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Gamblin Burnt Plate Oil #000 8oz BottleSave Up to40%Off listBrown True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More
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Gamblin Artists Oil - Cadmium Red Light, 8oz CanSave Up to40%Off listRed Gamblin Artist's Oils, The only choice for professionals! Since 1980, Gamblin has transformed oils and pigments into luscious, rich oil paints. Gamblin Artist's Oil Paints are made with refined linseed oil, so the paint film is more flexible and yellows significantly less than traditional linseed oil. No adulterants are used, so each color retains its unique tinting strength, undertone, and texture. Gamblin Artist's Colors have luscious working properties, and the colors are radiant. We're sure you'll agree that the quality of these oil colors is exquisite. For everything from realism to contemporary abstraction, you'll find the colors you need in the Gamblin line. Key Features: * Oil Paints: Available in 37ml and 150ml tubes, plus 8 oz. and 16 oz. cans * Sets w/ painting panels: Set of 9, Set of 3 * Professional quality * Inorganic colors made from metals (Cadmium, Cobalt, Iron, etc.) * 19th-century colors of the Impressionists * Classical and Renaissance era colors * High pigment load, low oil absorption * Colors easily grey-down in mixtures * Mostly opaque with a few semi-transparent and transparent colors * Made in Portland OR, USA * Perfect For: * Professional oil painters * Plein air artists * Alla prima painting * Vibrant portraits * Painting natural colors and light * Accurately reflecting the hues of nature * Smooth consistency and buttery feel * Outstanding lightfastness * Everyday studio use! Gamblin Metals- Gamblin Copper, Rich Gold, Pale Gold, and Silver are made by suspending bronze and aluminum powders in an alkyd binder. It's the light reflecting from all those bits of metal that create the "metal finish." The real metal flakes scatter light in many different directions giving surfaces painted with Metals a soft, lustrous appearance. Gamblin Metals have distinctive mixing characteristics. When mixed with transparent colors, they maintain their metallic luster and give glaze layers a unique sparkling quality. Gamblin Artists' Colors Introductory Set of 9 Colors Includes nine 37ml. tubes and a ready-to-use, This set contains one 6.5" x 12" pre-primed painting panel with 1.5in cradle depth.pre-primed birch painting panel handcrafted in North America from sustainable forests. Made in the USA. 37ml Colors include: Cadmium Yellow Light, Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Viridian, Yellow Ochre, Burnt Umber, Ivory Black & Titanium White Reclaimed Earth Set of 3 Tubes: Colors in the set include Rust Red, Iron Violet, and Brown Ochre. The tubes are nestled in a 6"x6" primed panel made in Oregon by American Easel. The masterfully constructed panel has poplar cradled sides and a Baltic birch face. Every speck of pigment in these tubes has been painstakingly reclaimed from waters tainted by iron released from mines. Iron oxides make lightfast, natural, and safe oil paints. John Sabraw and engineer Guy Riefler figured out how to extract iron from the polluted rivers, restore ecosystems, and create economic opportunities in communities struggling with environmental damage left behind by the coal mining industry. By purchasing this limited edition set you are supporting hard-working communities and helping make the Ohio and Mississippi Rivers healthier ecosystems. Is Gamblin Oil Paint Professional Grade? Gamblin Artist's Oil Paints are Professional Grade made with refined linseed oil! Gamblin always wanted to give artists color at its maximum with a luscious texture. There is so much more to our work than fine raw materials and high pigment loads. Gamblin is dedicated to getting that balance right. Every color. Every batch. Every time. See More
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Winsor & Newton Professional Watercolor 109 Color Dot CardSave Up to45%Off listAssorted Colors Only the purest pigments to ensure quality and permanence Artist Henry Newton and chemist William Winsor introduced moist watercolors to the world in 1835. Professional Watercolor Paints are still made by offering artists the most comprehensive balanced choice of pigments with the greatest possible lightfastness. Advances in pigment technology and production have improved the watercolor range. Each color within this wide range has been formulated so that artists can use the color palette that best suits their work. Besides, many of the watercolor recipes have not changed in over 180 years, proving they cannot be improved! Key Features: * Range of 108 colors * 79 Single pigment colors * 5ml, 14ml, and 37ml tubes * Carefully formulated and milled colors * Colors have a unique brilliance and clarity * The greatest possible permanence * Lightfast and permanent * Unrivaled transparency * Best pigment dispersion * Perfect For: * Professional Watercolorists * Painting breathtaking washes with ease * Beautifully clean color mixing * Permanent, professional works of art * Stands nicely on watercolor paper * Free flowing, vivid watercolor painting See More
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Da Vinci Gum Arabic 8 oz BottleSave Up to50%Off listPaint Fit for Masters™ These mediums are produced with the same high-quality standards found in Da Vinci Watercolors. They are ideal for artists seeking to control the dispersion of watercolors or to add an iridescent effect. Gum Arabic - Mix into watercolor to reduce spread while increasing… Paint Fit for Masters™ These mediums are produced with the same high-quality standards found in Da Vinci Watercolors. They are ideal for artists seeking to control the dispersion of watercolors or to add an iridescent effect. Gum Arabic - Mix into watercolor to reduce spread while increasing flow, gloss, and transparency. Iridescent Medium - Inspired by the shimmering Pacific Ocean, Da Vinci’s Iridescent Medium will help your watercolor glisten when mixed into a wet on wet technique or applied over dry paint film. Masking Fluid - Da Vinci’s Masking Fluid will protect selected areas of your work from washes of water based color. Quick drying, non-staining, easily removable and smooth flowing, this product can be used on many surfaces including paper and board. Watercolor Medium - Mix into watercolor to increase flow, gloss, and transparency. See More
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Schmincke Horadam Watercolor Color Card, 140 Color ChartSave Up to40%Off listAssorted Colors Horadam Watercolors Outperform All The Rest! Schmincke has been producing its Horadam line of watercolors since 1881. Today the Horadam line includes 139 glorious colors, 112 of those colors have the highest lightfastness ratings of 4 or 5 stars. 95 of the colors are formed with a single pigment for perfect mixing effects. Each color has its own independently optimized recipe made of the finest pigments, Ox gall, and traditional binders. Schmincke uses only Kordofan Gum Arabic from the southern Sahara a natural resin binder. Horadam colors can be raised from a dried palette without developing globules. Colors that have dried on the palette can be awakened with a wet brush and reused an infinite number of times. Schmincke limits use of ONETZ (ox gall) as a dispersant. This helps the artist maintain full control of color, even on softer papers. Key Features: * Made in Germany * Highest possible lightfastness: 112 tones * 22 Granulating colors * Paint is reusable once dried on palette * Gum Arabic binding medium * Limited use of ox gall as a dispersant * High control of paint flow Perfect For: * Watercolorists * Professional artists with high standards * Illustrators * Color mixing * Plein Air painting * Soft sized papers Most of the Horadam watercolors are non-granulating and have an even paint flow, but 22 colors are granulating. You can spot granulating colors by the G stamped on the tube. Granulation is caused by: * Heavy pigment particles, like cobalt, settling in paper indentations. * Light pigment particles clustering together due to attraction. You can mix super granulating colors to create unusual color shifts. The granulating color shift will vary with the mixing ratio used. What is the right paper for granulation? The rule is: The rougher the paper, the greater the granulating effect. More absorbent papers need a little more water. Hot-pressed paper is unsuitable for granulating effects. Schmincke Horadam Watercolor Limited Edition Curated Wood Box Set, While Supplies Last! - A Jerry's Exclusive Set: 12 half pans, 5ml tube of titanium white, and 3 large empty pans, Wooden box palette and a Create your own color chart See More
