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The Edge All Media Pro Cotton Canvas, 22"x30" - 11/16" Deep (Box of 6)Save Up to87%Off listWhite Professional Stretched Canvas with Four Paintable Edges Superior Priming For The Best Overall Results! Long favored with oil and acrylic painters, The Edge All Media Cotton Canvas is known for its’ tuck-n-roll style construction, providing beautifully clean, painted edges. Featuring a lovely, medium-toothed surface, the beefy 14oz. primed weight makes for a sturdy surface for all painting styles, even mixed media (The 100% cotton surface is an 8oz. raw weight before priming). Triple priming ensures an excellent barrier protection between paint and canvas, making it suitable for traditional and water mixable oils and alkyds to be used with excellent results. Creative Mark’s professional-quality white acrylic primer helps maintain color richness and brilliancy, while providing excellent adhesion for paint. World famous canvas that gives you the cleanest sides for painting onto for frameless displaying! Back spline stretched and stapled at each corner for durability, canvases can be wired for frameless presentation. Finish painting with solid-colored cleanly painted sides, or wrap painting around sides for a distinctive, modern look. Look for The Edge All Media Cotton Canvases in deeper depths for an even more striking presentation! Singles up to size 24x30in. Boxes of 6 All Sizes Please Note: Packaging may be labeled 3/4"; however actual canvas depth is 11/16". Key Features: * Available in: Single or Boxes of 6 * Beefy 14oz. primed weight * 8oz. raw weight before priming * 100% natural cotton * Triple-acrylic, archival priming * Medium tooth surface * Deluxe stretched canvas * Known for its’ tuck-n-roll style construction* Hand stretched by Skilled Craftsman using the best materials Perfect For: * Oils, Alkyds, Acrylics * Painted edge presentation * Mixed media works * Painters of all levels * Frameless artwork presentation * Excellent barrier protection between paint and canvas Available in more depths - The most complete line with 3/4", 1-1/2" and 2-1/2" depths! The Edge, Long Sizes, Why Long?As good as squares are they actually are used so often as there are few ways to do multi canvas expressions. There are diptych and triptych but not often used as long canvases are hard to find and so most often you have 2:3 ratio canvases. The Edge Long Canvas Sizes will go up 1:7 See More
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Strathmore 500 Illustration Board, Vellum Lightweight 22" x 30" (Pack of 15)Save Up to38%Off list…White BoardStrathmore 500 Series Illustration Boards are 100% cotton fine art 500 series drawing sheets mounted to both sides of a high quality archival, lignin-free, white board to create a balanced tension that resists warping. 500 Series Illustration Board is a higher quality paper designed… 500 Series Sheets Mounted to Archival White BoardStrathmore 500 Series Illustration Boards are 100% cotton fine art 500 series drawing sheets mounted to both sides of a high quality archival, lignin-free, white board to create a balanced tension that resists warping. 500 Series Illustration Board is a higher quality paper designed for graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, oil pastel, light wash and collage. America's finest drawing paper for over a century. Surface: Vellum / Plate * Weight: Heavyweight Vellum - 72 pt * Heavyweight Plate - 68 pt * Lightweight Vellum - 42 pt Media Applications: Vellum: graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, oil pastel, light wash and collage Plate: graphite pencil, colored pencil, pen & ink, marker, mixed media and collage See More
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GOLDEN Heavy Body Acrylics, Earthtones Set of 12, 5oz TubesSave Up to30%Off listEarth Tones Heavy Body Acrylic Paint Sets from GOLDEN As the original line of paints from GOLDEN, these Heavy Body acrylics are exceptionally smooth with a thick, buttery consistency. Each set contains the most extensive assortment of unique pure pigments suspended in a 100% acrylic emulsion. GOLDEN acrylics offer excellent lightfastness with no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body color is formulated differently depending on the nature of the pigment. Colors that tolerate higher pigment "loads" dry to a more opaque, matte finish. More reactive colors do not accept high pigment loads and will often dry to a glossy finish that is more transparent. GOLDEN Heavy Body colors contain no additives, such as matting agents; therefore, each color's gloss will differ. Click on the item number to view set information Key Features: * Exceptionally smooth, rich, buttery consistency * Permanent and archival in quality * Ability to "stand up" and retain brush strokes * Heavy Body colors are thixotropic * Retain excellent flexibility when dry, diminishing the possibility of cracking * Mix with all of our GOLDEN Mediums, Gels, and other paint lines * 100% acrylic binder * No flattening agents * No opacifiers added to colors * Clearest and cleanest quality * Large assortment of unique pure pigments Perfect For: * Artists of every skill level * Freeze-thaw stability * Creating expressive brush strokes or palette knife marks * Small and large works of art * Plein Air * Heavy body impasto techniques * Mixing with acrylic mediums * See More
