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Chelsea Classical Studio Nuovo Long Handle Professional Brush #4 FilbertSave Up to61%Off list…mounting disks* Self-adhesive metal alloy medallions (5 Pack, sold separately) * Perfect For:* Portrait artists see subject matter better* Professional oil painters* Muralists and plein aire* Easel painters* Hanging to the underside of the easel (magnetic ends, medallions)* Attaching to a wall or… Stiffness Watercolors Acrylics Oils A momentous change to brush design in 300 years! Imagine eliminating the various problems associated with the current modern brush. A brush that provides better control, convenience, balance, and function. One that is so unique that its introduction represents a new birth of superior painting brushes. Nuovo Long Handle Professional Brushes have three patented changes that make them feel lighter, not front heavy, so holding at their farthest end will be comfortable, allowing for a controlled stroke and smooth transitioning long stroke. The handles do not taper, and the diameter of the handle is consistent throughout, which makes the most comfortable area to hold the brush more towards the back. These patented changes apply to the standard 300mm brush handle and the handle extensions, making them 400mm long. The exclusively patented brush ferrules have both side support and a domed cut-out so that the brushes with long hair put the force of your stroke at the tip. The bristles will hold more paint and ensure no bristle hairs will splay. A little past the center of the handle is the fulcrum balance point. The Nuovo brush is balanced, so you can easily hold it with one finger. Painting at or just past the fulcrum point feels natural, allowing for perfect control of the brush with or without the handle extension. Holding the handle at the rear allows for superb control. Finally, the standard brush and the handle extension feature a magnetic end, which can be attached to any easel or surface by attaching our metal mounting discs (available separately), which are perfect for hanging and storing brushes on your easel between uses. Another benefit of hanging your brushes when not in use is it forces the paint and solvent towards the front of the bristles. Any excess will gather at the tip, and you can quickly wipe it away. Now your brushes will always be in the ready position! Key Features:* 5 sizes (click the paper icon for more details)* Long filbert natural hog bristle hairs* They hold more color than any other brush* Maximum controlled strokes without splaying* Flattened, non-staining, non-rusting ferrule* Patented side supports plus domed cut-out to retain brush shape* Balanced non-tapered handle* Brushes are light and comfortable to handle at their end* Less strain on your wrist, zero fatigue, more working time* Each handle is 13 inches long with a magnetic end* Removable 3-inch counterweight magnetic extensions sold separately* Total 16-inch handle when using counterweight magnetic extension* Brushes can attach with metal mounting disks* Self-adhesive metal alloy medallions (5 Pack, sold separately) * Perfect For:* Portrait artists see subject matter better* Professional oil painters* Muralists and plein aire* Easel painters* Hanging to the underside of the easel (magnetic ends, medallions)* Attaching to a wall or any flat surface (magnetic ends, medallions)* Precise painting, blending, and expressive movement* Artists wanting the best experience* Working at an easel with controlled, even strokes* Superior control* Long smooth transitional strokes and line control* Ultimate tools of the trade for any oil color painter!* Limited storage space* No-hassle, everyday studio use Why Nuovo Brushes - Multiple Patents, Tremendous Control! * The breakthrough in brush design in 300 years* Longer hair holds more color than any other brush today* Greater precision and defined points* Tremendous controlled lines and long smooth transitional strokes* Held from their farthest end comfortably* Better weight distribution, zero hand fatigue* Maximum controlled strokes without splaying* Non rusting, non-staining ferrule Jerry's Exclusive - Best Seller! Bristles hold more color than ANY other brush, plus greater precision with ZERO hand fatigue! A brush that is so unique that its introduction represents a new birth of superior painting brushes! The current modern easel brush has a long 12-inch tapered handle and a seamless, flattened ferrule that allows artists to stand away from the easel. This design has remained unchanged for 300 years because it was the universally accepted way to make a brush. However, this design has several problems. The first problem is balance. A balanced brush experience is when a brush is gripped a few inches from the ferrule, defeating the purpose of an easel brush. Instead of finding yourself taking advantage of the handle length, you find yourself holding the handle near the ferrule, where it is comfortable and at its widest diameter. When clasping at the tip of the handle, the brush tends to flop, which leads to loss of control, plus the squeezing causes hand fatigue.* Chelsea Nuovo brushes have a balanced feel even when held from their farthest end. They have better weight distribution and zero hand fatigue. The second problem is the flat metal ferrule, which holds the bristle hair. Most brush shapes we used today have a flattened ferrule, with which the force of your stroke causes an outward pushing of the brush hairs. This push can make them less supple and often takes the paint off the canvas when painting. Brights get stiff as dried paint builds up where the hair and ferrule meet. Short bright brushes need constant cleaning, and full-size flats encourage shorter strokes as you paint. With longer hair brushes, such as extra-long filberts, stroke control is an issue, and the brush head cannot hold much color. If you paint with any long hair brush, from flats to filberts, the horizontal force across the entire ferrule causes hair to splay, leading to distorted shapes and loss of control.