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Schmincke Mussini Oil Handmade Color ChartSave Up to30%Off listAssorted Colors Unparalleled luminosity and outstanding lightfastness! Schmincke MUSSINI® Fine Artist Resin Oil Colors use the recipes of the old masters to provide unparalleled brilliance and luminosity in a truly reliable paint film. Vats of Schmincke oil colors are stored for up to three months before paint is added to the tubes. This vat time allows the linseed, safflower, and walnut oil to coat the pigment thoroughly. Different amounts of dissolved damar resin are then added to guarantee tension-free color layers that dry harmoniously. The addition of dissolved dammar resin depends on the oil requirement of the particular color. As a result, each of the 108 color shades has an individually balanced recipe. The high luminosity, outstanding lightfastness, and depth of light that can be achieved with Schmincke MUSSINI® Resin Oil Colors make them a pleasure to use. Key Features: * Balanced and tension-free drying process * Mixture of linseed, safflower, walnut oil, and dissolved dammar resin * Colors based on recipes of old masters * High luminosity * Excellent lightfastness * Truly reliable paint film * Imported from Germany * Perfect For: * Professional oil painters * Creating beautiful glazes * Pigment aficionados * Upgrading to professional oils * Portrait painting * Painting beautiful atmospheric landscapes See More
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Ampersand Hardbord 1/8" Flat Panel 9x12"Save Up to33%Off listNatural Available in 1/8in flat panels, 3/4in cradle, 1.5in cradle and 2in DEEP cradle profiles. Museum Series Hardbord is an ultra-smooth, non-absorbent uncoated panels. Prepare your own unique painting grounds and textures on Ampersand Museum Series Hardbord™, the ultra-stable, professional artist-grade hardboard support. The high-density fiber core is engineered for stability, eliminating the warping and bowing issues that can be noticed with other substrates. Moisture resistant and formaldehyde-free, Hardbord is the substrate used to manufacture all Ampersand Museum Series pre-coated panels. Panels also contain no harmful VOC’s (volatile organic compounds) that other hardboard panels and MDF boards at the hardware store contain. All wood panels should be sealed with some sort of sealant and primed before painting. Perfectly suited to all acrylic gesso and oil primers, most any media can be used, depending on the primer used. Perfect for traditional and water-soluble oils, acrylics and acrylic gouache, inks, oil and soft pastels, and most any drawing media. Hardbord can either be used to paint on directly after priming, or as a support on which to mount watercolor papers, photographs, fabrics and prints. The cradled panels are made with 13-ply birch plywood strips that are attached flush to the back edges of each panel. Stain, paint or wax the cradle edges and eliminate the cost of framing altogether! Archival, eco-friendly and made in the USA! Key Features: * Ultra-stable, designed to last * Ultra-smooth Hardbord is a great surface for mixed media, collage, plein air, metal leaf, heavy paint applications * Accepts all types of grounds * Warp-free, high-density fiber core * Available in 4 profiles! * Made without formaldehyde or harmful VOCs * No harmful chemicals used, no dangerous emissions for artists Perfect For: * Perfect support to mount watercolor papers, photos, fabrics, prints, and more. * Plein air or studio painting * Frame-free gallery presentation with deeper cradles * Custom priming or sealing with any ground * Mounting watercolor papers, prints, or doing photo transfers 1/8" Flat Panels - ideal for plein air and studio painting— slips easily into pochade boxes. Flat panels allow for standard framing. 3/4" Cradled Panels - offer more support for using heavier mediums and built up textures. Depth allows for traditional canvas-style framing or floater frames. 1.5" Cradled Panels- for even more support; can be left frame-free for gallery presentation or used with deep floater frames. 2" Deep Cradle Panels - for maximum support and frameless presentation, all in one. Read About "How To Mount Canvas Onto Ampersand Boards" See More
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Pintura Painting Canvas 9x12" Wood Panels, Pack of 2Save Up to57%Off listWhite Acid-Free Fine Textured Canvas! Made from special (approximately 5/32" thick) compressed wood and covered with an even textured canvas that has an acid-free, all media priming. They offer artists the ability to upgrade from Canvas Panels made of cardboard and canvas. With these painting panels you still get the classic appeal of a true canvas support with the stiffness and lasting quality of wood. Sold in packs of 2. Key Features:* Made in Italy* Panels made of (5/32" thick) compressed wood* Acid-Free textured canvas* All media priming* Durable and lightweight * Fine tooth Perfect For:* Frames with shallow rabbets* Plein aire painting* Portraiture* Oil and Acrylic "These panels are lightweight, fit in frames with shallow rabbets, do not puncture and are therefore sturdy in transit, and are reasonable priced. The only personal variable to consider is if you like the texture of the canvas covering. I keep buying these because I do like to paint on them." - Anonymous See More
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SoHo Urban Artist Painting Boards 9x12" Box of 180Save Up to63%Off listWhite Artist Canvas Textured Boards For Practice, For Fun, or For Keeps! With SoHo Urban Artist Canvas Texture Painting Boards, exploring your own creativity has never been easier! The boards are made from strong 2.3mm stock board mounted with a textured canvas paper that works universally for any kind of media. SoHo painting boards have been created to offer greater economy than traditional turned edge canvas boards. They are perfect for working up studies, for developing new techniques and may be framed for works you want to keep. Whether you like to create your art work with oil, acrylic, watercolor, marker, colored pencil, charcoal, printmaking, or even collage, Artist Painting Boards are the perfect surface for the project of your choice. Key Features:* 2.3mm stock board mounted with textured canvas paper* Versatile canvas boards for a variety of projects including painting, sketching, stamping, block printing, and mixed media* Canvas paper that works universally for any kind of media* Sold in packs of 5 and larger* First choice for artist's quick studies Perfect For:* Create your art work with oil, acrylic, watercolor, marker, colored pencil, charcoal, printmaking, or even collage* Paints, colored pencils, markers, dry media, printmaking and more* Turned edge canvas boards and may be framed* Artists of all skill levels* See More
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ArtResin™ Epoxy Resin Mini Kit 8 oz
Starting At: 15.00
…Kit* Fully cures in 72 hours* No VOCs or fumes (conforms to ASTM D4236)* Non-toxic (when used as directed)* Long term yellowing protection* Self-leveling* Durable crystal clear finish* Easy to understand directions Perfect For:* Enhancing and protecting your work* Acrylic, watercolor* Oil paint that… Unparalleled non-yellowing protection! ArtResin™ is a self-leveling crystal clear epoxy resin that forms a beautiful, durable finish for any artwork. Formulated with unparalleled non-yellowing protection, ArtResin™ has a HALS (hindered amine light stabilizer) added for extremely efficient long term yellowing protection. Designed specifically for creative projects, this crystal clear resin is easy to use. ArtResin™'s 1:1 mixing ratio is user-friendly with easy to understand directions. Simply combine equal parts Resin and Hardener, stir, then pour or spread over your project. The topcoat is self-leveling and fully cures in 72 hours. ArtResin™ has been designated by the American Society for Testing and Materials as non-toxic when used as directed. It is formulated using the highest quality materials and therefore produces no VOCs or fumes. It is a clean system, meaning there are no solvents or non-reactive diluents—everything in it reacts so nothing is free to become airborne and cause health issues. It is also non-flammable. For all these reasons, it is therefore classified as a non-hazardous material and is shippable by air. Furthermore, many curatives have a powerful odor, however ArtResin has only a low odor and is applicator friendly. Key Features:* ArtResin™ Mini KIt, Starter kit, Studio Kit & Accessory Kit* Fully cures in 72 hours* No VOCs or fumes (conforms to ASTM D4236)* Non-toxic (when used as directed)* Long term yellowing protection* Self-leveling* Durable crystal clear finish* Easy to understand