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Winsor & Newton Artists' Oil - Titanium White, 37ml TubeSave Up to50%Off listWhite Generations of Experience to Make Oils Like Winsor & Newton Winsor & Newton Artists' Oil Paints are made from only the finest pigments. 80 single pigment colours for clean mixing. Rich, buttery consistency. Winsor & Newton carefully formulates each tone for stability, tinting strength and coverage. Use them thickly with palette knives or brushes, or thin them to a very fine glaze. When milling oil color, each pigment must be treated as an individual, with every surface on each particle fully enveloped by fine oil—which is why Winsor & Newton researches, formulates, and mills each color individually. It is that perfect dispersion that translates into the signature "feel" and the luminous reflection that make fine oils so irresistible. Even more importantly, the dispersion determines stability in the tube and is a key player in the ultimate stability of the color on the surface. 99% of colors have a lightfast rating of AA or A providing permanence without compromising the choice of hue. The result is something that comes only with generations of experience and expertise in working with artists' color. 80 single pigment colours for clean mixing. Rich, buttery consistency Key Features:* Each color is researched, formulated, and milled individually* Buttery, vibrant and consistent* 130 Colors / 80 are single pigment colors * Optimum tinting strength when reduced with White* Perfect For:* Techniques from impasto to glazing* Cleanest, brightest colors with the best color mixtures * The Permanence and longevity of paintings* The most responsive feel beneath the brush and great versatility Combined with strength of color, single pigments provide a wide color range in themselves and offer cleaner, brighter mixtures with an infinite range of hues. This is particularly important for greens, violets, and oranges. There are 80 single pigment colors in the Artists' Oil Color range. Winsor & Newton Artists' Oils Shades of Grey: Charcoal Grey, Davy's Grey, Payne's Grey, Silver, and Pewter Winsor & Newton Artists' Oil Introductory Set of 10, 21ml Tubes: Winsor Yellow, Crimson Alizarin, Ultramarine Green Shade, Winsor Blue Red Shade (Phthalo), Winsor Green (Phthalo), Yellow Ochre, Indian Red, Burnt Umber, Ivory Black, Titanium White Are Winsor and Newton oil paints good? Yes! Winsor and Newton oil paints are formulated with the finest pigments for beautiful colours with excellent tinting strength; They are a great choice for amazing painting results at using higher quality oil paints for better results. Made in London, Winsor & Newton (also abbreviated W&N) is an English manufacturing company. See More
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Winsor & Newton Artisan Water Mixable Oil Color - Zinc (Mixing) White, 37ml TubeSave Up to40%Off listWhite Who Says Oil and Water Don't Mix! Designed to look and work just like traditional oil paint Just because oil and water don't mix in your kitchen doesn't mean there aren't other methods to make them happy in each other's company. A most effective route is through the addition of a chemical emulsifier that has an attraction on one side of the molecule for water and, on the other, for oil. The result? A happy match made, if not in heaven, at least in the laboratory. Mix with Water - Artisan provides all the characteristics expected from conventional oil color: High pigment strength, a high proportion of single pigments, and variable opacity. The key difference is their ability to be mixed with water even though they are made with traditional oil binders. Chemical analysis has indicated that any added water fully leaves the paint film within a short time; no water remains "trapped" to weaken or loosen the color on the canvas. Drying Time- The water evaporates out of the paint film fairly rapidly leaving behind a conventional oil color that dries by oxidation, as normal. Adhesion and drying time have been shown to be comparable to conventional oil color. Research has also shown that the dried Artisan film is similar to a conventional oil film in solvent resistance, yet remains slightly softer than conventional colors, offering increased flexibility, which is a very good thing. Your canvas can flex with changes in temperature and humidity; a paint film that will go along with it will better resist cracking or lifting. Key Features: * 40 vibrant tones * Designed to look and work just like traditional oil paint * Thick, buttery consistency * All colors are touch dry in 2-12 days * Clean up is easy with just soap and water! * High pigment strength and variable opacity * Mix with water and avoid hazardous solvents * Made from modified linseed and safflower oils * Winsor & Newton Artisan Water Mixable Oil Colors - These magnificent paints are designed to look and work just like traditional oil paint, but they're a bit special. You can use them without hazardous solvents - they're happy being thinned down and cleaned up with water. They're especially good for artists who share a workspace or don't want solvents in school or at home. For Water Mixable Mediums Click here -> Winsor & Newton Artisan Water Mixable Oil Painting Mediums See More
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Winsor & Newton Winton 200ml Oil Color Titanium White (Set of 2)Save Up to34%Off listWhite Winton Oil Paints, The world's most popular oil color! One of the best values in oil color Winton Oil Paints represent one of the best values in oil color. For the price, these colors exhibit a good creamy consistency and provide permanent and remarkably light fast results. Recommended for mural artists and students. Synthetic pigments have been substituted for true pigments in traditionally more expensive colors, to keep the cost low. These colors are identified with the word Hue after the color name. All of the tones have been carefully made to bring out the best of each pigment, so you can create bold and vibrant artworks. Features:* Available in: 37ml tubes, 200ml tubes* Traditional range of oil color* Spectrum of 55 colours* Permanent and lightfast results* Recommended for mural artists and students* Synthetic pigments substituted for true pigments* Pigments are bright and offer gorgeous sheen* See More
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Rembrandt Extra-Fine Artists' Oil - Titanium White, 150ml TubeSave Up to40%Off listWhite The Professional's Choice - pure and intense colors Royal Talens makes Rembrandt Oil Paints with only the best raw materials. The professional artists' oils are lightfast, and all colors are rated for 100 + years in museum conditions. They grind the pigments extra fine on a three-roll mill. That's why Rembrandt oil paints have such a rich buttery feel. Royal Talens crafts each color with the same handling properties, dry time, and sheen, regardless of pigment. This formula allows you to work quickly with less mediums in most cases. Out of the 120 colors in the range, Rembrandt's transparent earth colors are the most famous. Many professional artists rank these colors as essential because of their breathtaking transparency and brilliance. Key Features: * 120 colors * 40ml & 150ml tubes * Linseed or safflower seed oil binder * Extra Fine pigment grind * High degree of lightfastness * Incredibly strong tinting strength * Harmonious handling properties * Highest pigment load * Made in Holland Perfect For: * Extra fine quality * Very pure and intense colors * Optimal color strength with very high pigment concentration * Complete range of 120 colors * Buttery feel * Noticeable brilliance and color intensity * The new well-balanced selection of 120 colors has traditional and contemporary tones. This range includes extremely lightfast permanent yellows, reds, ultramarine greens, and modern metal colors. Plus, a full complement of transparent glaze colors like Quinacridone Rose and opaque colors like Nickel Titanium Yellow add depth and interest. The four madder shades are perfect for artists seeking a range of permanent Alizarin Crimson shades. Deluxe Sets Available with Exclusive Extras! Click on the item number to view the contents of each bundle set. See More
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DANIEL SMITH Extra Fine GOUACHE Titanium White, 15ml TubeSave Up to40%Off listWhite Professional Grade GOUACHE - Made with Quality Pigments DANIEL SMITH Extra Fine™ GOUACHE is a professional grade water-based paint that dries to an opaque matte finish. DANIEL SMITH Gouache is made with the same high-quality pigments, and gum arabic as DANIEL SMITH Extra Fine™ Watercolors but is formulated with more pigment to be richly opaque. Whites and other fillers are not used to make the color more opaque. Whether your painting style is abstract, representational, or figurative, you’ll enjoy the versatility of GOUACHE. Apply it straight from the tube to get rich, full-bodied solids with a single brush stroke, or soften the color with water to create lighter tones. Mix and blend new shades to customize your palette. You can even scrape into it or build up light texture with mark-making tools. Key Features: * Professional grade traditional gouache paint * Heavily pigmented opaque paint with matt finish * 74 richly saturated colors * Full range of staining and lifting qualities * Rewets, dilutes, and cleans up easily with water * Exceptionally lightfast and pure * Available in 15ml tubes Perfect For: * Watercolor painters and illustrators * Use as an accent to watercolor paintings * Adding velvety shadows or bold pops of color * Abstract, representational, and figurative painting * Building light areas of texture by scraping back color * Painting on light or dark paper Painting Tip: Use the three primary colors (Hansa Yellow Medium, Pyrrol Red, Ultramarine Blue) to mix secondary greens, oranges, and purples. Use Titanium White to adjust the shades. See More
