Your Cart
SLI Search Template
Related Categories: Linseed Oil | Satin Painting Varnish | Professional | Turpentine | Refined Linseed Oil | Water Mixable Painting Medium | Cadmium Yellow Oil | Weber Impasto
There were no results that contained all of the words in your query. These results contain some of the words.
-
Jack Richeson Shiva Signature Linseed Oil, 1 Gallon CanSave Up to35%Off list…speeds the drying time of oils. Damar Varnish - This natural varnish improves the brilliance of colors, imparts a medium-gloss finish and protects paintings. May be removed with solvents for restoration. Linseed Oil - This lead and acid-free oil thins the consistency of oil paints and improves brush… Copal Painting Medium - This synthetic medium improves the flow and speeds the drying time of oils. Damar Varnish - This natural varnish improves the brilliance of colors, imparts a medium-gloss finish and protects paintings. May be removed with solvents for restoration. Linseed Oil - This lead and acid-free oil thins the consistency of oil paints and improves brush strokes. Thinner than stand oil, but since it may yellow with age, use primarily with darker colors. Rectified Turpentine - This double-distilled and highly refined turpentine reduces the consistency and improves the flow of artist's oil colors. Stand Oil - is a thick, heavy oil that produces paint with good flowing qualities for fine detail and glazing work. Imparts an enamel-like quality. Imitation Venice Turpentine - Venice Turpentine is a luxurious, regal oil painting medium. When added to color, it increases the paint's adhesive quality to the canvas and will impart an enamel-like gloss to colors when dry. New 3.75 oz bottle has a wide spill-proof bottom. All other sizes come in metal cans. Click here for Richeson Artist Oils - The Shiva Series See More
-
Gamblin Cold Wax Medium 1 GallonSave Up to40%Off list…of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue -… True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More
-
Weber Odorless Turpenoid 1 Gallon, 128oz JugSave Up to43%Off list…Dry is a great medium for thinning artist oil colors, plus cleaning artist brushes, painting knives, and palettes. Turpenoid Slow Dry is a highly refined mixture of odorless mineral spirits. It is used for thinning artist oil colors, for modifying oil painting mediums. Safer Studio. It meets… The most popular artists' oil paint thinners and cleaners! Odorless Turpenoid - An odorless substitute for traditional turpentine that retains the same painting properties and drying time as the original. Odorless Turpenoid works well for thinning oil or alkyd colors, creating mediums and cleaning brushes, and is perfect for artists working in small (but well-ventilated) spaces or for those who are allergic to or are affected by the strong odor of conventional turpentines and solvents.* Odorless formula should not aggravate allergies* Excellent paint thinner and brush cleaner* Flammable; store carefully Turpenoid Natural - A certified AP non-toxic and environmentally friendly brush cleaner and conditioner, Turpenoid Natural is made from citrus essences and other natural products. It is not flammable, does not emit harmful vapors, and will not irritate skin or eyes, making it an excellent oil paint thinner for artists seeking safer painting alternatives for themselves or their children. Turpenoid Natural can also work well as an oil or alkyd medium, though it should not be used for washes, glazes, or to "wet" a canvas prior to painting.* Natural, non-toxic and eco-friendly* Safe for artists of all ages* Excellent brush cleaner and conditioner Turpenoid Gel - Fast drying gel medium designed for use with oil and alkyd paints. Turpenoid Gel is clear and semi-soft, making it ideal for impasto techniques while also ensuring the paint layer dries completely. Gel will increase color translucence and decrease drying time of oil paints, rinses out with plain water, and dries to a stable and flexible film.* Fast drying medium body gel for oils and alkyds* Excellent for impasto techniques* Dries to a stable, flexible film Turpenoid Slow Dry - (Formally called Turpenoid Light) Similar to Original Odorless Turpenoid, a mild solvent, but with a much higher 200°F/93 °C degrees Flash Point, and more open work time when combined with other mediums. Turpenoid Slow Dry is a great medium for thinning artist oil colors, plus cleaning artist brushes, painting knives, and palettes. Turpenoid Slow Dry is a highly refined mixture of odorless mineral spirits. It is used for thinning artist oil colors, for modifying oil painting mediums. Safer Studio. It meets California Air Resources Board (CARB) exemption for consumer products. Very slow and complete evaporation, allowing more open time when combining with other mediums.* 200 degree °F flash point* Complete evaporation* Odorless See More
-
LUKAS Studio Oil Color - Titanium White, 500ml TinSave Up to67%Off listWhite High-quality, artists' oil paint at a great value! Working with over 145 years of tradition and advancement, LUKAS has created a high quality yet economical oil paint for the discerning artist! LUKAS Studio Artist Oils are made with the same high-quality pigments and exclusive blend of linseed oil, sunflower oil, and beeswax as their master line of 1862 oil paints. All toxic, caustic, and expensive pigments have been eliminated from the line, leaving you with a well-balanced but affordable spectrum of brilliant colors. Loaded with pigment, LUKAS Studio Artist Oil Paints have exceptional covering power, and the high-quality linseed oil, sunflower oil, and beeswax binder make for even drying and a strong paint film. Dry to the touch in 2 to 4 days and available in 37ml and generous 200ml tubes mean that you can work large and quickly while not breaking the bank! With a range of 48 vibrant colors all at the same price, LUKAS Studio Artist Oils are higher quality artist oil paint at an affordable cost. Create beautiful works of art! Great quality artist oil paints and amazing consistency at amazing prices! Key Features:* Heavy pigment load* Excellent lightfastness* 48 colors 37ml & 200ml tubes* Dry to the touch in 2 to 4 days* Exclusive blend of linseed oil, sunflower oil, and beeswax* Great quality, affordable paints* Perfect For:* Well-balanced range of color* Smooth, buttery consistency* High-quality pigments* Strong paint film* Paint at an affordable cost* Excellent feel with the brush, or palette knife* Painting more, worry about cost less!* All artists looking for great quality "As a test, I laid down my current stock of colors from W & N next to the same Lukas colors and noticed right away there was a difference in both consistency and color intensity. Every one of the Lukas colors was more pure and covered the canvas paper better. one of the colors I ordered was the cobalt violet. This is not a color I've seen anywhere else and I have to say, it's lovely. I much prefer it to dioxazine purple." See More
