Your Cart
SLI Search Template
Related Categories: 9x12 Panels | 3x3 | Retarder Medium | Creative Air | Speedball Printing | High Gloss | Iridescent Medium | Jacquard
There were no results that contained all of the words in your query. These results contain some of the words.
-
Canson Pad Classic Drawing 14x17" - CreamSave Up to33%Off listTraditional cream-colored fine artists' drawing paper! With a fine-textured, creamy fine art drawing paper suitable for finished drawings, these pads are perfect for graphite, charcoal, pastel, and pen-and-ink artwork. The heavier weight, 90lb (147gsm) paper is strong and durable, and the… Traditional cream-colored fine artists' drawing paper! With a fine-textured, creamy fine art drawing paper suitable for finished drawings, these pads are perfect for graphite, charcoal, pastel, and pen-and-ink artwork. The heavier weight, 90lb (147gsm) paper is strong and durable, and the double-wire binding and sturdy chipboard backing mean these pads will stand up to work both in the studio and in the field. The creamy coloring gives a classic look to all your finished drawings, and the 24 micro-perforated sheets tear cleanly for a polished presentation. Key Features:* Fine textured drawing paper* Available in white and cream* 90lb / 147gsm weight* Acid-free* Erasable Perfect For:* Ideal for final drawings* Studio or Plein air* Graphite, Charcoal, Pastel, Pen, and Ink See More
-
Bee Paper Co-Mo 86lb Sketch Paper Pad 14X17Save Up to32%Off listWhite A heavyweight recycled Co-Mo sketch is a hard, clean sheet with excellent erasing qualities. Accepts light use of wet media well. Key Features: * Acid free * 86lb. (140 g/m2) * Natural white color * Double sized texture surface * Available in double wire bound pads (30 sheets) and rolls * Micro-perforated sheets Perfect For: * Pencil, pen & ink * Crayon, chalk & charcoal * Light washes See More
-
Borden & Riley #37 Boris Marker Layout Cloth Bound Pads 14 x 17 inSave Up to28%Off listWhite Well suited for calligraphy and marker design! Borden & Riley #37 Marker Layout Cloth Bound Paper is an excellent surface for felt tip markers, graphite, pastels, and charcoal. Each bright white semi-transparent sheet has a 13.5 lb weight with a smooth finish well suited for calligraphy and marker design. The smooth paper texture is ideal for felt tip markers and prevents most marker inks from bleeding-through or feathering on the paper. Borden & Riley #37 Marker Layout Cloth Bound Pads are made in the USA, and each pad contains 50 sheets of paper. Key Features: * 13.5 lb. Semi-transparent sheets * Fifty sheets per pad * Non-curling and brilliant white surface * Smooth finish texture * Well suited for felt tip markers * Almost no bleed-through and feathering * Made in the USA Perfect For: * Felt tip markers * Graphite, pastels, and charcoal * Marker drawings * Caligraphy * Illustration * 2D design * Teachers, students, and experienced artists See More
-
SoHo Marker Paper Pad 14"x17", 50 SheetsSave Up to63%Off listWhite Draw with markers wherever you are! SoHo Marker Pads are perfect for rough drawings and final works of art. The sturdy 1.5mm grey backing board with matte lamination allows you to travel and draw wherever you are. Each glue-bound pad contains fifty sheets of 90gsm marker paper ready for practice sketches or finished drawings. Key Features: * 24 lb. (90gsm) marker paper * Surface: Smooth / Heavyweight * Acid-Free * Bleed resistant * Accepts multiple layers of color and blending * 50 sheets glue-bound * Cover: 128gsm cardstock * Backing: 1.5mm grey board with matte lamination * Available in sizes 9x12", 11x14" & 14"x17" * Perfect For: * Alcohol-based, water-based, acrylic-based, and solvent-based markers * All types of pen and ink work * Mechanical pencils * Color blending and gradations * Drawing clean lines * Creating finished works of art with markers * Spontaneous creativity * Travel * Urban sketching See More
-
SoHo Urban Artist 100 lb Bristol Paper Pad 14x17" (20-Sheets)Save Up to57%Off listWhite Perfect for highly detailed drawings and illustrations Our SoHo Bristol pad is a staple for any artist or art student. The smooth 100 lb. acid-free paper is perfect for graphite, colored pencil, charcoal, inks, marker, mixed media, and collage. Each glue-bound pad contains twenty sheets of 100 lb. (270gsm) bristol smooth paper ready for practice or finished drawings. Key Features: * 100 lb. (270gsm) smooth bristol paper * Acid-free dual-sided paper * 20 sheets glue-bound * Cover: 128gsm cardstock * Backing: 1.5mm grey board with matte lamination * Available in sizes 9x12", 11x14", 14x17", and 19x24" * Perfect For: * Creating fine detail drawings * Wet and dry media * Heavy markers * Ink and graphite * Finished illustrations * Spontaneous creativity * Travel See More
-