directions Perfect For:* Enhancing and protecting your work* Acrylic, watercolor* Oil paint that has completely dried* Spraypaint, encaustic, ink* Oil pastel, sculpture, silicone molds,* Other found objects. ArtResin™ is considered non-toxic when used as directed, however, there are some common sense safety precautions that every user should follow: Wear gloves. Epoxy resin is very sticky in its liquid form, so gloves will protect the user from a mess, as well as skin irritation. Clean skin promptly with soap and water if it does come in contact with the product. If the product somehow comes in contact with your eyes, flush with water repeatedly and do not rub. Promptly seek medical attention. Work in a well-ventilated area. Wear a respirator if ventilation is poor. For detailed health information, please see the ArtResin SDS.ArtResin™ Epoxy Kits ArtResin™ Starter Kit - Enough epoxy resin for a few projects, the Starter Kit includes 16 oz bottles of Resin and Hardener and covers approximately 8 square feet. ArtResin™ Studio Kit - For artists working on larger or multiple works. This kit includes half-gallon jugs of Resin and Hardener and covers approximately 32 square feet. ArtResin™ Mini Kit - Give ArtResin™ a try with the Mini Kit. It includes 4 oz bottles of Resin and Hardener and covers approximately 2 square feet. Epoxy Resin Accessory Kit - This pack of epoxy resin accessories includes five pairs of nitrile gloves, one reusable stir stick, and five reusable spreaders. The jagged-edge spreaders help disperse resin evenly. Wipe them clean with paper towel and they're ready for next time. ResinTint Color Mixing Guide See More -
Strathmore Learning Series Watercolor Book Basics 9x12"Save Up to62%Off listWhite Learn Watercolor Painting with Professional Watercolor Artist Kelly Eddington! Strathmore partnered with professional watercolorist Kelly Eddington to create this unique Strathmore Learning Series on best practices for starting in watercolor. This instructional pad features Kelly Eddington's lessons, tips, and techniques combined with quality Strathmore watercolor paper all in one pad. To help you get the most from this instructional art pad, Kelly has developed video tutorials for all 12 of the lessons. These kits put together exclusively by Jerry's come with Marie's Extra Fine watercolor set of 18, SoHo Urban Artist watercolor brush set of 5, Creative Mark Double Flower Palette, and a 10x14" mesh zipper bag. Key Features: * 7 pages of information, tips and recommendations * 12 sheets of 9x12" 140 lb cold press 200 Series Strathmore Watercolor Paper * 12 online art templates and videos (1 per lesson) Perfect For: * Beginning watercolorists * Learning to stretch watercolor paper * Discovering your passion See More
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Gamblin Oil Painting Ground 8oz CanSave Up to40%Off listWhite Makes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium carbonate gives tooth for strong adhesion. Gamblin Ground makes a brighter and less-absorbent ground layer compared to acrylic “gesso” – meaning that oil paint layers on top will better retain their color saturation. In addition, the lower absorbency allows for “reductive” underpainting techniques when painters need to wipe back to the white of the Ground. Key Features:* See video - Ground Application* Makes a strong, bright, non-absorbent foundation for oil paintings* Formulated from alkyd resin, titanium dioxide, and calcium carbonate* Brighter and less-absorbent ground layer * Oil paint layers on top will better retain their color saturation* Lower absorbency * Thicker than acrylic gesso* Can be applied on top of acrylic gesso Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. Fabric supports should be sized with PVA Size before applying Gamblin Ground. Also, Gamblin Ground can be applied on top of acrylic gesso for a brighter white, less-absorbent ground layer. Gamblin Ground is thicker than acrylic gesso, and requires different application techniques See More
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Canson Montval Acrylic Painting Pads 9" x 12"Save Up to33%Off listWhite French-made paper with textured surface and gelatin sizing. When acrylic colors are used as a thick paste on Montval Acrylic, artists can achieve characteristics similar to oil painting. 10 sheet tape-bound pads. See More
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Strathmore 100 Series Kids' Art Paper Paint Pad (20 Sheets) 9x12"Save Up to33%Off list…any kids' painting, whether in watercolor, tempera, poster paints, fingerpaints and more! Spark a lifelong love of creativity with new Strathmore 100 Series Painting Paper for Kids!* Paint Pad – Heavyweight textured watercolor paper perfect for art in watercolor, tempera, markers and poster paints.… Inspire your kids to create art with these great papers! All children love to paint, and now Strathmore has crafted these high quality papers specifically for kids' art! Featuring superior grade paper at an economical price point, these great pads are designed to stand up to any kids' painting, whether in watercolor, tempera, poster paints, fingerpaints and more! Spark a lifelong love of creativity with new Strathmore 100 Series Painting Paper for Kids!* Paint Pad – Heavyweight textured watercolor paper perfect for art in watercolor, tempera, markers and poster paints. Includes 2 inspirational project ideas. 9x12" tape-bound pad with 20 sheets.* Fingerpaint Pad – Super-smooth, coated white paper for hands-on painting; can stand up to repeated re-working of paint. 12x18" tape-bound pad with 30 sheets.* Easel Pad – Oversized paper for oversized imaginations! This sturdy, rough-surface white paper pad fits on most standard kids' easels for drawing and painting. 14x17" spiral-bound pad with 40 sheets. See More
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M. Graham Walnut/Alkyd Oil Medium 8oz. BottleSave Up to40%Off listAugment the special nature of your oil colors! M. Graham's Oil Painting Mediums can enhance and heighten oil colors. Designed to decrease drying time and improve adhesion, these mediums are available in a variety of sizes.Walnut Oil - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans -… Augment the special nature of your oil colors! M. Graham's Oil Painting Mediums can enhance and heighten oil colors. Designed to decrease drying time and improve adhesion, these mediums are available in a variety of sizes.Walnut Oil - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans - Perfect for removing color from brushes after use and since it is a natural vegetable oil, it will not evaporate or remove essential oils from the artists' paint brushes. Walnut oil can also slow drying, increase sheen and enhance the flow of oil colors.Walnut/Alkyd Medium - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans - Can thin the color, enhance adhesion between layers, increase surface sheen and speed up drying time for oil colors. This medium can also increase flexibility of the paints. Walnut/Alkyd Medium is ideally suited for all-prima and glaze applications and is certified non-toxic. Key Features:* Available in 4 different sizes* Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans* Non-toxic* Safe to use on brushes Perfect For:* Working with oil colors* Speeding up drying time* Increasing adhesion and flow of oil paint See More
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MAS Envirotex Lite Epoxy Kit (4 oz Resin, 4 oz Hardener) 8 ozSave Up to49%Off list…pieces painted with any acrylic and finished with Envirotex have a kiln fired look Envirotex Lite Kits - Pour On High Gloss Finish * Gallon Kit 02128: (1/2 gallon resin, 1/2 gallon Hardener), Coverage: 32 square foot* 32oz Kit 0232: (16oz resin, 16oz Hardener), Coverage: 8 square foot* 8oz Kit… Creates a one of a kind, crystal clear, super hard, lustrous finish Envirotex Lite is a water clear reactive polymer compound that cures to a thick, glossy coating in about 8 hours at 70°F, and reaches full strength and toughness in about 36 hours. This durable, resilient material requires no polishing to produce a high gloss. One coat is all that is usually required for a deep attractive finish, however, two or more coats maybe applied one over the other by simply wiping the surface with a clean cloth and alcohol prior to re-coating. Key Features:* EnviroTex Lite: 8oz Kit, 32oz Kit & Gallon Kit* Use over acrylics or thoroughly dried oil paintings for a one of a kind, crystal clear, super hard, lustrous finish* Hardens to a high-gloss finish, and cures completely in 36 hours* The solvent-free formula is 100% solids and has no unpleasant odors* Waterproof as well as heat- and alcohol-resistant* Use Envirotex to coat, wood, rock, Sculpey, jewelry and more* Pottery or plaster pieces painted with any acrylic and finished with Envirotex have a kiln fired look* Use it to create a hard lustrous finish for table tops, plaques, clocks, figurines etc* Instructions are included* Kits include resin and catalyst Use over acrylics or throughly dried oil paintings for a one of a kind, crystal clear, super hard, lustrous finish. Use Envirotex to coat, wood, rock, Sculpey, jewelry and more. Pottery or plaster pieces painted with any acrylic and finished with Envirotex have a kiln fired look Envirotex Lite Kits - Pour On High Gloss Finish * Gallon Kit 02128: (1/2 gallon resin, 1/2 gallon Hardener), Coverage: 32 square foot* 32oz Kit 0232: (16oz resin, 16oz Hardener), Coverage: 8 square foot* 8oz Kit 02008: (4oz resin, 4oz Hardener), Coverage: 2 square foot* Envirotex Lite is used as a table tops, bar tops, resin art, wood, rock, sculpey clay, acrylic pour, jewelry and more. Envirotex Lite® is alcohol and heat resistant. Envirotex Lite® creates a hard lustrous finish for table tops, plaques, clocks, figurines etc. A Gallon Kit consists of 1/2 gallon of Resin and 1/2 gallon of Hardener, making a total of one gallon. See More
