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Gamblin Artists Oil - Flake White Replacement, 32oz CanSave Up to25%Off listWhite Gamblin Artist's Oils, The only choice for professionals! Since 1980, Gamblin has transformed oils and pigments into luscious, rich oil paints. Gamblin Artist's Oil Paints are made with refined linseed oil, so the paint film is more flexible and yellows significantly less than traditional linseed oil. No adulterants are used, so each color retains its unique tinting strength, undertone, and texture. Gamblin Artist's Colors have luscious working properties, and the colors are radiant. We're sure you'll agree that the quality of these oil colors is exquisite. For everything from realism to contemporary abstraction, you'll find the colors you need in the Gamblin line. Key Features: * Oil Paints: Available in 37ml and 150ml tubes, plus 8 oz. and 16 oz. cans * Sets w/ painting panels: Set of 9, Set of 3 * Professional quality * Inorganic colors made from metals (Cadmium, Cobalt, Iron, etc.) * 19th-century colors of the Impressionists * Classical and Renaissance era colors * High pigment load, low oil absorption * Colors easily grey-down in mixtures * Mostly opaque with a few semi-transparent and transparent colors * Made in Portland OR, USA * Perfect For: * Professional oil painters * Plein air artists * Alla prima painting * Vibrant portraits * Painting natural colors and light * Accurately reflecting the hues of nature * Smooth consistency and buttery feel * Outstanding lightfastness * Everyday studio use! Gamblin Metals- Gamblin Copper, Rich Gold, Pale Gold, and Silver are made by suspending bronze and aluminum powders in an alkyd binder. It's the light reflecting from all those bits of metal that create the "metal finish." The real metal flakes scatter light in many different directions giving surfaces painted with Metals a soft, lustrous appearance. Gamblin Metals have distinctive mixing characteristics. When mixed with transparent colors, they maintain their metallic luster and give glaze layers a unique sparkling quality. Gamblin Artists' Colors Introductory Set of 9 Colors Includes nine 37ml. tubes and a ready-to-use, This set contains one 6.5" x 12" pre-primed painting panel with 1.5in cradle depth.pre-primed birch painting panel handcrafted in North America from sustainable forests. Made in the USA. 37ml Colors include: Cadmium Yellow Light, Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Viridian, Yellow Ochre, Burnt Umber, Ivory Black & Titanium White Reclaimed Earth Set of 3 Tubes: Colors in the set include Rust Red, Iron Violet, and Brown Ochre. The tubes are nestled in a 6"x6" primed panel made in Oregon by American Easel. The masterfully constructed panel has poplar cradled sides and a Baltic birch face. Every speck of pigment in these tubes has been painstakingly reclaimed from waters tainted by iron released from mines. Iron oxides make lightfast, natural, and safe oil paints. John Sabraw and engineer Guy Riefler figured out how to extract iron from the polluted rivers, restore ecosystems, and create economic opportunities in communities struggling with environmental damage left behind by the coal mining industry. By purchasing this limited edition set you are supporting hard-working communities and helping make the Ohio and Mississippi Rivers healthier ecosystems. Is Gamblin Oil Paint Professional Grade? Gamblin Artist's Oil Paints are Professional Grade made with refined linseed oil! Gamblin always wanted to give artists color at its maximum with a luscious texture. There is so much more to our work than fine raw materials and high pigment loads. Gamblin is dedicated to getting that balance right. Every color. Every batch. Every time. See More
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Gamblin Oil Painting Ground 32oz CanSave Up to25%Off listWhite True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More