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Golden OPEN Acrylic 5 oz Iridescent Pearl (Fine)Save Up to30%Off listIridescent Slow-drying acrylic paint that enables painters to explore techniques GOLDEN OPEN paint is a slow-drying acrylic paint that enables painters to explore techniques traditionally reserved for oil paints. The slow-drying quality gives artists longer working time for easier blending and even subtractive techniques. There is a unique thinner and mediums for use with OPEN, but the paints are compatible with regular fast-drying acrylics and clean up with soap and water like regular acrylics. OPEN Acrylics are formulated with an optimum balance of pigment load and 100% acrylic polymer dispersion to produce a paint with a uniquely relaxed set of working characteristics and a versatility that allows artists to explore a wider range of techniques such as portraiture and landscape painting that rely on softening, shading, glazing, and creating fine detail. Increased working time of these colors expands their range to include more traditional techniques once only possible with oils Key Features:* Resists skinning, remain wet on the palette for extended periods* Feels like no other paint* Stays wet longer* Expands the boundaries of acrylics* Formulated with an optimum balance* Tubes: 2oz. & 5oz. / Jars: 4oz. & 8oz.* Titanium White: 32oz. Jar* 100% acrylic polymer dispersion* Perfect For:* A uniquely relaxed set of working characteristics and versatility* Allowing artists to explore a wider range of techniques* Portraiture and landscape painting* Softening, shading, glazing, and creating fine detail* Plein air painting, mono-printing, and screenprinting* Drying time can also be accelerated by mixing OPEN with faster-drying acrylics like our Fluid and Heavy Body colors* Reducing the amount of paint wasted and preserving color mixtures for future use How long does it take for Golden Open acrylics to dry? GOLDEN OPEN typically dries in 3-5 hrs. To control viscosity while maintaining the maximum working time Use OPEN Mediums and Thinner. To accelerate drying time, OPEN Acrylics may be blended with faster-drying GOLDEN Acrylics, Gels, and Mediums. OPEN Acrylics resist skinning, remain wet on the palette for extended periods, and exhibit a remarkable versatility that allows them to be used directly from the tube for plein air painting, mono-printing, and screenprinting. OPEN Acrylics may be blended with other GOLDEN Acrylic Colors, Mediums, and Gels, with the open time of the resulting mixtures being proportionately reduced. Because OPEN Acrylics dry slowly, painters who cover their palettes or use sealed containers have been able to use the same colors for weeks, reducing the amount of paint wasted and preserving color mixtures for future use. See More
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Speedball Professional Relief Ink - Diarylide Yellow 5ozSave Up to34%Off listYellow Produce stunning professional quality prints with these vibrant, premium relief inks! Speedball Professional Relief Inks Formulated to possess all of the working properties that artists demand, Speedball Professional® Relief Inks are made from the highest quality, lightfast pigments and contain no fillers. They roll out consistently and transfer beautifully, resulting in intense, crisp, archival prints. Containing (10) single-pigment colors and a Transparent Base, these professional-grade inks all carry the AP Seal and can clean up easily with soap and water or traditional window cleaner. Most notably, the Speedball Professional Relief series boasts its flagship color-Speedball® Supergraphic Black, created by world-renowned relief artist, Bill Fick. Key Features: * Highest quality, lightfast pigments * Contain no fillers * Designed for accomplished printmakers * Produces intense, crisp, archival quality prints * Holds fine details with beautiful transfer quality * Water miscible oil base makes for easy clean up * Professional-grade inks all carry the AP Seal Perfect For: * Professional printmakers * Block printing * Student artists * Linocut printing * Cleans up easily with soap and water or traditional window cleaner Speedball Professional Relief Inks are designed specifically for professional level printmakers. These premium quality relief inks offer viscosity similar to that of oil-based inks, rolling out consistently, transferring beautifully, and holding fine details to produce intense, crisp, archival quality prints. Extend the color range by combining these inks with Extender to produce transparent layers. With a water-miscible oil base, these true process relief inks are lightfast and easily cleaned up with a little soap and water. See More
