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Canson Infinity Paper Packs Art Photo Rag Photographique (210gsm) 11" x 17" (Box of 25)Save Up to25%Off listMuseum Quality Ink Jet Photo Papers These premium artist photo papers offer exceptional beauty and character to create black & white and color photographs and fine art reproductions. Using the purest natural materials without chemical substances that contribute to premature deterioration, Canson… Museum Quality Ink Jet Photo Papers These premium artist photo papers offer exceptional beauty and character to create black & white and color photographs and fine art reproductions. Using the purest natural materials without chemical substances that contribute to premature deterioration, Canson Infinity photo papers bring the beauty of fine art and traditional photography to the world of digital printing. Key Features: * Premium artist photo papers * Available in sheets and rolls Perfect For: * Digital printing * Fine art reproductions Arches Aquarelle Rag (310gsm) - 100% rag watercolor paper possesses the unique structure, surface texture, and warm white tone demanding artists expect from a traditional Fine Art digital photo art paper. This paper complies with the highest archival standards and is age-resistant. It gives a unique and unrivaled character to the Fine Art reproduction of traditional artwork and photographs. PhotoGloss Premium RC (270gsm) - An alpha cellulose acid-free digital art photo paper coated with polyethylene and a microporous color receiver layer. Gloss finish. PhotoSatin Premium RC (270gsm) is an alpha-cellulose, acid-free, digital art photo paper coated with a structured polyethylene and a microporous receiver layer. Satin finish. Platine Fibre Rag (310gsm) is a 100% cotton rag art paper with a pure white tone and no OBAs. Superior microporous coating brings this traditional darkroom paper to the digital era. Ideal for both color and black & white prints. Arches Velin Museum Rag (315gsm) - This 100% cotton, mould-made fine art paper is naturally age-resistant, has a smooth, fine-grain surface, and offers a pure white tone without OBAs. Rag Photographique (310gsm & 210gsm) - 100% cotton, museum grade Fine Art, and photo paper with a smooth white tone that offers a unique extra smooth surface and exceptionally high Dmax. Artist Canvas Professional Gloss (390gsm) is a premium glossy, polyblend canvas coated with a specially formulated inkjet receptive emulsion designed to accept the latest high technology pigmented inks. It is OBA-free and will not yellow, crack, or curl. It has an exceptional resolution, superior gloss, and extremely vivid color. Artist Canvas Water Resistant Matte (390gsm Artist Grade) is a premium, water-resistant, acid-free canvas with a pure white tone that stretches and mounts with ease. This OBA-free archival canvas can produce extremely precise, high-resolution images. BFK Rives (310gsm) - 100% Cotton, Mould made Fine Art paper. BFK Rives® has a unique pure white tone obtained without using OBAs and a very smooth and velvety texture. See More
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Canson Fanboy Paper Comic Book Art Board 11x17 (24 Sheets)Save Up to33%Off list…papers, offered in industry standard sizes for comic strips, comic books, and manga, are designed to appeal to both novices and established illustrators. Fanboy's comic and manga products fulfill professionals' needs while offering beginners the tools needed to create their own comic and manga… * How-to-draw instructions inside * No buckling or bleed through on large inked areas * Smooth texture, ideal for scanning * Can be used with lightboxes * Acid-free with no optical brighteners * Extra white color for excellent contrast * Good resistance to erasing and scraping Canson's Fanboyâ„¢ papers, offered in industry standard sizes for comic strips, comic books, and manga, are designed to appeal to both novices and established illustrators. Fanboy's comic and manga products fulfill professionals' needs while offering beginners the tools needed to create their own comic and manga characters and stories. All papers are acid-free, and are specially formulated for use with pens, pencils and markers. Comic Book Art Boards - made with Canson's specially formulated, acid-free, heavyweight illustration paper. Full trim format shows live and trim areas indicated by non-reproducible blue guidelines. For pencil, ink, and marker. Includes instructions. 150 lb drawing board, 24 sheets. 11×17". Comic Book Cover Sheets - made with Canson's specially formulated, acid-free, heavyweight illustration paper. Live and trim areas indicated by non-reproducible blue guidelines. For pencil, ink, and marker. Includes instructions. 150 lb drawing paper, 12 sheets. 11×17". Comic Book Layout Pages - 50 lb sketch paper, 35 sheets. Pre-printed layout templates. 8.5×11". Comic Strip Boards - Industry standard 5×17" size with 4×13" boarders for daily strips. Non-reproducible blue guidelines provide precision inking capabilities pros need and packaged with instructions to get beginners going! 150 lb drawing board, 14 sheets. 5×17". Concept Sketch Pad - 100 lb bristol board, 10 sheets. Pre-printed sheets. Smooth for pen and pencil. 8.5×11". Concept Sketch Paper - Pre-printed sheets for working out story details and page ideas. Contains smooth, acid-free bristol board that is ideal for pencil and pen. See More