* Chelsea Nuovo brushes have a patented brush ferrule with side support and domed cut-out so that the force of your stroke is at the tip. The bristles will hold more paint and keep their shape. The third problem is well known to any artist using multiple brushes. You have to deal with the issue of brush storage when switching between them. Color transference between the brush heads can happen if you hold them in your hand. Putting them down on a flat surface can get paint not only on the handles but the surface, and the brush heads can touch, rendering them useless. Some artists use a brush vase to stand the brushes up, but ultimately some will contact. * Chelsea Nuovo brush handles feature a magnetic end, which can be attached to any easel or surface using the metal mounting discs. Perfect for hanging and storing brushes between uses. See More
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Princeton Dakota 6300 Series Synthetic Brush Filbert #4Save Up to40%Off list…of hog bristle, series 6300 is a perfect brush for painters switching from oils to acrylic or water miscible oil. A real workhorse in even heavy bodied acrylics and suitable for use with gels and impasto media. Oil painters are catching on to 6300, realizing that it wears much better than natural… Princeton Dakota 6300 Series Synthetic Brushes- The last thing you need with a thick paint, such as acrylics, is a limp brush. These long handled brushes feature the very first synthetic interlocking, inward curved hair that perfectly matches the stiffness of bristle, but with the resiliency and shape only a synthetic can give you. Easily power through the heaviest acrylics and make the most delicate line strokes with thinned colors too! These unbelievably versatile brushes contain no oils like natural bristle so they are perfect, not only for acrylics, but for water mixable oil colors such as Max and Artisan. All with gold-tone nickel plated seamless ferrules attached to long, green wood grain lacquered handles. A better, longer lasting bristle brush that performs better than natural bristle across a broad range of media. A key advantage of 6300 is that it won’t go limp even in water! Try that with natural bristle! Modeled on the look and feel of hog bristle, series 6300 is a perfect brush for painters switching from oils to acrylic or water miscible oil. A real workhorse in even heavy bodied acrylics and suitable for use with gels and impasto media. Oil painters are catching on to 6300, realizing that it wears much better than natural bristle. See More
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Princeton Aqua-Elite Series 4850 Synthetic Kolinsky Sable Brush #4 RoundSave Up to51%Off list…for discerning artists. (Formerly known as Princeton Elite™) Key Features:* Maximum color holding capacity* Finest point and tapered edge* Comfortable handle* Perfect For:* Watercolor application* Professional artists* Distributing incredible amounts of controlled watercolor in a single stroke Princeton Aqua-Eliteâ„¢ - Short Handle Synthetic Kolinsky Sable, 4850 Series Kolinsky Sable brushes have long been recognized as the standard of excellence, a comparative benchmark of how other natural and synthetic watercolor brushes perform. Aqua-Eliteâ„¢ is a new synthetic-hair brush that is almost indistinguishable from natural Kolinsky. It is a challenge to see the difference. Aside from the more affordable price, it is the performance of this new synthetic hair technology that makes Princeton Aqua-Eliteâ„¢ the new standard for discerning artists. (Formerly known as Princeton Elite™) Key Features:* Maximum color holding capacity* Finest point and tapered edge* Comfortable handle* Perfect For:* Watercolor application* Professional artists* Distributing incredible amounts of controlled watercolor in a single stroke See More
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Princeton Aspen Series 6500 Bright, Size 4Save Up to46%Off list…of pressure used, enabling control and precise arrangement of color. Princeton’s Aspen™ brushes can be used with acrylics, oils, and water-soluble oils. Paint releases and glides evenly off the synthetic hairs. Each brush has a long polished black handle made from reforested wood and a… Performance, Practicality, and Style in One Brush! Available in a wide variety of sizes and shapes, Princeton Aspen™ Series 6500 Synthetic Brushes are made out of synthetic bristles. The synthetic brush fibers stay together regardless of the canvas texture or the amount of pressure used, enabling control and precise arrangement of color. Princeton’s Aspen™ brushes can be used with acrylics, oils, and water-soluble oils. Paint releases and glides evenly off the synthetic hairs. Each brush has a long polished black handle made from reforested wood and a matte non-glare black ferrule perfect for outdoor painting. Key Features: * Stiff synthetic bristles * Hair retains its shape * Paints glide off brush evenly * Matte non-glare ferrule eliminates light reflection * Polished black handles made of reforested wood Perfect For: * Acrylics, Oils, and Water-Soluble Oils * Controlled lines and placement of color * Artists, crafters, and students * Outdoor painting * Everyday studio use! See More
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