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Speedball 5 oz Fabric Block Print Ink BrownSave Up to34%Off listBrown A Block Printing Ink That Takes To Fabric As Well As It Does Paper! With Speedball Fabric Block Printing Ink, you can animate your fabric designs with a vivid range of opaque colors that remain permanent through the wash, and over time with no heat setting required! These Fabric Block Printing inks won't crack or peel over time and work on fabrics such as cotton, polyester blends, linen, and other synthetic fibers. The inks are easy to clean from brayers and work surfaces with soap and water. Eliminate the guessing game of whether acrylics or screen printing ink will stick better to fabric and pick Speedball Fabric Block Printing Ink, the ultimate printing ink for textiles! Key Features: * Available In: 2.5oz & 5oz Tubes / Kits and Sets * Permanent oil-based ink * Won't crack or peel over time * No heat-setting required * Laundry safe * Bold opaque color * Workstation cleans up easily with soap and water * ACMI AP non-toxic, conforming to ASTM D-4236 * Perfect For: * Printing bold, opaque color with a soft hand * Cotton, linen, polyester blends, rayon, and other synthetic fibers * Use on paper and cardboard * Bright and personalized fabrics * Long-lasting fabric block printmaking See More
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Books by Hand Book Binders Needles 2.25" Pack of 5Save Up to20%Off listProfessional Bookbinding Tools and Notions Books by Hand offers a range of tools and materials that are ideal for creating custom-made sketchbooks and journals. Whether you're a beginner or an experienced bookbinder, you'll find the binder needles and board punch easy to use. Additionally, their… Professional Bookbinding Tools and Notions Books by Hand offers a range of tools and materials that are ideal for creating custom-made sketchbooks and journals. Whether you're a beginner or an experienced bookbinder, you'll find the binder needles and board punch easy to use. Additionally, their self-leveling, PH-neutral PVA adhesive enables you to neatly wrap a cover with bookcloth, providing a polished finish to your project. Key Features: * Professional bookbinding tools and notions * Paper backed bookcloth * Binder needles * Waxed linen thread * Binder board and bookboard punch * Acid-free adhesive Perfect For: * Creating a bespoke art book * Beginner and professional artists * Making sketchbooks and journals * Wrapping and gluing a book cover * Sewing signatures * Bookbinding Click on the item number to view a full product description. See More
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Speedball Block Printing Water-Soluble Ink 5oz - GreenSave Up to46%Off listGreen The unquestionable industry-leader! Created from pigments ground and milled to the perfect consistency for block-relief printing. Speedball® Water-Soluble Block Printing Inks print in bold color and dry to a rich, satiny finish. They have amazing tack guaranteeing even scope and consistent amazing results. They may be mixed to create custom colors creating unique outcomes. Great for printing with linoleum wood or soft block surfaces, flexible printing plates or polyfoam. This printing technique traces its history back over 5,000 years and is a must try for any artist. Available in 16 brilliant colors. Fluorescent colors are listed on a separate page. All colors clean up easily with soap and water. Key Features:* Bold colors* Dries to rich, satiny finish* Excellent tack for even coverage* Easy clean-up with soap & water Perfect For:* All artists* Printing with linoleum, wood or soft block surfaces All colors are AP non-toxic. All colors except Magenta are considered lightfast. Available in 5 oz tubes and 8 oz jars. See More
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Strathmore 500 Series Mixed Media, Vellum Board 22"x30" (Box of 12)Save Up to38%Off list…watercolor techniques. Items in the 500 Series are unlined for unbound illustrations. 500 Series Illustration Board for Wet Media - The newest surface in the 500 Series is Illustration Board for Wet Media. Available in single sheet packs of… Strathmore's 500 Series is the superhero of all Bristol surfaces, but what would a superhero be without a core of worthy minions? The 200, 300 and 400 Series all provide surfaces with their own unique attributes and staying power in the attack of the sequential artists. For every tool that you take into battle in you own quest for the ultimate story, Strathmore has a surface that will stand up to the challenge. 