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Gamblin Oil Painting Ground 32oz CanSave Up to25%Off listWhite Makes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium carbonate gives tooth for strong adhesion. Gamblin Ground makes a brighter and less-absorbent ground layer compared to acrylic “gesso” – meaning that oil paint layers on top will better retain their color saturation. In addition, the lower absorbency allows for “reductive” underpainting techniques when painters need to wipe back to the white of the Ground. Key Features:* See video - Ground Application* Makes a strong, bright, non-absorbent foundation for oil paintings* Formulated from alkyd resin, titanium dioxide, and calcium carbonate* Brighter and less-absorbent ground layer * Oil paint layers on top will better retain their color saturation* Lower absorbency * Thicker than acrylic gesso* Can be applied on top of acrylic gesso Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. Fabric supports should be sized with PVA Size before applying Gamblin Ground. Also, Gamblin Ground can be applied on top of acrylic gesso for a brighter white, less-absorbent ground layer. Gamblin Ground is thicker than acrylic gesso, and requires different application techniques See More
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Old Holland Oil Color - Zinc White, 125 TubeSave Up to44%Off listWhite Considered one of the Finest Oil Paints In the World! Manufacturing pigments since 1664, Old Holland Classic Oil Colors are still considered today as one of the top oil paints in the world! Boasting artists like Van Gogh, Vermeer, and other Dutch Masters that used their pigments and paints, Old Holland uses only pure, cold-pressed linseed oil as a binder with the highest possible pigment loads, creating brilliantly concentrated paints that provide exceptional covering power, strength of color, and color intensity. All Old Holland Classic Oil Paints are completely lightfast except for the Madder Lakes and Cremnitz White, which are nearly lightfast. All Old Holland oils are manufactured using stone rollers only, as the colors of the paint will not change due to metal oxidations (which will alter Cadmium colors). All colors are completely free of cheap fillers and artificial dryers like other premium paints contain. Although Old Holland Oils initially may seem very expensive, the heavy concentration of pigment is actually an exceptional value, given the covering power of the paint and minimum amount needed for color mixing. One tube of their highest possible concentration of pigment equals the pigment contained in 2 to three tubes of other professional brands! Old Holland Classic Oil Colors come in 40ml and 225ml tubes. Cremnitz White, Flake White, Mixed White, Titanium White, and Zinc White can be purchased in 125ml and 225ml tubes, as well as 475ml cans. Key Features: * Oil Paints used by Van Gogh and Vermeer * 40ml, 125ml, 225ml tubes / 475ml Cans * 40 ml or 18ml tube sets of 10 * Highest Professional Quality * Highest possible pigment loads * Manufacturing Pigments Since 1664 * Completely lightfast * Cold Pressed Linseed Oil Binder * Exceptional covering power * Strength of color and color intensity * Paint will not change due to metal oxidations * Free of cheap fillers Perfect For: * Professional Oil Painters * Pigment Afficionados * Making paint go further * Upgrading to Professional Oils * Highest Quality Paints You Can use Old Holland Oil Sets of 10: Want to blow the oil painter in your life away and make their artist friends swoon with envy? Old Holland Classic Oil Colors Sets are the perfect gift for just that! "Lake" means transparent glazing colours. "Extra" means traditional colour made from lightfast pigment See More
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D'Artigny Series 3593 White Bristle D-Brush, Size #4Save Up to45%Off listWhite Innovative "D" shaped ferrule 2 in 1 brush for Acrylic and Oil! Raphael D'Artigny (D-BRUSH) brushes combines both a round and a flat brush and are known for their natural "fine white" interlocked hog bristles. Excitingly, Raphael has added a new brush shape to the D'Artigny line. The new brush, named for its "D" shaped ferrule, has multiple uses. The convex side of the brush is soft and flexible, with a soft curve, while the flat side is firmer for a more responsive stroke. You can use the flat side of the brush to apply color and lay down your initial sketch. Once those shapes and lines are ready, you can use the soft domed side of the brush to blend and soften colors. With double-crimped ferrules, these brushes are durable and ideal for oil and acrylic painting. Key Features: * D-Brush, 2 brushes in 1 * Combines both a round and a flat brush * D-Brush d’Artigny (Natural Hog Bristles) * 3593 series long handle * Flat side firm and responsive * Rounded side soft and flexible * Interlocked, extra-white hog bristles * Naturally flagged ends hold paint well * Good shape retention and stiffness Perfect For: * Oil and acrylic painters * Laying down blocks of color * Initial sketching and impasto techniques * Softening edges and blending colors * Smoothing brush marks * A springier stroke See More