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Jo Sonja Matte Acrylic - Smoked Pearl, 75ml TubeSave Up to38%Off listWhite Flow formula acrylics offering the opacity of color and the beautiful, velvet matte finish Chroma's Jo Sonja's highly pigmented matte acrylics dry to a beautiful velvet matte finish and provide superb brush handling characteristics. Unlike gouache, the acrylic color is water-resistant and will not chip or crack when cured. Jo Sonja Matte Acrylic colors will remain vibrant for generations because they contain ASTM lightfast pigments. Formulated for application on any surface or use in combination with Jo Sonja's Mediums and Background Colours. The exciting range of Jo Sonja mediums allows the paints to be used on virtually any surface from paper and cards to canvas, wood, glass, ceramics, fabrics, and more! All products in the range are compatible and cleans up with mild soap and cold water. Jo Sonja Artists’ Acrylic Colors are flow formula acrylics offering the opacity of color and the beautiful, velvet matte finish associated with traditional gouache plus superb handling and brushing characteristics. Unlike gouache, they are water-resistant and will not chip or crack when cured. Suitable for most surfaces, including paper, paper-mache, cards, canvas, wood, fabric, tin, terracotta, glass, and tile. Key Features: * Vibrant lightfast colors * Dries velvety matte * Water-resistant once dry * Will not chip or crack once cured * ASTM lightfast pigments * Superb brush handling characteristics * Clean up with mild soap and cold water * Metallic, pearlescent, and iridescent colors Perfect For: * Use on paper, cards, canvas, wood, glass * Paper mache, fabric, tin, terracotta, and tile * Mixed media applications * Artists of any skill level * Good matte finish * Good adhesion * Great for creating precise detail * Use with Jo Sonja mediums * Limitless techniques See More
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Grumbacher Pre-Tested MG Underpainting White, 150 ml TubeSave Up to42%Off listWhite Designed to achieve various techniques! Grumbacher painting mediums guarantee that paint attributes are not compromised but enhanced. These mediums thicken or thin without harming the color's adhesive, binding, or film-forming qualities. Myriad effects such as increased flow and open time or rapid drying of color are all possible. Grumbacher has selected oils, resins, and solvents to guard against yellowing and cracking, and the ingredients have proven themselves over many generations of use. Key Features: * Accelerate or slow drying time * Increases gloss & translucency * Outstanding working properties * Made in the USA * Perfect For: * Traditional or alkyd oil paints * Enhancing paint characteristics * Dry transparent or translucent * Maintaining consistency * Preserving gloss Alkyd Painting Medium: Speeds drying time and gives a nice painterly consistency to alkyd and oil colors. Alkyd Medium enhances transparency and clarity of the paint. The color appears rich and intense. Cobalt Drier: The recommended drier for fine arts oil paintings. Add to oil painting medium in drops as opposed to adding directly to oil paint. Cobalt Drier is a powerful additive for oil paints and should be used sparingly. Test medium before applying it to an oil painting. Overuse may cause cracking of paint film when drying. Copal Painting Medium: has a resinous consistency perfect for glazing and wet-on-wet techniques. Copal painting medium is an oil paint additive that speeds drying time. This medium increases paint flow and imparts a high gloss and hardness when dried. Copal painting medium may cause yellowing or darkening of colors over long periods. Only dilute with turpentine or Grumtine as petroleum-based solvents, and odorless thinners are not compatible with this product. Damar Varnish: A final varnish for oil painting that imparts a high gloss finish. Processed with pure gum damar, Damar Varnish protects oil paintings from dirt and scuffing. Japan Drier: A solid alkyd resin-based liquid drier for artists' oil colors. Japan Drier is used primarily for oil gilding. It is an alkali based drier that may cause yellowing or darkening of colors over time. Odorless Thinner: is a clear, organic solvent for thinning oil colors, cleaning brushes, and painting accessories. Oil Painting Medium No. 1: Use when a matte finish is desired, especially on absorbent gesso grounds. Made from poppy seed oil, copaiba, balsam, and solvent. Oil Painting Medium No. 2: For use with oils to retard drying time. It contains poppy seed oil, mastic resin, alkyd resin, and grumtine. Oil Painting Medium No. 3: Accelerates drying time. It contains copaiba, balsam, stand oil, mastic resin, alkyd resin, cobalt, and manganese driers. Pale Drying Oil: Accelerates drying time of oil colors. Consists of linseed oil and manganese drier. Poppy Seed Oil: An excellent quality, slow drying, purified oil that retards drying time. It provides superior color retention and resistance to yellowing. PreTested Linseed Oil: Linseed oil has several uses in oil painting. It can be used as a paint binder ingredient when mixing colors from powdered pigments, in oil painting medium recipes, and added directly to oil paints to make colors glossy and fluid. This oil is made from the finest quality purified alkali-refined linseed oil. Retouch Varnish: For brightening uneven areas of oil paintings. An excellent varnish for protecting pictures until the final varnishing. Stand Oil: A flexible, very heavy-bodied purified oil for use in preparing mediums—excellent resistance to yellowing. Sun-Thickened Linseed Oil: Sun-thickened linseed oil is heavier in body and can be appplied directly to paint or used in glaze mediums, clear varnishes and emulsions. It is an extremely flexible medium derived from purified oil and can be pre-diluted with turpentine, Grumtine or Pre-tested odorless thinner. The linseed oil lends an enamel-like quality to oil color. See More
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Bob Ross Liquid White Oil Medium 8oz (237ml) JarSave Up to25%Off listWhite Wet-on-wet oil painting mediums & basecoats The goal of Bob Ross, one of America's most beloved artists, was to open the world of art to people who otherwise would never be able to enjoy the excitement of painting. His products have been developed to successfully achieve results with his wet-on-wet technique, which is a basic process of painting over layers of wet paint to achieve relatively fast and effective results. Bob Ross Oil Painting Mediums are designed especially for use in the wet-on-wet techniques demonstrated in Bob Ross's books and video programs. Key Features: * Non-toxic acrylic base coats * Liquid oil mediums for Bob's wet-on-wet technique * Unlimited creative possibilities Perfect For: * The Bob Ross Wet-on-Wet Technique * Excellent dry base coat * Oil painting Acrylic Base Coat- Smooth brushing and even-leveling, they create an ideal base for wildlife painting. Glazing Medium- This medium produces the details characteristic of animal fur. Dries quickly, resists yellowing and provides a long lasting quality paint film. Liquid Mediums- Available in white, black or clear. Bob's unique secret formula of base coats aid in the painting's foundation and keep the canvas wet, the most fundamental step in Bob's wet-on-wet technique. Smooth and slow drying, they allow blending and mixing right on the canvas! Non-Toxic. Liquid Opal Medium - For soft oil colors. This pearlescent medium adds a deep richness to floral paintings and yields an affect that is reminiscent of opal gems. See More
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Gamblin Fast Matte Alkyd Oil Colors - Titanium White, 37ml TubeSave Up to40%Off listWhite Revolutionary matte alkyd oils perfect for under painting and more! Gamblin has developed FastMatte Alkyd Oil Colors specifically with the needs of the artist in mind. The alkyd resin binder lets Gamblin FastMatte colors dry quickly but thoroughly, allowing multiple layers to be built up without disturbing previous ones. It is the matte surface, however, that makes Gamblin FastMatte colors so revolutionary: when used as an underpainting layer, the matte surface of the alkyd colors provides a mild tooth similar to that of ground, ensuring the proper adhesion of further oil layers when following the fat over lean rule. FastMatte Alkyd Oil Colors do make a fabulous underpainting medium, but are also completely compatible with all artists' grade oil colors—should a more glossy surface be desired on a finished painting, a quick coat of Gamblin Gamvar Picture Varnish will both intensify the colors and unify sheen. Perfect for plein air painters who like to sketch in the field, for studio artists looking for an excellent under painting medium, or for anyone wanting an artists' grade alkyd paint with excellent working properties and a unique matte finish, Gamblin FastMatte Alkyd Oil Colors are the innovative new line ideal for any artist's needs! Key Features: * Quick-drying alkyd resin binder * Superior mixing capabilities * Allows for glazing and multi-tonal techniques * For pigment information click on the yellow circle technote icon * Perfect For: * Building layers without disturbing previous ones * Underpainting or Ground * Creating different effects * Plein air painters * Working in the field * Studio artists looking for matte oil * Discerning students & amateurs See More
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Jacquard Lumiere Fabric Color - Pearlescent White, 8oz JarSave Up to37%Off listWhite Dazzling metallic colors for fabric, paper, leather, wood, and more! These gorgeous metallic paints spread smoothly and stay flexible on fabric and leather! The line contains traditional metallic colors as well as pearlescent and hi-lite colors. The hi-lite colors are practically transparent on light colors and show up beautifully on darker tones and these stunning light-bodied paints brush on smoothly and are formulated to last. The newest addition to the Lumiere line is our Wine Country Palette. It consists of seven autumn colors in rich, sophisticated tones. Whether you want a little sparkle or a lot of dazzle, there is a Lumiere color for you! They won’t crack, peel or chip, even on flexible surfaces like fabric, leather, vinyl or rubber. Soft to the touch and washfast on fabric, Lumiere paints also exhibit unparalleled adhesive properties, even on non-porous surfaces like ceramic and metal. Lumiere colors are lightfast and weather-resistant, and their high pigmentation provides excellent coverage, even on dark grounds. Key Features: * Stunning light-bodied paints * Metallic and pearlescent acrylic * Soft to the touch and washfast * Lightfast and weather-resistant * Brushes on smoothly * High pigmentation provides excellent coverage * Won’t crack, peel, or chip on flexible surfaces Perfect For: * Fabric, leather, vinyl, and rubber * Ceramic and metal * Fine arts, crafts, or textile applications * Paper, photos, wood, plastic, and styrofoam See More