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American Easel Wood Painting Panel 7/8" Flat 9x12"Save Up to28%Off listNatural Classic wood painting panels perfect for any media! Made from splinter-free birch plywood mounted onto sanded, 7/8" deep solid poplar cradles, these new wood painting panels from American Easel are the ideal surface for any painter or multimedia artist! Painting on panels provides a benefit to the artist in that they are inflexible, stretch and warp resistant, and hence are perfect both for detailed work as well as found object and heavier art that requires a sturdy support. Though they can be used as is for certain applications, these panels can be primed with virtually any ground, from standard gessoes to rabbit skin glue, pastel or encaustic ground, mounted papers and more! The smooth, slightly beveled cradle edges can also be painted, and all that's needed for display is a single nail and the panels hang flush to the wall: no frame needed! Available in a wide array of rectangular and square sizes with a 7/8" profile. Paint like the old masters on panels proudly crafted in the USA! * Birch plywood painting panels on solid poplar 7/8" deep wood cradles * Smoothly sanded with slightly beveled corners * Will not flex, stretch, or warp * Paint the cradle edges and hang as is: no framing necessary! * Prime with virtually any ground: gesso, pastel primer, glue, mounted paper, and more! * Ideal for both detailed works and heavier art requiring a strong substrate * Available in rectangular, square formats * Made in the USA! See More
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Da Vinci Pro Birch Wood Panel 9"x12", 1-5/8" DeepSave Up to75%Off listNatural Superbly Crafted For Permanent Works Of Art! Fine-grained, finely sanded These superior quality Birch hardwood painting panels give artist’s exceptional panel strength and rigidity, with very fine wood grain. Finely sanded Da Vinci Pro Birch Wood Painting Panels deliver a consistently strong, sturdy archival support. They are fine grained and super smooth. The panels can be directly universally gesso primed, Encaustic gesso primed, or barrier-coated with PVA or rabbit skin glue sizing before oil priming. They are also popular with artists making their own linen or cotton canvas panels, or mounting sanded pastel or watercolor paper for a firm archival painting surface. Features:* Fine-grained, finely sanded* 7/8", 1 5/8" & 2 1/2" Deep* Strength and rigidity* Warp resistant, kiln-dried New Zealand Pine cradle with Birch panel* You can gesso the panel* Light weight and sturdy* Tougher than canvas and no problem of ever sagging* Unframed or framed* Wood sourced from ecologically fast growth forests Perfect For:* Nice smooth surface, no need to prep prior to base coating* Students, Teachers, Professionals* Mounting linen or canvas* Archival substrate* Universal priming* Well made so that even the edges hold the paint* Artists making their own linen or cotton canvas panels* Great for gallery presentations* Mounting sanded pastel or watercolor paper for a firm archival painting surface* Lightweight easy to hang* Acrylics, acryl gouache, pencil, collages* Artist Testimonial - "These Panels Are Beautifully Crafted" "I would give the DaVinci, Birch wood painting panels a five star rating any time. I love the DaVinci Birch and cradled painting panels. These panels are beautifully crafted, light weight and sturdy. Really they are more like furniture than a simple painting surface. Even though I gesso the surface its not necessary. Simply be inspired and apply the paint." Artist Ron Croci “The thickness of the board makes it easy to handle while painting, and in larger sizes an extra support beam is added to the middle of the board. I highly recommend these” Artwork by Artist Samuel Flegal @samuelflegal See More
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Williamsburg Wax Medium, 8oz CanSave Up to30%Off list…Handmade Oil Paints - Williamsburg Painting Mediums And Drying Oils! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the paint while working needs to be of equal quality of the paint you use, for the maximum benefit of continuity of paint film… The Perfect Accompaniment to Williamsburg Handmade Oil Paints - Williamsburg Painting Mediums And Drying Oils! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the paint while working needs to be of equal quality of the paint you use, for the maximum benefit of continuity of paint film strength and durability. Williamsburg is proud to offer a unique selection of drying oils and mediums to enhance your oil painting experience. Drying Oils are available in bottles from 4oz to 32 oz sizes, and Wax Medium is available in cans from 8oz to 32oz. Linseed Oil - Genuine alkali-refined linseed oil. Increases flow, transparency and gloss. Useful as an ingredient in painting mediums. Cold Pressed Linseed Oil - Genuine, cold-pressed linseed oil. Extracted through pressure alone. Less processed than alkali-refined oil. Closer to what was traditionally used in the past. Stand Oil - a thick, honey-like linseed oil with excellent leveling properties. Increases flow, transparency, and gloss. Useful as an ingredient in painting mediums. Slower drying and less yellowing than other linseed oils, it creates a smooth, durable, flexible film. Wax Medium - Pure beeswax, damar resin, and refined linseed oil. No paraffins or microcrystalline. Use in moderation to thicken paint; imparts a short, buttery texture. Increases transparency, dries to a satin sheen. Alkyd Resin - Made from a slow-drying pure alkyd resin with the consistency of a thick stand oil. Dries to a glossy, flexible, and enamel-like film. Useful in making other mediums or added directly into oil paints to modify transparency and flow. WARNING: Combustible. Vapor harmful. Key Features:* Professional, Handmade Oil Mediums* Quality cold-pressed drying oils* Oils to make custom mediums* Wax Medium to thicken paint* Perfect For:* Making custom painting mediums* Professional Oil Painters* Discerning students & amateurs* Using with professional quality oils See More
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Strathmore 400 Series Oil Pad 9X12 10 SheetsSave Up to33%Off listWhite Perfect alternative to canvases or boards for oil paints or oil pastels 400 Series Oil Painting Pads and Sheets - A convenient alternative to canvases or boards for oil paints or oil pastels. No gesso is required to prevent oil saturation, simply tear out a sheet and start painting! The linen surface mimics canvas while providing texture to help blend and hold layers of paint in place. Intended for the creation of final art pieces. 10 Sheet Pads are glue bound and have flip-over covers. Available in 9x12", 12x12", and 18x24" pads, plus 10 sheet pack in 18x24". Key Features:* 215 lb. 350 gsm Weight* Acid-free, Linen Textured Surface* No gesso is required Perfect For:* Tearing out a sheet to start painting* Creation of final art pieces* Oil Paints and Oil Pastels See More