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Mimik Synthetic Goat Brush, Mottler Size 4"Save Up to62%Off listWhite Animal-Friendly Mottlers Outperform Natural Goat Hair! Mimik Goat Mottler Brushes contain a groundbreaking synthetic fiber that mimics natural goat hair. The filaments are incredibly soft, thin, and absorbent, just like a goat's fur. The ultra-fine synthetic filaments adjust to any surface texture, ensuring consistent, even application with minimal brush marks. Use the mottler shape to apply large washes of color, blend paint, apply a glaze, or varnish your work. Although natural goat brushes are used primarily for watercolor, this synthetic version can even be used with oil and acrylic! Key Features: * Mimics natural goat hair * Extremely soft and thin synthetic filaments * Absorbent filaments soak up and hold watercolor well * More break and tear-resistant than natural goat hair * Animal-friendly and cruelty-free brushes * Short durable handles made of FSC-certified beech wood * Rust-proof nickel plated ferrules * Handmade in Germany * Exquisite craftsmanship ensures that hairs won’t come out while painting Perfect For: * Oil, acrylic, and watercolor * Silk painting with dye * Painting large washes of color * Blending and softening edges * Applying soft glazes of color * Wet-on-wet oil painting techniques * Varnishing a painting with minimal brush strokes See More
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Silver Mop Alpine White Goat Hair Fan Short Handle sz. 4Save Up to35%Off listWhite Ultra-soft Natural goat hair and synthetic filament mops! Silver Brush Goat Hair Brushes are made of incredibly soft goat hair that is perfect for softening and blending value transitions. Ultra-soft white goat hair bristles stay soft when wet and are perfect for blending and softening oils or acrylics. The black goat hair stiffens when wet allowing for rougher treatment or creating texture when blending color. The ultra-soft goat hair bristles are ideal for oil and acrylic paint but can also be used to create sky washes with watercolor. Conservators favor the goat hair and the mop shape for dusting archival items. Silver Brush Goat Hair Fans and Mops are perfect for artists that work with acrylics, watercolors, and oils. A treat for any multi-media artist! You can use the mop brush shape to develop backgrounds and sky washes with watercolors. Soft synthetic filaments within the Ultimate Varnish Mop Brush spread water-based color or varnish on any surface without leaving bubbles behind. Each varnish brush is made with soft synthetic hair perfect for varnishing furniture or a finished painting. Key Features: * Ultra-soft white or black goat hair * Bristles stay soft when wet * Very soft hair stiffness * Natural goat hair mop brushes * Unique synthetic varnish brush filament * Mop shape in oval or round * Spread color and varnish on any surface without leaving bubbles * Short handle Perfect For: * Oils, acrylics, or watercolor * Creating background color or sky washes * Blending or softening color * Conservators * Water-based varnish and paints * Varnish application * Even gradation of brush strokes * Multi-media artists Artist Goat Mop Set: Our set includes a full size 1" oval and size 10 and 14 round ultra-soft white goat hair mop brush. Each brush is impeccably fashioned within seamless nickel-plated brass ferrules attached to dark red polished wood handles. Ultimate Goat Mop Set: Our set of mops includes four round mops in sizes #12, #14, #16, and #20, plus two oval mops in sizes 1/2" and 3/4". White goat hair stays soft when wet while black goat hair stiffens and adds a delicate texture to your work. Each brush is impeccably fashioned within seamless nickel-plated brass ferrules attached to dark red or black polished wood handles. Short Handle Goat Hair Mop Set of 4: Our set of mops includes Size #10 White Round, 1" White Oval, #16 Black Round, and 3/4" Black Sky Wash. Ultra-soft goat hair bristles are perfect for blending and softening color with oils or acrylics. You can also use these brushes to create backgrounds and washes with watercolors. Ultimate Varnish Mop: Soft synthetic filament. Ideal for finishing furniture and varnishing paintings. Soft and lustrous, the varnish brush will spread color and varnish on any surface without leaving any bubbles behind. This brush is perfect for use with water-based varnish and paints. See More
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