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Great White Artist Oil Paint, 3 PACK - 150ml (5oz) TubesSave Up to59%Off listWhite Heavy Body, Opaque, Non-Yellowing, Archival White Great White Artist Oil Paint is a professional white oil paint made from the purest pigments and the clearest safflower oil. Its buttery smooth consistency dries to a strong elastic film that will not crack or flake. Apply in a thick impasto style or thin with solvent to create soft glazes or delicate highlights. Cover large areas quickly and thoroughly with the brightest opaque white oil paint on the market. Great White Artist Oil Paint is uniquely blanched to stay neutral and not alter color warmth. As a result, the white oil paint mixes well with other colors to yield clean, brilliant tints that resist yellowing. Great White Artist Oil Color has been developed with a historic knowledge of the ingredients and a state-of-the-art blending process. The paint is thoroughly mixed in a European 3-roll computer automated milling machine, a first in color-making. This process allows the oil to coat the pigments in the paint entirely and ensures perfect blending. 100% guaranteed to be the best white you have ever used or your money back! Key Features: * Professional quality, lead-free white * Made with the highest concentration of pigments * Heavy body, opaque, and archival * Clear safflower oil resists yellowing * Will not crack or flake * Highest lightfastness rating * Made in the USA Perfect For: * Color mixing and creating tints * Covering large areas quickly * Creating soft glazes or delicate highlights * Textured brush or palette knife application * Schmaltz™ and StudioSolv™ mediums * All oil painters See More
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Daniel Smith Extra Fine Watercolor - Titanium White, 15 ml TubeSave Up to40%Off listWhite Experience the quality of Daniel Smith Watercolor Paints! We are proud to carry the exceptional line of Daniel Smith Extra Fine Watercolors. These paints are a go-to for many professional watercolorists. With Daniel Smith Watercolors, pigments are key. Featuring 265 stunning colors—the widest color range of professional watercolors—this line offers unrivaled quality and versatility. This color range offers 14 Quinacridone colors, 35 PrimaTek pigments made from (naturally occurring) minerals, and an astonishing selection of 206 single pigment colors! Of these 265 colors, 249 have a lightfast rating of LR I or LR II. Experience the quality of color with Daniel Smith—manufactured in the United States in Seattle! DANIEL SMITH has undergone a recent packaging change. Tube packaging may vary. Key Features:* Wide range of 265 colors* 14 Quinacridone colors* 35 PrimaTek pigments made from minerals* 206 single pigment colors* 249 colors with a lightfast rating of LR I or LR II* Available in 5 ml and 15 ml tubes* Unsurpassed purity and permanence Perfect For:* Professional watercolorists* Artists seeking a quality watercolor with a wide array of colors and effects* Best in lightfastness and permanence* Watercolorists of any level looking for an exceptional paint* DANIEL SMITH Finest Watercolors A classic watercolor of unsurpassed purity and permanence. ”The vision in the formulation of a new line of watercolors was twofold First and foremost, to produce watercolors that are the best in lightfastness and permanence. *Second, to offer a selection of truly unique colors. Formulated to meet and exceed the highest industry standards for the manufacture of artist’s paints”, and every batch made is tested and analyzed for its performance qualities: * Lightfastness* Color value* Tinting strength* Clarity* Vibrancy* Undertone* Particle size* Density* Viscosity Cadmium Hues, Daniel Smith has developed safe and vibrant Cadmium Hues with the density and richness of cadmium colors without the cadmium pigment. Virtually identical in color to their namesakes, they are cleaner in mixtures and much stronger in tints. The working properties – staining power, semi-transparency, and excellent lightfastness – are nearly identical to those of the low-soluble cadmium colors Daniel Smith previously manufactured See More
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Gamblin Oil Painting Ground 32oz CanSave Up to40%Off listWhite Makes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium carbonate gives tooth for strong adhesion. Gamblin Ground makes a brighter and less-absorbent ground layer compared to acrylic “gesso” – meaning that oil paint layers on top will better retain their color saturation. In addition, the lower absorbency allows for “reductive” underpainting techniques when painters need to wipe back to the white of the Ground. Key Features:* See video - Ground Application* Makes a strong, bright, non-absorbent foundation for oil paintings* Formulated from alkyd resin, titanium dioxide, and calcium carbonate* Brighter and less-absorbent ground layer * Oil paint layers on top will better retain their color saturation* Lower absorbency * Thicker than acrylic gesso* Can be applied on top of acrylic gesso Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. Fabric supports should be sized with PVA Size before applying Gamblin Ground. Also, Gamblin Ground can be applied on top of acrylic gesso for a brighter white, less-absorbent ground layer. Gamblin Ground is thicker than acrylic gesso, and requires different application techniques See More
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Great White Oil Color (5oz) + Studiosolv™ Oil Thinning Medium (16.9oz) Mixing & Thinning SetSave Up to69%Off listWhite Purified Odor-Free Artist Solvent For Thinning Oils Tusc & Pine StudioSolv™ is a purified, odor-free oil-thinning medium. It's designed to thin oils and mediums while maintaining the integrity of your color. Experiment with different ratios of StudioSolv™ and linseed oil to create a custom lean medium. Although aromatic solvents have been extracted to remove odor, adequate ventilation should be practiced for safety. The Purist Odorless Thinner You Can Buy! No solvent odors, only the wonderful smell of oil paint! Key Features: * Professional grade oil thinner * Made to the highest standards * Purified and odor free * Aromatic solvents removed (No solvent odors, only the wonderful smell of oil colors) * Higher safer flashpoint rating (flashpoint of 144°F) * Made in the USA * Conforms to ASTM D 4236 * Available in 3.2 oz, 8.4 oz, 16.9 oz, and 33.8 oz bottles Perfect For: * Thinning stiff, heavy-bodied oils * Modifying painting mediums * Minimizing brush strokes * Oil painters of all skill levels * Creating lean mediums * Removing varnish from canvas * Studio and classroom use * Airplane travel Safe For Travel By Air! StudioSolv™ has a flashpoint of 144°F which classifies it as a combustible liquid by DOT regulations, however, it is considered safer than solvents with lower flashpoints and faster evaporation rates. StudioSolv™ also conforms to FAA and TSA guidelines and can be safely transported by airplane, making it a convenient option for artists who travel. The 3.4 oz bottle is the perfect carry-on size, while larger sizes can be packed in your checked bag. Printable Travel Guidelines StudioSolv™ SDS While StudioSolv™ is currently allowed by FAA guidelines, we recommend always checking current regulations before traveling. To ensure a smooth and hassle-free experience, please bring a printed copy of the SDS and travel guidelines to show at baggage check. If the flight is international, please check the policy of your destination country. Solvents should be stored in an airtight container out of reach of children. Replacing the lid during painting sessions can help reduce VOC levels in the air. Always work in a well-ventilated area. Wash your hands after painting and before eating. StudioSolv™ is not recommended for use with gum resin mediums like dammar, copal, and mastic. Gum resins pair well with traditional turpentine. Deluxe Bundle Sets Available with Exclusive Extras! Click on the item number to view the contents of each bundle set. SoHo Artist Disposable Studio Wipes: SoHo Urban Artist Wipes are the ultimate cleaner for varnish, acrylic, and oil brushes. The wipes are also an effective and gentle cleanser for hands, brushes, tools, and more. Silicoil Brush Cleaning Tank: The clear glass brush cleaning tank can hold up to 12 oz of water, solvent, or brush cleaning fluid. The spring-like coil provides flexibility to aid in the cleaning of your brushes. Air-Tight Deluxe Brush Washer: Perfect for travel and studio use, the stainless steel brush washer can hold over a pint of liquid! The lid has a built-in gasket that forms an air-tight, leak-proof seal, preventing harsh fumes from escaping. Da Vinci Air Tight Brush Washer: The brush washer is designed to hold over a pint of solvent. A specially outfitted gasket on the lid maintains an air-tight seal no matter what. Latches ensure the lid stays shut while traveling. Petite Air Tight Brush Washer: The Petite Air Tight Brush Washer measures a maximum diameter size of just 3" and a height of just 3-5/8". It holds about 10 oz of fluid. The washer has two locking clamps for an air-tight seal and a removable strainer. See More
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Winsor & Newton Oil Painting Primer, 1 Liter CanSave Up to43%Off listWhite Ready-to-use primer in a non-yellowing oil-modified alkyd resin medium Winsor & Newton Oil Painting Primer is a ready-to-use primer in a non-yellowing oil-modified alkyd resin medium. No thinning or stirring is required. Oil Painting Primer can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper) with virtually no sinking in. A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming. The treated ground then accepts oil colours easily and without chalkiness or absorbency.Key Features:* Size: 500ml & 1000ml cans* Ready-to-use primer * Non-yellowing oil-modified alkyd resin medium* Can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper)* Used to prepare a surface before painting* A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming Oil painting primer imparts a traditional oil base. Some artists prefer this and may find a slight increase in gloss and smoothness. Oil primed canvases may slacken off less than acrylic primed canvases. A coat of warm glue size is required first. As a result of their formulation, Winsor & Newton acrylic primers are also suitable for oil painting. They are popular because they dry quickly and do not require any sizing underneath. See More
