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Crescent #215 Marker Board Hot Press 8"x10" (3-Pack)Save Up to30%Off listWhite A rigid alternative to marker layout paper Crescent Marker Art Boards are a rigid alternative to marker paper. With these marker boards, you don't have to worry about the ink feathering or the colors remaining true. The bright white hot press paper has an ultra-smooth finish for silky-smooth marker applications, and the rigid board is warp resistant. Key Features:* Ultra smooth marker surface on rigid board* Medium weight board* Acid free surface* Warp resistant* Easy portability Perfect For:* Plein air use outside* Ink, airbrush, marker, and spray paint* Light collage applications See More
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Ampersand Museum Series Pastelbord Single 8" x 10" 1/8" flat woodSave Up to32%Off listWhite Pastelbord - The Solid Choice for Pastels and More! Pastelbord's unique surface is a hand-applied kaolin clay ground textured with fine marble dust granules. Amersand Pastelbord holds more pastel layers than any other surface! Pastelbord is a clay and gesso coated hardboard panel with a granular marble dust finish comparable to a sanded pastel paper except more durable and more versatile. The coating is pH neutral and non-yellowing, making it a truly permanent museum quality surface. Available in 1/8" flat Gray, Green, Sand, and White for hand-tinting. Conservator quality wood materials and sealing processes, no other panel on the market protects an artist’s work like an Ampersand panel Key Features:* 1/8" flat wood panels* More durable and more versatile than paper* The coating is pH neutral and non-yellowing* Truly permanent museum quality surface* Marble-dust tooth holds more layers than pastel paper* Holds artwork still eliminating excessive pastel dust collecting inside the frame* Available in white, gray, sand, and green tones* Archival, Handcrafted in the USA Perfect For:* Soft or oil pastels and pastel pencils* Achieve amazing results with acrylics, oils, watercolors, gouache, charcoal and more* Exquisite Sanded Surface* More durable and more versatile surface Ampersand™ Pastelbord wood panels are Archival, Handcrafted in the USA, made from FSC certified sustainable US forest products. We use completely green manufacturing processes that protect the natural environment. No harmful chemicals used, no dangerous emissions for artists. A smart choice. Made with conservator quality wood materials and sealing processes, no other panel on the market protects an artist’s work like an Ampersand panel. Unmatched Techniques - Perfect for soft or oil pastels and pastel pencils. Pastels go on smooth, blend beautifully, and colors stay rich and vibrant. Exceptional for both wet and dry pastel painting. Not Just for Pastels - Achieve amazing results with acrylics, oils, watercolors, gouache, charcoal and more Exquisite Sanded Surface - Ampersand Museum Series Pastelbord's unique surface is a hand-applied kaolin clay ground textured with fine marble dust granules. Amersand Pastelbord holds more pastel layers than any other surface! Available in Gray, Green, Sand, and White for hand-tinting. Video - See Video on Colored pencil on Ampersand Pastelbord, blending with solvents in our "Video Tab" See More
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Multimedia Artboard Pastel Panels 8" x 10", White, Pack of 5Save Up to20%Off listWhite An Innovative Pastel Panel That Is Archival, Sturdy, And Lightweight Multimedia Artboard Pastel Panels have a proprietary ground formulation that is silk screened directly on Multimedia Artboard for a consistent working surface. Non-warping and dimensionally stable. 320 Grit. Available in white or black. They will accept heavy layers of pastel and can also be used for oils, oil sticks and colored pencil. Available in a variety of sizes and in black and white. An ideal surface for pastel work, Pastel Artist Panels are dimensionally stable and non-warping yet thin and lightweight. Multimedia Artboard Pastel Panels are perfect for plein air and travel. Key Features:* Available in white or black* Acid-free , lignin-free surface* ph neutral of 6.7 to 7.0* Hand inspected to insure quality* 320 Grit* Accepts heavy layers of pastel * Does not warp and stays dimensionally stable * A proprietary ground formulation* Consistent working surface that does not warp* Non-warping and dimensionally stable* Accepts water, mineral spirit, and turpentine applications* Lack of yellowing and the non-forming of wrinkles at the time of the drying* Colors produced in maximum color concentration* Readily accepts heavy layers of pastel* Can also be used for oil and water media Perfect For:* Pastels, oils, oil sticks and colored pencils* Thin, lightweight panels are perfect for plein air and travel* Beginner to Professional artists* Accept heavy layers of pastel and can also be used for oils, oil sticks and colored pencil* Can be used with oil media See More
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Compose-It Grid 5.5:7 8×10" - ClearSave Up to10%Off list500 years of art theory brought into the 21st century!"Perspective is nothing else than the seeing of an object through a sheet of glass, on the surface of which may be marked all the things that are behind the glass." –Leonardo da Vinci* 500 year old method brought into modern day * Sturdy,… 500 years of art theory brought into the 21st century!"Perspective is nothing else than the seeing of an object through a sheet of glass, on the surface of which may be marked all the things that are behind the glass." –Leonardo da Vinci* 500 year old method brought into modern day * Sturdy, transparent acrylic grids are easy to use * Sketch directly on the grid with a dry erase marker! (sold separately) * 9 different proportions for many canvas sizes (*see chart) * Now with new pocket size grids! Comes in clear for details, or red for simplifying color values * New 6-in-1 grid gives six proportions in one easy to transport