Strathmore 400 Series Recycled Drawing Pad 14" x 17" (24 Sheets Medium)Save Up to56%Off listStrathmore 400 Series Drawing & Sketch Pads One of the most versatile sheets Strathmore offers, this cream colored drawing paper is ideal for sketching and most finished work. 400 Series Drawing Pads - Now acid-free and perforated for easy removal! On this non-rag paper, you can use crayon,… Strathmore 400 Series Drawing & Sketch Pads One of the most versatile sheets Strathmore offers, this cream colored drawing paper is ideal for sketching and most finished work. 400 Series Drawing Pads - Now acid-free and perforated for easy removal! On this non-rag paper, you can use crayon, pencil, pen and ink, charcoal, washes, paints, markers and more! 80 lb., spiral bound paper has 24 sheets per pad. 400 Series Sketch Pads - A general purpose sketch paper for classroom, experimentation, or perfecting technique with pen, pencil and a variety of other media. Rugged spiral wire binding makes it ideal for field use, and pages are perforated for easy removal. 60 lb paper. Media Applications: Smooth 80 lb - graphite pencil, colored pencil, pen & ink, marker Medium 80 lb - graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, oil pastel Weight: Smooth: 80 lb. 130 g/m2 Medium: 80 lb. 130 g/m2 Pad Features: Wire Bound sheets are micro-perfortated and are Actual Size when removed at the micro-perforation. 400 Series Heavyweight Drawing Pads - 100 lb., cream-colored paper is ideal for finished artworks and heavier sketch media, allowing for repeated erasing and reworking. Use with charcoal, pencil, colored pencil, sketch sticks, and more! Heavyweight Drawing Pads feature slightly more texture than the regular 400 Drawing Pads. Acid-free perforated sheets are actual size when removed. 24 sheets per pad. Weight: 100 lb. (24” x 36” x 500 sheets) 163 g/m2 Surface: Medium. All of our Heavyweight Drawing products feature a medium surface with slightly more texture than our 80 lb. 400 Series Drawing pads. Surface is durable enough to stand up to repeated erasing and reworking. 400 Series Recycled Drawing Paper - This 80 lb., bright white paper is suitable for all dry media, pen and ink, and light washes. Contains over 50% recycled materials, and perforated for easy removal. Acid-free, heavy weight, durable, medium surface. Weight: 80 lb. 130 g/m2 Surface: Medium Media Applications: Graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, and oil pastel. Pad Features: Wire Bound sheets are micro-perforated and are Actual Size when removed at the micro-perforation. 400 Series Recycled Sketch Paper - Our most popular sketch pad! This 60 lb., general purpose sketch paper is great for experimentation and perfecting techniques. Contains 30% Post-Consumer Waste Fiber. Acid-free, medium weight, lightly textured. Weight: 60 lb. (25" x 38" x 500 sheets) 89 g/m2 Surface: Fine Tooth Media Applications: Graphite pencil, colored pencil, charcoal, sketching stick, soft pastel, oil pastel See More
-
Awagami Papers Okawara (51GSM) Pack of 25Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. See More
-
GoSee Professional Archival Presentation Book 14x17" 24 PagesSave Up to67%Off listBlack Show that you truly care about what is inside! Present, store & preserve your artwork and photographs GoSee Professional Archival Presentation Books are a practical and beautiful way to present or store your artwork and photographs. You only get 1 chance to make a first impression and these professional archival presentation books are what you want give to clients. They are designed to be economical enough for you to produce them at a reasonable cost but still show that you truly care about what is inside. Acid-free pages and the acid-free divider paper will insure that your work will last. The easy reference to the work makes it desirable to keep around for clients and easy for you to figure out what you have on the shelf as well. Key Features:* 100% Acid-Free, PVC Free & Lignin free * Archival to preserve work* Rigid and acid-free polypropylene cover* 24, acid-free, polypropylene sleeves, 48 Views* 80 lb., acid-free black divider sheets* Allows presentation of up to 48 pieces* Top loading pages, sealed on all other sides* Free of ghost print (will not stick to pages)* 24 pages are seam welded onto the cover* Ability to label each presentation book Perfect For:* Professional Archival Presentation* Present or store your artwork and photographs* Preserving your work* Economical yet elegant and professional* An amazing presentation* Side labeling for easy access* Art class, interviews, business* Special Feature To Consider: The pages allow top loading of your art and photographs and are sealed on all other sides. Artwork, even ink jet prints will not migrate onto the pages and all 24 pages are seam welded onto the cover so they are permanent and no page can ever be lost. "These Go-See Presentation books turned out to be the perfect solution. We get them in multiples from Jerry's who has the very best price. We in turn provide them to our customers so they can safely protect their prints. I especially like that these are acid-free for extra protection." Importance of Archival, Acid-Free and Lignin Free Lignin enhances the acidity within paper so as the products age the lignin can cause the paper to become brittle and yellow. Acid within the paper will cause it to age and disintegrate much quicker, particularly when subjected to heat and light. Preserving and protecting your artwork and photos is important so it is important to use Acid-Free and Lignin Free Materials to prevent your artwork and photos from becoming brittle or yellowing over time. GoSee Archival Presentation & Portfolio Books have Acid-free pages and the acid-free divider paper will insure that your work will last. See More
Powered by
Login and Registration Form
Customer Login
Already a customer ? Sign in now for the best experience!
* indicates a required field