-
Winsor & Newton Oil Color Varnishes - Artists' Gloss Varnish, 500ml BottleSave Up to43%Off list…* Dried oil paintings * Protecting paintings from dirt and grease Artists' Gloss Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Matt Varnish - maintains oil… Professional Grade Artist Varnishes Varnishes protect thoroughly dried paintings from dirt and grease build-up over time. Winsor & Newton Varnishes are available in various finishes for different purposes. Key Features: * Gloss, matt, and satin varnishes * Retouching varnish Perfect For: * Dried oil paintings * Protecting paintings from dirt and grease Artists' Gloss Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Matt Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Retouching Varnish - preserves the artwork until the painting is fully cured and ready for its final varnish. Retouch varnish allows the paint film to cure through the varnish. Can be overpainted. Dammar Varnish - High gloss finishing treatment for paintings. Dammar Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with Distilled Turpentine. Satin Varnish - Satin finishing treatment for paintings. Artist's Satin Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More
-
Eco-House Extra Mild Citrus Thinner, Gallon CanSave Up to15%Off list…thinner has low-toxicity and is made from a combination of cosmetic grade mineral oil, food quality orange oil and herbal essential oils. It has a fresh orange fragrance and is an effective thinner and solvent for oil paints, mediums, waxes, resins and gums. * Dries slower than turpentine, but… This thinner does not make ridiculous claims of non-toxicity. In essence, since any solvent will dissolve fat, all solvents are toxic to humans. This thinner has low-toxicity and is made from a combination of cosmetic grade mineral oil, food quality orange oil and herbal essential oils. It has a fresh orange fragrance and is an effective thinner and solvent for oil paints, mediums, waxes, resins and gums. * Dries slower than turpentine, but faster than water. * For optimal health compatibility. All products in this category are considered Hazardous Materials: Cannot ship by Air/Next Day Services. Ground Only. See More
-
Winsor & Newton Oil Color Solvents - White Spirit, 500ml BottleSave Up to43%Off list…varnish Picture Cleaner - A natural resin/oil emulsion containing ammonia, designed for cleaning varnished paintings. Dissolves linseed oil oxidation and removes surface dirt. English Distilled Turpentine - Can be used to create your own painting mediums. Distilled Turpentine is derived… Professional Grade Artist Solvents Artists use solvents to clean brushes and palettes after painting. Winsor & Newton solvents are made specifically for artists’ use and are fully volatile, meaning they leave no residual matter once evaporated. Key Features: * Artists' Picture Cleaner * English Distilled Turpentine * Sansodor * White Spirit Perfect For: * Cleaning palettes and brushes * Removing dried paint * Removing varnish Picture Cleaner - A natural resin/oil emulsion containing ammonia, designed for cleaning varnished paintings. Dissolves linseed oil oxidation and removes surface dirt. English Distilled Turpentine - Can be used to create your own painting mediums. Distilled Turpentine is derived from pine trees and is the most traditional solvent. You can use it to clean brushes. Sansodor - For creating your own painting mediums. Sansodor™ performs like turpentine, but its low odor makes it the least hazardous solvent. Leading art schools recommend it, and it is often the only solvent permitted in their studios. Also good for diluting paint and cleaning brushes. It evaporates slowly and increases blending time. White Spirit - Can be used to create your own painting mediums. Artists’ White Spirit is a petroleum distillate. It makes a leaner mixture with the colour and evaporates quickly. It can be used to clean brushes. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More
-
LUKAS Painting Butter Impasto Oil Medium 500ml CanSave Up to60%Off list…Mixes easily with the oils and dries very quickly, allowing additional coats of paint to be applied without smearing * If you like texture in your oil painting, you'll love this product * Available in 37ml and 200ml tubes Perfect For: * Oil Painting Medium used to mix with oil paints for impasto… Paint in heavy impasto techniques without wasting valuable pigment! Layers will dry without shrinking, cracking, or wrinkling! Paint in heavy impasto techniques without wasting valuable pigment with this quick drying, elastic, alkyd resin-based Painting Butter medium from LUKAS! Formulated with special drying agents and thickeners, this impasto medium helps keep the thick constitution of heavy paint application with no leveling, ensuring that your paint structure remains. Layers will dry without shrinking, cracking or wrinkling! LUKAS Painting Butter Impasto Medium is a transparent, slightly amber-tinted mixture of alkyds, thickeners, and driers and is the same consistency as straight oil paint: * Mixing it with your paint will thin the color somewhat, but allows you to paint in heavy impasto layers while not wasting pigment.* Ensures the layer dries completely and evenly.* An indispensable medium for the oil artist fond of impasto and palette knife painting techniques! Helps maintain brushstrokes and speeds the drying rate of oil colors Key Features: * Alkyd base speeds up drying time of oil paint * Dries at the same rate! * Dries evenly without wrinkling or cracking * Special drying agents and thickeners * Paint in impasto layers up to an inch thick! * No need to add a lot of paint to it to get the color you want * Not only dries faster but can double your colored pigment! * Mixes easily with the oils and dries very quickly, allowing additional coats of paint to be applied without smearing * If you like texture in your oil painting, you'll love this product * Available in 37ml and 200ml tubes Perfect For: * Oil Painting Medium used to mix with oil paints for impasto techniques * Will thin the color somewhat but allows you to paint in heavy impasto layers * Ensures the layer dries completely and evenly * Impasto and palette knife painting techniques * Quick drying - special drying agents and thickeners * Ability to put paint over paint with ease * Thickens the paint and makes it so much easier to use a palette knife. * Colors stay vibrant, Extend oil paints without making them weak or runny * Excellent consistency of the butter, ability to spread smoothly* "I LOVE This Stuff! I love Lukas Painting Butter, both for my own work and in my workshops. Its heavy texture and FAST drying time are "just the ticket" for my "knife paintings." I have turned many of my students onto it, too! It's now a staple of my "must-have" supplies." Paint in heavy impasto techniques – LUKAS Painting Butter Impasto Medium Read Blog Article -> Thicken Your Oil Paints with Impasto Medium for Oil Paints – LUKAS Painting Butter See More