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American Easel Wood Painting Panel 1-5/8" Deep 9x12"Save Up to28%Off listNatural Sturdy, cradled wood painting panels ideal for any artist! These new, all-wood painting panels from American Easel are the perfect surface for any painter or multimedia artist! Proudly crafted in the USA from splinter-free birch plywood mounted onto sanded, 1-5/8" deep solid poplar cradles, these panels are stretch and warp-resistant. You can prime them with just about any ground, from traditional gesso and rabbit skin glue to synthetic sizing, pastel, or encaustic grounds! Since the choice of priming is yours, so is the choice of media: use anything from watercolors, acrylics, and oils to egg tempera, encaustic, collage — even some sculptural effects on these strong and sturdy panels. With slightly beveled paintable cradle edges, a frame is not necessary. Just paint the edges and hang! The American Easel 1-5/8" Deep Painting Panels are available in a wide variety of rectangular and square sizes. Bring the tradition and versatility of wooden panels to your artwork with this new line from American Easel! Key Features: * Birch plywood on solid poplar 1-5/8" deep wood cradles * Smoothly sanded with slightly beveled corners * Will not flex, stretch, or warp * Paint the cradle edges and hang as-is: no framing necessary! * Prime with virtually any ground: gesso, pastel primer, glue, mounted paper, and more! * Available in rectangular and square formats * Made in the USA! Perfect For: * Ideal for detailed works and heavier art requiring a durable substrate * Students, Teachers, Professionals * Mounting linen or canvas * Gallery presentations * Mounting sanded pastel or watercolor paper * Firm archival painting surface * Lightweight easy to hang * Acrylics, acryl gouache, pencil, collages See More
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AlumaComp Aluminum, 9"x12" Archival Painting & Mounting PanelSave Up to78%Off listSilver 100% Archival / Unprimed Aluminum Boards - Acid Free- Adds Value to Your Artwork 100% Archival Boards - Acid Free- Adds Value to Your Artwork Great for Plein Air Painting - Painting on metal panels has been historically recorded since before the times of Rembrandt, who painted many of his great masterpieces on copper. In the last 20 years, professional artists have been moving towards working on aluminum composite panels (ACP), which feature lighter weights and stronger construction. AlumaComp is widely used for mounting fine art, photographs, linen and canvas to create an incredibly stable painting panel, or to use on its own as a reliable, archival painting support. The brushed aluminum surface takes primer beautifully, providing texture that grips the primer for a perfect bond. The smooth aluminum surface can be used as is to take advantage of its' beautiful finish, or custom sanded or polished for any texture necessary for your artistic applications. When used as a painting panel, the smooth side can be used as the work’s actual highlights for a modern look— either left bare as is, or sanded/buffed back to the bare metal before varnishing to take advantage of the metallic glow. Simply peel the screened film used to protect both sides, and let your creativity do the rest. Key Features: * Double-sided – one brushed aluminum, one polished smooth * 100% Archival Rigid and strong, yet lightweight * 4mm (3/16") thick * Acid-Free - Archival, will not decay * Prime and Paint in traditional oils & acrylics * Use primed or unprimed * Accepts most fine art media, primed or painted directly * Perfect for use as a mounting surface for photography, linen and canvas, even image transfers * Will not mold, or mildew like stretched canvas or wood panels * Can be Framed - No backing board needed * Sold Individually or in Boxes of 2 Perfect For: * Adding Value to Your Art * Plein Air - Lightweight & free from moisture * Professional Photographers, Fine Artists, Graphic Artists * Oils, Acrylics, Mixed Media, Watercolors * Art Prints, Inkjet, Screen Printing, Photos * Creating artwork with a fresh, modern look * Saving shipping costs to clients and galleries, due to lighter weight * Experimental and modern art * Working in environments where humidity levels fluctuate* See below for the larger sizes sold in boxes of 2: 36" x 36" - 18" x 72" - Also not for larger sizes, may need to support to prevent bending Professional Artist Eric Armusik "My work requires the highest standards and after 15 years of painting on wood i have abandon it forever after painting on AlumaComp, I will be painting all 40 large panels using this substrate as well as many more paintings, commissions and mounting of my prints", "It's an amazingly versatile substrate for those who want the smooth surface of a panel but are afraid to paint on something like wood which is prone to warping" Eric Armusik, (b. 1973) paints classical figurative art that fuses his life experiences with art history. His paintings are a declaration to the dramatic power of representational art. The origin of his inspiration does not lie in academia, but rather his childhood, surrounded by the vivid paintings he saw in Gothic cathedrals as a child. Eric doesn’t aspire to simply paint a figure; he paints a moment, a human experience, and an emotional dialogue that transcends culture, religion and time itself. See More
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Speedball Drawing Fluid / Screen Filler KitSave Up to38%Off list…All In One Screen Printing Kit - Light source included! — Ready to take on the Photo Emulsion method for your next creation? Then this kit is perfect for you! Not only does the Speedball All-in-One Kit include all of the tools and inks featured in complementary kits in the line, but it also… Screen printing kits perfect for beginners and advanced artists! Speedball, a company globally recognized for mastering printmaking, has developed these fantastic screen printing supply kits ideal for any artist! Learn printing techniques from the ground up, or improve your knowledge with these convenient kits that come with everything you need for creating beautiful and detailed screen prints! Key Features: * Permanent fabric screen printing ink * Ink won't crack or peel over time * No heat-setting required * Laundry safe * Bold opaque color * Workstation cleans up easily with soap and water * Perfect For: * Printing bold, opaque color with a soft hand * Cotton, linen, polyester blends, rayon, and other synthetic fibers * Use on paper and cardboard * Bright and personalized fabrics * Long-lasting fabric block printmaking Intermediate Deluxe Screen Printing Kit — Provides all that’s needed to print on either fabric or paper using the Drawing Fluid/Screen Filler and the Photo Emulsion methods of screen printing. This kit contains: (1) 10”x14” Speedball Wooden Screen Frame and Base; (1) 8”x10” Speedball Wooden Screen Frame; (1) Speedball Craft Squeegee (Textile); (1) Speedball Craft Squeegee (Graphic); (2) 4oz. jars of Speedball Fabric Screen Printing Ink (one each Black, Red); (4) 4oz. jars of Speedball Acrylic Screen Printing Ink (one each Black, Process Cyan, Process Magenta, Process Yellow); (1) 4oz. bottle of Drawing Fluid; (1) 4oz. bottle of Screen Filler; (1) 3.3oz. bottle of Speedball Diazo Photo Emulsion; (1) bottle of Speedball Sensitizer; (1) 4oz. bottle of Speedball Photo Emulsion Remover; (1) 4oz. bottle of Speedball Speed Clean™; (2) Speedball Transparencies; (1) Round Brush; (6) Craft Sticks; (1) sheet of black paper; (1) Speedball Screen Printing Instruction Guide. Essential Tools Screen Printing Kit — Ideal for those who already have all the ink their project requires. The Speedball Essential Tools Kit contains the products needed to create a screen using either the Drawing Fluid/Screen Filler or the Photo Emulsion methods of screen printing. This kit features: (1) 10”x14” Speedball Wooden Screen Frame; (1) Red Baron™ Squeegee; (1) 4oz. bottle of Drawing Fluid; (1) 4oz. bottle of Screen Filler; (1) 3.3oz. bottle of Speedball Diazo Photo Emulsion; (1) bottle of Speedball Sensitizer; (1) 4oz. bottle of Speedball Photo Emulsion Remover; (1) 4oz. bottle of Speedball Speed Clean™; (1) Round Brush; (1) Speedball Screen Printing Instruction Guide. Intermediate Screen Printing Kit — For artists ready to tackle both the Drawing Fluid/Screen Filler and the Photo Emulsion methods of screen printing to print on paper, this kit is an excellent find! The Speedball Intermediate Kit includes: (1) 10”x14” Speedball Wooden Screen Frame; (1) Red Baron™ Squeegee; (2) 4oz. jars of Speedball Acrylic Screen Printing Ink (one each Black, Red); (1) 4oz. bottle of Drawing Fluid; (1) 4oz. bottle of Screen Filler; (1) 3.3oz. bottle of Speedball Diazo Photo Emulsion; (1) bottle of Speedball Sensitizer; (1) 4oz. bottle of Speedball Photo Emulsion Remover; (1) 4oz. bottle of Speedball Speed Clean™; (1) Round Brush; (2) Craft Sticks; (1) Speedball Screen Printing Instruction Guide. Advanced All In One Screen Printing Kit - Light source included! — Ready to take on the Photo Emulsion method for your next creation? Then this kit is perfect for you! Not only does the Speedball All-in-One Kit include all of the tools and inks featured in complementary kits in the line, but it also contains the light source needed to make the process of exposing your screen a breeze! This