Rose Permanent CrimsonSave Up to80%Off listRed Lives up to professional standards at an economical price Marie’s Painting Material Factory has more than 100 years of experience making vivid watercolors. Their reputation for quality continues today and many great artists use Marie’s watercolors on their palette. Each tube of Masters Quality Watercolor contains the finest pigments balanced by a quality binder. Intensely pigmented and lightfast the paint performs flawlessly on paper. Marie’s uses old and new paint-making techniques to guarantee that Masters Watercolors meet the needs of professional artists. Now you can add the brilliance of Masters Finest Quality Watercolors to your art! Key Features: * Range of 55 brilliant colors in 9ml tubes * Available in sets of 12, 18, and 24 * Several single-pigment shades * Includes 4 metallic and 7 pearlescent colors * Finest pure pigments * Highest lightfastness ratings * Highly concentrated color * Stands nicely on watercolor paper * Perfect For: * Professional watercolorists * Beginning watercolors * Beautifully clean color mixing * Permanent, professional works of art * Free-flowing, vivid watercolor painting Master Quality Watercolor Set of 12: Includes White, Lemon Yellow, Cadmium Red (Hue), Alizarin Crimson, Sap Green, Viridian, Ultramarine, Prussian Blue, Yellow Ochre, Burnt Sienna, Burnt Umber, and Ivory Black. Master Quality Watercolor Set of 18: Includes White, Cadmium Yellow (Hue), Lemon Yellow, Cadmium Red (Hue), Alizarin Crimson, Permanent Rose, Emerald Green, Sap Green, Viridian, Brilliant Purple, Sky Blue, Ultramarine, Prussian Blue, Yellow Ocher, Burnt Sienna, Burnt Umber, Payne's Gray, and Ivory Black. Master Quality Watercolor Set of 24: Includes White, Lemon Yellow, Cadmium Yellow (Hue), Cadmium Orange (Hue), Cadmium Red (Hue), Alizarin Crimson, Permanent Rose, Crimson, Purple Red, Emerald Green, Sap Green, Viridian, Phthalo Green, Brilliant Purple, Sky Blue, Cobalt Blue, Ultramarine, Prussian Blue, Yellow Ochre, Burnt Sienna, Burnt Umber, Raw Umber, Payne's Gray, and Ivory Black. See More
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