-
Mona Lisa Odorless Thinner, 1 Gallon BottleSave Up to26%Off list…include a Brush cleaner tank and cleaning solutions, Odorless thinners for painting, and Omni-Gel Image Transfer medium. Key Features:* Studio essentials* Cleaning and conditioning paint brushes* No odors Perfect For:* Oil painters* Broad mix of techniques* Cleaning greasy stains Studio Essentials for a Diverse Range of Techniques! Speedball's rich history of manufacturing fine art materials began in Camden, NJ, in 1899. Since that time, Speedball's offerings have grown and evolved, but our dedication to providing our customers with superior products and services at an affordable price remains the same. Speedball studio essentials has a broad mix of high-quality necessities your workspace requires. The Studio essentials include a Brush cleaner tank and cleaning solutions, Odorless thinners for painting, and Omni-Gel Image Transfer medium. Key Features:* Studio essentials* Cleaning and conditioning paint brushes* No odors Perfect For:* Oil painters* Broad mix of techniques* Cleaning greasy stains See More
-
Winsor & Newton Linseed Stand Oil Medium, 500ml BottleSave Up to43%Off list…Pressed Linseed Oil - An oil extracted without the use of heat. Cold Pressed Linseed Oil makes oil colour "fatter". It reduces viscosity for better flow while adding transparency and gloss. Drying Poppy Oil - Extracted from the seeds of the poppy plant. Drying Poppy Oil makes oil colour "fatter" and… The Perfect Accompaniment To Oil Paints! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of oil paint needs to be of equal quality for the continuity of paint film strength and durability. Winsor & Newton is proud to offer a unique selection of oils and mediums to enhance your oil painting experience. Drying oils control color, prevent over-thinning when mixed with solvents, and help maintain the flexibility of paint film. Key Features: * Accelerates the drying time * Increases gloss & translucency of colors * For information click on yellow technote icon Perfect For: * Making custom painting mediums * Accelerating the drying of oil colors * Professional oil painters * Maintaining consistency * Preserving gloss Cold Pressed Linseed Oil - An oil extracted without the use of heat. Cold Pressed Linseed Oil makes oil colour "fatter". It reduces viscosity for better flow while adding transparency and gloss. Drying Poppy Oil - Extracted from the seeds of the poppy plant. Drying Poppy Oil makes oil colour "fatter" and has a pale character. The fast drying oil stabilizes a colour’s film. Dries more slowly than linseed oil and preserves good, clear colours even in the spectrum of light colours. Drying Linseed Oil - Fastest drying linseed oil, increases gloss, transparency, and reduces consistency. It decreases the consistency and transparency of the oil paint. Add to other oils to accelerate drying times. Linseed Stand Oil - For glazing and as an alternative for Refined Linseed Oil, due to its pale colour and excellent levelling. Linseed Stand Oil makes oil colour "fatter". It's a pale viscous oil that slows drying while imparting a smooth, tough enamel finish with no brush marks. Refined Linseed Oil - A low viscosity alkali refined oil of pale colour that dries slowly. Refined Linseed Oil makes oil colour "fatter". It reduces the consistency of the paint. Slower drying variant of the linseed oils. Add to fast drying oils to balance drying times. Bleached Linseed Oil - A refined pale oil which will improve the flow of colour and dries slightly faster than Refined Linseed Oil. Use with pale colours and white. Thickened Linseed Oil - Amber coloured, partially oxidised oil. Makes oil colour "fatter". A faster drying viscose oil. Can be used in combination with Sansodor to accelerate drying rates further. Safflower Oil - Extracted from the seeds of the safflower plant. Makes oil colour "fatter" and has a pale character. It's a slow drying oil that stabilizes paint film. Use with whites, pale and bright colours. The pale colour preserves the brightness of pigments. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More
-
GOLDEN MSA Varnish w/ UVLS, Satin 128oz (Gallon)Save Up to30%Off listVarnishes for acrylic, oil, alkyd, egg tempera, watercolor, and casein GOLDEN MSA (Mineral Spirit Acrylic) Varnish with UVLS (Ultra Violet Light Stabilizers) dry to a tough, yet flexible protective finish and contain ultraviolet light filters and stabilizers (UVLS). The UVLS system provides… Varnishes for acrylic, oil, alkyd, egg tempera, watercolor, and casein GOLDEN MSA (Mineral Spirit Acrylic) Varnish with UVLS (Ultra Violet Light Stabilizers) dry to a tough, yet flexible protective finish and contain ultraviolet light filters and stabilizers (UVLS). The UVLS system provides increased resistance to the harmful effects of ultraviolet radiation, making the product suitable for exterior as well as interior application. MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein. As a topcoat for acrylics, it provides a harder, lower tack surface that is much less susceptible to dirt and is more mar resistant. GOLDEN MSA - available in Matte, Satin, and Gloss finishes. A mineral spirit based acrylic resin system that forms a tougher, less permeable film than waterborne acrylic varnishes. Can be applied to acrylic, oil, and alkyd painted surfaces. Reduces dirt penetration and surface marring, offering an extremely level film with less foam and fewer pinholes. Removable with mineral spirits after drying; recommended for interior or exterior use. Not for use by children. Thins with MSA Varnish Solvent. MSA Varnish Solvent - the ideal solvent for thinning GOLDEN MSA Varnishes, which must be thinned before use. MSA Solvent assures clear, clean, even application. Can be used to remove MSA Varnish at a later time for restoration purposes. * Protects against dirt and dust* Provides moisture resistance* MSA UVLS: Ultraviolet Light Stabilizers (UVLS)* MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein* As a topcoat for acrylics For restoration purposes, the varnish may be removed with MSA Solvent, full strength commercial mineral spirits ( i. e. : paint thinner or white spirits ), or distilled or rectified turpentine. MSA Varnish (Gloss) dries to a highly reflective finish. MSA Varnish (Satin) offers moderate reflection, similar to most matte varnishes. MSA Varnish (Matte) finish is exceptionally flat. The different finishes can be intermixed to achieve the desired sheen. Note that the matte and satin MSA varnishes will lighten dark value colors, which is typical of reduced sheen varnishes. Please note: Upon arrival, labeling may be different than pictured due to a packaging change by the manufacturer. See More
-