grid! * Put away your calculator and pick up your brush!Even half a millennium ago artists knew that in order to realistically depict three dimensional objects in two dimensional artwork, a correct grasp of proportion and perspective was indispensible. Great masters like Leonardo da Vinci and Albrecht Dürer used the grid method to do this; often rigging up complicated equipment and devices designed to superimpose a grid over their subject matter. Now you can bring this art theory to your own creation process with the modern equivalent of those ancient tools: Proportional Compose It Grids! These transparent acrylic grids are available in 9 different proportions which are translatable to nearly any canvas size. Simply choose your grid proportion in relation to your canvas, hold the grid up to your subject, and sketch directly on the grid with a dry erase marker (sold separately) to rough in your composition. It is then a simple matter to transfer the grid and the image directly onto your canvas with charcoal or chalk; all the while keeping the correct proportions of the original subject. Don't waste your valuable artwork time by guessing on proportions and perspective: let Compose It Grids be your guide and do the math for you! Proportion Percentage Common Canvas Sizes* 1:1 1.00 All square formats 1:2 0.50 6x12", 10x20", 12x24", 16x32", 18x36", 20x40", 24x48", 36x72" 1:3 0.33 3x9", 5x15", 6x18", 8x24", 9x27", 10x30", 11x33", 12x36", 24x72" 2:3 0.66 6x9", 8x12", 10x15", 12x18", 14x21", 16x24", 18x27", 20x30", 24x36", 48x72" 3:4 0.75 9x12", 12x16", 15x20", 18x24", 21x28", 24x32", 27x36", 30x40", 36x48", 54x72" 4:5 0.80 8x10", 16x20", 24x30", 32x40", 36x45", 40x50", 48x60" 5:6 0.83 10x12", 15x18", 20x24", 25x30", 30x36", 35x42", 40x48", 50x60", 60x72" 5.5:7 0.79 11x14", 22x28", 33x42", 44x56", 55x70" 7:8 0.88 14x16", 28x32" *Don't see your canvas size? Divide the smaller number of your canvas size by the larger to get the percentage; then choose the closest percentage listed above to get the best proportional match. For example, a 14x18" canvas would have a percentage of around 0.78 (=14 divided by 18), and would best match with the 5.5:7 grid which has a 0.79 percentage. See More
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Bee Paper Co-Mo 86lb Sketch Paper Pad 8X10Save Up to32%Off listWhite A heavyweight recycled Co-Mo sketch is a hard, clean sheet with excellent erasing qualities. Accepts light use of wet media well. Key Features: * Acid free * 86lb. (140 g/m2) * Natural white color * Double sized texture surface * Available in double wire bound pads (30 sheets) and rolls * Micro-perforated sheets Perfect For: * Pencil, pen & ink * Crayon, chalk & charcoal * Light washes See More
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Strathmore 400 Series Drawing & Sketch Pads Medium 8" x 10" (24 Sheets)Save Up to40%Off listStrathmore 400 Series Drawing & Sketch Pads One of the most versatile sheets Strathmore offers, this cream colored drawing paper is ideal for sketching and most finished work. 400 Series Drawing Pads - Now acid-free and perforated for easy removal! On this non-rag paper, you can use crayon,… Strathmore 400 Series Drawing & Sketch Pads One of the most versatile sheets Strathmore offers, this cream colored drawing paper is ideal for sketching and most finished work. 400 Series Drawing Pads - Now acid-free and perforated for easy removal! On this non-rag paper, you can use crayon, pencil, pen and ink, charcoal, washes, paints, markers and more! 80 lb., spiral bound paper has 24 sheets per pad. 400 Series Sketch Pads - A general purpose sketch paper for classroom, experimentation, or perfecting technique with pen, pencil and a variety of other media. Rugged spiral wire binding makes it ideal for field use, and pages are perforated for easy removal. 60 lb paper. Media Applications: Smooth 80 lb - graphite pencil, colored pencil, pen & ink, marker Medium 80 lb - graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, oil pastel Weight: Smooth: 80 lb. 130 g/m2 Medium: 80 lb. 130 g/m2 Pad Features: Wire Bound sheets are micro-perfortated and are Actual Size when removed at the micro-perforation. 400 Series Heavyweight Drawing Pads - 100 lb., cream-colored paper is ideal for finished artworks and heavier sketch media, allowing for repeated erasing and reworking. Use with charcoal, pencil, colored pencil, sketch sticks, and more! Heavyweight Drawing Pads feature slightly more texture than the regular 400 Drawing Pads. Acid-free perforated sheets are actual size when removed. 24 sheets per pad. Weight: 100 lb. (24” x 36” x 500 sheets) 163 g/m2 Surface: Medium. All of our Heavyweight Drawing products feature a medium surface with slightly more texture than our 80 lb. 400 Series Drawing pads. Surface is durable enough to stand up to repeated erasing and reworking. 400 Series Recycled Drawing Paper - This 80 lb., bright white paper is suitable for all dry media, pen and ink, and light washes. Contains over 50% recycled materials, and perforated for easy removal. Acid-free, heavy weight, durable, medium surface. Weight: 80 lb. 130 g/m2 Surface: Medium Media Applications: Graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, and oil pastel. Pad Features: Wire Bound sheets are micro-perforated and are Actual Size when removed at the micro-perforation. 400 Series Recycled Sketch Paper - Our most popular sketch pad! This 60 lb., general purpose sketch paper is great for experimentation and perfecting techniques. Contains 30% Post-Consumer Waste Fiber. Acid-free, medium weight, lightly textured. Weight: 60 lb. (25" x 38" x 500 sheets) 89 g/m2 Surface: Fine Tooth Media Applications: Graphite pencil, colored pencil, charcoal, sketching stick, soft pastel, oil pastel See More
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Awagami Editioning Papers Sampler Pack of 20, 8" x 10"Save Up to24%Off listAssorted Colors Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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