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Holbein Extra-Fine Artists' Oil Color 110 ml Tube - Titanium WhiteSave Up to35%Off listWhite Highest standard of quality control! Holbein Extra Fine Artists' Oil Color utilizes the purest of available pigments and is manufactured to the highest standard of quality control in the industry. All Holbein Extra Fine Artists' Oil Colors are ground to a uniform viscosity in cold pressed linseed oil. Holbein Extra Fine Artists' Oil Color utilizes the purest of available pigments and is manufactured to the highest standard of quality control in the industry. Holbein Artists' Oil Colors ranks as one of the world's finest. Key Features:* Seven uniquely diversified whites* Paint retains its flexibility* Smooth buttery feel* Imported from Japan Perfect For:* Oil painters * Reliable color mixing* Bringing out your highlights* Clean and lifelike colors Please note: Each color swatch below shows the individual white mixed with 50% Crimson Lake. Some Holbein White oil paints contain toxic materials. Please click on the paper icon and the ! icon for more information. See More
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Sennelier Rive Gauche Oil 200ml, Zinc WhiteSave Up to30%Off listWhite Artist Quality Fine Oil Colors Bound with Safflower Oil Made in France, from the famed Parisian riverside that once inspired artists such as Matisse and Picasso. Sennelier’s line of fine oil paint offers the City of Paris in both 40ml and 200ml tubes! Made from a rich, balanced blend of cadmium substitutes, Rive Gauche Fine Oils are highly pigmented, producing colors with an opaqueness and luminosity equivalent to that of real cadmium. Bound with safflower oil, Rive Gauche fine oils have a lower level of yellowing, and are designed to dry twice as fast as classic oils without losing workability. With its thick, creamy consistency, oil colors mix clearly, and each paint stroke is smooth and uniform; drying to an intense satin finish. Featuring 60 colors in 40ml tubes and 56 colors in 200ml tubes, Sennelier’s Rive Gauche Fine Oil Paint brings the City of Lights to artists all over the world with its wide range of bright, brilliant colors. Excellent for students and professionals alike. Key Features:* Oils dry twice as fast * Bound with Safflower Oil (vegan based)* Lower level of yellowing* Thick, uniform texture with a satin finish* Made of cadmium substitutes* Produce highly-pigmented, luminous colors* Colors mix clearly* Single series with 60 colors in 40ml tubes and 56 colors in 200ml tubes* Perfect For:* Working twice as fast as classic oils without losing workability* Artists who do not want to be restricted by their paint’s drying-time* Great for underpainting or large scale projects* Student to professional works* Artists who desire affordable, high quality oil paint * Made In France Dries twice as fast!Whilst retaining the key characteristics of oil painting, Rive Gauche fine oils dry twice as fast as classic oils. The outcome of this is a shortened drying time that does not restrict an artists possibilities of working with fresh paint. Oils that yellow two times less! Safflower oil is used to make the 60 colours. It is characterized by its low level of yellowing (50% less than linseed oil) and its excellent compatibility with pigments. See More
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Holbein Extra-Fine Artists' Oil Color 40 ml Tube - Ivory WhiteSave Up to35%Off listWhite World-Class color and consistent viscosity Holbein Extra-Fine Artists' Oil Colors are world-renowned for their exquisite colors. The highly pigmented colors are designed around the Munsell Color Standard for hue, value, and chroma. With 145 open stock colors to choose from, you are sure to find what you need. Holbein monitors the entire manufacturing process to ensure pigment purity, color tone, physical stability, and lightfastness. Pigments are ground up to 10 times to achieve uniform viscosity across the entire range of colors. You can count on Holbein Extra-Fine Artists' Oil Colors because they are manufactured with precision. Key Features: * 145 Open stock colors (complete range of 167) * 40ml and 20ml tubes * 11 transparent glazing colors * Paint retains its flexibility * Smooth buttery feel * High pigment load and consistency * Imported from Japan Perfect For: * Oil painters * Reliable color mixing * Clean and lifelike colors * Brilliant color spectrum * Bringing out your highlights * Adding fine glazes * Alla Prima painting See More
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Norma Blue Water-Mixable Oil Color - Titanium White, 35ml TubeSave Up to36%Off listWhite Water-Mixable, Environmentally Conscious, Vegan Oil Paint NORMA Blue Water-Mixable Oils by Schmincke are ideal for painting without solvents in the studio or classroom. The high-quality line comprises 48 brilliant colors guaranteed to ignite your passion for oil painting. The oils can be used pure, diluted with water, or combined with the NORMA Blue mediums. You can easily clean any used brushes or tools with soap and water. Enhance your artwork further with Schmincke's collection of five NORMA Blue mediums, designed to simplify your painting experience. Some of the mediums have an accelerating or retarding effect on the drying time, while others can be used to increase gloss. A special linseed oil completes the range of the NORMA Blue mediums. Key Features: * Low-odor water-mixable oils * Buttery consistency * Highly pigmented and lightfast * Low yellowing * Vegan and eco-friendly * Formulated from high-quality vegetable oils * No cobalt, cadmium, or zinc oxide pigments used * Allergy-friendly: no preservatives * Cleans up with water Perfect For: * Alla prima and traditional oil techniques * Environmentally conscious artists * Painting without any harsh chemicals * Sampling brilliant color ranges * Indoor painting and classroom use * Plein air painters Painting Medium Blue: 1:1 Lean painting medium, watery, oil-free, and low odor. This medium supports the traditional oil paint consistency and makes the oil paint smoother. Please note you should not use this medium with traditional oil paints. Medium 2 Blue: Fat painting medium for water-mixable oil colors. Water thinnable, retards drying, and allows for longer wet-on-wet painting time. The high oil content increases gloss and forms a soft elastic film. Medium 2 can also be used with traditional oil paints. Dosage: Do not exceed a mixture of 1:1 if possible. Contains: modified safflower oil, poppy oil, and siccative. Medium 3 Blue: Is a painting medium with oil content for water-mixable oil colors. You can dilute it with water. The medium accelerates drying, increases gloss, and makes paint layers more resistant. Medium 3 can also be used with traditional oil paints. Contains: modified linseed oil and siccative. Linseed Oil Blue: Modified linseed oil, water-dilutable, and used as an additional binder for water-mixable oil colors. It can also be used for traditional oil paints. Contains: modified linseed oil. Transparent/Gloss Medium Blue: Is a very fat painting medium for water-mixable oil colors. You can dilute it with water. The medium increases transparency enhances gloss, and softens brush marks. Use it only on the upper layers of paint. Transparent/Gloss Medium can also be used with traditional oil paints. Shake before use. Contains: modified linseed oil, safflower oil, and siccative. See More
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Holbein Duo Aqua Water-Soluble Oil Color 110 ml Tube - Ceramic WhiteSave Up to35%Off listWhite Fine Artist Quality Water-Soluble Oil Colors - Richly Pigmented For Brilliant Color! Duo Aqua Oil Color is an artist-grade water-soluble oil color that offers the same lightfast and archival pigments found in traditional oil paints. The Holbein laboratory adds a surfactant that coats the molecule of the DUO linseed oil, which permits water thinning and soap & water clean-up. Holbein DUO offers a whole line of mediums to enhance the Duo Aqua line of water-soluble oil paints. DUO Aqua Oil Color is compatible with all media, such as traditional oil color and mediums, watercolor, gouache, acrylic gouache, and traditional acrylic paints. DUO Aqua Oil Color is an exceptional teaching tool and excellent printmaking ink. Key Features:* Lightfast and archival pigments * Water-thinning * Cleans up with soap and water* Dries in as little as 24 hours Perfect For:* Professional artists and Teachers* Exceptional teaching tool* Compatible with all media* Excellent Printmaking ink Several Different Sets To Choose From! Click on the item number to view the set specs Duo Aqua Oil Color is compatible with traditional oil colors and mediums, water-soluble oils, and encaustics. See More