Bristle Magic Brush Cleaner & Conditioner Gallon BagSave Up to20%Off list…cleansers when cleaning their valuable paint brushes. Bristle Magic is a non-toxic brush cleaner and reconditioner perfect for cleaning both wet oil paint and wet or dried acrylics from artists' paint brushes! Made from 89% post-consumer recycled materials, it is eco-friendly, non-flammable,… Eco-friendly, non-toxic cleaner restores brushes — like magic! Now painters no longer have to worry about hazardous fumes and toxic cleansers when cleaning their valuable paint brushes. Bristle Magic is a non-toxic brush cleaner and reconditioner perfect for cleaning both wet oil paint and wet or dried acrylics from artists' paint brushes! Made from 89% post-consumer recycled materials, it is eco-friendly, non-flammable, petroleum free, and has low VOC. Simply wipe wet paint from brushes and gently swish in a container of Bristle Magic, then reshape the bristles — or allow dried acrylic to soak until loosened. For cleaner, more conditioned brushes and a safer studio environment, Bristle Magic is the ideal choice! Key Features: * Environmentally friendly * Non-toxic, biodegradable * Made from recycled materials * No fumes, low VOC, petroleum-free Perfect For: * Cleaning wet or dry oils & acrylics * Conditioning brushes * Creating a safer studio * Any health-conscious painter! Artist Endorsements: * Lisa Bell, Professional Artist, Art by Lisabelle * Diane Clapp Bartz, Professional Artist See More
-
Winsor & Newton Artists' Painting Medium 500ml BottleSave Up to43%Off listNon-yellowing medium reduces oil paint viscosity Winsor & Newton Artists' Painting Medium is a slow-drying, gloss medium ideal for glazing and smoothing blended areas. The medium reduces brush strokes and improves flow, boosting the durability of the paint film. Add more oil or solvent to the… Non-yellowing medium reduces oil paint viscosity Winsor & Newton Artists' Painting Medium is a slow-drying, gloss medium ideal for glazing and smoothing blended areas. The medium reduces brush strokes and improves flow, boosting the durability of the paint film. Add more oil or solvent to the mix to change the consistency of your paint. Key Features: * Slows down the drying process * Reduces viscosity and improves flow * Non-yellowing * Dries to a flexible film * Less likely to yellow, wrinkle, or crack Perfect For: * Oils and alkyds * Reducing brush strokes * Oiling out and enriching dull patches * Glazing and blending techniques * Painting fine details Painting tip – Wipe the neck of the bottle after use to ensure the safety cap remains secure. See More
-
Winsor & Newton Liquin Original Medium 500ml BottleSave Up to43%Off list…Liquin Winsor and Newton Liquin™ Mediums are ready-made mixtures of solvent and linseed oil. There are five types of Liquin, and each will help you accelerate the drying times of your oil paint. Each variety has a slightly different formula, but they are all related to the original Liquin… Accelerate Drying Time With Liquin Winsor and Newton Liquin™ Mediums are ready-made mixtures of solvent and linseed oil. There are five types of Liquin, and each will help you accelerate the drying times of your oil paint. Each variety has a slightly different formula, but they are all related to the original Liquin recipe. Key Features: * Speeds up the drying process * Adds transparency and gloss * Non-yellowing Perfect For: * Oils and alkyds * Reducing brush strokes * Glazing and blending techniques Liquin™ Original - halves the drying time of oil colour and reduces brush stroke retention. Creates a smooth, gel-like paint film that is easier to work with. Liquin™ allows the paint to dry faster and makes working with multiple layers easier. Liquin™ Light Gel - halves the drying time of oil colour and produces a smooth gel. Creates low-viscosity, gel-like paint film that is easier to work with and reduces brush stroke retention. Liquin™ allows the paint to dry faster and makes working with multiple layers easier. Liquin™ Fine Detail - The most fluid medium within the Liquin™ family. Add to colour to produce a low-viscosity mixture. Increases fluidity and reduces brushstroke retention. Liquin™ allows the paint to dry faster and makes working with multiple layers easier. Liquin™ Impasto - A paste-like, semi-gloss version of Liquin™ that halves the drying time of oil and produces a crisp texture. Adds viscosity to your paint that retains marks from brushes or palette knives. It allows the paint to dry faster and makes working with multiple layers easier. Speeds drying (touch dry in 1-6 days, depending on paint thickness). Resists yellowing. Not suitable as a varnish or final coat. Liquin™ Oleopasto - A paste-like, semi-matte version of Liquin™ that halves the drying time of oil. Creates a viscous paint that holds many marks from brushes or palette knives. Keeps the oily texture of pure oil paint. Allows the paint to dry faster and makes working with multiple layers easier. (touch dry in 1-6 days, depending on colour paint thickness). Suitable for impasto & texture work. Resists yellowing. Not suitable as a varnish or final coat. Blending & Glazing Medium - Adjusts oil paint's viscosity and drying behavior for seamless colour blends and even glazes. Improves transparency. PLEASE NOTE: All products in this category are hazardous materials: They cannot ship by Air/Next Day Services. Ground Only. See More
-
Wilson Bickford Background Color 500ml Bottle - Shaded WoodSave Up to51%Off listBrown Expand your painting experience with Wilson Bickford grounds and mediums! Now you can paint along with master artist Wilson Bickford from the ground up! This specially-selected line of grounds and mediums were developed by Wilson to enhance his signature wet-in-wet oil painting style — and now you can benefit from his years of experience! From creating a solid ground or tonal grisaille, to blending colors into a base coat and crafting delicate, luminous oil color glazes, these gessoes and mediums are your surefire ticket for "fun and fast" painting with professional artist and instructor Wilson Bickford!* Gesso – Made from pure Titanium White or black pigment blended with an acrylic copolymer emulsion. It yields an excellent flexible film with a fine tooth surface, ideal as a base for paintings in acrylics, oils, alkyds, tempera, inks and more. Available in White or Black; 16 oz. bottles.* New! Background Color -- Gesso formulated to provide artists with fast drying, beautiful, toned backgrounds. Achieve dramatic effects in your underpainting by creating a flexible film base which can be painted over with oils, acrylics, alkyds and even tempera.* FastFlo Base Coat Medium – This alkyd-based medium is the perfect base coat for wet-in-wet oil painting techniques, and provides a smooth, white, quick-drying ground on which to start a painting. Available in 4 oz. and 8 oz. bottles.* Clear Glazing Medium – Mix with oil or alkyd colors to speed the drying time, to add translucency and to extend color. Ideal for creating glazes as well as detailed effects. Can be thinned and cleaned up with turpentine or odorless mineral spirits. Available in 8 oz. or 16 oz. bottles. * See More Wilson Bickford Signature Series Art Supplies See More