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Strathmore Sequential Paper 500 Series Plate Bristol 11x17", Pkg of 24 SheetsSave Up to38%Off list…watercolor techniques. Items in the 500 Series are unlined for unbound illustrations. 500 Series Illustration Board for Wet Media - The newest surface in the 500 Series is Illustration Board for Wet Media. Available in single sheet packs of… Strathmore's 500 Series is the superhero of all Bristol surfaces, but what would a superhero be without a core of worthy minions? The 200, 300 and 400 Series all provide surfaces with their own unique attributes and staying power in the attack of the sequential artists. For every tool that you take into battle in you own quest for the ultimate story, Strathmore has a surface that will stand up to the challenge. 200 Series Smooth Blue Line Bristol - Our 200 Series Smooth surface is a Bristol weight board printed with non-reproducible blue lines for comic and Manga applications. These blue lined sheets are available in page and cover formats for artists who prefer the convenience of a grid lined sheet. Pads and sheet packs in this series are offered in the industry standard 11×17" format. 300 Series Smooth and Vellum Bristol - 300 Series Smooth and Vellum 100 lb. Bristol surfaces are available in three sizes. The smooth surface is ideal for both traditional and specialty pen and ink. Both surfaces work well with specialty pens and markers. Sheet packs and pads are available in the standard 11×17" format. Pads are available in 5×17" and 12×12". None of these surfaces are lined allowing the artist the flexibility of working outside the box. 500 Series Bristol - Strathmore 500 Series Bristol is an industry standard created in 1893. These 100% cotton 2 ply bristols are available in three surfaces in the standard 11×17" format. The plate surface has an ultra-smooth finish that is unsurpassed for detail work using traditional pen and ink tools, pencil along with specialty pens and markers. Vellum has a toothy finish that is excellent for graphite pencil, colored pencil, sketching sticks and specialty pens and markers. It is also a very good choice for charcoal pen and ink, air brush and light washes. Bristol surfaces are not recommended for traditional watercolor techniques. Items in the 500 Series are unlined for unbound illustrations. 500 Series Illustration Board for Wet Media - The newest surface in the 500 Series is Illustration Board for Wet Media. Available in single sheet packs of either 15×22" or 22×30", this professional quality board was designed to accept all illustration media. It has a strong, durable vellum finish for traditional drawing techniques. In addition it has been internally sized to accept wet media and can be used for light washes up to wet on wet applications. See More
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Artfinity Chrome Paint Marker 8.5mm Chisel NibSave Up to40%Off listMetallic Make an impact with the polished shine of liquid chrome! Sometimes, a sculpture or painting needs just a touch of sparkle. Our Artfinity® Chrome Markers & Ink are designed to add that wow factor. When wet, the ink looks like liquid silver and dries to a highly polished chrome finish on non-porous surfaces. Available in a 3mm bullet or 8.5mm chisel tip, you’re sure to find the line width best suited for your work! With the chisel tip, you can achieve a range of line widths from 1.5mm to 8.5mm. Also available in a 30ml bottle for more detailed and precise brushwork or when additional coverage is needed. The solvent-based permanent ink adheres well to non-absorbent surfaces like glass, plastic, and ceramics. For best results, prime porous surfaces like paper, canvas, and wood with PVA primer. The pump activated nibs promote even ink flow. Artfinity® chrome ink can also be airbrushed. No thinning necessary. Dries to a smooth finish. Once the ink is dry you can apply a layer of varnish to protect against scratches. Key Features: * Solvent-based highly pigmented chrome ink * Dries to a permanent high gloss mirror-like finish* * Marker pump action promotes smooth ink flow * Markers available in 3mm bullet or 8.5mm chisel nib * Also available in a 30ml bottle * Seal with varnish for scratch resistance * UV resistant ink Perfect For: * Drawing on nearly any surface * Plastic, glass, metal, clay, foam, paper, and more * Mixed media painting and illustration * Graffiti artists * Calligraphy projects * Designing stunning signs and labels * Adding a chrome mirror-effect * Airbrush application Helpful Advice: *To achieve a high gloss finish, use a non-porous surface or prime with PVA primer. Because this is a solvent-based ink, we recommend a single use brush. We have found that inexpensive foam brushes work well. Allow the ink to cure for 24 hours before touching. Please Note: The ink bottles are larger than the amount of chrome ink they contain (30ml) to allow for thermal expansion. This extra bottle space prevents leaks during transportation. See More
