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StudioSolv™ Artist Oil Thinning Medium, 1 GallonSave Up to69%Off list…8.4 oz, 16.9 oz, and 33.8 oz bottles Perfect For: * Thinning stiff, heavy-bodied oils * Modifying painting mediums * Minimizing brush strokes * Oil painters of all skill levels * Creating lean mediums * Removing varnish from canvas * Studio and classroom use * Airplane travel … Purified Odor-Free Artist Solvent For Thinning Oils Tusc & Pine StudioSolv™ is a purified, odor-free oil-thinning medium. It's designed to thin oils and mediums while maintaining the integrity of your color. Experiment with different ratios of StudioSolv™ and linseed oil to create a custom lean medium. Although aromatic solvents have been extracted to remove odor, adequate ventilation should be practiced for safety. The Purist Odorless Thinner You Can Buy! No solvent odors, only the wonderful smell of oil paint! Key Features: * Professional grade oil thinner * Made to the highest standards * Purified and odor free * Aromatic solvents removed (No solvent odors, only the wonderful smell of oil colors) * Higher safer flashpoint rating (flashpoint of 144°F) * Made in the USA * Conforms to ASTM D 4236 * Available in 3.2 oz, 8.4 oz, 16.9 oz, and 33.8 oz bottles Perfect For: * Thinning stiff, heavy-bodied oils * Modifying painting mediums * Minimizing brush strokes * Oil painters of all skill levels * Creating lean mediums * Removing varnish from canvas * Studio and classroom use * Airplane travel Safe For Travel By Air! StudioSolv™ has a flashpoint of 144°F which classifies it as a combustible liquid by DOT regulations, however, it is considered safer than solvents with lower flashpoints and faster evaporation rates. StudioSolv™ also conforms to FAA and TSA guidelines and can be safely transported by airplane, making it a convenient option for artists who travel. The 3.4 oz bottle is the perfect carry-on size, while larger sizes can be packed in your checked bag. Printable Travel Guidelines StudioSolv™ SDS While StudioSolv™ is currently allowed by FAA guidelines, we recommend always checking current regulations before traveling. To ensure a smooth and hassle-free experience, please bring a printed copy of the SDS and travel guidelines to show at baggage check. If the flight is international, please check the policy of your destination country. Solvents should be stored in an airtight container out of reach of children. Replacing the lid during painting sessions can help reduce VOC levels in the air. Always work in a well-ventilated area. Wash your hands after painting and before eating. StudioSolv™ is not recommended for use with gum resin mediums like dammar, copal, and mastic. Gum resins pair well with traditional turpentine. Deluxe Bundle Sets Available with Exclusive Extras! Click on the item number to view the contents of each bundle set. SoHo Artist Disposable Studio Wipes: SoHo Urban Artist Wipes are the ultimate cleaner for varnish, acrylic, and oil brushes. The wipes are also an effective and gentle cleanser for hands, brushes, tools, and more. Silicoil Brush Cleaning Tank: The clear glass brush cleaning tank can hold up to 12 oz of water, solvent, or brush cleaning fluid. The spring-like coil provides flexibility to aid in the cleaning of your brushes. Air-Tight Deluxe Brush Washer: Perfect for travel and studio use, the stainless steel brush washer can hold over a pint of liquid! The lid has a built-in gasket that forms an air-tight, leak-proof seal, preventing harsh fumes from escaping. Da Vinci Air Tight Brush Washer: The brush washer is designed to hold over a pint of solvent. A specially outfitted gasket on the lid maintains an air-tight seal no matter what. Latches ensure the lid stays shut while traveling. Petite Air Tight Brush Washer: The Petite Air Tight Brush Washer measures a maximum diameter size of just 3" and a height of just 3-5/8". It holds about 10 oz of fluid. The washer has two locking clamps for an air-tight seal and a removable strainer. See More
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LUKAS Painting Butter Impasto Oil Medium 500ml CanSave Up to60%Off list…"knife paintings." I have turned many of my students onto it, too! It's now a staple of my "must-have" supplies." Paint in heavy impasto techniques – LUKAS Painting Butter Impasto Medium Read Blog Article -> Thicken Your Oil Paints with Impasto Medium for Oil Paints – LUKAS Painting… Paint in heavy impasto techniques without wasting valuable pigment! Layers will dry without shrinking, cracking, or wrinkling! Paint in heavy impasto techniques without wasting valuable pigment with this quick drying, elastic, alkyd resin-based Painting Butter medium from LUKAS! Formulated with special drying agents and thickeners, this impasto medium helps keep the thick constitution of heavy paint application with no leveling, ensuring that your paint structure remains. Layers will dry without shrinking, cracking or wrinkling! LUKAS Painting Butter Impasto Medium is a transparent, slightly amber-tinted mixture of alkyds, thickeners, and driers and is the same consistency as straight oil paint: * Mixing it with your paint will thin the color somewhat, but allows you to paint in heavy impasto layers while not wasting pigment.* Ensures the layer dries completely and evenly.* An indispensable medium for the oil artist fond of impasto and palette knife painting techniques! Helps maintain brushstrokes and speeds the drying rate of oil colors Key Features: * Alkyd base speeds up drying time of oil paint * Dries at the same rate! * Dries evenly without wrinkling or cracking * Special drying agents and thickeners * Paint in impasto layers up to an inch thick! * No need to add a lot of paint to it to get the color you want * Not only dries faster but can double your colored pigment! * Mixes easily with the oils and dries very quickly, allowing additional coats of paint to be applied without smearing * If you like texture in your oil painting, you'll love this product * Available in 37ml and 200ml tubes Perfect For: * Oil Painting Medium used to mix with oil paints for impasto techniques * Will thin the color somewhat but allows you to paint in heavy impasto layers * Ensures the layer dries completely and evenly * Impasto and palette knife painting techniques * Quick drying - special drying agents and thickeners * Ability to put paint over paint with ease * Thickens the paint and makes it so much easier to use a palette knife. * Colors stay vibrant, Extend oil paints without making them weak or runny * Excellent consistency of the butter, ability to spread smoothly* "I LOVE This Stuff! I love Lukas Painting Butter, both for my own work and in my workshops. Its heavy texture and FAST drying time are "just the ticket" for my "knife paintings." I have turned many of my students onto it, too! It's now a staple of my "must-have" supplies." Paint in heavy impasto techniques – LUKAS Painting Butter Impasto Medium Read Blog Article -> Thicken Your Oil Paints with Impasto Medium for Oil Paints – LUKAS Painting Butter See More
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LUKAS Acrylic Medium - Universal Modeling Paste, 500mlSave Up to60%Off list…acrylic painting mediums to dilute or extend paint, create different film sheens, and even retard drying time for wet-on-wet techniques. LUKAS also offers acrylic-based mediums for use in pouring paintings, airbrushing, and pastel grounds within an extensive collection of pastes, gels, and mediums.… Improve your Acrylics - LUKAS Professional Acrylic Mediums LUKAS has a rich tradition of top quality art supplies, supplying professional quality colors and mediums to artists since 1862. Their high-quality acrylic mediums, pastes, gels, primers, retarders, and varnishes have been carefully created to fulfill any acrylic painter’s needs. Any imagined texture, technique, or even faux finish is capable with one or more of the mediums below. Build up a massive volume of color with structure pastes in a variety of finishes from fine to extra coarse. Obtain specific looks with metallic modeling pastes, pumice pastes, glass beads, or pouring medium. Achieve granular looks with their structure pastes containing quartz sands. LUKAS manufactures a wide variety of acrylic painting mediums to dilute or extend paint, create different film sheens, and even retard drying time for wet-on-wet techniques. LUKAS also offers acrylic-based mediums for use in pouring paintings, airbrushing, and pastel grounds within an extensive collection of pastes, gels, and mediums. All mediums can be mixed with traditional acrylics for custom effects! Key Features: * Uses highest quality acrylic resins and materials * Create complex ground structures with Pastes and Gels * Retarders for longer work time and wet-on-wet painting * Mediums and metallic pastes to create different