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Cobra Water-Mixable Oil Color, Titanium White 150ml TubeSave Up to40%Off listWhite Infinite freedom — paint anywhere! Solvent Free Cobra Artists' Water-Mixable Oils by Royal Talens are an exceptional line of water-mixable oil colors perfect for any painter! Cobra Artists' Water-Mixable Oils are based on a modified, water-mixable oil binder, meaning that no harsh solvents, turpentine, or mineral spirits are necessary in the painting — or the clean-up — process. This makes for a much healthier painting environment, with no toxic and odorous fumes to inhale, and hence makes Cobra the ideal oil paint for use in classes, studios, outdoors, or even in your living room! Cobra Artists' Water-Mixable Oils are an artist grade paint, with a full line of 70 vibrant shades using only the highest quality pigments milled to an exceptional degree of fineness in a triple-roll mill. Key Features:* 70 vivid colors available* 40ml, 150ml Tubes* Sets of 5 & 10* No harsh solvents* 35 colors are single-pigment shades* Highest degree of light fastness* Minimal color shift or leveling* Cleans up easily Perfect For:* Healthier painting environment* Clean and brilliant color mixes* No toxic and odorous fumes* Artist grade paint* Use in classes, studios, outdoors* Cobra Artists' Water-Mixable Oils are an artist grade paint, with a full line of 70 vibrant shades using only the highest quality pigments milled to an exceptional degree of fineness in a triple-roll mill. Half of the line is comprised of single pigments, making for clean and brilliant color mixes, and all Cobra paints have the highest degree of light fastness, ensuring your art will remain radiant for years to come! With minimal color shift or leveling as they dry, all your paint strokes will remain as bright and textured as when you first lay them down. Cobra colors can be used exactly like traditional oil paints: from glazing and alla prima techniques to layering and impasto, and a range of mediums and varnishes expand the possibilities! So don't worry anymore about using harsh turpentine or white spirits — try Cobra Water-Mixable Oils and see what just a little water can do to your oil paintings! Modified oil color mixes directly with water! 70 vivid colors available in 40ml tubes, popular colors in 150ml 35 colors are single-pigment shades for clean mixes Behaves just like traditional oil paint Eliminates the need for solvents, turpentine or mineral spirits Cleans up easily with just soap and water Perfect for painting indoors or out, in the studio or at home! Water-mixable oil color sets perfect for travel! Starter Set of 5 - This set includes five 40ml tubes of Cobra Water-Mixable Oil Colors in Permanent Yellow Light, Pyrrole Red Deep, Cobalt Blue Ultramarine, Permanent Green Deep, and Titanium White. Excellent for practicing color mixing! Mixing Set of 5 Primary Colors - This fantastic new set is the perfect selection to practice color mixing! Includes a 20 ml tube of Titanium White, Primary Yellow, Primary Magenta, Primary Cyan, and Ivory Black, as well as a color mixing guide. Value Set of 10 - This expands upon the Starter Set, with ten 40ml tubes of Cobra color, including Permanent Yellow Light, Permanent Orange, Pyrrole Red, Permanent Red Violet, Ultramarine, Permanent Green Deep, Burnt Sienna, Yellow Ochre, Ivory Black, and Titanium White. A great introduction to these fantastic water-mixable oil paints! Gift Set of 10 with Accessories - The perfect gift for both beginners and experienced artists, this fantastic set comes with the same colors as the Value Set but adds a 75ml Bottle of Cobra Water-Mixable Oil Painting Medium, two bristle brushes (Flat size 4 and 10) and a metal double palette cup. It also makes an excellent traveling kit See More
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Daniel Smith Watercolor Ground - Titanium White, 16ozSave Up to40%Off listWhite Paint with watercolors on any surface! You can use watercolors on any surface with Daniel Smith's Watercolor Ground! After applying the Ground you can paint with watercolors on wood, plaster, metal, plastic, glass, and fabric! Simply brush the Watercolor Ground on and within 24 hours the surface will be transformed into an exciting absorbent ground for watercolor! If you make a mistake, rescue your painting with Titanium White Watercolor Ground the “white out” for artists that allows you to cover up and start over with a fresh white surface. You can use one of the colored Grounds to create surface texture or use the Transparent Watercolor Ground which allows the surface of your substrate, for example, wood grain or decorative paper, to show through when you paint over with watercolors. DANIEL SMITH Watercolor Ground creates a soft, absorbent watercolor surface with a slightly cottony texture that’s similar to cold press paper. With this breakthrough archival-quality ground, artists can create new work on any surface, rescue flawed paintings, lift and scrub without damaging the painting surface, and frame without glass. There’s really no end to what can be done! Key Features:* Absorbent watercolor ground* Works on multiple surfaces* Archival and acid-free.* Holds up to vigorous scrubbing Perfect For:* Watercolor Artists* Mixed media applications* Framing without Glass The beauty of watercolor is transparency and transparency is what gives watercolor paintings their distinctive clarity, luminosity, and realism. Now, with DANIEL SMITH Watercolor Ground, artists can get this unique visual quality on any surface they choose: * Wood & Plaster* Canvas & Masonite* All types of paper* Fabric* Glass & Plexiglass* Metal* Plastic* Stone & Masonry Preparation Absorbent or semi-absorbent surfaces require no special prep before brushing on DANIEL SMITH Watercolor Ground. These include paper, canvas and other fabrics, wood, plaster, shells, and hardboard. Non-absorbent surfaces such as metal, plastic or glass should be lightly abraded with sandpaper or steel wool before brushing on the Watercolor Ground. Application We recommend using Watercolor Ground straight from the container. It has a thick, brushable consistency. Use a soft-haired synthetic brush, foam brush or foam roller for a smoother finish, or a hog bristle brush for a more textured finish. The ground is highly pigmented so one coat will cover most surfaces; very absorbent surfaces such as unfinished softwood may require two coats, allowing the first coat to cure before adding the second. Wash brushes immediately after use. TIP – when using the Watercolor Ground to Rescue a Painting, thin some Watercolor Ground in a small dish with up to 10% of water and use a soft brush like a hake brush to blend the edges. Curing Let Watercolor Ground dry and cure for at least 24 hours. This allows it to attain the right degree of absorption. Painting DANIEL SMITH Watercolor Ground works beautifully with watercolors and thinned acrylics. Because it creates a surface more absorbent than paper, you will want to use less water with your paint. Experiment and see what works best for you. It also works beautifully with DANIEL SMITH Masking Fluid. Finishing As with all watercolors, your work on DANIEL SMITH Watercolor Ground will need to be fixed if it will not be framed behind glass. We suggest spraying with a high quality, Archival Aerosol MSA Varnish with UVLS to protect your painting. DANIEL SMITH Watercolor Grounds give artists more freedom to paint with their watercolors; on any surface, rescue a watercolor painting and add more creative opportunities for painting with watercolors! See More
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Pebeo 4Artist Marker White Broad Bullet Nib 4 mmSave Up to25%Off listWhite Discover Your Own Ways of Painting with Oil-based Marker pens! Pébéo 4Artist oil-based paint markers offer highly pigmented, glossy, opaque mixable colors in a pen for precision drawing with oil colors. The range is available in 18 colors with excellent lightfastness and a gloss finish. The soft nibs allow for more fluid application compared with other paint markers. The colors adapt for work on canvas, paper, cardboard, wood, metal, plastic, glass, ceramic, porcelain, and plaster. Please note: You must prime the 4Artist oil-based paint marker before use. With the top on, shake the marker firmly to get the ball inside moving. Then, on a sheet of paper, press on the tip several times to soak it with paint. Key Features: * Multi technical oil based * Faster drying with glossy finish (5 to 15 minutes depending on the porosity of the surface and the thickness deposited) * Extremely versatile * Exceptional metallic colors * Excellent UV resistance * 2, 4, 8, and 15 mm nibs available * Vivid, opaque oil-based markers * Quick drying Perfect For: * Covering large areas * Can be used to sign oil paintings and giclees before varnishing * Graphic design and calligraphy * Mixed media applications * integrates perfectly with mixed media * Works well on canvas, paper, cardboard, wood, metal, plastic, glass, ceramic, porcelain and plaster Pebeo 4Artist Oil Based Paint Marker with 8mm chisel tip is a broad, vivid marker that is great for fine and graphic art, crafts and mixed media. Works on a variety of surfaces like canvas, paper, metal, glass, wood, plastic and cardboard. Colors are permanent and light-fast when dry. Pebeo 4Artist Oil Based Paint Markers 2mm are vivid, opaque oil-based markers that dry quickly and feature brightly colored caps so you can spot the one your are looking for quickly. 2 mm round tip works well for fine details and 4 mm round tip is best for design, finishing touches and writing. Colors can also be layered. Works well on canvas, paper, cardboard, wood, metal, plastic, glass, ceramic, porcelain and plaster. Pebeo 4Artist Oil Based Paint Marker 15mm BROAD NIB is available in 5 highly pigmented, glossy finish colors which offer excellent lightfastness across the entire color range. Ideal for applying on smooth, non-porous surfaces, the colors are quick-drying and can also be diluted, even after several weeks, to obtain shades, glazes, gradients and fading effects. Its unique formula brings traditional oil painting techniques to a whole new level. It is now possible to paint with oils while enjoying the properties of a paint marker (accuracy of line, colour overlays …). See More
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FW Acrylic Ink 180ml WhiteSave Up to39%Off listWhite Acrylic based pigmented water resistant ink! Fully intermixable Daler-Rowney FW Acrylic Artists Inks are water-resistant, pigmented inks. Unlike dye-based inks, pigmented inks are resistant to fading. There are 38 vibrant colors in the line, and each color has a three or four-star permanence rating. Such a high degree of lightfastness makes the inks ideal for creating permanent works of art. You can dilute FW Acrylic Inks to achieve subtle tones very similar to watercolor. The acrylic wash dries to a water-resistant film so you can paint additional layers of color. Daler-Rowney's FW Acrylic Artists Inks work best with airbrushes, technical pens, and FW Markers. You can easily fill your Daler-Rowney FW Markers with the 6oz ink bottle nozzle. Key Features: * Available in 1oz and 6oz bottles * Convenient sets of 6 colors * Acrylic-based, water-resistant, pigmented ink * Made with pigments * Lightfast and permanent * Water-resistant on most surfaces * Vibrant fully mixable colors * You can dilute the colors * Made in England Perfect For: * Painting or drawing permanent works of art * Easy color layering * Creating subtle tones similar to watercolor * Traditional brushes, airbrushes, dip pens * Filling FW Mixed Media Markers * Technical or art pens * Painting layers of color Please Note – Fluorescent colors are not lightfast. Available in sets of 6, 1oz bottles Shimmer Ink Set of 6 - Includes one 1oz bottle each of Shimmering Red, Shimmering Green, Shimmering Blue, Shimmering Gold, Velvet Violet, and Black (India). Fluorescent Ink Set of 6 - Includes six 1 oz bottles of inks of Fluorescent colors including Blue, Green, Orange, Pink, Red, and Yellow. (Fluorescent pigments are not lightfast) See More