kit includes: (1) 10”x14” Speedball Wooden Screen Frame and Base; (1) Speedball Craft Squeegee (Textile); (4) 4oz. jars of Speedball Fabric Screen Printing Ink (one each Black, Red, White, Blue); (1) 3.3oz. bottle of Speedball Diazo Photo Emulsion; (1) bottle of Speedball Sensitizer; (1) 4oz. bottle of Speedball Photo Emulsion Remover; (2) Speedball Transparencies; (1) Lamp; (1) Photoflood Bulb; (1) Lamp Clamp; (4) Craft Sticks; (1) sheet of black paper; (1) Speedball Screen Printing Instruction Guide. NEW! Diazo Light Kit — The Speedball Light Kit is perfect for exposing screens using the Speedball DIAZO Photo Emulsion process. Comes with an exposure lamp, 250 wall photo flood bulb, and 9.5in x 13.75in black paper. Beginner Screen Printing Vinyl Kit — The Beginner Screen Printing Vinyl Kit allows crafters and artists with a vinyl cutter to create custom screen printed products at home with no chemicals! Speedball partnered with vinyl crafter and screen printing extraordinaire Jennifer Sanderson of Pigskins & Pigtails to develop an all-in-one printing kit perfect for anyone wanting to use their vinyl stencils to create an endless range of personalized fashion, craft, and home decór projects. Perfect for the crafter looking for new ways to use their vinyl cutter, this kit has everything you need to get started screen printing custom shirts, totes, tea towels, and much more! The value-priced kit includes (1) Red Baron™ Squeegee, (1) 10x14 wood frame and mesh, (1) bottle of 4 oz fabric screen printing ink (Black), (3) craft vinyl sheets, (3) transfer tape sheets, (1) parchment paper sheet, (1) craft stick, and a set of step-by-step instructions. Drawing Fluid / Screen Filler Kit — Drawing Fluid and Screen Filler Set. The Drawing Fluid-Screen Filler method is a technique for creating screen art directly. Produce freehand drawings or traced images on a printing screen using the Drawing Fluid; then use the Screen Filler to create the final masked printing screen. This package contains one 8 fl. oz. bottle of Drawing Fluid; one 8 fl. oz. bottle of Screen Filler; and detailed instructions. Printing screens sold separately. Conforms to ASTM D4236. Made in the USA. See More
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MAS FastCast Urethane Casting Resin 8oz KitSave Up to28%Off list…can be removed from molds within ten to fifteen minutes of the resin being poured. Once cured, the casting can be drilled, sanded, shaped and painted. Perfect for casting, quick prototyping, models, sculpture, taxidermy and more. Key Features: * Urethane Resin sets in 10 minutes * Opaque white… Urethane Casting Resin Sets in 10 Minutes! MAS FastCast Urethane Casting Resin is a two-part clear urethane casting resin, once set the resin turns white. The urethane is odorless and sets in ten minutes at seventy degrees Fahrenheit. Both components of the two part mixture can be colored or tinted with opaque pigments or transparent dyes. If you color the resin solution the casting will turn to a pastel shade of that same color. Pieces can be removed from molds within ten to fifteen minutes of the resin being poured. Once cured, the casting can be drilled, sanded, shaped and painted. Perfect for casting, quick prototyping, models, sculpture, taxidermy and more. Key Features: * Urethane Resin sets in 10 minutes * Opaque white cast once cured * Odorless Perfect For: * Casting, quick prototyping, models * Sculpture or taxidermy * Ideal for larger casts See More
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GOLDEN Fluid Acrylics Iridescent Gold Deep (Fine) 8 ozSave Up to30%Off listIridescent GOLDEN Fluid Acrylics provide a highly intense, permanent acrylic with a consistency similar to india ink. Equal the intensity of GOLDEN Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying (particularly when mixed with GOLDEN Airbrush Medium), staining techniques and many others. Fluids are created by loading an acrylic polymer binder with concentrated levels of quality pigments for a wide selection of permanent and lightfast colors. No fillers or extenders are added to achieve the desired consistency, nor is the fluid quality achieved with additional water. GOLDEN Fluid Acrylics have the same pigment load as the Heavy Body Acrylics, but in a viscosity similar to heavy cream. Fluids allow for smooth flowing applications while retaining color intensity, tinting strength, film integrity, and adhesion. Fluids blend easily with all acrylic colors, and readily tint gels, mediums, gessoes and grounds. Fluid Acrylics are extremely versatile, and ideal for fine brushwork, glazing, staining, water media techniques and many more. Mix Fluid Acrylics with Airbrush Medium for airbrush application of artwork including textiles. Key Features: * Smooth flowing applications * Permanent and lightfast colors * Extremely versatile * High tinting strength * Low-viscosity, pigment-saturated paint * Retain excellent flexibility when dry * High pigment levels suspended in an acrylic polymer vehicle * Perfect For: * Fine brushwork * Glazing and staining * Water media techniques * Dry brush application * Spraying, brushing, and staining * Allowing for longer, more uniform brush strokes * Absorbing the constant stress and strain placed on canvas Golden Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility, and good adhesion. * Golden Fluid Acrylics Interference Colors which reflect their own colors in intense direct light and transmit a complement in indirect light. This "flip" varies according to the surface and the surface color. Adding a small amount of black will produce brighter colors. * Golden Fluid Acrylics Iridescent Colors reflect their own light. They appear differently dependent on the light source being either direct or indirect. Mix these colors into other GOLDEN colors to produce the greatest array of pearlescent colors imaginable. Experiment for unique and fascinating effects. See More
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GOLDEN Open Acrylic Paints Pyrrole Red 8 ozSave Up to30%Off listRed Slow-drying acrylic paint that enables painters to explore techniques GOLDEN OPEN paint is a slow-drying acrylic paint that enables painters to explore techniques traditionally reserved for oil paints. The slow-drying quality gives artists longer working time for easier blending and even subtractive techniques. There is a unique thinner and mediums for use with OPEN, but the paints are compatible with regular fast-drying acrylics and clean up with soap and water like regular acrylics. OPEN Acrylics are formulated with an optimum balance of pigment load and 100% acrylic polymer dispersion to produce a paint with a uniquely relaxed set of working characteristics and a versatility that allows artists to explore a wider range of techniques such as portraiture and landscape painting that rely on softening, shading, glazing, and creating fine detail. Increased working time of these colors expands their range to include more traditional techniques once only possible with oils Key Features:* Resists skinning, remain wet on the palette for extended periods* Feels like no other paint* Stays wet longer* Expands the boundaries of acrylics* Formulated with an optimum balance* Tubes: 2oz. & 5oz. / Jars: 4oz. & 8oz.* Titanium White: 32oz. Jar* 100% acrylic polymer dispersion* Perfect For:* A uniquely relaxed set of working characteristics and versatility* Allowing artists to explore a wider range of techniques* Portraiture and landscape painting* Softening, shading, glazing, and creating fine detail* Plein air painting, mono-printing, and screenprinting* Drying time can also be accelerated by mixing OPEN with faster-drying acrylics like our Fluid and Heavy Body colors* Reducing the amount of paint wasted and preserving color mixtures for future use How long does it take for Golden Open acrylics to dry? GOLDEN OPEN typically dries in 3-5 hrs. To control viscosity while maintaining the maximum working time Use OPEN Mediums and Thinner. To accelerate drying time, OPEN Acrylics may be blended with faster-drying GOLDEN Acrylics, Gels, and Mediums. OPEN Acrylics resist skinning, remain wet on the palette for extended periods, and exhibit a remarkable versatility that allows them to be used directly from the tube for plein air painting, mono-printing, and screenprinting. OPEN Acrylics may be blended with other GOLDEN Acrylic Colors, Mediums, and Gels, with the open time of the resulting mixtures being proportionately reduced. Because OPEN Acrylics dry slowly, painters who cover their palettes or use sealed containers have been able to use the same colors for weeks, reducing the amount of paint wasted and preserving color mixtures for future use. See More