200 Series Smooth Blue Line Bristol - Our 200 Series Smooth surface is a Bristol weight board printed with non-reproducible blue lines for comic and Manga applications. These blue lined sheets are available in page and cover formats for artists who prefer the convenience of a grid lined sheet. Pads and sheet packs in this series are offered in the industry standard 11×17" format. 300 Series Smooth and Vellum Bristol - 300 Series Smooth and Vellum 100 lb. Bristol surfaces are available in three sizes. The smooth surface is ideal for both traditional and specialty pen and ink. Both surfaces work well with specialty pens and markers. Sheet packs and pads are available in the standard 11×17" format. Pads are available in 5×17" and 12×12". None of these surfaces are lined allowing the artist the flexibility of working outside the box. 500 Series Bristol - Strathmore 500 Series Bristol is an industry standard created in 1893. These 100% cotton 2 ply bristols are available in three surfaces in the standard 11×17" format. The plate surface has an ultra-smooth finish that is unsurpassed for detail work using traditional pen and ink tools, pencil along with specialty pens and markers. Vellum has a toothy finish that is excellent for graphite pencil, colored pencil, sketching sticks and specialty pens and markers. It is also a very good choice for charcoal pen and ink, air brush and light washes. Bristol surfaces are not recommended for traditional watercolor techniques. Items in the 500 Series are unlined for unbound illustrations. 500 Series Illustration Board for Wet Media - The newest surface in the 500 Series is Illustration Board for Wet Media. Available in single sheet packs of either 15×22" or 22×30", this professional quality board was designed to accept all illustration media. It has a strong, durable vellum finish for traditional drawing techniques. In addition it has been internally sized to accept wet media and can be used for light washes up to wet on wet applications. See More
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Multimedia Artboard 22" x 30", White, Pack of 5Save Up to35%Off listWhite All Mediums, One Board. Accepts oil and water-based paints! Multimedia Artboards feature one flat and one textured side and is the latest innovation in the materials you can use to paint on in virtually any media. Multimedia Artboards are made from a mixture of paper pulp and thermal set epoxy resin. Accepts both oil and water-based paints without buckling or warping! It may be painted upon with oil or acrylic color without pre-priming and when pre-dampened is a highly dependable surface for the watercolorist. In fact this sheet will not buckle so it does not require pre-stretching. * Accepts both oil and water-based paints without buckling or warping * Acid-free, lignin-free * Rated archival quality - ph factor of 6.7 to 7.0 neutral * No Priming required * Holds a definite edge * Does not have to be framed under glass * Can be erased, scraped, and sanded * Both front and back are usable surfaces * 1/32" Thickness (Paper/Board) * Sold in packs of 5 See More
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Strathmore 500 Series Mixed Media Paper - 4 Sheets 22x30"Save Up to33%Off listWhite Strathmore 500 Series Mixed Media Paper & Boards - Professional quality paper and board specifically designed for wet and dry media art! New from Strathmore Artist Papers comes their finest selection of art surfaces for multimedia artwork: 500 Series Mixed Media Paper and Boards! As with all of Strathmore's 500 Series line, these new paper surfaces are made of only the finest 100% cotton, and are archival, being both acid and lignin-free. Mixed Media Paper and Boards are the perfect surface for finished art in wet and dry media, collage, and more! They are internally sized for wet media work, with a slightly toothy vellum finish perfect for drawing techniques. The ideal professional grade surfaces for any multimedia art, whether graphite, colored pencil, watercolor, gouache, light acrylic, pastel, pen and ink, marker, collage and much more! Key Features: 100% cotton paper Professional grade surface Archival, acid and lignin free Internally sized Toothy vellum finish Popular Ready-Cut sizes Perfect for: Both wet and dry media art Drawings in pencil, marker, colored pencil, pen and ink Paintings in watercolor, gouache, light acrylic and inks Multimedia works and light collage * Mixed Media Paper – This 100% cotton, 90 lb. paper is archival and durable, being internally sized with a toothy vellum finish. Perfect for bookbinding techniques as well as mixed media art. Sold in packs of four 22x30" sheets. * Mixed Media Board – This sturdy, 52 pt. board consists of 2 sheets of Mixed Media paper mounted on either side of a high quality white board. Ideal for vigorous techniques, collage, fine art and commercial illustration. Available in standard 22x30" boards or packs of popular Ready Cut sizes for ready-made frames and mats. See More