-
Maimeri Oil Painting Mediums - Walnut Oil, 500ml BottleSave Up to22%Off list…It has similar properties to linseed oil, but it won't yellow as much. Good drying power. Walnut Oil Similar properties to linseed oil, but it does not yellow. Good drying power, increases the brightness of colors. Walnut Oil:* Similar properties to linseed oil* but it does not yellow* Good drying… Increases the brightness of colors. Good drying power! Maimeri Walnut Oil Painting Medium uses only the purest ingredients for the best guarantee of brilliance and vibrancy Maimeri uses only the purest ingredients for the best guarantee of brilliance and vibrancy. Most Maimeri oil mediums are housed in a glass bottle with a twist-off cap. Increases the brightness of colors. It has similar properties to linseed oil, but it won't yellow as much. Good drying power. Walnut Oil Similar properties to linseed oil, but it does not yellow. Good drying power, increases the brightness of colors. Walnut Oil:* Similar properties to linseed oil* but it does not yellow* Good drying power* Increases the brightness of colors* Available in: 75ML, 250ML, 500ML glass bottles See More
-
Winsor & Newton Oil Painting Primer, 500ml CanSave Up to43%Off listWhite Ready-to-use primer in a non-yellowing oil-modified alkyd resin medium Winsor & Newton Oil Painting Primer is a ready-to-use primer in a non-yellowing oil-modified alkyd resin medium. No thinning or stirring is required. Oil Painting Primer can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper) with virtually no sinking in. A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming. The treated ground then accepts oil colours easily and without chalkiness or absorbency.Key Features:* Size: 500ml & 1000ml cans* Ready-to-use primer * Non-yellowing oil-modified alkyd resin medium* Can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper)* Used to prepare a surface before painting* A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming Oil painting primer imparts a traditional oil base. Some artists prefer this and may find a slight increase in gloss and smoothness. Oil primed canvases may slacken off less than acrylic primed canvases. A coat of warm glue size is required first. As a result of their formulation, Winsor & Newton acrylic primers are also suitable for oil painting. They are popular because they dry quickly and do not require any sizing underneath. See More
-
Old Holland Bleached Linseed Oil 500 ml BottleSave Up to25%Off list…regular linseed oil, to a flexible and durable paint film. Refined Poppy Oil - Obtained from the first pressing of poppy seeds. Maintains many of the qualities of linseed oil, but yellows less when mixed with light colors and dries much more slowly. Use conservatively as Poppy Oil paint film dries… Professional Master's Quality Oil Painting Mediums from Old Holland! Since 1664, Old Holland has been manufacturing the most professional quality pigments, painting oils, and varnishes for artists like Vermeer and the Dutch Masters. With oils pressed by a windmill, they still manufacture drying oils, stand oils, and varnishes to the highest standard of quality in the most traditional methods feasible. Key Features:* Bleached Linseed Oil, Refined Poppy Oil* Stand Oil, Cold Pressed Linseed Oil* Master quality drying oils* Oils to create custom mediums Perfect For:* Glazing and thinning oils* Creating custom painting mediums* Increasing fluidity, makes it possible to remove the brushstroke* Increases the gloss, lengthens the drying time Cold Pressed Linseed Oil - Cold pressed linseed oil from ground Flax Seeds, which are pressed by Old Holland in their tradition of using a windmill. Enhances the fluidity of paint and enables brush strokes to be removed. Enhances gloss but lengthens the drying time, dries to a flexible, durable paint film. Used as an ingredient in custom painting mediums. Can be thinned with turpentine or white spirit. Bleached Linseed Oil - Cold pressed linseed oil which has been bleached to lighten the oil color, making it yellow less than traditional linseed oil, but dries slower, as well. Enhances the fluidity of paint and enables brushstrokes to be removed. Enhances gloss of paint film. Can be thinned with turpentine or white spirit. Stand Oil - Boiled polymerized linseed oil, thick to a honey-like consistency. A popular additive in painting mediums, especially for glazing mediums. Yellows less than linseed oil as has already begun the oxidation process. Dries more slowly than regular linseed oil, to a flexible and durable paint film. Refined Poppy Oil - Obtained from the first pressing of poppy seeds. Maintains many of the qualities of linseed oil, but yellows less when mixed with light colors and dries much more slowly. Use conservatively as Poppy Oil paint film dries more brittle than linseed oil. See More
-
Schmincke Oil Mediums 500ml Schmincke Primer 1 JarSave Up to10%Off listMagnificent mediums for oil paints Schmincke Oil Mediums allow you to create fluid glazes or thick Impasto effects. You can even transform traditional oils into water-mixable oil paints with Medium W. All of the mediums increase the gloss and transparency of oil paint while accelerating or slowing… Magnificent mediums for oil paints Schmincke Oil Mediums allow you to create fluid glazes or thick Impasto effects. You can even transform traditional oils into water-mixable oil paints with Medium W. All of the mediums increase the gloss and transparency of oil paint while accelerating or slowing drying time. Key Features: * Accelerate or slow drying * Improve transparency and gloss * Outstanding working properties * Extend oil paints and use less paint * Perfect For: * Traditional oil paints * Blending and glazing * Changing the paint texture * Adding to oils undiluted Schmincke Mussini Drying Accelerator: is an especially fast-drying, Jelly-like painting medium for oil colors. The paste preserves the consistency and degree of gloss of oil colors. To avoid weakening of binding properties, use dosage of 10 to max of 30%. The product is ready to use and should be added to oil colours undiluted. After use clean tools as soon as possible with turpentine or brush cleaner. The Schmincke Mussini drying accelerator contains: siccative, stand oil, resin solution, mineral spirit. Impasto Medium (Megilp): Schmincke Meglip Impasto Medium is an oil painting medium designed for painting thickly. The medium preserves the buttery character of oil paint while accelerating the drying process. When you are applying paint in a thick style with a palette knife you should include some Impasto Medium to support the drying process between layers of paint. Contains: alkyd resin, stand oil, and fillers. Medium L: The Jelly-like medium improves oil paint flow while reducing brush strokes, accelerating drying time, and increasing gloss and transparency. Shake well and stir before use. Close immediately after use. The recommended