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Daniel Smith Watercolor Stick - Titanium WhiteSave Up to40%Off listWhite Superior Quality Watercolor Sticks are a Pan in Your Hand!! DANIEL SMITH Extra Fine Watercolor sticks are watercolors shaped into a convenient stick form, allowing you to draw and paint! With DANIEL SMITH Watercolor Sticks, pigments are key, made with pure pigment (no fillers or waxes) and gum arabic, so the paint releases easily with a wet brush. High quality, excellent lightfastness, the vibrant broad color line of sticks offers unrivaled quality and versatility. The Watercolor Sticks are a "pan in your hand”, they are DANIEL SMITH Watercolor paint shaped into stick form, baked, wrapped in a label and ready to draw and paint! Experience the quality of color with manufactured in the United States for better results for art! DANIEL SMITH Watercolor Sticks offer the same superior intensity as our watercolor paints with the convenience and portability of half pans. Each watercolor paint stick is about 3 full pans. A terrific value! They are packed with pure pigment and produce vibrant, strong color when wet. Or use the DANIEL SMITH Watercolor Sticks dry to build texture. All Watercolor Sticks are the same price regardless of what series (1. 2, 3, 4) they are in the Watercolor tubes. For example, Sodalite Genuine is a series 4 in the Watercolor tubes in the Watercolor Stick collection, it is the same price as the rest of the Watercolor Sticks. DANIEL SMITH Extra Fine Watercolor Painting Sticks are a great way for painters to get back in touch with drawing or for artists who typically sketch to add painterly color. These Watercolor sticks are comfortable to hold, and the tip can be sharpened for a more precise drawing tip. When sharpening, be sure to save the shavings, those are pure DANIEL SMITH Watercolor! You can add water to the shavings and turn them into liquid paint in a small dish or container. The Watercolor Sticks are a "pan in your hand”, they are DANIEL SMITH Watercolor paint shaped into stick form, baked, wrapped in a label, and ready to draw and paint! For sketching, developing color values, and bold expressions, DANIEL SMITH Watercolor Sticks are a truly valuable addition to every artist's palette. Key Features:* 62 colors available / Set* Add painterly color* Hand-shaped sticks* Excellent lightfastness* Packed with rich pure pigment* No fillers or waxes* Each watercolor paint stick is about 3 full pans* Conveniently portable Perfect For:* Professional watercolorists* Use in plein air* Mixed media applications* Watercolorists of and level looking for an exceptional paint* Artists who typically sketch to add painterly color* Creating texture* Adding detail or line work* Artists who typically sketch* Adding painterly color quickly* Adding detail or line work* Manufactured in the United States Empty Plastic Case for Sticks - Protect your DANIEL SMITH Watercolor Sticks with this translucent plastic case. The case holds 5 sticks, but compartments can be separated into sets of 2 or 3. Please note that once broken apart, the compartments cannot be reattached. See More
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Gamblin PVA Sizing 33.8oz, Artists' Oil Painting MediumSave Up to40%Off listWhite PVA Size - Poly Vinyl Acetate- Contemporary size for fabric support Gamblin PVA Size- Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible - won't yellow, shrink or swell. PVA Size is made from PVA that has a neutral pH and does not yellow. Retains its flexibility and does not emit harmful volatiles. Key Features:* Sizes: Sizes: 8.5 Oz, 33.8 Oz* Use neutral pH PVA size on linen and canvas instead of rabbit skin glue* Does not swell and shrink like rabbit skin glue does* Seals the fabric but does not re-absorb atmospheric moisture* Neutral pH and does not yellow* Retains its flexibility* Does not emit harmful volatiles Diluted with distilled water, PVA size (Poly Vinyl Acetate) is a contemporary size for fabric support. Conservation scientists recommend painters use neutral pH PVA size on linen and canvas instead of rabbit skin glue. Gamblin PVA provides a good size layer that seals the fabric but does not re-absorb atmospheric moisture, swell and shrink like rabbit skin glue does. There are hundreds of different formulae of PVA. We acknowledge and appreciate the research of the Canadian Conservation Institute that helps painters and conservators identify the best PVA to use. PVA Size is made from PVA that has a neutral pH and does not yellow. It also retains its flexibility and does not emit harmful volatiles. See More
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Turner Artist Acryl Gouache - Mixing White, 40mlSave Up to72%Off listWhite World's finest fast drying, brilliant matte acryl gouache Turner Acryl Gouache Paint is fully pigmented and totally free of heavy metals. Most colors are lightfast with the exception of their decorative and fluorescent ranges. Due to the small amounts of binder, there is little color shift after painting and the brilliance continues through the drying process making painting compositions more rewarding. Their historic Japanese colors allow compositions in subtle colors that are not available in this quality - anywhere - at any price. The rich ultra black and super opaque white are among the finest colors ever produced in the world. Because they dry matte and the paint film is not totally permanent, you can finish your pieces by spraying with Krylon Archival Matte or Gloss spray. For a luscious gloss finish, use Turner Gloss Varnish. Turner from Japan makes the highest quality and most cherished colors and is used by the most famous artists and illustrators from that region of the world and around the world. The MOST Vibrant Artist Acrylics You Can Buy in 20ml, 40ml, 100ml Tubes & 250ml Pouch Key Features: * An incredible array of 236 colors * The most highly pigmented acrylic * Solid, matte finish * Available In: in 20ml, 40ml, 100ml Tubes & 250ml pouch * Colors adhere to most surfaces (Boards, Panels, Paper, Wood) * World's finest fast drying, brilliant matte acrylics * Colors spread out smoothly * Rich ultra black and super opaque white * Good water-resistance * Pearlescent, Pastel and Japanesque colors * The most widely used Acryl Gouache throughout the world Perfect For: * Opaque, dry and matte finishes * Mixed media applications * Good matte finish * Good adhesion * Great for creating precise detail * Photographing and selling artwork * For a student or professional Turner Acryl Gouache Lightfastness With the exceptions of their decorative and fluorescent paint ranges, Turner Acryl Gouache is incredibly lightfast for traditional indoor art applications, whether used for fine art and illustration, furniture decoration, or even wall murals. For the Turner Acryl Gouache color chart: Click Here > An incredible array of 236 colors Pearl Colors - Provide a "shining" effect. Formulated to provide a splendid, refined, soft and warm luster. You can do whole paintings with contrasting tone or paint full strength for shimmering effects. Mixing Colors - Mixing White is translucent and results in clean, pure tones when mixed. Mixing Magenta and Mixing Violet have no fluorescent pigments. Japanesque Colors - All are formulated with fine powders giving each a unique coarse texture and a sophisticated and beautiful tone. They are unlike any other color presently available to you from other lines. Pastel Colors - For delicate and sensitive beauty, great for adding highlights and reflective qualities. Lamé Colors - Provide a glittering effect that will vary in hue depending on the angle at which it is viewed and the background on which it is painted. With these colors, we recommend painting with a knife, Colour Shaper or spatula. Luminous Colors - Non-lightfast colors that provide an intense fluorescent finish. When used under a black light the colors will illuminate. Metallic Colors - Extremely opaque, this range is perfect for highlighting and direct painting to achieve a metallic look. Grayish Colors - Extends the ability to create effects with unique grey tones. For more information on Turner Acryl Gouache The Munsell Color System See More
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Painter's Color Diary 9"x12" Wire Bound Pad, WatercolorSave Up to54%Off listWhite Build Your Color Library! Patent Pending Exclusive to Jerry’s, The Painter’s Color Diary® has a fail-proof layout that allows you to record swatch information for future reference. There are countless ways to use the Painter's Color Diary®. Some examples are: * Swatching new color purchases * Testing color transparency and opacity * Creating color mixing formulas * Testing color palettes for an upcoming painting The color diary is spiral-bound with removable pages so that you can work on multiple sheets simultaneously. Once dry, you can reinsert the pages between layers of the included glassine, so they don’t stick together. The top of each color chart has a space for writing the paint brand, the date, or an assignment title if it’s for class. Each swatch box contains a bold black line to show transparency or separate half-tones. The color diary is truly a game changer when it comes to planning the mood of a painting. It’s a remarkable resource to have. Oil & Acrylic Color Diary: * Perfect for oil and acrylic paint * 40 outlined swatch boxes on each page * 136 lb. (290gsm) sized canvas textured paper * 10 removable pages with glassine interleaving * Each swatch outline measures 1" x 1-1/2" * Pages measure 9" x 12" from the spiral binding Watercolor & Multimedia Color Diary: * Perfect for watercolor, colored pencils, pastels, and more! * 35 outlined swatch boxes on each page * 140 lb. (300gsm) 100% cotton cold press paper * Landscape page layout for watercolor gradations * 10 removable pages with glassine interleaving * Each swatch outline measures 1" x 1-1/2" * Pages measure 9" x 12" from the spiral binding Travel Painter’s Color Diary®: * Perfect for