sheens and looks Perfect For: * Acrylic Painters * Pouring painting techniques * Faux Finishers * Artists of all Skill Levels * Experimenting with different textures and techniques Studio Universal Modeling Paste: V15963, V15964 Modeling paste created under the LUKAS Studio line, this modeling paste creates nice thicknesses of structure on the artwork. Dries an opaque greyish color. Contains aqueous acrylic resin dispersion (copolymer), fillers, and additives Retarding Medium: V15978 Retarding medium slows the initial drying of the paint film, and the acrylic colors it is mixed with. Depending on the amount added, the drying can be delayed longer, allowing for wet-in-wet techniques. The medium contains an aqueous solution of various humectants and additives. Pearl Structure Gel, Extra Fine: V15990 A milky white acrylic gel with pearlescent pigments dries a silvery-white, slightly transparent with intense pearly reflections. The color spectrum ranges from silver-white to light green to purples. The medium contains acrylic resin dispersion (pure acrylates) and pearlescent additives. Model Paste Set of 5: V16004 Set of five 125ml tubes includes the following mediums: Studio Universal Modeling Paste, Studio Light Structure Paste, Studio Extra Coarse Sand Modeling Paste, Crystal Gel, and Golden Modeling Paste. Color Cleaner: V15991 A cleaner formulated explicitly for Airbrushes and spray guns. Run Color Cleaner through the airbrush or gun after each color change, to reduce clogging of the nozzle. The medium contains surfactants, water, silicate, cleaning agents, and additives. See More
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Liquitex Acrylic Fluid Mediums - Gloss, 1 GallonSave Up to40%Off list…medium for imparting gloss. Matte Medium: Mix into colors, so that they dry uniformly matte. Satin Medium: Mix into colors, so that they dry uniformly satin. You can thin and extend acrylic paint with Satin Medium or use the medium as a collaging adhesive. Slow-Dri Blending Medium: This fluid medium… Lower the viscosity of heavier body paints >Liquitex Fluid Mediums are fluid and reduce the viscosity of heavier paints and gels, tend to self-level and do not retain brushstrokes. Rather than using water, Liquitex Fluid Mediums modify acrylic paints in a variety of ways and contain acrylic resins to maintain or enhance adhesion and durability. With Liquitex Acrylic Fluid Mediums, you can give your paint a gloss or matte finish, while thinning and extending its volume. Glazing Medium: Increases transparency, lowers viscosity, and enhances gloss. Perfect for creating brilliant, jewel-like glazes. The medium dries to a water-resistant, non-yellowing film. Gloss Medium: All-purpose medium for imparting gloss. Matte Medium: Mix into colors, so that they dry uniformly matte. Satin Medium: Mix into colors, so that they dry uniformly satin. You can thin and extend acrylic paint with Satin Medium or use the medium as a collaging adhesive. Slow-Dri Blending Medium: This fluid medium will increase the open working time of your acrylics by up to 40%. Increases transparency when shading, blending and mixing colors. Blending medium dries to a clear, flexible, non-yellowing, water-resistant film. Palette Wetting Spray: Slows drying time of acrylic color on palette or canvas and improves color blending. Spray and re-spray as needed to prevent acrylic paint from skinning over. Key Features: * Thin viscosity of heavier body paints, giving increased flow * Increases the color depth and transparency * Extends your color further without affecting acrylic stability * Maintain paint adhesion, durability, and archival quality * Archival and permanent * Intermixable with all Liquitex materials * Perfect For: * Acrylic painting * Minimizing paint waste * Collaging & mixed media * Photo transfers * Classroom, home, and studio * Teachers and students * All acrylic-friendly surfaces See More
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GOLDEN Fluid Acrylics Titanium White 1 gallonSave Up to30%Off listWhite GOLDEN Fluid Acrylics provide a highly intense, permanent acrylic with a consistency similar to india ink. Equal the intensity of GOLDEN Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying (particularly when mixed with GOLDEN Airbrush Medium), staining techniques and many others. Fluids are created by loading an acrylic polymer binder with concentrated levels of quality pigments for a wide selection of permanent and lightfast colors. No fillers or extenders are added to achieve the desired consistency, nor is the fluid quality achieved with additional water. GOLDEN Fluid Acrylics have the same pigment load as the Heavy Body Acrylics, but in a viscosity similar to heavy cream. Fluids allow for smooth flowing applications while retaining color intensity, tinting strength, film integrity, and adhesion. Fluids blend easily with all acrylic colors, and readily tint gels, mediums, gessoes and grounds. Fluid Acrylics are extremely versatile, and ideal for fine brushwork, glazing, staining, water media techniques and many more. Mix Fluid Acrylics with Airbrush Medium for airbrush application of artwork including textiles. Key Features: * Smooth flowing applications * Permanent and lightfast colors * Extremely versatile * High tinting strength * Low-viscosity, pigment-saturated paint * Retain excellent flexibility when dry * High pigment levels suspended in an acrylic polymer vehicle * Perfect For: * Fine brushwork * Glazing and staining * Water media techniques * Dry brush application * Spraying, brushing, and staining * Allowing for longer, more uniform brush strokes * Absorbing the constant stress and strain placed on canvas Golden Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility, and good adhesion. * Golden Fluid Acrylics Interference Colors which reflect their own colors in intense direct light and transmit a complement in indirect light. This "flip" varies according to the surface and the surface color. Adding a small amount of black will produce brighter colors. * Golden Fluid Acrylics Iridescent Colors reflect their own light. They appear differently dependent on the light source being either direct or indirect. Mix these colors into other GOLDEN colors to produce the greatest array of pearlescent colors imaginable. Experiment for unique and fascinating effects. See More
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Winsor & Newton Linseed Stand Oil Medium, 500ml BottleSave Up to43%Off list…drying oils and mediums. Any additive used to alter the working properties of oil paint needs to be of equal quality for the continuity of paint film strength and durability. Winsor & Newton is proud to offer a unique selection of oils and mediums to enhance your oil painting experience.… The Perfect Accompaniment To Oil Paints! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of oil paint needs to be of equal quality for the continuity of paint film strength and durability. Winsor & Newton is proud to offer a unique selection of oils and mediums to enhance your oil painting experience. Drying oils control color, prevent over-thinning when mixed with solvents, and help maintain the flexibility of paint film. Key Features: * Accelerates the drying time * Increases gloss & translucency of colors * For information click on yellow technote icon Perfect For: * Making custom painting mediums * Accelerating the drying of oil colors * Professional oil painters * Maintaining consistency * Preserving gloss Cold Pressed Linseed Oil - An oil extracted without the use of heat. Cold Pressed Linseed Oil makes oil colour "fatter". It reduces viscosity for better flow while adding transparency and gloss. Drying Poppy Oil - Extracted from the seeds of the poppy plant. Drying Poppy Oil makes oil colour "fatter" and has a pale character. The fast drying oil stabilizes a colour’s film. Dries more slowly than linseed oil and preserves good, clear colours even in the spectrum of light colours. Drying Linseed Oil - Fastest drying linseed oil, increases gloss, transparency, and reduces consistency. It decreases the consistency and transparency of the oil paint. Add to other oils to accelerate drying times. Linseed Stand Oil - For glazing and as an alternative for Refined Linseed Oil, due to its pale colour and excellent levelling. Linseed Stand Oil makes oil colour "fatter". It's a pale viscous oil that slows drying while imparting a smooth, tough enamel finish with no brush marks. Refined Linseed Oil - A low viscosity alkali refined oil of pale colour that dries slowly. Refined Linseed Oil makes oil colour "fatter". It reduces the consistency of the paint. Slower drying variant of the linseed oils. Add to fast drying oils to balance drying times. Bleached Linseed Oil - A refined pale oil which will improve the flow of colour and dries slightly faster than Refined Linseed Oil. Use with pale colours and white. Thickened Linseed Oil - Amber coloured, partially oxidised oil. Makes oil colour "fatter". A faster drying viscose oil. Can be used in combination with Sansodor to accelerate drying rates further. Safflower Oil - Extracted from the seeds of the safflower plant. Makes oil colour "fatter" and has a pale character. It's a slow drying oil that stabilizes paint film. Use with whites, pale and bright colours. The pale colour preserves the brightness of pigments. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More