dosage for medium L is 10 - 20 %. The product is ready to use out of the bottle, but you can dilute it with turpentine substitute 50019. Medium W: Schmincke Medium W is a low-odor oil paint additive that transforms traditional oil paints into water-mixable oils. The odorless medium increases gloss and transparency while allowing you to clean your tools with water. You should shake the bottle before use. Mix 2 parts of oil color and 1 part of Medium W on your palette, then add water to thin. Add more Medium W to the mixture as necessary. After use, you can clean your painting tools with water. Oil colors mixed with Medium W may appear lighter or "milky" when wet, but the color will return as the paint dries. Medium W Gel: Schmincke Medium W Gel is a jelly-like oil paint additive that transforms traditional oil paints into water-mixable oils. The odorless medium increases gloss and transparency while allowing you to clean your tools with water. Mix 2 parts of oil color and 1 part of Medium W Gel on your palette, then add water to thin. Add more Medium W Gel to the mixture as necessary. After use, you can clean your painting tools with water. Oil colors mixed with Medium W Gel may appear lighter or "milky" when wet, but the color will return as the paint dries. Refined Linseed Oil: Refined Linseed Oil is winterized and bleached. Many artists use it as a medium when painting. It slows down the drying time of your paint, which can be very useful when painting in layers. Please note: The natural yellowing tendency of linseed oil cannot be stopped by bleaching! Schmincke Primer 1: Schmincke Primer 1 is a pure white, semi-opaque, light-resistant, and nonaging primer for oil and acrylic colors. The primer has a strong absorbent character and forms an elastic, matt film once dry. Schmincke Primer 1 is ready to use straight out of the bottle, or for a thinner consistency, you can thin it with water. For max dilution, mix with 30% water See More
-
Old Holland Oil Painting Varnishes - Mastic Picture Varnish, 500ml BottleSave Up to25%Off listHigh Quality Oil Painting Picture Varnishes Old Holland Oil Painting Medium thins oil paints, increases fluidity, and enhances flow. Made from a mixture of linseed oil, turpentine oil, and white spirit, it contains no resin or dryers. It reduces gloss and ensures that brush strokes remain visible,… High Quality Oil Painting Picture Varnishes Old Holland Oil Painting Medium thins oil paints, increases fluidity, and enhances flow. Made from a mixture of linseed oil, turpentine oil, and white spirit, it contains no resin or dryers. It reduces gloss and ensures that brush strokes remain visible, but does not affect the drying time. Retouching Varnish - Useful for reviving sunken (dull) areas on the painting while in process, bringing everything up to an even sheen. Can be used over drier paint to help bond new fresh painting layers. Dries within hours and is made with a ketone resin base. Used most popularly as a temporary varnish while the painting continues to oxidize, offering protection from dust and dirt until a final varnish can be applied. Mastic Picture Varnish - Hard Varnish that often turns slightly milky. Gives a high gloss, but will yellow slightly later. Made from pure mastic resin dissolved in white spirit. Must not be applied before painting is thoroughly dry- a minimum of 12 months (longer depending on paint film thickness). Dammar Picture Varnish - Use as a final varnish for a lovely gloss finish. Produces an even, high gloss, yellows slightly later. Made from pure dammar resin dissolved in white spirit. Must not be applied before painting is thoroughly dry- a minimum of 12 months (longer depending on paint film thickness). See More
-
StudioSolv™ Artist Oil Thinning Medium, 1 GallonSave Up to69%Off list…Artist Solvent For Thinning Oils Tusc & Pine StudioSolv™ is a purified, odor-free oil-thinning medium. It's designed to thin oils and mediums while maintaining the integrity of your color. Experiment with different ratios of StudioSolv™ and linseed oil to create a custom lean… Purified Odor-Free Artist Solvent For Thinning Oils Tusc & Pine StudioSolv™ is a purified, odor-free oil-thinning medium. It's designed to thin oils and mediums while maintaining the integrity of your color. Experiment with different ratios of StudioSolv™ and linseed oil to create a custom lean medium. Although aromatic solvents have been extracted to remove odor, adequate ventilation should be practiced for safety. The Purist Odorless Thinner You Can Buy! No solvent odors, only the wonderful smell of oil paint! Key Features: * Professional grade oil thinner * Made to the highest standards * Purified and odor free * Aromatic solvents removed (No solvent odors, only the wonderful smell of oil colors) * Higher safer flashpoint rating (flashpoint of 144°F) * Made in the USA * Conforms to ASTM D 4236 * Available in 3.2 oz, 8.4 oz, 16.9 oz, and 33.8 oz bottles Perfect For: * Thinning stiff, heavy-bodied oils * Modifying painting mediums * Minimizing brush strokes * Oil painters of all skill levels * Creating lean mediums * Removing varnish from canvas * Studio and classroom use * Airplane travel Safe For Travel By Air! StudioSolv™ has a flashpoint of 144°F which classifies it as a combustible liquid by DOT regulations, however, it is considered safer than solvents with lower flashpoints and faster evaporation rates. StudioSolv™ also conforms to FAA and TSA guidelines and can be safely transported by airplane, making it a convenient option for artists who travel. The 3.4 oz bottle is the perfect carry-on size, while larger sizes can be packed in your checked bag. Printable Travel Guidelines StudioSolv™ SDS While StudioSolv™ is currently allowed by FAA guidelines, we recommend always checking current regulations before traveling. To ensure a smooth and hassle-free experience, please bring a printed copy of the SDS and travel guidelines to show at baggage check. If the flight is international, please check the policy of your destination country. Solvents should be stored in an airtight container out of reach of children. Replacing the lid during painting sessions can help reduce VOC levels in the air. Always work in a well-ventilated area. Wash your hands after painting and before eating. StudioSolv™ is not recommended for use with gum resin mediums like dammar, copal, and mastic. Gum resins pair well with traditional turpentine. Deluxe Bundle Sets Available with Exclusive Extras! Click on the item number to view the contents of each bundle set. SoHo Artist Disposable Studio Wipes: SoHo Urban Artist Wipes are the ultimate cleaner for varnish, acrylic, and oil brushes. The wipes are also an effective and gentle cleanser for hands, brushes, tools, and more. Silicoil Brush Cleaning Tank: The clear glass brush cleaning tank can hold up to 12 oz of water, solvent, or brush cleaning fluid. The spring-like coil provides flexibility to aid in the cleaning of your brushes. Air-Tight Deluxe Brush Washer: Perfect for travel and studio use, the stainless steel brush washer can hold over a pint of liquid! The lid has a built-in gasket that forms an air-tight, leak-proof seal, preventing harsh fumes from escaping. Da Vinci Air Tight Brush Washer: The brush washer is designed to hold over a pint of solvent. A specially outfitted gasket on the lid maintains an air-tight seal no matter what. Latches ensure the lid stays shut while traveling. Petite Air Tight Brush Washer: The Petite Air Tight Brush Washer measures a maximum diameter size of just 3" and a height of just 3-5/8". It holds about 10 oz of fluid. The washer has two locking clamps for an air-tight seal and a removable strainer. See More