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Jacquard Lumiere Fabric Color - Old Brass, 8oz JarSave Up to37%Off listMetallic Dazzling metallic colors for fabric, paper, leather, wood, and more! These gorgeous metallic paints spread smoothly and stay flexible on fabric and leather! The line contains traditional metallic colors as well as pearlescent and hi-lite colors. The hi-lite colors are practically transparent on light colors and show up beautifully on darker tones and these stunning light-bodied paints brush on smoothly and are formulated to last. The newest addition to the Lumiere line is our Wine Country Palette. It consists of seven autumn colors in rich, sophisticated tones. Whether you want a little sparkle or a lot of dazzle, there is a Lumiere color for you! They won’t crack, peel or chip, even on flexible surfaces like fabric, leather, vinyl or rubber. Soft to the touch and washfast on fabric, Lumiere paints also exhibit unparalleled adhesive properties, even on non-porous surfaces like ceramic and metal. Lumiere colors are lightfast and weather-resistant, and their high pigmentation provides excellent coverage, even on dark grounds. Key Features: * Stunning light-bodied paints * Metallic and pearlescent acrylic * Soft to the touch and washfast * Lightfast and weather-resistant * Brushes on smoothly * High pigmentation provides excellent coverage * Won’t crack, peel, or chip on flexible surfaces Perfect For: * Fabric, leather, vinyl, and rubber * Ceramic and metal * Fine arts, crafts, or textile applications * Paper, photos, wood, plastic, and styrofoam See More
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Strathmore Mixed Media 300 Series Spiral Bound Pad (117 lb., 40 Sheets Vellum) 9"x12"Save Up to40%Off list…and almost any art media combination! Key Features:* Micro-perforated sheets* Made in the USA!* Acid-free white vellum* Medium texture surface* Travel or Plein air work Perfect For:* Creating unique, dramatic effects* Watercolor, marker, pen & inks* Gouache, acrylic, collage* Charcoal and… High-Performance Papers For Multiple Media! Strathmore has crafted a line of papers perfect for the demands of mixed-media applications that blend wet and dry media with collage elements! The spiral-bound 300 Series is great for sketches and quick studies. The tape-bound 400 Series pads are excellent for illustrations or completed artwork. The 300 Series and 400 Series Mixed Media pads feature artist-grade papers that combine the characteristics of a watercolor paper with the finish of a drawing paper. Both series are ideal for works in graphite, colored pencil, charcoal, pastel, watercolor, marker, pen and ink, gouache, acrylic, collage, and almost any art media combination! Key Features:* Micro-perforated sheets* Made in the USA!* Acid-free white vellum* Medium texture surface* Travel or Plein air work Perfect For:* Creating unique, dramatic effects* Watercolor, marker, pen & inks* Gouache, acrylic, collage* Charcoal and colored pencils* Soft and oil pastels 300 Series Mixed Media Pads: These spiral-bound pads feature 40 sheets of medium weight 117 lb. (190gsm) true-size, micro-perforated sheets. Available in 3 popular sizes, this acid-free medium weight paper is great for sketches and practice pieces in both wet and dry media. For mixed media sketches, the practice of techniques and quick studies. Weight: 117 lb. 190 gsm Surface: Vellum 400 Series Mixed Media Pads: High-quality artists' paper in tape-bound pads of 15 sheets of heavyweight 184 lb. (300gsm) paper perfect for finished art. Acid-free, glue bound pads have flip-over covers and combine the characteristics of watercolor paper with the finish of a drawing sheet, creating the ultimate paper for combined mediums. For studies or finished art. Heavyweight paper. Weight: 184 lb. 300 gsm Surface: Vellum See More
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Fredrix Cut Edge Canvas Panels 9x12" - White Pack of 25Save Up to41%Off listWhite Artist Quality Canvas Panels at an Amazing Value! Fredrix Cut Edge Canvas Panels are an innovative alternative to typical canvas panels at an amazing value! Made with acid-free, acrylic double primed canvas mounted to acid-free chipboard, these economical panels are primed and ready to paint on and won't yellow over time. Each panel is precisely cut for perfect, clean edges. They are ideal for painting with either oil or acrylic paint to make beautiful works of art. Available in standard, round, square and mini canvas styles the panels are available in select sizes in white. Key Features: * Acid-free acrylic gesso primed * Clean edges * Available in a variety of sizes, shapes, and colors * Medium textured canvas * Strong chipboard backing * Very rigid * Perfect For: * Oils, acrylics, alkyds, and tempera * Studio and classroom use * Practicing your painting * Studies, experiments, and initial renderings See More
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Fredrix 9x12" Watercolor Archival Canvas Boards Pack of 12Save Up to46%Off listWhite Special coating that performs similar to a cold pressed or rough watercolor paper Fredrix Watercolor Canvas Board is an authentic 100% woven cotton artist canvas with a special coating that performs similar to a cold pressed or rough watercolor paper, yet it provides a distinctive look that can only be achieved on canvas. This innovative 100% cotton artist canvas combines the texture of a natural, woven fabric with a specially formulated gesso designed for all water-based paints. Won't buckle or tear like paper Fredrix Watercolor Canvas Board will accept all watermedia and mixed media techniques. For example, transparent and opaque watercolors, acrylic and watercolor inks, fluid acrylics, and watercolor pencils. Fredrix Watercolor Canvas Board will also work with traditional acrylic paints in different viscosities. Archival boards are mounted on rigid, non-warping hardboard core Key Features:* Archival boards are mounted on rigid, non-warping hardboard core* Manufactured with acid-free materials* Guaranteed to be 100% Archival quality* Specially formulated gesso for water based paints* Rigid, non-warping hardboard core* Superb lifting ability for easy washes and corrections* Won't buckle or tear like paper* Exceptional value for the price* Sold as 12 to a box* Perfect For:* Sturdiness compared to watercolor paper.* Watermedia and mixed media techniques* Transparent and opaque watercolors* Acrylic and watercolor inks* Fluid acrylics, and watercolor pencils* Traditional acrylic paints in different viscosities* Framing with or without glass* An amazing quality canvas for the price! Fredrix Watercolor Canvas Board will accept all watermedia and mixed media techniques. For example, transparent and opaque watercolors, acrylic and watercolor inks, fluid acrylics, and watercolor pencils. Fredrix Watercolor Canvas Board will also work with traditional acrylic paints in different viscosities. See More
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Guerrilla Painter Handy Porter, 9"x12"Save Up to17%Off list…it protects paintings out in the field without weighing you down. It can also be used to store paintings or keep them dust free while drying. The sides have an angular channel design to protect the edges of your artwork. One advantage of the Handy Porter™ over other wet painting carriers is that… The Handy Porter™ is perfect for carrying and storing small canvases and boards. Available in five sizes, the Handy Porter™ is constructed of sturdy corrugated cardboard. Each box holds four panels or two 3/4" stretched canvases. Lightweight and sturdy, it protects paintings out in the field without weighing you down. It can also be used to store paintings or keep them dust free while drying. The sides have an angular channel design to protect the edges of your artwork. One advantage of the Handy Porter™ over other wet painting carriers is that it is very lightweight and economical. Shipped flat with instruction for assembly. See More
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Panelli Telati 9x12" Canvas Mounted Panel, Pack of 4Save Up to42%Off listWhite 100% Cotton, Acid-Free! Crafted For All Types Of Media! The durable Pannellli Telati Boards from are crafted for all media types and feature a uniform texture and pleasing tooth. Each 100% cotton acid-free canvas is mounted on a non-directional 3.2mm thick composite board that allows you to build up layers of paint. Much loved for their lightness and versatility, Pannellli Telati Boards are one of the preferred supports for painting by oil and acrylic artists. Key Features: * 3.2mm thick board * Acrylic primed gesso * 100% cotton, acid-free canvas * Low cost, high quality stretched cotton canvas * Non-directional hardboard core * Pleasing tooth and uniform texture * Archivally stabile * Sold in 4 Packs Perfect For: * Acrylics, oils, alkyds, and all types of media * Collage and mixed media * Impasto painting * Building up heavy compositions * Traveling, on the go * Plein air painters "The finish is fine enough and the cotton has a fine weave so it doesn't catch my knife, but still has just enough eggshell surface and is not slick. I am totally satisfied and that is really saying something. Please don't ever stop carrying this product." See More
