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Prismacolor Kneaded Eraser, Extra-LargeSave Up to34%Off listPowerful erasers perfect for sketching and drawing Prismacolor Premier Art Gum, Magic Rub, and Kneaded erasers work perfectly with graphite and other dry media. The Prismacolor Art Gum® Eraser is great for eliminating unwanted smudges or smears. Its block shape whittles away, leaving a fine powder… Powerful erasers perfect for sketching and drawing Prismacolor Premier Art Gum, Magic Rub, and Kneaded erasers work perfectly with graphite and other dry media. The Prismacolor Art Gum® Eraser is great for eliminating unwanted smudges or smears. Its block shape whittles away, leaving a fine powder that cleans the surface by picking up graphite and dirt. The versatile Prismacolor® Premier Kneaded Eraser can be quickly shaped to precisely the area you want to erase. While the Prismacolor® Magic Rub Eraser allows you to gently and cleanly erase graphite and India ink without ripping or tearing your paper. Whether you're trying to clean up small spots or large areas, Prismacolor® has the right eraser for the job. Key Features: * Prismacolor® erasers * Block shapes ideal for erasing small or large areas * Kneaded eraser can be shaped and cleaned * Dry cleans the surface by picking up graphite and dirt Perfect For: * Erasing * Bringing out highlights * Getting rid of any unwanted smudges or smears * Charcoal, graphite, soft pastel, and some colored pencils Kneaded Eraser: The Prismacolor® Kneaded Eraser is a non-abrasive eraser that you can use to pick up a loose dry pastel and charcoal pigment. You can knead the eraser to make it tacky again when you need to pick up more dry pigment. Available in Large and X-Large sizes. * Eraser ensures your surfaces are left clean * Clean the eraser by gently kneading it in your hand * Make quick work of colored pencils, pastels and even chalk * Can be quickly shaped to precisely the area you want to erase * Designed to both highlight and cleanly erase chalks, charcoal, pastels, and colored pencils Art Gum Eraser: The Prismacolor® Art Gum Eraser produces a fine powder to deep clean paper. It works best on graphite pencil smudges and marks. Often called a "Soap" eraser. 2 x 1 x 1/2"* Whittles away to leave a fine powder* Quickly removes graphite and other dry media* Great for getting rid of any unwanted smudges or smears* Dry cleans the surface by picking up graphite and dirt* Block shape ideal for erasing small or large areas* Dual-purposed, acting as both a non-abrasive eraser and dry cleaner Magic Rub Eraser: Prismacolor® Magic Rub Erasers allow you to gently and cleanly erase graphite and India ink without ripping or tearing your paper. The thin edges of the vinyl enable you to erase small detailed areas efficiently.* Latex-free vinyl design reduces smudging* Perfect for erasing graphite and India ink* Sharp corners are excellent for nooks and crannies* Each eraser measures 2-1/4" long x 1" wide x 7/16" thick See More
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Schmincke Multi-Purpose Soft Pastel Cardboard Box Set of 120 Half SticksSave Up to39%Off listAssorted Colors Extra-Soft Artists' Pastels Box Sets of Assorted Colors Schmincke’s finest extra-soft pastels lead you back to the origins of color while creating a real painting experience rather than a simple drawing experience. They contain only the purest medium fine ground artists’ pigments, which are in the highest possible concentration. The binding agent content is kept to a minimum, which ensures a stable compound. In order to guarantee the highest quality it is necessary to manufacture Schmincke pastels using special recipes which avoid the use of machinery during manufacture. ‘Worm extruders’ form the pre-kneaded dough into round skeins, which are then detached by hand and cut in a wire-strung frame. Key Features: * Handmade in the traditional way * 400 brilliant, soft, pastel colors * Highly concentrated artists’ pigments * Minimum binder content * Maximum lightfastness Perfect For: * Artists and students * Indoor and outdoor use * Traveling artists * Application over dried watercolor or acrylic * Use with textured and sanded papers * Subtle blends, rich color lay down, and lush layering The damp sticks have to dry for around eight days before they can be labeled and packed by hand. This is a costly and time-consuming process; however it is the only way Schmincke can guarantee homogenous quality and smoothness in all the production cycles, in order that the artist can be assured that his favorite color shade is consistent throughout our range of finest extra-soft artists’ pastel colors. Wood Box Set of 400 - The complete assortment includes 400 assorted colors classified in 80 rows with 5 colors each. The range also contains five additional pearl luster effect colors. An amazing treat for any serious pastel artist! All Deluxe wood box sets of Schmincke soft pastels Stained Walnut See More
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Awagami Ginwashi 39gsm Cream 25" x 38" (Pack of 25)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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