-
Sennelier Artists' Oil Paints-Extra-Fine 500 ml Can - Titanium WhiteSave Up to45%Off listWhite A New Generation of Oils! Only the finest natural and inorganic pigments . Sennelier Artist's Oil Paints have been the standard of quality for over 100 years. Sennelier's passion for colour chemistry and focused pigment research led to the development of a distinctive oil colour manufacturing process that has been employed for generations. Sennelier gathers only the finest natural and inorganic pigments from around the world. The pure pigments are ground very slowly with extreme care to an extra-fine consistency. They are then combined at maximum concentration with an archival safflower oil to yield the highest possible tinting strength and a lustrous satin finish. The sensuous pigments have a unique buttery texture, a consistency originally developed for the expressive style of the Impressionist painters who frequented the Sennelier store in the 19th century. Non-Yellowing Safflower Oil - highest possible tinting strength and a lustrous satin finish Sennelier's meticulous work, his vast knowledge of pigments, his talents as a colourist, and collaboration with Cezanne and other Masters gave rise to a palette of oil colours that quickly became the standard of quality. Favoured by some of the greatest artists (Monet, Gauguin, Matisse, Picasso, Bonnard, Modigliani, Chagall, Ernst, Hockney), Sennelier oils hang in the world's most prestigious museums. Today, Sennelier's classic palette is expanding with 50 new, original shades that encompass contemporary trends and tastes. These colours, still as smooth and luminous as ever, offer an updated texture with firmer body to accommodate the requirements of 21st century artists. Key Features: * 40ml & 200ml Tubes (500ml Titanium White) * 21ml and 40ml set sizes * Improved 'buttery' consistency * 145 luminous colors / Sets * Uses non-yellowing Safflower Oil Perfect For: * Better value at a lower cost * Canvas, panels, boards * Working with texture effects * Artists of all levels Today, Sennelier's classic palette is expanding with 50 new, original shades that encompass contemporary trends and tastes. These colours, still as smooth and luminous as ever, offer an updated texture with firmer body to accommodate the requirements of 21st century artists.Utilizing the time-honoured, exacting methods perfected for over one hundred years, the new paints are produced under the watchful eye of Dominique Sennelier. At Sennelier, tradition meets the needs of today's artists and the innovations of modern chemistry. Sennelier proudly introduces the next generation of oils, a collection of professional, extra-fine colours that reinvents your palette and redefines quality Landscape Plein Air Set - A color palette selected by award-winning Plein Air artists! Set includes eight 40 ml tubes of Sennelier Oil Color, Isabey # 6 Bristle Brush, a plein air field guide to color mixing, and 10 tips for better plein air painting! Wood Box 40ml Tube Set of 12- This set includes a luxury quality wood box with twelve 40 ml tubes of Sennelier Oil colors, 2 empty glass jars ideal for storing your favorite oil mediums, one painting knife, one artists quality brush, one double metal palette cup, one deluxe wooden palette and assorted charcoal. Artist Oil Set with Black Wooden Box- This black wooden box contains a beautiful set of 10, 21ml oil tubes. The box also includes an assortment of accessories used to aid your artist's adventures. Including a sennelier cloth, charcoals, a green for oil medium, along with Precision brushes 8504 size 4, and 8534 size 12, as well as honey soap. Oil Color Set of 10 - This Artist Oils set features 10 tubes of 21ml extra-fine artist quality oil paint. Made using pigments of the highest quality, this set provides maximum pigment load and color intensity. The pure safflower oil carrier creates resistance to yellowing and provides a unique satin sheen. Colors in the set include #116 Titanium White, #511 Bright Yellow, #675 Red Vermillion, #619 Permanent Intense Red, #315 Ultramarine Deep, #326 Phthalocyanine Blue, #805 Chromium Green Light, #252 Yellow Ochre, #211 Burnt Sienna, #755 Ivory Black. *Actual colors will vary due to Manufacturer availability See More
-
Dorland's Wax Medium - Gallon JarSave Up to20%Off listThe choice of professionals worldwide! When mixed into oil colors, this non-yellowing wax and resin mixture strengthens the paint film against shrinkage and cracking, sealing out dirt, air, and moisture. Dorland's Wax Medium by Jacquard improves luminosity and clarity of all colors with no chance of… The choice of professionals worldwide! When mixed into oil colors, this non-yellowing wax and resin mixture strengthens the paint film against shrinkage and cracking, sealing out dirt, air, and moisture. Dorland's Wax Medium by Jacquard improves luminosity and clarity of all colors with no chance of muddiness of tone. For brush painting mix 1 part medium to 3 parts color, knife painting mix in equal ratios and for encaustic results reverse brush painting ratios. Key Features: * Non-yellowing wax and resin mixture * Strengthens the paint film against shrinkage * Improves luminosity and clarity of all colors * No chance of muddiness of tone * Thin to achieve glazing consistency * Museum-quality * Matte finish protective coating * Unsurpassed for cleaning and preserving * Made in the USA Perfect For: * Oil paint and powdered pigment * Brush or knife painting * Wax coating paintings * Final picture varnish * Cleaning wax paintings * Photo sealing * Mixed media embedded objects * Woodcarvings, bronze, plastics, and other items worth protecting * Discerning students and amateurs See More
-