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Strathmore 500 Series Drawing Bristol Semi-Smooth (2 Ply 24 Sheets) 11X17INSave Up to38%Off list…for ink illustration and painting. Available in three surfaces, Plate and Vellum and Semi-Smooth Sheet. The Vellum surface has a slight tooth and the Plate surface is silky smooth. Plate surface has an ultra-smooth finish that is unsurpassed for detailed work with technical pen, airbrush and marker.… 500 Series Drawing Bristol - 100% Cotton Sheet Packs All sheets 23×29". Sold in 25 sheet packs.Made of pure white 100% cotton, characterized by its super stiffness and surface strength. Available in 4 weights. 1 Ply is used rather exclusively for drawing and while the 4 Ply is used for ink illustration and painting. Available in three surfaces, Plate and Vellum and Semi-Smooth Sheet. The Vellum surface has a slight tooth and the Plate surface is silky smooth. Plate surface has an ultra-smooth finish that is unsurpassed for detailed work with technical pen, airbrush and marker. Vellum surface has a toothy finish that is excellent for pencil, charcoal, pastel and oil pastel as well as pen, airbrush, and light washes Surface: Medium (Vellum)* 25 Sheet Packs* graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, oil pastel, light wash and collage* Vellum surface has a toothy finish that is excellent for pencil, charcoal, pastel and oil pastel as well as pen, airbrush, and light washes* 100% cotton fiber, acid-free Surface: Ultra-Smooth (Plate)* 25 Sheet Packs* graphite pencil, pen & ink, marker, mixed media and collage* Plate surface has an ultra-smooth finish that is unsurpassed for detailed work with technical pen, airbrush and marker.* 100% cotton fiber, acid-free NOTE: 2-Ply Plate Surface Not recommended for traditional watercolor techniques. Weight: 106 lb.125 g/m2 / 25 sheets/pkg Surface: Medium / Ultra-Smooth (Plate) See More
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Clearprint 1000H Fade-Out Vellum 11" x 17" Pad, 4 x 4 Grid, 50 SheetsSave Up to37%Off listThe world's most popular paper for drafting, tracing and drawing! Today 1000H Grid is enjoyed by the entire artist community as one of the best surfaces to work on with a transparent quality. All Fade-Out grids are printed in non-repro blue, which will not reproduce when used with traditional… The world's most popular paper for drafting, tracing and drawing! Today 1000H Grid is enjoyed by the entire artist community as one of the best surfaces to work on with a transparent quality. All Fade-Out grids are printed in non-repro blue, which will not reproduce when used with traditional graphic arts cameras. Fade-Out has all the same qualities of the traditional 1000H cotton vellum while featuring non-repro blue grids in a wide range of gradations. Grid sizes are measured by number of boxes per inch. Available in 4x4, 8x8, and 10x10 grid lines, making it versatile for all different types of art. Lines will not reproduce when used with traditional graphic arts cameras or copiers. Key Features:* 16lb/60GSM cotton vellum* 50 sheets per pad* 1000H, 100% cotton paper* Grid sizes vary in 4x4, 8x8, 10x10* Lines do not reproduce when photographed or scanned Perfect For:* Paper drafting, tracing, and drawing* Artists on the go* Removing images from the blue channel in RGB mode See More
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Clearprint 1000H Design Vellum Transparent 10 Sheet Pack Plain 11" x 17"Save Up to37%Off listThe World’s Most Popular Paper For Drafting, Tracing And Drawing! Clearprint 1000H Vellum is 100% cotton and includes plain and gridded options. 1000H Vellum is made transparent without the use of solvents. This process produces a crisp, translucent paper for tracing, drawing or drafting, while… The World’s Most Popular Paper For Drafting, Tracing And Drawing! Clearprint 1000H Vellum is 100% cotton and includes plain and gridded options. 1000H Vellum is made transparent without the use of solvents. This process produces a crisp, translucent paper for tracing, drawing or drafting, while maintaining superb archival quality and strength. Each type offers repeated erasing with no ghosting. Loose sheets work well with inkjet printers. The fade-out blue gridded sheets provide a perfect background for drawing in perspective, and the Engineering option includes a large title block. Available in packs of 10 vellum sheets. Key Features:* 16lb vellum* 100% cotton* Translucent and archival* Easily erased and redrawn on Perfect For:* Drafting and tracing* Drawing in perspective* Pen and pencil drawing* Making sketches to scale See More
