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Van Aken Kato Polyclay 12.5oz WhiteSave Up to19%Off listWhite A polymer clay developed with an artist for artists! Kato Polyclay is an easy-to-use polymer clay that bakes in ten minutes to become a robust and sturdy material. You can mix Kato colors to create unique shades with ease once the clay has warmed up in your hand. Create beads for jewelry or sculpt figurines then bake in your household oven at 300 degrees Fahrenheit. Once cooked, the clay can be further improved by sanding and buffing. Kato Polyclays have color stability, uniform consistency, and excellent cured strength. More durable than other poly clays, objects made with Kato Polyclay become permanent works of art that will resist cracking and decay over time. Its smooth texture allows for detailed results for all types of craft, including sculpture, jewelry, home decor, and model making. Key Features: * Created in partnership with artist Donna Kato * Highly-pigmented non-sticky formula * Oven-hardening clay * Strong and durable * All colors are mixable * When sliced, it will maintain its shape * Keeps its shape and color after baking * Made in Georgia, USA * Certified non-toxic * Conforms to ASTM D-4236 * Sulfur-free, paraben-free, latex-free * Free of nuts, dairy, gluten, soy, corn, GMOs, pollen, nickel, lead, and VOCs *DO NOT EAT* Perfect For: * Creating figurines * Making jewelry * Custom color mixing * Letting your creative juices run wild * Sculpting character studies * School projects * Model making * Teachers and students * DIY up-cycling * Polymer caning-techniques * Bake between 275F (135C) and 325F (165C) for 10-30 minutes Polymer clay pieces may be cured in a standard oven or in a toaster oven. When curing compositions, it is recommended that you test the temperature of your oven (especially when using a toaster oven) with an oven thermometer. To do this, place the thermometer into the oven in the approximate location where you will be curing your piece; wait for the thermostat to adjust then adjust the temperature of your oven accordingly until the appropriate temperature is achieved. Kato Polyclay should be cured at about 300°F (150°C); however, it can be cured within the range of 275°F (135°C) and 325°F (165°C). It has been approved to be cured at 350°F (175°C). You should never exceed a temperature of 365°F (185°C) when curing Kato Polyclay. When cured at elevated temperatures, Kato Polyclay will become harder and more durable and have an increased surface gloss. For optimal strength, it is recommended that you cure your piece for 30 minutes. Curing Kato Polyclay for more extended periods will yield similar results as curing it at elevated temperatures; however, it is not recommended that you cure it for longer than the recommended time. Some projects may require that you cure a piece multiple times. For example, after adding an uncured piece of clay or another medium to it. When you create a project like this, it is a good idea to cure the piece in shorter increments of time. For example, if you were baking a piece three different times, it’s recommended that you cure the piece for 10 minutes the first two times and 30 minutes for the final curing this will save you time and ensure that your piece is permanent. See More
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Williamsburg Pure Beeswax Block, 12ozSave Up to30%Off list…oil paint. In oil painting, beeswax can be added in a small amount to slow the drying, reduce yellowing, create a more buttery paint consistency, improve the stability of the paint, and make it more suitable for impasto effects. It can also be blended with oils, resins, and diluents to create an oil… Alter the sheen of mediums and varnishes or add to Oil Paint Williamsburg Pure Beeswax medium is made from 100% natural, bleached beeswax. Williamsburg Pure Beeswax Blocks and Pellets are useful for altering sheen of mediums and varnishes, or as an additive when making oil paint. In oil painting, beeswax can be added in a small amount to slow the drying, reduce yellowing, create a more buttery paint consistency, improve the stability of the paint, and make it more suitable for impasto effects. It can also be blended with oils, resins, and diluents to create an oil medium, giving a matting or satin effect. In Encaustic painting, beeswax is the chief binding medium with pigment. Key Features:* Beeswax Block 12oz* Beeswax Pellets 16oz* Made from 100% natural, bleached beeswax* Altering sheen of mediums and varnishes* Use as an additive when making oil paint* As a binding medium for encaustic painting See More