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Lenox 100 Cotton Drawing Pads Papers By Legion 250 gram 22" x 30" (Pack of 10)Save Up to44%Off listWhite 100% cotton, medium-texture fine art paper Legion Lenox 100 Cotton Drawing Pad is a 100% cotton, medium-texture fine art paper that is ideal for a variety of drawing and printing techniques with colored pencils, graphite, pastels, and charcoal. The smooth white surface also works well for silkscreening, offset lithography, etching, and embossing. Key Features:* 100% Cotton paper* Produced by an American mill* Soft textured finish* Acid-free* Pads: Tapebound/Top -92 lb / 15 sheets, 250 Gr/M2 weight* Papers are Neutral pH, no deckles 250 gsm weight Perfect For:* Graphite* Pastels* Colored pencils* Charcoal* Drawing with pastels* Silkscreening* Offset lithography* Etching and embossing See More
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Stonehenge Printmaking & Drawing Paper Sheets 22"x30", Kraft (Pack of 100)Save Up to52%Off listBrown An American-made Drawing & Printmaking Classic! Stonehenge by Legion, a traditional fine art paper! This machine made sheet has a slight, even texture that compliments many artistic pursuits. It combines a 250gsm beefy weight, 2 deckle edges, strong surface, excellent acceptance of ink and wet media and pleasant feel. Internally sized, made of 100% cotton. * 22 × 30" Sheets 250 Gr/M2 weight. - 90lb.* Use it for watercolor, printmaking, pen-and-ink, pencil, or pastel.* Smooth, flawless surface* Machine-made in the United States* 100% cotton fibers, Acid-Free* Each sheet has two deckle edges* Sold In: Packs(10,25,100) & Rolls It is a favorite not only with printmakers but with artists that specialize in drawing and painting techniques in a variety of media including graphite, artist crayons, pastels, watercolor and colored pencils, inks, and light gouache. Stonehenge continues to be made in the USA as a high quality affordable paper that never compromises fiber composition, archival properties or its suitability for multiple mediums. Stonhenge papers are the "paper of choice" by the Colored Pencil Society of America See More
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Global Arts Fluid 100 Watercolor Paper 140lb Hot Press Watercolor Sheets 6 Pack 22x30" (6 Sheets)Save Up to51%Off list100% cotton Watercolor Paper Sheets, Blocks & Pochettes Fluid 100 Watercolor Paper is made using traditional paper milling techniques used by the old European masters coupled with modern technology to create a fine watercolor paper that is 100% cotton. Fluid 100 Professional Watercolor Paper is… 100% cotton Watercolor Paper Sheets, Blocks & Pochettes Fluid 100 Watercolor Paper is made using traditional paper milling techniques used by the old European masters coupled with modern technology to create a fine watercolor paper that is 100% cotton. Fluid 100 Professional Watercolor Paper is natural white and is available in 140lb/300lb in both hot pressed and cold pressed surfaces and in sheets, blocks, rolls, and pochettes. Each sheet of paper, block, roll or pochette is strong with a subtle and pleasing surface texture that is acid-free and archival. Gelatin sizing gives the artist brilliant color and increased control that is perfect for use with both wet and dry media. Fluid 100 Professional Watercolor Paper Sheets, Blocks & Pochettes - Made by European Mill Masters who Combine Traditional Papermaking Techniques with Modern Technology! Each watercolor block has 10 or 15 sheets glued on two edges. Each watercolor pochette has 10 sheets. Key Features: * 100% cotton, natural white surface * Acid-free, archival quality * External gelatin sizing * Easy Blocks have 2 glued edges Perfect For: * Watercolor paints and watercolor pencils * Artists looking for a variety of paper formats * Practicing your watercolor painting See More
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Arches 88 22X30 printmaking paper 140lb 25 sheetsSave Up to40%Off list100% cotton – Made on a cylinder mould! Originally formulated decades ago for silkscreen printing, Arches 88 has gained a following for various printmaking techniques. The crisp white 140lb (300gsm) paper is dimensionally stable and provides a smooth level surface perfect for serigraphy. Arches 88… 100% cotton – Made on a cylinder mould! Originally formulated decades ago for silkscreen printing, Arches 88 has gained a following for various printmaking techniques. The crisp white 140lb (300gsm) paper is dimensionally stable and provides a smooth level surface perfect for serigraphy. Arches 88 is a 100% cotton fiber paper that is acid-free and pH neutral. The buffered paper is unsized for high absorption. A silkscreen printer can easily layer 50 to 100 colors on a single sheet of Arches 88. Because the paper is unsized, it is unforgiving, so a single ink spot or splatter will show up. This paper has many of the