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Sennelier Acrylic Medium Gel Binder 17ozSave Up to33%Off listWhite Premium quality acrylic mediums now available in a easy to use, easy to store pouches! Sennelier Acrylic Mediums pouches are a new addition to a 130 year legacy of combining the traditions of the old masters with the innovations of modern chemistry. These versatile, professional quality mediums can be used with abstract and Sennelier Artist Acrylics Mediums and are available in 120ml and 500ml pouches. * Gesso is a universal primer with great coverage for non-oil surfaces. It can be tinted by mixing with Sennelier Acrylics and is ideal for use with acrylic, oil & egg tempera paints. * Gloss Varnish enhances the luminosity, depth and adherence as a glossy medium and creates a glossy, UV protective film when applied with a dry brush. Permanent when dry, it can also improve the adhesion of paint. * Modeling Paste is a thick, white paste used to achieve textures and carved effects. This water-soluble modeling paste can be tinted by mixing with Sennelier Acrylics and is water-resistant when dry. * Water Gloss Gel has a similar consistency to acrylics and improves transparency, depth, and vibrancy of colors. It is also a great adhesive for use in mixed media art work. * Acrylic Binding Gel Medium is ideal for use as a binder with pigments to customize paints and as an adhesive for mixed media techniques. It produces a smooth, permanent satin finish and can be used to seal slick and porous surfaces. Key Features: * Acrylic mediums come in convenient 120ml & 500ml pouches * Can be mixed with abstracts and Sennelier Artist Acrylics * Available in Gesso, Gloss Varnish & Modeling Paste mediums * Water Gloss Gel & Acrylic Binding Gel can also be used as adhesives Perfect For: * Studio & classroom use * A variety of surfaces * Mixed media artists * Mixing with acrylics for custom tints See More
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Golden Fluid Matte Medium, 1 Gallon (128oz) JugSave Up to30%Off list…surface sheen GOLDEN Matte Mediums are pourable, 100% pure acrylic polymer mediums that have matting solids added to lower sheen. GOLDEN Matte Mediums can be used to extend paints, increase translucency, and decrease gloss. GOLDEN Fluid Matte Medium and regular Matte Medium can be used to lower the… Control transparency, viscosity and surface sheen GOLDEN Matte Mediums are pourable, 100% pure acrylic polymer mediums that have matting solids added to lower sheen. GOLDEN Matte Mediums can be used to extend paints, increase translucency, and decrease gloss. GOLDEN Fluid Matte Medium and regular Matte Medium can be used to lower the sheen of a high gloss product, but the blend will not result in a completely matte finish. Fluid Matte Medium and regular Matte Medium can also be used as translucent gessoes.* Fluid Matte Medium - Decrease gloss without altering viscosity.* Matte Medium - Increases translucency and decreases gloss* Use as a Translucent Ground - For extremely smooth surfaces.* Lowering Sheen - The bridge between the surface and the paint. Please note: The items on this page are available at the Best Lowest Price Possible and no further discounts can be applied. See More
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GOLDEN Airbrush Medium Gallon JugSave Up to30%Off list…Colors are specifically designed for airbrushes and spray guns, but this medium helps to modify GOLDEN's Fluid Acrylics for spray applications. Blends with minimal effort with the Fluid Acrylics to yield a paint mixture with the proper viscosity for airbrushing. Effectively decreases clogging… GOLDEN'S Airbrush Colors are specifically designed for airbrushes and spray guns, but this medium helps to modify GOLDEN's Fluid Acrylics for spray applications. Blends with minimal effort with the Fluid Acrylics to yield a paint mixture with the proper viscosity for airbrushing. Effectively decreases clogging and tip build-up during spraying, eliminating the largest drawback to airbrushing with acrylics. While designed with the Fluid Acrylics in mind, Airbrush Medium will also reduce the Heavy Body, Matte, High Load, Iridescent/ Interference and Fluorescent Acrylics for spray applications. GOLDEN Mediums and Gessos can also be blended with Airbrush Medium for spraying. See More
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Winsor & Newton Artists' Painting Medium 500ml BottleSave Up to43%Off listNon-yellowing medium reduces oil paint viscosity Winsor & Newton Artists' Painting Medium is a slow-drying, gloss medium ideal for glazing and smoothing blended areas. The medium reduces brush strokes and improves flow, boosting the durability of the paint film. Add more oil or solvent to the… Non-yellowing medium reduces oil paint viscosity Winsor & Newton Artists' Painting Medium is a slow-drying, gloss medium ideal for glazing and smoothing blended areas. The medium reduces brush strokes and improves flow, boosting the durability of the paint film. Add more oil or solvent to the mix to change the consistency of your paint. Key Features: * Slows down the drying process * Reduces viscosity and improves flow * Non-yellowing * Dries to a flexible film * Less likely to yellow, wrinkle, or crack Perfect For: * Oils and alkyds * Reducing brush strokes * Oiling out and enriching dull patches * Glazing and blending techniques * Painting fine details Painting tip – Wipe the neck of the bottle after use to ensure the safety cap remains secure. See More
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Winsor & Newton Liquin Original Medium 500ml BottleSave Up to43%Off list…paint. Allows the paint to dry faster and makes working with multiple layers easier. (touch dry in 1-6 days, depending on colour paint thickness). Suitable for impasto & texture work. Resists yellowing. Not suitable as a varnish or final coat. Blending & Glazing Medium - Adjusts oil paint's… Accelerate Drying Time With Liquin Winsor and Newton Liquin™ Mediums are ready-made mixtures of solvent and linseed oil. There are five types of Liquin, and each will help you accelerate the drying times of your oil paint. Each variety has a slightly different formula, but they are all related to the original Liquin recipe. Key Features: * Speeds up the drying process * Adds transparency and gloss * Non-yellowing Perfect For: * Oils and alkyds * Reducing brush strokes * Glazing and blending techniques Liquin™ Original - halves the drying time of oil colour and reduces brush stroke retention. Creates a smooth, gel-like paint film that is easier to work with. Liquin™ allows the paint to dry faster and makes working with multiple layers easier. Liquin™ Light Gel - halves the drying time of oil colour and produces a smooth gel. Creates low-viscosity, gel-like paint film that is easier to work with and reduces brush stroke retention. Liquin™ allows the paint to dry faster and makes working with multiple layers easier. Liquin™ Fine Detail - The most fluid medium within the Liquin™ family. Add to colour to produce a low-viscosity mixture. Increases fluidity and reduces brushstroke retention. Liquin™ allows the paint to dry faster and makes working with multiple layers easier. Liquin™ Impasto - A paste-like, semi-gloss version of Liquin™ that halves the drying time of oil and produces a crisp texture. Adds viscosity to your paint that retains marks from brushes or palette knives. It allows the paint to dry faster and makes working with multiple layers easier. Speeds drying (touch dry in 1-6 days, depending on paint thickness). Resists yellowing. Not suitable as a varnish or final coat. Liquin™ Oleopasto - A paste-like, semi-matte version of Liquin™ that halves the drying time of oil. Creates a viscous paint that holds many marks from brushes or palette knives. Keeps the oily texture of pure oil paint. Allows the paint to dry faster and makes working with multiple layers easier. (touch dry in 1-6 days, depending on colour paint thickness). Suitable for impasto & texture work. Resists yellowing. Not suitable as a varnish or final coat. Blending & Glazing Medium - Adjusts oil paint's viscosity and drying behavior for seamless colour blends and even glazes. Improves transparency. PLEASE NOTE: All products in this category are hazardous materials: They cannot ship by Air/Next Day Services. Ground Only. See More
