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Related Categories: Prussian Blue Watercolor Paint | Cobalt Green | Cadmium Scarlet | Earth | Opera | Aureolin Watercolor | Iridescent Medium | Black Light Paint
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Strathmore Artist Trading Cards, Bristol Vellum 2-1/2" x 3-1/2" (20 Cards)Save Up to33%Off list…Board, 500 Series - 100% cotton drawing surface for dry media. * Watercolor, 400 Series - Intermediate grade watercolor paper is popular with watercolorists of all levels. This versatile, felt finished paper is ideal for mastering watercolor techniques or finished pieces. Acid-free. Make a card with… The biggest movement in art is very small, ATC's! Our bestselling fine art papers are available in official Artist Trading Card size so you can create, swap and collect art with artists from around the world. Precision-cut for a clean surface, these convenient cards are available for a range of mediums — drawing, watercolor, acrylic, oils and mixed media collage. * Bristol Smooth and Vellum, 300 Series - An economical bristol weight board available in two surfaces. Smooth finish is excellent for mechanical drawing, pencil, pen and ink. Ideal for experimentation with airbrush. Vellum finish is excellent for any dry media including pencil, charcoal, and pastel. Acid-free. * Acrylic 400 Series - Heavyweight linen finish is perfect for acrylic painting. Acid-free. * Illustration Board, 500 Series - 100% cotton drawing surface for dry media. * Watercolor, 400 Series - Intermediate grade watercolor paper is popular with watercolorists of all levels. This versatile, felt finished paper is ideal for mastering watercolor techniques or finished pieces. Acid-free. Make a card with your artist trading card artwork with the Strathmore Artist Trading Card Frames Pack Frame Cards w/ Envelopes- These tri-fold cards feature a cutout window which accommodates an ATC (2.25" × 3.25" opening). Cards slide easily into the pocket and provide a great way to display or send your trading cards. Envelopes are 3.625" × 5.125". See More
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Global Art Quattro Journals Grid 2 -1/2" x 3-1/2"Save Up to44%Off listQuattro Journals are paper with a purpose! Quattro encourages you to customize your jotting experience. Lots of sizes in your choice of gridded, lined or artist blank. All acid-free. We also have the Quattro Leather Pad Holders, available in Black, Neutral or Saddle. Quattro Journals are paper with a purpose! Quattro encourages you to customize your jotting experience. Lots of sizes in your choice of gridded, lined or artist blank. All acid-free. We also have the Quattro Leather Pad Holders, available in Black, Neutral or Saddle. See More
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Bainbridge Basics Matboard 32x40in True BlueSave Up to19%Off listBlue 100% Conservation Quality for Total Framing Confidence! Bainbridge has added 22 new must-have colors to its Conservation Basics Matboard line, including richly saturated shades, gentle pastels, and bold sporty hues! All Bainbridge Conservation Basic colors are bleed and fade resistant. Bainbridge Conservation Basic matboards are 100% lignin-free and acid-free. Each 32x40" inch board features a 100% virgin alpha-cellulose surface, core, and backing. In addition, each conservation board has an Alkaline pH and 3.5% calcium carbonate buffer. Key Features: * 100% lignin-free and acid-free * Virgin alpha-cellulose surface, core, and backing * Alkaline pH & 3.5% calcium carbonate buffer * Bleed & fade resistant colors * 22 new must-have colors Perfect For: * Conservation Framing * Matting with fade and bleed resistance * Upgrading to conservation quality * Museum and Gallery framing See More
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Pyramid Mat Board 32"x40" 4 Ply - Pacific BreezeSave Up to32%Off listBlue Professional quality value board that cuts crisp and clean. Boards are buffered with calcium carbonate to an alkaline reserve of 3-5%. Â Excellent offering of colors including metallics and black core. Â Best used for presentation and open edition prints. Not recommended for archival long term matting or presentation. Neutral PH backing sheet, buffered core and neutral PH facing paper.Please note: A minimum purchase of 25 assorted boards is required. See More
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Crescent Select Matboard 32"x40", 4 Ply - InletSave Up to32%Off listBlue Quality Conservation Matboard in an alpha-cellulose line! Crescent Select Matboard offers conservation quality in an alpha-cellulose line! The 32x40" boards are acid and lignin free, created with a 100% virgin alpha cellulose surface, core, and backing paper. The boards are buffered with calcium carbonate to an alkaline reserve of 3-5%. Select features a distinctive white core on both the 4 ply designer colored boards, and 6 ply white shades for framers seeking a deeper bevel. 4 ply boards come in a wide range of designer and traditional colors that can compliment any picture, and are fade and bleed resistant so they will last as long as your art. With Crescent Select Mat Board, you will have conservation-quality matting at just a slight premium over standard mat boards from other companies, but ensure your artwork is matted for maximum artwork protection. Please Note: A minimum purchase of 15 assorted 4 ply boards or 6 ply boards is required. We cannot guarantee that all corners will arrive without damage. Key Features:* Conservation quality matting* 4 ply 32x40" Select matboard* Acid and lignin free* 100% virgin alpha cellulose* Distinctive white core Perfect For:* Upgrading to conservation quality* Matting with fade and bleed resistance* Conservation matting of artworks* Artists desiring quality economical matting See More
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Canson Mi-Teintes Board 32 x 40" (Pack of 5)Save Up to33%Off listWhite Now you can frame up your art with the beauty and character of genuine Mi-Teintes paper mounted on pure white, 4 ply, acid-free and lignin-free board. This conservation quality board is perfect for framing and matches world famous Mi Teintes paper.  Mi-Teintes Boards by Canson have the highest cotton content for a colored art paper, which allows it to perform nicely with many mediums. It's the ultimate surface for pastels, charcoal, or conté crayon. Canson Mi-Teintes Paper complies with ISO 9706, which ensures optimal preservation and longevity. Both the 16×20" and 32×40" size boards can be used for framing or mounting art as well as for pastel painting and mixed media applications. Please note: A minimum purchase may be required. See the Minimum Purchase icon for details. See More
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Old Holland Classic Pigment Caput Mort Violet 160gSave Up to25%Off listViolet Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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