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Fredrix Pro Series Linen Canvas Boards, 9x12" Box of 12Save Up to49%Off listWhite Archival Boards with the Fredrix® Archival Seal of Quality! Fredrix® Pro Series 100% Belgian Linen Archival Canvas Board is a professional grade, archival painting surface with medium texture canvas mounted on an acid-free board. Good for acrylic and oil paints. These professional grade canvas boards are constructed throughout with the highest quality, non-acidic archival materials. The tempered hardboard core will not warp, become brittle or deteriorate over time. Mounted with proprietary acid-free adhesive, their surfaces use the finest Fredrix® primed canvases, ensuring they will stand the test of time. Key Features:* Acrylic titanium primed* 100% Belgium Linen* Made from acid-free high quality material* Long-lasting hardcore board won't warp or become brittle* Mounted with proprietary acid-free adhesive* Two coat, acid-free base* Perfect For:* Great for acrylics, alkyds, caseins and oils* Paint markers, permanent markers, and spray paints* Linen Canvas Boards are the established artists choice* Guarantees your work for generations to come See More
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Fredrix Archival Canvas Boards Cotton Duck - Pack of 12 9x12"Save Up to51%Off listWhite Archival Boards with the Fredrix® Archival Seal of Quality! Fredrix® Pro Series 100% Cotton Duck Archival Canvas Boards are a professional grade, archival painting surface with medium texture canvas mounted on an acid-free board. Good for acrylics, oils and alkyds. Features the world-famous Tara Fredrix® Dixie 12 oz Cotton Duck canvas, double-primed with acid-free acrylic Titanium gesso for professional results. These professional grade canvas boards are constructed throughout with the highest quality, non-acidic archival materials. The tempered hardboard core will not warp, become brittle or deteriorate over time. Mounted with proprietary acid-free adhesive, their surfaces use the finest Fredrix® primed canvases, ensuring they will stand the test of time. Key Features:* 100% Dixie 12oz Raw/17.5oz Primed Cotton Duck Canvas* Made from acid-free high quality material* Long-lasting hardcore board won't warp or become brittle* Mounted with proprietary acid-free adhesive* Two coat, acid-free base* Perfect For:* Great for acrylics, alkyds, caseins and oils* Linen Canvas Boards are the established artists choice* Guarantees your work for generations to come See More
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U.Go Plein Air Wet Panel Carrier, Medium (9" x 12" or Less)
Starting At: 110.95
Grey Stores 4 Standard Thickness Panels, Back-To-Back The u.go™ Plein Air Wet Panel Carrier offers a durable design to transport and carry wet painting panels safely. The rugged, waterproof exterior is made of solvent-resistant material to protect your wet paintings from the elements, while the rigid aluminum interior provides maximum protection. A track system inside the carrier allows you to fit different panel sizes. Carriers are available in both Large and Medium. Each carrier includes 2 u.go 1" Panel Reducer Tracks to carry panels of different widths. The Reducer Tracks can be placed in multiple positions within the central track system to hold your desired panel widths. Key Features: * Lightweight panel carrier design * Easy to adjust, shoulder strap * Waterproof and solvent-resistant exterior * Rigid aluminum frame for ultimate protection * Includes two u.go 1" Panel Reducer Tracks * Stores 4 standard thickness panels 0.20 or less, back-to-back, in the 2 tack systems * Made in the USA of U.S. and imported parts Perfect For: * Professional artists and students * Transporting wet painting panels * Holding multiple wet panels * Plein air traveling * Everyday studio use 2 Sizes Available Medium: * Exterior Dimensions: 10x2x12.5" * Weight: 3.10 pounds * Includes two u.go 1" Panel Reducer Tracks * Stores 4 standard thickness panels 0.20 or less, back-to-back, in the 2 tack systems * Common Sizes Held: 9x12", 8x10", 8x8", 9x6", 6x8", and 5x7" * Panel Height: Holds 10" or less Large: * Exterior Dimensions: 13x2x16.5" * Weight: 4.75 pounds * Includes two u.go 1" Panel Reducer Tracks * Stores 4 standard thickness panels 0.20 or less, back-to-back, in the 2 tack systems * Common Sizes Held: 12x16" , 12x12", 11x14", 10x12", 10x10", 9x12" 8x10", and 6x12" * Panel Height: Holds 16" or less See More -
Painter's Color Diary 9"x12" Wire Bound Pad, WatercolorSave Up to54%Off listWhite Build Your Color Library! Patent Pending Exclusive to Jerry’s, The Painter’s Color Diary® has a fail-proof layout that allows you to record swatch information for future reference. There are countless ways to use the Painter's Color Diary®. Some examples are: * Swatching new color purchases * Testing color transparency and opacity * Creating color mixing formulas * Testing color palettes for an upcoming painting The color diary is spiral-bound with removable pages so that you can work on multiple sheets simultaneously. Once dry, you can reinsert the pages between layers of the included glassine, so they don’t stick together. The top of each color chart has a space for writing the paint brand, the date, or an assignment title if it’s for class. Each swatch box contains a bold black line to show transparency or separate half-tones. The color diary is truly a game changer when it comes to planning the mood of a painting. It’s a remarkable resource to have. Oil & Acrylic Color Diary: * Perfect for oil and acrylic paint * 40 outlined swatch boxes on each page * 136 lb. (290gsm) sized canvas textured paper * 10 removable pages with glassine interleaving * Each swatch outline measures 1" x 1-1/2" * Pages measure 9" x 12" from the spiral binding Watercolor & Multimedia Color Diary: * Perfect for watercolor, colored pencils, pastels, and more! * 35 outlined swatch boxes on each page * 140 lb. (300gsm) 100% cotton cold press paper * Landscape page layout for watercolor gradations * 10 removable pages with glassine interleaving * Each swatch outline measures 1" x 1-1/2" * Pages measure 9" x 12" from the spiral binding Travel Painter’s Color Diary®: * Perfect for watercolor, colored pencils, pastels, and more! * 140 lb. (300gsm) 100% cotton cold press paper * Landscape page layout for watercolor gradations * 36 swatch boxes per page * 10 removable pages with glassine interleaving * Each swatch outline measures 1-3/16" x 1/2" * Pages measure 6" x 8" from the spiral binding Painter’s Color Diary® Binder Box: * Designed to hold Painter’s Color Diary® pages * 1-½" diameter binder ring * Holds up to 40 diary pages * Overall size 9-3/4" x 14-7/8" x 2-7/16" * Holds up to 40 pages (sold separately) * Compatible with 9" x 12" and 6" x 8" sizes * Durable soft-touch cover and sides * Strong magnetic closure keeps the binder secured * Metal label plate for easy identification * Added protection from light and dust * Perfect for cataloging all of your swatches archivally Build your color library with the new Painter's Color Diary® Binder Box – the perfect place to store and protect all your swatched pages. Painter's Color Diary® Review "Over the decades, I have continued to make tests of a diverse and ever-growing collection of oil paints, taking note of how they respond to the addition of white paint to analyze tinting strength or adding a glaze medium to note how the pigments react transparently. Sometimes I will test one color, such as Raw Sienna, from different paint manufacturers to determine which version will be best for my needs. Before using The Painter's Color Diary®, I did these tests on my painting or palette and wiped them away. With this wonderful tool, I now keep a record and note each color and company. For me, The Painter's Color Diary® is the perfect color tool for artists working in oils. Printed on high-quality canvas paper and protected by vellum sleeves, this pad allows for the testing and recording of colors with no bleed-through. I highly recommend the Painter's Color Diary®, not only for students but for professional artists. My color struggle now will be to decide whether to keep the pages in the book or post them on the studio wall!" John Wellington - Painter and teacher See More
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