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Lukas Acrylic Pouring Medium, 500ml BottleSave Up to80%Off listClear Transparent The Unique, next level of pouring medium! More of what you love and less of what you don't like about pouring! When added to acrylic paint, traditional pouring mediums generate random cells of color; as a result, most pourers add silicone to the mix to create more interesting shapes. LUKAS Pouring Medium is unique because you can create more dramatic effects without adding silicone and still produce spectacular cell formations. Other pouring mediums on the market such as Liquitex are very tacky until thoroughly dry causing dust particles to interfere with results. Surface defects from craters to cracks are a pitfall of traditional and household pouring mediums. LUKAS Pouring Medium is a real breakthrough because it dries to a beautiful satin sheen with almost no noticeable cavities and absolutely no cracking. The rule of thumb is the lower viscosity of the paint, such as ink, the smaller the ratio of the pouring medium, while thicker heavy body paint would receive a more significant portion of the medium. You can use virtually any acrylic based color, but we suggest richly pigmented colors! You can pour this flexible acrylic medium over almost any substrate, but it is better to pour on a hard flat surface such as a wooden panel. By changing mix ratios, variety of colors, viscosity, and types of substrates, it is almost impossible to run out of distinct variations. If you did five pours every day for the rest of your life, you’d only scratch the surface on the final creations you could create! LUKAS Pouring Medium is the next level of pouring medium designed to create the most beautiful and interesting pours. If for any reason you don’t feel that LUKAS Pouring Medium yields the best results in pouring, you can return it for a full refund. Key Features: * No need to add silicone for more cell formation* Pour over any hard flat surface* Dries to a permanent hard, water-resistant surface* Even sheen, non-tacky, satin sheen* Higher definition, greater cell formation* Smooth level surfaces, less defects* No cracks and no craters* Will not yellow or discolor over time* Less tacky* Dries to a permanent water resistant, crack free surface* Formulated with self leveling and anti crater additives* Impossible to run out of inspiration* Available In: 250ml, 500ml & 5 Liter(169oz / 1.32 gallons) Perfect For: * Dirty pours and cup pouring * Liquid pouring * Superb control and excellent definition * Creating interesting pours * Organic shape creation * Beautiful satin sheen * Everyday studio use * Pouring Medium Brochure Pouring Medium: V30392 or V30393 LUKAS pouring medium improves the flow characteristics of acrylic paints and is perfect for pouring techniques. Once dry, the medium creates a transparent, waterproof, polished surface. Formulated with self levelling and anti crater additives that also enable cell formation without the use of silicones. LUKAS pouring medium contains synthetic resin dispersion additives to improve flow but will not yellow or discolor over time. See More
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SoHo Urban Artist Heavy Body Acrylics Value Set of 14 Colors, 500ml AssortedSave Up to69%Off listAssorted Colors Sets of Top Selling Heavy Body Acrylics by SoHo! Are you looking for the perfect gift for an artist? Or are you interested in painting but just not sure where to begin? Our SoHo Complete Acrylic Painting Sets have what you need! The convenient kits contain absolutely everything needed for acrylic painting. The SoHo Acrylics have a super smooth heavy body consistency that offers great value. You can create awe-inspiring textures or thin the paint to reduce brush stroke visibility. Each set includes the basic colors you need to start painting as well as some essential tools. Key Features: * Supersaturated colors * Set contents in yellow tech notes below * Excellent coverage * It dries to a lustrous finish * Perfect For: * Artists of all levels * Color mixing and color theory * Students, teachers, classrooms * Sets make excellent gifts! Value Sets:* SoHo Urban Artist Acrylics Acrylic Tubes Value Set of 24 x 12 ml * SoHo Urban Artist Acrylic Value Set of 24 x 21 Ml * SoHo Acrylic 24 Color Value Set Plus SoHo Table Easel Complete Acrylic Home Studio Value Set- Our SoHo Complete Acrylic Home Studio Value Set addresses the needs of all new painters. The SoHo Acrylics have a super smooth heavy body consistency. You can create awe-inspiring textures or thin the paint to reduce brush stroke visibility. This set includes all the basic colors you need to start painting as well as some essential tools. The SoHo Aluminum Table Studio Easel weighs only 20 ounces and folds down for travel and storage. Although it's small in size, it has two special 10" long wings that can support canvases up to 24 × 30" in size. The SoHo easel can easily support the five 11x15" painting boards that are included. A variety of brush shapes and sizes allow you to experiment, and the airtight palette is excellent for keeping mixed colors fresh. Once you buy this set, you will have all the basic supplies needed to start painting. SoHo Urban Artist Acrylic Paint Sets - Large Tube Sets of 5 Mixing Colors and 8 Basic Colors in 75ml tubes are great for beginners and students to learn color mixing and theory. The Value Set of 24 21ml tubes offer a wide range of colors to explore all acrylic techniques and painting styles, or choose the set that comes with a SoHo Table Easel for traveling to workshops and classes. SoHo Urban Artist Acrylic Really Complete Painting Set - includes a set of twenty-four 21ml tubes of SoHo Urban Artist Acrylics, a 100ml bottle of both Gloss and Gel Mediums, 9 SoHo Paint Brushes, five plastic palette knives, a five pack of 12x16" SoHo Painting Boards, a 30 sheet disposable paper palette pad (12x16"), 1 double plastic palette cup, a "Basics of Acrylic Painting" DVD, and a Walnut Finish Wood Van Gogh Table Easel. Soho Urban Artist Acrylic, 12ml set of 24 colors - Value set of twenty-four 12ml tubes of SoHo Urban Artist Acrylics Colors: Alizarin Crimson, Azo Vermilion, Burnt Umber, Cadmium Red Medium Hue, Cobalt Blue Hue, Emerald Green, Lemon Yellow, Permanent Green Light, Phthalo Green, Raw Sienna, Sap Green, Ultramarine Blue, Burnt Sienna, Cadmium Orange Hue, Cadmium Yellow Medium Hue, Cerulean Blue Hue, Dioxazine Violet Hue, Ivory Black, Paynes Grey, Phthalo Blue, Prussian Blue, Raw Umber, Titanium White, and Yellow Ochre. Acrylic Starter Set: The Acrylic Starter Set contains: The Soho Urban Artist Acrylic, 12ml set of 24 colors, Pro Stroke Powercryl Explorer Set of 5 (Size #1 Round, Size #4, #6 and #8 Flat, and a Size #12 Filbert), Bristle Magic 4oz Bottle, and one SoHo Canvas Panel Pack of 3 9X12In panels. Acrylic Set of 24 and Aluminum Table Easel: Contains the Soho Urban Artist Acrylic, 12ml set of 24 colors, and a SoHo Aluminum Table Easel. The black anodized aluminum easel folds down to a mere 16" x 4" x 1-3/4" and comes with a handy carrying case. Although it is small in size, it has particular 10" long wings (20" combined wingspan) to support canvases up to 24 × 30" in size without wobbling. The back leg allows angle adjustments to virtually any degree from 45º to 90º. Besides being a very nice table easel, it also is excellent for displaying artwork. Heavy Body Acrylics Value Set of 48: The set of 48 includes Bronze, Cadmium Red Deep Hue, Copper, Fluorescent Blue, Fluorescent Green, Fluorescent Orange, Fluorescent Pink, Fluorescent Red, Fluorescent Yellow, Iridescent White, Lime Green, Light Portrait Pink, Naples Yellow Hue, Quinacridone Magenta, Raw Sienna, Unbleached Titanium, Green Gold, Phthalo Turquoise, Gold, Silver, Primary Red, Primary Yellow, Primary Blue, Neutral Gray, Alizarin Crimson, Azo Vermillion, Burnt Umber, Cadmium Red Medium Hue, Cobalt Blue Hue, Emerald Green, Lemon Yellow, Permanent Green Light, Phthalo Green, Sap Green, Ultramarine Blue, Burnt Sienna, Cadmium Orange Hue, Cadmium Yellow Medium Hue, Cerulean Blue Hue, Dioxazine Violet Hue, Ivory Black, Paynes Grey, Phthalo Blue, Prussian Blue, Raw Umber, Titanium White, Yellow Ochre, and Yellow Ochre Golden. Metallic Heavy Body Acrylic Set of 5: The set of 5 includes Bronze, Copper, Iridescent White, Gold, and Silver. Fluorescent Heavy Body Acrylic Set of 6: The set of 6 includes Fluorescent Yellow, Fluorescent Orange, Fluorescent Pink, Fluorescent Red, Fluorescent Green, and Fluorescent Blue. See More