watercolor, colored pencils, pastels, and more! * 140 lb. (300gsm) 100% cotton cold press paper * Landscape page layout for watercolor gradations * 36 swatch boxes per page * 10 removable pages with glassine interleaving * Each swatch outline measures 1-3/16" x 1/2" * Pages measure 6" x 8" from the spiral binding Painter’s Color Diary® Binder Box: * Designed to hold Painter’s Color Diary® pages * 1-½" diameter binder ring * Holds up to 40 diary pages * Overall size 9-3/4" x 14-7/8" x 2-7/16" * Holds up to 40 pages (sold separately) * Compatible with 9" x 12" and 6" x 8" sizes * Durable soft-touch cover and sides * Strong magnetic closure keeps the binder secured * Metal label plate for easy identification * Added protection from light and dust * Perfect for cataloging all of your swatches archivally Build your color library with the new Painter's Color Diary® Binder Box – the perfect place to store and protect all your swatched pages. Painter's Color Diary® Review "Over the decades, I have continued to make tests of a diverse and ever-growing collection of oil paints, taking note of how they respond to the addition of white paint to analyze tinting strength or adding a glaze medium to note how the pigments react transparently. Sometimes I will test one color, such as Raw Sienna, from different paint manufacturers to determine which version will be best for my needs. Before using The Painter's Color Diary®, I did these tests on my painting or palette and wiped them away. With this wonderful tool, I now keep a record and note each color and company. For me, The Painter's Color Diary® is the perfect color tool for artists working in oils. Printed on high-quality canvas paper and protected by vellum sleeves, this pad allows for the testing and recording of colors with no bleed-through. I highly recommend the Painter's Color Diary®, not only for students but for professional artists. My color struggle now will be to decide whether to keep the pages in the book or post them on the studio wall!" John Wellington - Painter and teacher See More
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Sennelier Egg Tempera - Zinc White, 21ml TubeSave Up to35%Off listWhite A highly pigmented, professional tempera medium Sennelier Egg Tempera paint is a semi-opaque, water-soluble and permanent painting medium used for fine art painting and restoration (and can even be used as an underpainting for oil paints). Unlike oils, egg tempera does not age or yellow, due to being egg emulsion-based instead of oil based. Varnished egg tempera paintings are difficult to distinguish from oils due to their vibrancy and brilliance in how the pigment suspends in the emulsion. It is a popular medium with oil painters who seek a health alternative to the harsh and dangerous solvents involved with oil colors, as it requires nothing more than soap and water cleanup. Like their other paint lines, Sennelier Egg Tempera paints are professional quality pigments with the highest pigment loads possible. Key Features:* Classical painting medium* Water soluble, no need for solvents* Highly archival* Rich satin-matte finish* Highly pigmented paints* Authentic egg tempera made in the traditional manner* Use varnish over egg tempera paintings for an oil painting like appearance Perfect For:* Fine art painting, restoration, and icon painting* Underpainting for oil painters* Restoration Work * Icon Painting* Technical illustrative painting styles Intro Set of 5- Contains five 21 ml tubes including: Titanium White, Lemon Yellow, Rose Madder Lake, Ultramarine Blue, and Ivory Black Light Wooden Box Set Of 15 - Contains: One 34 ml tube of Titanium White, one 60 ml jar of Egg Tempera Binding Medium, a wooden palette, one metal palette cup, two brushes, a Flat #4 and a Round #5, 15, 21 ml tubes of Egg Tempera: Burnt Sienna, Cadmium Yellow Deep Genuine, Carmine, Cobalt Violet Hue, Emerald Green, Ivory Black, Lemon Yellow, Naples Yellow, Permanent Intense Red, Prussian Blue, Raw Umber, Ultramarine Blue, Vermilion, Viridian, and Yellow Ochre. Capable of creating detailed and complex effects, the medium of egg tempera can be traced back as early as ancient Greece. During the early Italian Renaissance, egg tempera reached its’ zenith, and was the predominant medium for religious icon panel paintings done between the 12th and 15th centuries. Even with the rise in popularity of oils beginning in the 15th century, Renaissance masters such as Michelangelo and Botticelli continued to prefer the deep luminosity of the medium. Even with the decline of the medium in favor to oils, artists like Marc Chagall (who exclusively used Sennelier) in the early 1900’s led to the medium’s revival, and it became more popular with the use by American painters such as Andrew Wyeth and Thomas Hart Benton. In 1892, chemist and fine arts purveyor Gustave Sennelier created his own line of Sennelier Egg Tempera paints, after extensive research into classical, authentic Renaissance formulas. Egg Tempera is a semi-opaque, water-soluble and permanent painting medium used for fine art painting and restoration (and can even be used as an underpainting for oil paints). Unlike oils, egg tempera does not age or yellow, due to being egg emulsion-based instead of oil based. The egg emulsion recipe binder produces a satin-matte finish that is water resistant when dry, and is thinned with water or egg tempera medium when painting. Varnished egg tempera paintings are difficult to distinguish from oils due to their vibrancy and brilliance in how the pigment suspends in the emulsion. It is a popular medium with oil painters who seek a health alternative to the harsh and dangerous solvents involved with oil colors, as it requires nothing more than soap and water cleanup. Like their other paint lines, Sennelier Egg Tempera paints are professional quality pigments with the highest pigment loads possible. Unlike oil paint, egg emulsion binder is stiffer and more brittle, so it does not lend well to impasto painting techniques. Traditionally, due to the brittle nature, egg tempera is best used on wood or canvas panels, or heavy primed paper that has been mounted on a hard surface. Note: Sennelier recommends artists give their finished egg tempera works a coating of charcoal or pastel fixative before applying a final oil paint picture varnish, to seal and protect the work. See More
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Richeson Shiva Oilstik - Antique WhiteSave Up to29%Off listWhite Shiva Paintstik Oil Colors - Tradition, Quality & Stability Richeson Shiva Paintstiks® are solid oil paints in stick-form that easily blend straight from your stick onto paper, board or canvas. Great for Plein Aire painting and quick sketches. Use with painting medium and brush for adding detail or creating soft blends. Colorless and Iridescent blender sticks are easy to use since no mediums are required. Paint dries to the touch within 24 hours. Tradition, Quality & Stability Key Features:* Each stick measures 4.5" long x .62" diameter* Fade-proof and Non-Toxic* Easy clean-up: soap and water or baby wipes* Rich, creamy and buttery consistency* Colors are fully mixable* Most colors dry within 24 hours; permanent when dry* Compatible with other oil paints and mediums* Convenient for on-the-go painting* Colorless blenders - without pigment - available* Most colors are non-toxic - AP* No unpleasant odors or fumes, so you can paint virtually anywhere Perfect For:* Ideal for sketching and outlining* Fade-proof and Non-Toxic* For the professional artist, art student or amateur artist* Effective medium to think out shape* Composition and color, without a palette or mixing cup* Spread or blended and used in conjunction with conventional oil* They are self-sealing* Convenient for on-the-go painting* Paint virtually anywhere, at any time, on almost any surface* Draw directly on paper, wood, canvas and other surfaces* Varnishes may be applied to finished paintings after they are completely dry Shiva Artist's Paintstik Oil Colors are a refined linseed oil blended with quality pigment and solidified into a convenient stick form. They are also a useful aid to the art teacher to help students grasp fundamentals of oil painting without using classroom time for mixing paint and clean-up. You can actually paint "wet into wet" with a solid oil stick, allowing a feeling of free, spontaneous expression. In most cases, the paint dries in 24 hours. Artist's Paintstik Oil Colors are available in 51 Professional Colors, 12 Student Colors, and 16 Iridescent Colors. See More
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Richeson Casein Artist Colors Titanium White 37 mlSave Up to43%Off listWhite From rich opaques of oil to thin watercolor washes - One of the most durable mediums known to man Casein (kay'seen) is a quick-drying, aqueous medium using a milk-based binding agent, and is one of the most durable mediums known to man. Nine thousand year old casein cave paintings have been discovered in Asia, and later, the medium was used by Byzantine, Roman and Renaissance artists including the Old Masters. Richeson Casein is a versatile, professional, water-based medium known for its velvety finish! Richeson Casein Colors are fast-drying, reworkable water-soluble paints. Caseins are great for underpainting and work with oils! Key Features:* Milk protein-based paints* Dries to a natural matte finish* Apply in any manner from impasto to watercolor* Casein can be used on interior walls, metal, wood, laminates, metal, glass or ceramics* Archival: Yes. Properly done and with a protective varnish * Good choice for dry and light, wet media sketching* Perfect medium to use for underpainting* Dries quickly* From rich opaques of oil to thin watercolor washes Perfect For:* Suitable for a variety of surfaces* Great for illustration work* Casein can be used on canvas, although only in very thin application* All-purpose paper in a sketching format* You can paint on 140lb. watercolor paper if the painting will be properly framed shortly after completion* You can apply casein "juicy" like watercolors, impasto like oils, or anything in between "Casein is a water-based paint medium with working properties that resemble gouache, cel vinyl—and, in some respects, oil. I've used all of those latter paints quite a bit, but casein has qualities all its own. It can be used transparently, but it has great opacity when you need it, something often lacking in acrylic. It's one of the oldest paint mediums, dating all the way back to the Egyptians – JAMES GURNEY" What is Casein? Casein (kay'seen) is a quick-drying, aqueous medium using a milk-based binding agent, and is one of the most durable mediums known to man. Nine thousand year old casein cave paintings have been discovered in Asia. Later, the medium was used by Byzantine, Roman and Renaissance artists, including the Old Masters. Known for their versatility and array of capabilities, casein paints can be used to create a variety of effects from the rich opaques of oil to thin watercolor washes. Because casein has an exceptional integrity of color and always dries to a perfect matte finish, it is unexcelled for art reproduction. The velvety matte finish can also be buffed to a satin sheen or varnished to produce a resemblance to oils. Over time, casein pigments become resistant to moisture and as history has proven, the medium has a durability and permanence which has easily stood the test of time. Because it dries quickly, it is possible to lay down a glaze and move onto the next stage within a few hours instead of waiting for days, or even months, as with oils. Can I mix casein with other mediums? Yes you can! Use casein over watercolor or gouache or as an underpainting for acrylic, pastel or oils. If using casein under oils, apply a barrier layer of Damar varnish over the casein before the oil paint. Casein can also be used under oils as an excellent underpainting medium. See More