Gamblin Cold Wax Medium 1 GallonSave Up to40%Off list…hardens to the density of a beeswax candle. Unlike other Gamblin painting mediums, which increase the flow and gloss of oil colors to varying degrees, Cold Wax Medium makes oil colors thicker and more matte. It has a “short” characteristic and gives a clean break off of the brush or knife, retaining… Makes oil colors thicker and more matte Gamblin Cold Wax Medium a mixture of natural beeswax (wax pastilles), Gamsol and a small amount of alkyd resin. The term “cold” in Cold Wax Medium and Cold Wax Painting refers to the fact that heat is not required for working with this wax medium – as it dries by solvent evaporation (Gamsol), rather than the cooling of the wax, as in encaustic painting. As the Gamsol evaporates out of the medium, the soft wax hardens to the density of a beeswax candle. Unlike other Gamblin painting mediums, which increase the flow and gloss of oil colors to varying degrees, Cold Wax Medium makes oil colors thicker and more matte. It has a “short” characteristic and gives a clean break off of the brush or knife, retaining the sharp peaks of impasto. These working properties allow for expressive brushmarks and the ability to carve into paint layers with palette knives. Cold Wax also gives oil colors a beautiful translucent quality, similar to the seductive surfaces of encaustic paintings. * Cold Wax - Made from natural white unbleached beeswax.* Mix directly into colors* Cold Wax creates an ultra-thick, matte impasto* For greater shine and flexibility mix with Galkyd medium* Excellent in creating a variety of textures within a painting What is Cold Wax Painting? Cold Wax Painting is any type of painting that heavily utilizes Cold Wax Medium into oil colors. In its own way, Cold Wax Painting blurs the line between oil painting and encaustic painting. Cold Wax Painting It’s a rare occurrence for one specific painting medium to have a whole genre of painting associated with it, but Cold Wax Medium is one such medium. Cold Wax Painting is not defined by subject matter nor the degree of realism or abstraction, Cold Wax Painting is unified by artists’ shared interest in experimentation, texture and the physicality of paint layers. See More
-
Gamblin Gamsol 1 Gallon, Odorless Mineral SpiritsSave Up to40%Off listThe safest solvent that allows oil painters to utilize all traditional painting techniques without compromise Quality solvent and medium and for general oil painting: Thinning oil colors, Modifying painting mediums. Gamblin Gamsol is also an excellent studio and brush cleaner. Odorless Mineral… The safest solvent that allows oil painters to utilize all traditional painting techniques without compromise Quality solvent and medium and for general oil painting: Thinning oil colors, Modifying painting mediums. Gamblin Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits - Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Primary Uses for Gamsol:* Thinning oil colors. A little goes a long way; stiff oil colors relax immediately when a little Gamsol is added. Be careful not to thin oil colors too much with solvent alone, this can compromise the ability of the paint to form a paint film.* Modifying painting mediums. Our Galkyd line of painting mediums are formulated with Gamsol, so they readily accept Gamsol as a thinning agent. Note: Gamsol should not be added to painting mediums made with natural resins (dammar, copal, mastic). They require strong solvents such as turpentine.* Studio clean-up: brushes, palettes, palette knives, etc.* Odorless* Available in the following sizes: 4.2 oz,16.9 oz, 33.8 oz, 128 oz* No solvent odors, only the wonderful smell of oil colors* Widely used in oil painting classrooms* Flash point: 62.2 °C / 144.0 °F (See SDS Sheet) How does Gamsol achieve this level of performance and safety? Most solvents available to artists come from the industrial paint industry where solvent power and cheapness is prized. Gamsol is special: it is made for products and processes that come into more intimate contact with the body such as cosmetics, hand cleaners, and cleaning food service equipment. Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Aromatic solvents are the most harmful types of petroleum solvents. The Gamsol SDS shows that it has an Exposure Limit Value higher than most solvents available to artists. In addition, Gamsol’s flash point allows it to ship via air cargo as a non-hazardous material. All of these factors have lead to Gamsol being used widely in oil painting classrooms; in those classes, there are no solvent odors, only the wonderful smell of oil colors See More
-
Michael Harding Medium Non-Absorbent Acrylic Primer White 500mlSave Up to25%Off listWhite Tired of dull flat oil paints? You need a non-absorbent ground! Regular acrylic gesso is notorious for leeching oil from oil paints, and absorbent acrylic gesso makes oil paints look dull, flat, and muted. Unlike those acrylic gesso's Michael Harding's primer is non-absorbent and preserves the luster of oil paint. Michael's acrylic primer does not absorb oil; instead, the paint sits on top of the surface. The primer is made with non-toxic, non-absorbing acrylic resin; that's why it produces such a strong, flexible ground. You can apply Michael Harding's Non-Absorbent Acrylic Primer to linen, cotton canvas, wood, and MDF. Key Features: * Non-absorbent acrylic primer * Formulated to not absorb or dull oil paints * Creates a strong bond with paint * Prevents paint from delaminating * Lightfast and will not fade over time * Thick, creamy consistency * Smooth, even-toothed finish Perfect For: * Oil and acrylic painters * A uniform painting surface * Beginner and professional artists * Preparing canvas, wood, or MDF for paint * Everyday studio use Instructions: The primer is best used in 2 coats; You may dilute the first coat with water (no more than 1 part water to 3 parts primer). This first coat will be touch dry within a couple of hours, and then you can apply the second coat. You should not apply the primer over Rabbit Skin Glue or unstable supports. See More
-
Charbonnel Etching Ink Additive - Heavy (Fatty) Oil, 500mlSave Up to20%Off list…delivers impressive covering power even after dilution. The inks feature pigments chosen for their low acidity and exceptional lightfastness. Like oil paints, Charbonnel etching inks dry through oxidation. Depending on the color, the drying time can vary between 2 and 3 weeks. You can easily lighten… Intaglio Inks, 100% natural, Trusted by Artists Throughout Time Charbonnel Etching Inks are 100% natural and non-toxic. Every color is highly pigmented and delivers impressive covering power even after dilution. The inks feature pigments chosen for their low acidity and exceptional lightfastness. Like oil paints, Charbonnel etching inks dry through oxidation. Depending on the color, the drying time can vary between 2 and 3 weeks. You can easily lighten the highly pigmented Charbonnel Etching Ink with transparency medium to create a range of tones. Key Features: * High-quality printmaking ink * 100% natural and non-toxic * Highly pigmented * Linseed oil-based binder * Additive-free intaglio inks * Wash up with oil or solvent * Inks absorb oxygen to dry * Made in France Perfect For: * Etching * Printmaking * Monotypes and monoprints * Intaglio printing * Professional artists See More
Powered by
Login and Registration Form
Customer Login
Already a customer ? Sign in now for the best experience!
* indicates a required field