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Frida Glass Paint Smooth Effect Glass Paint 500 ml - OrangeSave Up to73%Off list…smooth texture and cool color palette. Just tape your design underneath, outline the design with Frida Glass Paint Outliner, and fill in with glass paint using a dropper. Frida Glass Paint is solvent based and incredibly easy to use. Create fantastic works of art with a transparent effect that looks… Make your own stained glass creations with excellent results! Easily produce artwork with the look of real stained glass without the need for special tools and equipment! Frida offers 21 different solvent-based colors with a smooth texture and cool color palette. Just tape your design underneath, outline the design with Frida Glass Paint Outliner, and fill in with glass paint using a dropper. Frida Glass Paint is solvent based and incredibly easy to use. Create fantastic works of art with a transparent effect that looks just like stained glass. Can be used on glass, acrylic, aluminum, and lightly gessoed wood. The only limits are your imagination! Key Features: * Beautiful smooth texture that spreads easily * Available in 21 cool colors * Solvent based, easy to use glass paint * No special tools or equipment required Perfect For: * Making your own stained glass creations * Artists of all skill levels * Use on glass, acrylic, aluminum and even lightly gessoed wood Frida Glass Paint Instructions > You Might Also Like Create intricate designs for your Frida Glass Paint with Frida Relief Outliners Frida Relief Outliners > See More
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Gamblin Cold Wax Medium 1 GallonSave Up to40%Off list…medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and… True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More
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GOLDEN Acrylic Gel Mediums Fine Pumice 1 GallonSave Up to30%Off listAdd texture, enhance color, and increase transparency! GOLDEN Gel Mediums allow you to easily manipulate acrylic paint to achieve various effects and expressions. An acrylic gel medium makes adding texture, enhancing color, and increasing transparency easier. Key Features: * 100% acrylic polymer… Add texture, enhance color, and increase transparency! GOLDEN Gel Mediums allow you to easily manipulate acrylic paint to achieve various effects and expressions. An acrylic gel medium makes adding texture, enhancing color, and increasing transparency easier. Key Features: * 100% acrylic polymer emulsion * Add texture, enhance color * Increase transparency * Variety of effects * Click on the notepad icon for more information Perfect For: * Modifying paint handling characteristics * Extending heavy body paint * Impasto, relief, or sculptural effects * Adhesion and durability Clear Granular Gel: is made with granular acrylic solids and has excellent clarity and durability with a coarse texture that dries translucent. Clear Granular Gel can extend paint and add texture without altering color. Clear Leveling Gel: [formerly Self Leveling Clear Gel] produces an even film with excellent clarity. It has a unique resinous, stringy consistency resulting from its leveling property. Clear Leveling gel dries to a flexible, high gloss film while imparting a leveling quality when mixed with acrylic paint. It blends well with GOLDEN Acrylic colors to produce glazes. Clear Tar Resin Gel: GOLDEN Clear Tar Gel is a 100% acrylic polymer colorless gel with an extremely resinous, syrupy, stringy, and tar-like consistency. Clear Tar Gel can be used to generate fine, detailed lines by "dripping" it over painting surfaces. It can be blended with all GOLDEN Acrylic paints, offering a full range of colors with which to work, although Fluid Colors work best. Extra Heavy Gel (Gloss, Matte, or Semi-Gloss): Have the thickest consistency of any gel offered by GOLDEN. The gel may be blended with acrylic paint to increase the viscosity. Extra Heavy Gel is excellent for holding peaks and tool marks. Extra Coarse Pumice Gel: The textured gel dries to a hard film. They mix well with GOLDEN Acrylic Colors. Extra Coarse Pumice Gel creates more coarse textures to yield concrete-like finishes. Fine Pumice Gel: The textured gel dries to a hard film. They mix well with GOLDEN Acrylic Colors. Fine Pumice Gel is useful as a drawing ground. Glass Bead Gel: made with genuine glass beads, the gel offers a unique effect similar to condensation on glass. The effect is best seen in thin films over a light color. Heavy Gel (Gloss, Matte, or Semi-Gloss): is a thick gel that may be blended with acrylic colors to increase paint viscosity. Heavy Gels are excellent for holding peaks and dry translucent. The body of the gel will remain flexible even with thick impasto work. High Solid Gel (Gloss or Matte): are similar in body to Heavy Gels. They contain more acrylic solids and shrink slightly less than other gels. They blend well with colors and will retain brush strokes upon drying. Available in gloss and matte. Pumice Gel: Available in fine, coarse, and extra coarse texture. The textured gel dries to a hard film. They mix well with GOLDEN Acrylic Colors. Coarse Pumice Gel creates more coarse textures to yield concrete-like finishes. Regular Gel (Gloss, Matte, or Semi-Gloss): Regular Gel is ideal for extending paint and regulating transparency without changing consistency. Useful for impasto effects and holding moderate peaks of texture. They blend well with colors and will retain brush strokes upon drying. Soft Gel (Gloss, Matte, or Semi-Gloss):Thinner than GOLDEN Heavy Body Acrylic colors, Soft Gels are moderately pourable. Hold only slight peaks. The recommended acrylic to function as a glue for collaging. Useful as a non-removable isolation coat, applied over the painting and before the varnish (must be thinned with water - 2 parts Soft Gel Gloss to 1 part water). See More
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Jack Richeson Shiva Signature Linseed Oil, 1 Gallon CanSave Up to35%Off listCopal Painting Medium - This synthetic medium improves the flow and speeds the drying time of oils. Damar Varnish - This natural varnish improves the brilliance of colors, imparts a medium-gloss finish and protects paintings. May be removed with solvents for restoration. Linseed Oil - This lead and… Copal Painting Medium - This synthetic medium improves the flow and speeds the drying time of oils. Damar Varnish - This natural varnish improves the brilliance of colors, imparts a medium-gloss finish and protects paintings. May be removed with solvents for restoration. Linseed Oil - This lead and acid-free oil thins the consistency of oil paints and improves brush strokes. Thinner than stand oil, but since it may yellow with age, use primarily with darker colors. Rectified Turpentine - This double-distilled and highly refined turpentine reduces the consistency and improves the flow of artist's oil colors. Stand Oil - is a thick, heavy oil that produces paint with good flowing qualities for fine detail and glazing work. Imparts an enamel-like quality. Imitation Venice Turpentine - Venice Turpentine is a luxurious, regal oil painting medium. When added to color, it increases the paint's adhesive quality to the canvas and will impart an enamel-like gloss to colors when dry. New 3.75 oz bottle has a wide spill-proof bottom. All other sizes come in metal cans. Click here for Richeson Artist Oils - The Shiva Series See More
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Maimeri Oil Painting Mediums - Walnut Oil, 500ml BottleSave Up to22%Off list…Good drying power! Maimeri Walnut Oil Painting Medium uses only the purest ingredients for the best guarantee of brilliance and vibrancy Maimeri uses only the purest ingredients for the best guarantee of brilliance and vibrancy. Most Maimeri oil mediums are housed in a glass bottle with a twist-off… Increases the brightness of colors. Good drying power! Maimeri Walnut Oil Painting Medium uses only the purest ingredients for the best guarantee of brilliance and vibrancy Maimeri uses only the purest ingredients for the best guarantee of brilliance and vibrancy. Most Maimeri oil mediums are housed in a glass bottle with a twist-off cap. Increases the brightness of colors. It has similar properties to linseed oil, but it won't yellow as much. Good drying power. Walnut Oil Similar properties to linseed oil, but it does not yellow. Good drying power, increases the brightness of colors. Walnut Oil:* Similar properties to linseed oil* but it does not yellow* Good drying power* Increases the brightness of colors* Available in: 75ML, 250ML, 500ML glass bottles See More