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Mona Lisa Pink Soap, 12oz BottleSave Up to26%Off list…include a Brush cleaner tank and cleaning solutions, Odorless thinners for painting, and Omni-Gel Image Transfer medium. Key Features:* Studio essentials* Cleaning and conditioning paint brushes* No odors Perfect For:* Oil painters* Broad mix of techniques* Cleaning greasy stains Studio Essentials for a Diverse Range of Techniques! Speedball's rich history of manufacturing fine art materials began in Camden, NJ, in 1899. Since that time, Speedball's offerings have grown and evolved, but our dedication to providing our customers with superior products and services at an affordable price remains the same. Speedball studio essentials has a broad mix of high-quality necessities your workspace requires. The Studio essentials include a Brush cleaner tank and cleaning solutions, Odorless thinners for painting, and Omni-Gel Image Transfer medium. Key Features:* Studio essentials* Cleaning and conditioning paint brushes* No odors Perfect For:* Oil painters* Broad mix of techniques* Cleaning greasy stains See More
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Da Vinci Artists Bristle Series 2475 300mm (12in) MottlerSave Up to30%Off list…* Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease… Double-boiled Hog bristles have a long lifespan! The da Vinci Artist Bristle Mottlers are made of Chungking hog. The white hog-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The brush has a varnished wooden paintbrush-style handle and a nickel-plated ferrule. Each brush is handmade in Germany using only the finest hog bristle, interlocked for shape retention and flagged for superior paint holding capacity. Painstakingly constructed to guarantee durability these brushes are excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Da Vinci Top Acryl Series 5040 Synthetic 300mm (12in) MottlerSave Up to30%Off listExcellent absorbency and a high degree of elasticity! Five different diameters of synthetic fiber make up the da Vinci Top Acryl Mottler brushes. Each da Vinci Top Acryl Mottler brush can hold an enormous amount of paint because the resistant synthetic fibers of various widths and lengths, guarantee… Excellent absorbency and a high degree of elasticity! Five different diameters of synthetic fiber make up the da Vinci Top Acryl Mottler brushes. Each da Vinci Top Acryl Mottler brush can hold an enormous amount of paint because the resistant synthetic fibers of various widths and lengths, guarantee a high degree of absorbency as well as high elasticity. The mottler shape is excellent for washes in watercolor and fluid acrylic. Mottlers are perfect for applying gesso or that final coat of varnish. You can use Top Acryl Synthetic Brushes on outdoor mural surfaces or fine-art canvases. Before leaving the brush workshop, each brush is examined to make sure that the brush-head is flawless, and that the ferrule is firmly attached to the handle. The family-owned da Vinci brush company has designed quality brushes for three generations in Germany. Utilizing the latest innovations, they produce brushes of unsurpassed quality, elegance, and durability. Key Features:* Five diameters synthetic filament hair* Characteristics of natural hair* Black-red polished handles* Crisp brush edges* Vegan-friendly brushes* Unsurpassed water-holding capacity* Made in Germany Perfect For:* Watercolor or fluid acrylic paint* Varnish or gesso application* Glazing and layer application* Heavy washes for a watery effect* Travel and en Plein air painting* Students, teachers, professionals* Mural painters See More
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Da Vinci Cosmotop Spin Series 5080 Synthetic 300mm (12in) Flat WashSave Up to36%Off listAnimal-Friendly Synthetic Hair Brushes! da Vinci Cosmotop Spin Brushes hold more water than any other synthetic bristle, with a large belly that narrows to a distinct point especially in the round and quill shapes. The blending and arrangement of five different diameters of synthetic hair help… Animal-Friendly Synthetic Hair Brushes! da Vinci Cosmotop Spin Brushes hold more water than any other synthetic bristle, with a large belly that narrows to a distinct point especially in the round and quill shapes. The blending and arrangement of five different diameters of synthetic hair help Cosmotop Spin Brushes mimic the behavior of natural hair. Each brush has a nickel-plated seamless ferrule that is rust-resistant. Before leaving the brush workshop, each brush is examined to make sure that the brush-head is flawless, and that the ferrule is firmly attached to the handle. The family-owned da Vinci brush company has designed quality brushes for three generations in Germany. Utilizing the latest innovations, they produce brushes of unsurpassed quality, elegance, and durability. da Vinci Cosmotop Spin Brushes are available in popular shapes and sizes including Round, Rigger, Oval, Flat Wash, and Travel Round! Key Features: * Five diameters of synthetic hair * Mimic the behavior of natural hair * Rust-resistant seamless ferrule * The round has a large belly and sharp point * Unsurpassed water-holding capacity * Made in Germany * Popular shapes & sizes: Round, Rigger, Oval, Flat Wash, and Travel Round Perfect For: * Watercolor, gouache, and acrylics * Area work and washes * Travel and en plein air painting * Superb brush response & control * Linework and design * Students, teachers, professionals * Animal-friendly artists See More
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Old Holland Classic Pigment Schev. Red Light 30gSave Up to25%Off listRed Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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