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Artfinity Rich Metallic Marker 8.5mm Chisel Nib, GoldSave Up to57%Off listMetallic Make an impact with Artfinity® Rich Metallic Inks! Artfinity® Rich Metallic Markers and Inks are designed to add that wow factor to your art. The ink dries to a permanent metallic satin finish on non-porous surfaces. These rich gold, copper, and silver metallics are available in a bullet tip marker, chisel tip marker, or ink bottle. With the chisel tip, you can achieve a range of line widths from 1.5mm to 8.5mm. The 3mm bullet tip marker is perfect for outlining and drawing consistent lines. For more detailed and precise brushwork or when additional coverage is needed, the 30ml bottle does the job. The ink even works well in an airbrush! The solvent-based permanent ink adheres to non-absorbent surfaces like glass, plastic, and ceramic. For best results, prime porous surfaces like paper, canvas, and wood with a PVA primer. Key Features: * Solvent-based highly pigmented opaque ink * Available in gold, silver, and copper * Dries to a permanent metallic satin finish* * Pump action marker promotes smooth ink flow * Markers available in 3mm bullet or 8.5mm chisel tip * Ink also available in a 30ml bottle Perfect For: * Drawing on nearly any surface * Plastic, canvas, glass, metal, clay, foam, paper, and more * Mixed media painting and illustration * Graffiti artists * Calligraphy projects * Airbrush Helpful Advice: To achieve a rich satin finish, use a non-porous surface or prime with PVA primer. Because this is a solvent-based ink, we recommend a single-use brush. We have found that inexpensive foam brushes work well. Allow the ink to cure for 24 hours before touching. The ink can be sealed with a brush-on solvent-based varnish. We highly recommend that you test the varnish on a small test area before covering your entire piece. Please Note: The ink bottles are larger than the amount of metallic ink they contain (30ml) to allow for thermal expansion. This extra bottle space prevents leaks during transportation. See More
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Awagami Ginwashi 39gsm Cream 25" x 38" (Pack of 25)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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GoSee Professional Archival Presentation Book 11x17" 24 PagesSave Up to67%Off listBlack Show that you truly care about what is inside! Present, store & preserve your artwork and photographs GoSee Professional Archival Presentation Books are a practical and beautiful way to present or store your artwork and photographs. You only get 1 chance to make a first impression and these professional archival presentation books are what you want give to clients. They are designed to be economical enough for you to produce them at a reasonable cost but still show that you truly care about what is inside. Acid-free pages and the acid-free divider paper will insure that your work will last. The easy reference to the work makes it desirable to keep around for clients and easy for you to figure out what you have on the shelf as well. Key Features:* 100% Acid-Free, PVC Free & Lignin free * Archival to preserve work* Rigid and acid-free polypropylene cover* 24, acid-free, polypropylene sleeves, 48 Views* 80 lb., acid-free black divider sheets* Allows presentation of up to 48 pieces* Top loading pages, sealed on all other sides* Free of ghost print (will not stick to pages)* 24 pages are seam welded onto the cover* Ability to label each presentation book Perfect For:* Professional Archival Presentation* Present or store your artwork and photographs* Preserving your work* Economical yet elegant and professional* An amazing presentation* Side labeling for easy access* Art class, interviews, business* Special Feature To Consider: The pages allow top loading of your art and photographs and are sealed on all other sides. Artwork, even ink jet prints will not migrate onto the pages and all 24 pages are seam welded onto the cover so they are permanent and no page can ever be lost. "These Go-See Presentation books turned out to be the perfect solution. We get them in multiples from Jerry's who has the very best price. We in turn provide them to our customers so they can safely protect their prints. I especially like that these are acid-free for extra protection." Importance of Archival, Acid-Free and Lignin Free Lignin enhances the acidity within paper so as the products age the lignin can cause the paper to become brittle and yellow. Acid within the paper will cause it to age and disintegrate much quicker, particularly when subjected to heat and light. Preserving and protecting your artwork and photos is important so it is important to use Acid-Free and Lignin Free Materials to prevent your artwork and photos from becoming brittle or yellowing over time. GoSee Archival Presentation & Portfolio Books have Acid-free pages and the acid-free divider paper will insure that your work will last. See More
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