characteristics of blotter paper and must be handled with purpose and sensitivity. When working in intaglio, a misting or dampening is all that is required. The paper is ideal for other printmaking mediums such as etching or lithography and takes all pencil applications well. Each sheet of paper is watermarked and has four natural deckle edges. Key Features: * Unsized and highly absorbent * 100% cotton – Made on a cylinder mould * 140lb (300gsm) weight * Very smooth texture * 4 deckle edges * Alkaline reserve, acid-free, no optical brightening * Made in France Perfect For: * Screen-printing * Letterpress, blind embossing, gold tooling * Intaglio * Etching and lithography * Pencil drawings * Laying down 50 to 100 screen colors on one sheet See More
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Winsor & Newton Professional Watercolor Sheet 140 lb Cold Press 22x30 (10-Pack)Save Up to40%Off listWhite Durable, mould-made, 100% cotton watercolor paper! Winsor & Newton's 100% cotton Professional Watercolour Blocks and Sheets provide the best surface for smooth, even washes of transparent color. Cold and hot press sheets are formed on a traditional Italian cylinder mould for durability. Internally and externally sized cotton fibers make up the robust absorbent paper. Free from acids and optical brighteners, this paper is archival and resistant to yellowing. Portable bocks are glued on all four sides and contain 20 sheets each. Winsor & Newton Professional Watercolour Blocks and Sheets have precise sizing for superb absorbency and pigment dispersion. Key Features: * 100% Cotton paper * 140lb (300gsm) Bright natural white paper * Cold and hot press texture * Made on a traditional cylinder mould * Internally and externally sized * Acid-free and non-yellowing * Free of optical brighteners * Optimal water absorbency and pigment dispersion * Blocks glued on all four sides * Watermarked sheets * Crafted in Italy * Perfect For: * Professional watercolorists * Watercolor and gouache * Suitable surface for acrylic and soft pastel * All water media! * An endless array of techniques * Wet-on-wet or wet-on-dry techniques * Lifting and scrubbing * Multiple layers of wet media * Travel or use in the studio See More
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GOLDEN Heavy Body Acrylics - Turquoise (Phthalo), 5oz TubeSave Up to30%Off listBlue Golden Heavy Body Acrylic Paints- Professionally Loved Acrylics! The original line of paints! GOLDEN Heavy Body acrylic paints are known to be exceptionally smooth with a thick, buttery consistency and contain the largest assortment of unique pure pigments in a 100% acrylic emulsion vehicle available to the professional artist. These colors offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body acrylic color is formulated differently depending on the nature of the pigment. Colors that tolerate higher pigment "loads" dry to a more opaque, matte finish. Colors that are more reactive and do not accept high pigment loading, dry to a glossy finish and tend to be more transparent. Heavy Body colors contain no additives, such as matting agents, therefore the gloss of each color will be different. Key Features:* Exceptionally smooth, rich, buttery consistency* Dries quickly, permanent and archival in quality* Ability to "stand up" and retain brush strokes* All HB colors are thixotropic in nature* Retain excellent flexibility when dry, diminishing the possibility of cracking* Heavy Body viscosity can also be reduced successfully with water* No flattening agents* No opacifiers added to colors* Clearest and cleanest quality* 101 different colors, shades and tints* 30 colors are mixture colors, the rest of produced from single, unique pigments* Concentrated/Chemically Pure Cadmiums Perfect For:* Approved for professional artist* 100% acrylic binder* Freeze-thaw stability* "stand up" and retain brush strokes or palette knife marks on the canvas* Largest assortment of unique pure pigments* There are no fillers, extenders, opacifiers, toners, or dyes added* Can be mixed with all of our GOLDEN Mediums, Gels and other paint lines C.P. Cadmiums = A grade that has a high concentration of cadmium and is considered the highest quality. The C.P. designation has been associated with both “Chemically Pure” and "Concentrated Pigment". Which translation you come across will often depend on the source and context. In terms of “(CC)”, it refers to “Concentrated Cadmium” and was adopted by the ASTM (American Society for Testing and Materials) as a way to differentiate higher quality cadmiums from lesser quality cadmium-barium pigments. All Heavy Body colors are thixotropic in nature This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of our pigments Please note: The items on this page are available at the Best Lowest Price Possible and no further discounts can be applied. See More
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