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Schmincke Oil Mediums 500ml Schmincke Primer 1 JarSave Up to10%Off list…solution, mineral spirit. Impasto Medium (Megilp): Schmincke Meglip Impasto Medium is an oil painting medium designed for painting thickly. The medium preserves the buttery character of oil paint while accelerating the drying process. When you are applying paint in a thick style with a palette knife… Magnificent mediums for oil paints Schmincke Oil Mediums allow you to create fluid glazes or thick Impasto effects. You can even transform traditional oils into water-mixable oil paints with Medium W. All of the mediums increase the gloss and transparency of oil paint while accelerating or slowing drying time. Key Features: * Accelerate or slow drying * Improve transparency and gloss * Outstanding working properties * Extend oil paints and use less paint * Perfect For: * Traditional oil paints * Blending and glazing * Changing the paint texture * Adding to oils undiluted Schmincke Mussini Drying Accelerator: is an especially fast-drying, Jelly-like painting medium for oil colors. The paste preserves the consistency and degree of gloss of oil colors. To avoid weakening of binding properties, use dosage of 10 to max of 30%. The product is ready to use and should be added to oil colours undiluted. After use clean tools as soon as possible with turpentine or brush cleaner. The Schmincke Mussini drying accelerator contains: siccative, stand oil, resin solution, mineral spirit. Impasto Medium (Megilp): Schmincke Meglip Impasto Medium is an oil painting medium designed for painting thickly. The medium preserves the buttery character of oil paint while accelerating the drying process. When you are applying paint in a thick style with a palette knife you should include some Impasto Medium to support the drying process between layers of paint. Contains: alkyd resin, stand oil, and fillers. Medium L: The Jelly-like medium improves oil paint flow while reducing brush strokes, accelerating drying time, and increasing gloss and transparency. Shake well and stir before use. Close immediately after use. The recommended dosage for medium L is 10 - 20 %. The product is ready to use out of the bottle, but you can dilute it with turpentine substitute 50019. Medium W: Schmincke Medium W is a low-odor oil paint additive that transforms traditional oil paints into water-mixable oils. The odorless medium increases gloss and transparency while allowing you to clean your tools with water. You should shake the bottle before use. Mix 2 parts of oil color and 1 part of Medium W on your palette, then add water to thin. Add more Medium W to the mixture as necessary. After use, you can clean your painting tools with water. Oil colors mixed with Medium W may appear lighter or "milky" when wet, but the color will return as the paint dries. Medium W Gel: Schmincke Medium W Gel is a jelly-like oil paint additive that transforms traditional oil paints into water-mixable oils. The odorless medium increases gloss and transparency while allowing you to clean your tools with water. Mix 2 parts of oil color and 1 part of Medium W Gel on your palette, then add water to thin. Add more Medium W Gel to the mixture as necessary. After use, you can clean your painting tools with water. Oil colors mixed with Medium W Gel may appear lighter or "milky" when wet, but the color will return as the paint dries. Refined Linseed Oil: Refined Linseed Oil is winterized and bleached. Many artists use it as a medium when painting. It slows down the drying time of your paint, which can be very useful when painting in layers. Please note: The natural yellowing tendency of linseed oil cannot be stopped by bleaching! Schmincke Primer 1: Schmincke Primer 1 is a pure white, semi-opaque, light-resistant, and nonaging primer for oil and acrylic colors. The primer has a strong absorbent character and forms an elastic, matt film once dry. Schmincke Primer 1 is ready to use straight out of the bottle, or for a thinner consistency, you can thin it with water. For max dilution, mix with 30% water See More
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Old Holland Bleached Linseed Oil 500 ml BottleSave Up to25%Off list…fluidity of paint and enables brushstrokes to be removed. Enhances gloss of paint film. Can be thinned with turpentine or white spirit. Stand Oil - Boiled polymerized linseed oil, thick to a honey-like consistency. A popular additive in painting mediums, especially for glazing mediums. Yellows less… Professional Master's Quality Oil Painting Mediums from Old Holland! Since 1664, Old Holland has been manufacturing the most professional quality pigments, painting oils, and varnishes for artists like Vermeer and the Dutch Masters. With oils pressed by a windmill, they still manufacture drying oils, stand oils, and varnishes to the highest standard of quality in the most traditional methods feasible. Key Features:* Bleached Linseed Oil, Refined Poppy Oil* Stand Oil, Cold Pressed Linseed Oil* Master quality drying oils* Oils to create custom mediums Perfect For:* Glazing and thinning oils* Creating custom painting mediums* Increasing fluidity, makes it possible to remove the brushstroke* Increases the gloss, lengthens the drying time Cold Pressed Linseed Oil - Cold pressed linseed oil from ground Flax Seeds, which are pressed by Old Holland in their tradition of using a windmill. Enhances the fluidity of paint and enables brush strokes to be removed. Enhances gloss but lengthens the drying time, dries to a flexible, durable paint film. Used as an ingredient in custom painting mediums. Can be thinned with turpentine or white spirit. Bleached Linseed Oil - Cold pressed linseed oil which has been bleached to lighten the oil color, making it yellow less than traditional linseed oil, but dries slower, as well. Enhances the fluidity of paint and enables brushstrokes to be removed. Enhances gloss of paint film. Can be thinned with turpentine or white spirit. Stand Oil - Boiled polymerized linseed oil, thick to a honey-like consistency. A popular additive in painting mediums, especially for glazing mediums. Yellows less than linseed oil as has already begun the oxidation process. Dries more slowly than regular linseed oil, to a flexible and durable paint film. Refined Poppy Oil - Obtained from the first pressing of poppy seeds. Maintains many of the qualities of linseed oil, but yellows less when mixed with light colors and dries much more slowly. Use conservatively as Poppy Oil paint film dries more brittle than linseed oil. See More
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RAS Tempera Medium for Kids Matte Varnish Gallon JugSave Up to61%Off listEnhance & Protect Your Child's Artwork With These Non-Toxic Varnishes Tempera paint is the perfect medium for young artists, but it can be easily damaged once dry. Now you can protect precious tempera paintings with new Tempera Varnish from RAS! These non-toxic, water-soluble varnishes are easy… Enhance & Protect Your Child's Artwork With These Non-Toxic Varnishes Tempera paint is the perfect medium for young artists, but it can be easily damaged once dry. Now you can protect precious tempera paintings with new Tempera Varnish from RAS! These non-toxic, water-soluble varnishes are easy to apply and easy to clean up with just soap and water and will prevent dirt, dust, moisture, or environmental pollutants from damaging the surface of your child's art. Display your children's paintings proudly with protective RAS Tempera Varnish! Attach the paint pump (sold separately) to the varnish bottle to easily dispense varnish to students. Key Features: * Non-toxic water-based varnish * Sealant for tempera paintings * Cleans up easily with soap and water * Available in Gloss, Satin, and Matte finishes * Sold in 16 oz. and 64 oz. bottles and Gallon jugs * Pump dispenser sold separately Perfect For: * Protecting your child's paintings from environmental damage! * Varnishing tempera paintings * Dispensing varnish with less mess * Students, teachers, and parents * Use in the classroom See More
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Wilson Bickford Background Color 500ml Bottle - Shaded WoodSave Up to51%Off listBrown Expand your painting experience with Wilson Bickford grounds and mediums! Now you can paint along with master artist Wilson Bickford from the ground up! This specially-selected line of grounds and mediums were developed by Wilson to enhance his signature wet-in-wet oil painting style — and now you can benefit from his years of experience! From creating a solid ground or tonal grisaille, to blending colors into a base coat and crafting delicate, luminous oil color glazes, these gessoes and mediums are your surefire ticket for "fun and fast" painting with professional artist and instructor Wilson Bickford!* Gesso – Made from pure Titanium White or black pigment blended with an acrylic copolymer emulsion. It yields an excellent flexible film with a fine tooth surface, ideal as a base for paintings in acrylics, oils, alkyds, tempera, inks and more. Available in White or Black; 16 oz. bottles.* New! Background Color -- Gesso formulated to provide artists with fast drying, beautiful, toned backgrounds. Achieve dramatic effects in your underpainting by creating a flexible film base which can be painted over with oils, acrylics, alkyds and even tempera.* FastFlo Base Coat Medium – This alkyd-based medium is the perfect base coat for wet-in-wet oil painting techniques, and provides a smooth, white, quick-drying ground on which to start a painting. Available in 4 oz. and 8 oz. bottles.* Clear Glazing Medium – Mix with oil or alkyd colors to speed the drying time, to add translucency and to extend color. Ideal for creating glazes as well as detailed effects. Can be thinned and cleaned up with turpentine or odorless mineral spirits. Available in 8 oz. or 16 oz. bottles. * See More Wilson Bickford Signature Series Art Supplies See More