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Michael Harding Medium Non-Absorbent Acrylic Primer White 500mlSave Up to25%Off listWhite Tired of dull flat oil paints? You need a non-absorbent ground! Regular acrylic gesso is notorious for leeching oil from oil paints, and absorbent acrylic gesso makes oil paints look dull, flat, and muted. Unlike those acrylic gesso's Michael Harding's primer is non-absorbent and preserves the luster of oil paint. Michael's acrylic primer does not absorb oil; instead, the paint sits on top of the surface. The primer is made with non-toxic, non-absorbing acrylic resin; that's why it produces such a strong, flexible ground. You can apply Michael Harding's Non-Absorbent Acrylic Primer to linen, cotton canvas, wood, and MDF. Key Features: * Non-absorbent acrylic primer * Formulated to not absorb or dull oil paints * Creates a strong bond with paint * Prevents paint from delaminating * Lightfast and will not fade over time * Thick, creamy consistency * Smooth, even-toothed finish Perfect For: * Oil and acrylic painters * A uniform painting surface * Beginner and professional artists * Preparing canvas, wood, or MDF for paint * Everyday studio use Instructions: The primer is best used in 2 coats; You may dilute the first coat with water (no more than 1 part water to 3 parts primer). This first coat will be touch dry within a couple of hours, and then you can apply the second coat. You should not apply the primer over Rabbit Skin Glue or unstable supports. See More
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Lascaux Acrylic Gouache Paint White 85 ml BottleSave Up to41%Off listWhite Artist quality, brilliant acrylic paints perfect for the studio or the classroom artist ! Lascaux Acrylic Gouache Paints are acrylic-modified tempera paints specially developed by color experts, educators and professional artists, making these vibrant paints ideal for use in the studio or in the classroom. The range of 34 highly pigmented colors are lightfast and have a velvety, elastic water-soluble finish and can diluted while maintaining depth of color. Lascaux Acrylic Gouache Paints work great on absorbent surfaces like paper, cardboard, canvas, wood or plaster and are easily blendable for creating custom paint colors. Key Features: * 34 highly pigmented, lightfast colors * Acrylic-modified tempera paints made with pure pigments * Developed by color experts, educators and professional artists * Easily blendable with a velvety finish * Vibrant gouache paint with a unique acrylic-based binder * Highly concentrated, lightfast pigments * Dries to a velvety matte, water-soluble finish * Excellent permanence and covering power * Adheres well to paper, canvas, plaster, wood, cardboard, and more * Colors remain intense even when diluted more than 1:1 with water Perfect For: * Perfect for all types of fine artwork, illustration, design, and student work! * Art classrooms * Absorbent work surfaces * Art therapy projects * Professional artists Unique, artist grade tempera paints with an acrylic-based binder — a favorite of professional figure artist Bill Buchman! Through extended consultation with professional artists and art teachers, Lascaux developed their truly innovative line of acrylic-based gouache to meet the artistic demands of painters of all skill levels. Lascaux Gouache is a unique style of tempera paint based on a revolutionary acrylic binder, water-mixable and vibrant, drying to a velvety matte, elastic finish that remains water-soluble once dry, unlike most other acrylic gouache lines/ See More
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R&F Pigment Stick 100ml - Neutral WhiteSave Up to20%Off listWhite Handmade oil paints in a convenient drawing stick form! R&F Pigment Sticks are oil paints manufactured with enough wax for the paint to be molded into stick form. Pigment Sticks allow the artist to draw or paint directly onto a surface without brushes, palettes, paint tubes or solvents. Blending only traditional materials: finely milled pigments, natural wax (beeswax & plant wax), and alkali refine linseed oil, R&F Pigment Sticks have none of the additives, extenders, and substitutes that traditional tube oils contain. While the use of these adulterations can save a lot of work and reduce the cost of materials, they lower the quality of the paint. Consequently the formulas are complex and manufacturing is labor intensive, and thus handmade in small batches where they are carefully milled and molded. The result is a professional quality oil Pigment Stick with a buttery, lipstick-like soft consistency that glides onto the painting surface. Paint Sticks can be thinned with traditional solvents, mixed with or used under or over traditional oils, or worked with a palette knife to a softer consistency to allow brushing or knifing onto a surface. Curing to a durable film like standard oils, Pigment Sticks can also be used with Encaustic paints for a variety of effects. Blending sticks are offered in two types, and are colorless sticks that can be worked into a Pigment Stick color to increase transparency, or blend colors together on the painting. Like with traditional oils, R&F Pigment Sticks should be used on primed surfaces that are oil or acrylic gesso primed, to protect the surface from the natural acid in linseed oil. What is the difference between R&F Pigment Sticks and Oil Pastels? Although both are made with pigments, waxes, and oils, they are completely different! Oil pastels typically contain a much higher wax content than an oil stick or bar, and are manufactured with a non-drying oil such as mineral oil or castor oil. Works done in Pigment Stick will oxidize (dry) over time like traditional oil paints, whereas oil pastels will always remain tacky and never dry, thus needing the protection of glass to protect the finished work. Explore the versatility and loosely gestural qualities this medium has to offer, with professional quality Pigment Sticks from R&F! Key Features: * Made solely of pigment, pure alkali refined linseed oil, and purified plant and bees waxes * Lipstick-like, soft creamy consistency * Contains no additives, extenders, or substitutes like tube oils * 2 types of Blending sticks for colorless blending * Perfect For: * Use with Traditional Oils and Encaustic Paints * Gestural drawing with oils in stick form * Immediacy of paint without the need for brushes or tools * Works on any surface primed for traditional oils * Thinning with solvents and oil mediums See More
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Pebeo Studio Acrylics Mediums - Sand Textured Gel (White), 250mlSave Up to25%Off listWhite Unlimited opportunities for experimenting with creative inspiration Pébéo Mixed Media Studio Mediums offer an extensive line of acrylic mediums for creating an array of textures and dimensional effects. Ideal for mixed media applications, these mediums—once dry—can be used beneath acrylics as well as resins, solvent-based paints, ceramic paints, and more! Key Features: * Thick, richly pigmented acrylic mediums * Retain brush and painting knife strokes * Easily mixable with great light-fastness * Available in iridescent Dyna Perfect For: * Uncomplicated, spontaneous creativity! * Mixed media applications * Adding texture to portraits * Pebeo Liquid Art Panels * Canvas, cardboard, wood & metal * Children, students, and professionals Studio Acrylics Gloss Gel –non-yellowing acrylic gloss gel with translucent gloss finish. Studio Acrylics Matt Gel –non-yellowing acrylic gel with translucent matte finish. Studio Acrylics Bindex –non-yellowing fluid acrylic binder—dries translucent with a satin finish. Studio Acrylics Dyna Bindex –non-yellowing fluid acrylic binder with interference pigments for reflective, color-changing effects--available in blue, violet and green. Studio Acrylics Modeling Paste –highly textured, opaque white modeling paste used for creating impastos and dimension—may be used alone or mixed with colors—retains tool imprints, keeps volume and dries to a matte finish. Studio Acrylics Modeling Paste High Density -highly textured, opaque white modeling paste formulated with fine grain used for creating impastos and dimension—may be used alone or mixed with colors—retains tool imprints, keeps volume and dries to a white-gray porous surface. Studio Acrylics Crackling Effect Modeling Paste –opaque white paste used to create impastos with crackle effect—may be used alone or mixed with colors (75% modeling paste / 25% color)—to increase adherence and enhance the crackling effect, recommended to prime the surface at least 1 hour prior to applying the modeling paste. Studio Acrylics Sand Textured Gels –acrylic polymer with colored sand-based gel available in black, white, red, and yellow—apply with a painting knife and dilute with water or Bindex as needed. See More
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