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Old Holland Oil Painting Varnishes - Mastic Picture Varnish, 500ml BottleSave Up to25%Off listHigh Quality Oil Painting Picture Varnishes Old Holland Oil Painting Medium thins oil paints, increases fluidity, and enhances flow. Made from a mixture of linseed oil, turpentine oil, and white spirit, it contains no resin or dryers. It reduces gloss and ensures that brush strokes remain visible,… High Quality Oil Painting Picture Varnishes Old Holland Oil Painting Medium thins oil paints, increases fluidity, and enhances flow. Made from a mixture of linseed oil, turpentine oil, and white spirit, it contains no resin or dryers. It reduces gloss and ensures that brush strokes remain visible, but does not affect the drying time. Retouching Varnish - Useful for reviving sunken (dull) areas on the painting while in process, bringing everything up to an even sheen. Can be used over drier paint to help bond new fresh painting layers. Dries within hours and is made with a ketone resin base. Used most popularly as a temporary varnish while the painting continues to oxidize, offering protection from dust and dirt until a final varnish can be applied. Mastic Picture Varnish - Hard Varnish that often turns slightly milky. Gives a high gloss, but will yellow slightly later. Made from pure mastic resin dissolved in white spirit. Must not be applied before painting is thoroughly dry- a minimum of 12 months (longer depending on paint film thickness). Dammar Picture Varnish - Use as a final varnish for a lovely gloss finish. Produces an even, high gloss, yellows slightly later. Made from pure dammar resin dissolved in white spirit. Must not be applied before painting is thoroughly dry- a minimum of 12 months (longer depending on paint film thickness). See More
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Golden Gloss Medium Polymer 1 gallonSave Up to30%Off list…Gloss Medium is also the best product for blocking Support Induced Discoloration, also known a SID, which is when contaminants are drawn into paints and mediums as they dry. You can protect your canvas or board from this phenomenon by applying GOLDEN Gloss Medium before starting an acrylic painting.… General-purpose liquid polymer! GOLDEN Gloss Medium is a general-purpose liquid medium useful for creating glazes, extending colors, enhancing translucency, and increasing film integrity. The medium has a unique oil-like feel and resinous nature that promotes flow and leveling. GOLDEN Gloss Medium is also the best product for blocking Support Induced Discoloration, also known a SID, which is when contaminants are drawn into paints and mediums as they dry. You can protect your canvas or board from this phenomenon by applying GOLDEN Gloss Medium before starting an acrylic painting. SID contamination often goes undetected. In most cases, paints contain a strong enough color to conceal the yellowing. However, in a transparent glaze and especially in thick gel layers, SID becomes obvious. Gloss Medium medium works best when two or more coats are applied directly onto the support. Once dry, the canvas can then be primed and finally painted with less potential for discoloration. You can treat pre-primed canvases with Gloss Medium as well. Apply two coats to the surface, and follow with at least one layer of gesso to regain tooth. Key Features: * General-purpose liquid polymer * Oil-like and resinous viscosity * Promotes flow and leveling * Perfect For: * Creating thin, fast-drying glazes * Extending colors, enhancing gloss, and increasing film integrity * Blocking Support Induced Discoloration (SID) See More
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Golden Silkscreen Medium galSave Up to30%Off list…acrylic paint, can be used. Use this mixture on your silkscreen. The silkscreen medium will not impart opacity. Your paint mixtures opacity is determined by the nature of the acrylic color that you use and the ratio of paint to medium. Please keep in mind that GOLDEN Silkscreen Medium is NOT… Increases working time! GOLDEN Silkscreen Medium is a water-borne system designed to blend with acrylic paints for silkscreen application. The medium increases working time while slowing paint drying time. Safe to use with minimal odor. Mix one part silkscreen medium with one part GOLDEN acrylic color, either heavy-body, matte or fluid acrylic paint, can be used. Use this mixture on your silkscreen. The silkscreen medium will not impart opacity. Your paint mixtures opacity is determined by the nature of the acrylic color that you use and the ratio of paint to medium. Please keep in mind that GOLDEN Silkscreen Medium is NOT designed for clothing applications. Key Features: * Water-borne silkscreen medium * Blend with acrylic paints * Increases working time * Retards drying in the screen * Safe to use with minimal odor Perfect For: * Acrylic paint * Silkscreen printing on paper * Heavy-body, matte, or fluid acrylic paint * Preventing paint from drying on screen See More
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Winsor & Newton Oil Painting Primer, 500ml CanSave Up to43%Off listWhite Ready-to-use primer in a non-yellowing oil-modified alkyd resin medium Winsor & Newton Oil Painting Primer is a ready-to-use primer in a non-yellowing oil-modified alkyd resin medium. No thinning or stirring is required. Oil Painting Primer can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper) with virtually no sinking in. A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming. The treated ground then accepts oil colours easily and without chalkiness or absorbency.Key Features:* Size: 500ml & 1000ml cans* Ready-to-use primer * Non-yellowing oil-modified alkyd resin medium* Can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper)* Used to prepare a surface before painting* A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming Oil painting primer imparts a traditional oil base. Some artists prefer this and may find a slight increase in gloss and smoothness. Oil primed canvases may slacken off less than acrylic primed canvases. A coat of warm glue size is required first. As a result of their formulation, Winsor & Newton acrylic primers are also suitable for oil painting. They are popular because they dry quickly and do not require any sizing underneath. See More
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Dorland's Wax Medium - Gallon JarSave Up to20%Off list…strengthens the paint film against shrinkage and cracking, sealing out dirt, air, and moisture. Dorland's Wax Medium by Jacquard improves luminosity and clarity of all colors with no chance of muddiness of tone. For brush painting mix 1 part medium to 3 parts color, knife painting mix in equal… The choice of professionals worldwide! When mixed into oil colors, this non-yellowing wax and resin mixture strengthens the paint film against shrinkage and cracking, sealing out dirt, air, and moisture. Dorland's Wax Medium by Jacquard improves luminosity and clarity of all colors with no chance of muddiness of tone. For brush painting mix 1 part medium to 3 parts color, knife painting mix in equal ratios and for encaustic results reverse brush painting ratios. Key Features: * Non-yellowing wax and resin mixture * Strengthens the paint film against shrinkage * Improves luminosity and clarity of all colors * No chance of muddiness of tone * Thin to achieve glazing consistency * Museum-quality * Matte finish protective coating * Unsurpassed for cleaning and preserving * Made in the USA Perfect For: * Oil paint and powdered pigment * Brush or knife painting * Wax coating paintings * Final picture varnish * Cleaning wax paintings * Photo sealing * Mixed media embedded objects * Woodcarvings, bronze, plastics, and other items worth protecting * Discerning students and amateurs See More
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Black Mountain Clear Gloss Acrylic Medium 500ml, BottleSave Up to43%Off list…collage. Once your painting is dry, apply a top coat of Black Mountain Clear Gloss Medium for an even finish. Key Features: * Professional grade acrylic gloss medium * Extends colors while maintaining paint structure * Non-yellowing, acid-free, and archival * Semi-opaque liquid medium dries clear *… Extends Paint, Provides A Uniform Gloss Finish, and Increases Transparency Black Mountain Clear Gloss Medium is formulated to extend acrylic colors while maintaining the integrity of your paint. Unlike water which can weaken and destabilize acrylics, gloss medium maintains paint bonds at a chemical level while adding a gloss finish. Mix it with heavy body paints to create thin transparent glazes. Experiment with different ratios to find the color and consistency you prefer. Clear gloss medium can also be used to minimize brush strokes, transfer laser-printed images, or glue down a mixed-media collage. Once your painting is dry, apply a top coat of Black Mountain Clear Gloss Medium for an even finish. Key Features: * Professional grade acrylic gloss medium * Extends colors while maintaining paint structure * Non-yellowing, acid-free, and archival * Semi-opaque liquid medium dries clear * Flexible and non-cracking * Water-resistant once dry * Intermixable with acrylic paint Perfect For: * Thinning heavy body acrylics * Increasing color depth and transparency * Creating blended gradations of color * Collage, mixed media, and photo transfers * Use as a collage adhesive * Professional artists and students * Everyday studio use See More
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Jacquard Permanent Dyeset Concentrate, 1 GallonSave Up to30%Off listWater Based Clear Resist - Jacquard has developed a superior water based resist, is used like a frisket to impede the flow of dye. It will completely wash out of fabric with warm water, even after steaming. It holds a crisp line without spreading and does not shrink or pucker when dry. It can be… Water Based Clear Resist - Jacquard has developed a superior water based resist, is used like a frisket to impede the flow of dye. It will completely wash out of fabric with warm water, even after steaming. It holds a crisp line without spreading and does not shrink or pucker when dry. It can be colored with any water based dye and is screenable, odorless, alcohol free and non-toxic. Water Based Permanent Metallic Resists - Use in the same way as Clear Resist but the color is permanent when washed or dry cleaned. Available in black, copper, gold and silver, these resists hold fine, crisp lines that do not spread. The consistency is perfect for production silkscreening or squeeze bottle application. Permanent Dyeset Concentrate - This concentrate is used to set Jacquard Silk Colors (Green Label) Dye. It also can be an alternative to steam setting. See More
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Gamblin Cold Wax Medium 1 GallonSave Up to40%Off list…a whole genre of painting associated with it, but Cold Wax Medium is one such medium. Cold Wax Painting is not defined by subject matter nor the degree of realism or abstraction, Cold Wax Painting is unified by artists’ shared interest in experimentation, texture and the physicality of paint layers. Makes oil colors thicker and more matte Gamblin Cold Wax Medium a mixture of natural beeswax (wax pastilles), Gamsol and a small amount of alkyd resin. The term “cold” in Cold Wax Medium and Cold Wax Painting refers to the fact that heat is not required for working with this wax medium – as it dries by solvent evaporation (Gamsol), rather than the cooling of the wax, as in encaustic painting. As the Gamsol evaporates out of the medium, the soft wax hardens to the density of a beeswax candle. Unlike other Gamblin painting mediums, which increase the flow and gloss of oil colors to varying degrees, Cold Wax Medium makes oil colors thicker and more matte. It has a “short” characteristic and gives a clean break off of the brush or knife, retaining the sharp peaks of impasto. These working properties allow for expressive brushmarks and the ability to carve into paint layers with palette knives. Cold Wax also gives oil colors a beautiful translucent quality, similar to the seductive surfaces of encaustic paintings. * Cold Wax - Made from natural white unbleached beeswax.* Mix directly into colors* Cold Wax creates an ultra-thick, matte impasto* For greater shine and flexibility mix with Galkyd medium* Excellent in creating a variety of textures within a painting What is Cold Wax Painting? Cold Wax Painting is any type of painting that heavily utilizes Cold Wax Medium into oil colors. In its own way, Cold Wax Painting blurs the line between oil painting and encaustic painting. Cold Wax Painting It’s a rare occurrence for one specific painting medium to have a whole genre of painting associated with it, but Cold Wax Medium is one such medium. Cold Wax Painting is not defined by subject matter nor the degree of realism or abstraction, Cold Wax Painting is unified by artists’ shared interest in experimentation, texture and the physicality of paint layers. See More
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R&F Handmade Paints - Encaustic Gesso, GallonSave Up to20%Off list…handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. * Encaustic Gesso - This water-based ground is a modern version of the traditional gesso mix of rabbit skin glue and chalk. Specially formulated for encaustic painting, with a lower proportion of acrylic binder to solids, making it a more absorbent and receptive surface for wax-based paints. A quick and easy brushable white gesso. Specially formulated white ground for encaustics. * Encaustic Medium - Perhaps the most essential encaustic supply, Encaustic Medium is a blend of beeswax and damar resin, and is used to increase transparency and extend encaustic paints. It is important to use Encaustic Medium with your paints, as using only beeswax will reduce stability and produce a bloom on the painting that is only removable with heat. Available in either block or pellet form. Increases transparency and extends encaustic paints. * Impasto Modeling Wax - This heavy body wax medium is made from a mix of microcrystalline wax and beeswax. It is excellent for thick structural application, casting, carving, layering, and modeling. As Impasto Wax has a higher melting point than Encaustic Medium, you can apply standard encaustics over it without easily blunting sculptural shapes. Use for thick encaustic paint application and sculptural styles. * Damar Resin Crystals - A hard, clear resin from deciduous trees, Damar Resin Crystals are used to create encaustic mediums and paints. When mixed with beeswax, damar resin creates an encaustic binder that is stronger and more durable than beeswax alone, and also serves to raise the melting point of the wax. Damar is also used to create traditional oil painting mediums and varnishes. * White Beeswax (Pellets) - This natural beeswax has been whitened by mechanical filtration, instead of standard chemical bleaching, which can lead to negative pigment reactions and break wax down. Use White Beeswax as an ingredient in creating encaustic mediums and paints, along with Damar Resin, or as an initial priming layer for paper or board. Note that beeswax used alone in encaustics (without damar) is not as stable and is apt to bloom (become foggy). Use with damar resin to create encaustic paints and mediums. * Soy Wax (Pellets) - Made from partially hydrogenated soybean oil, Soy Wax is an environmentally friendly choice for cleaning encaustic brushes and tools. Unlike paraffin wax, which is made from petroleum products, Soy Wax is non-toxic, biodegradable, and made from an easily renewable resource. Use melted Soy Wax to remove color from painting materials, then wash tools or brushes in soapy water. Eco-friendly cleaning wax. See More
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Golden Color Pouring Medium Matte GallonSave Up to30%Off list…surface. Color Pouring Medium Gloss also known as GAC 800 is an excellent medium for creating glossy pours of acrylic colors. In addition to extending colors for pouring, this versatile medium is useful for improving adhesion to chalky surfaces like plaster or weathered paint. Tips for use: * Gently… Matte or gloss acrylic polymer pouring medium! Artistic experimentation has driven the popularity of pouring acrylic colors. Golden Color Pouring Medium Matte opens the door to new creative possibilities, allowing artists to create pours with a velvety matte surface. Color Pouring Medium Gloss also known as GAC 800 is an excellent medium for creating glossy pours of acrylic colors. In addition to extending colors for pouring, this versatile medium is useful for improving adhesion to chalky surfaces like plaster or weathered paint. Tips for use: * Gently mix 10 parts Golden Color Pouring Medium Gloss or Matte with 1 part acrylic color, allow mixture to sit covered (ideally overnight) to eliminate air bubbles. * Pour close to the surface to reduce air bubbles. * Paintings may need to dry for a few days before moving. Do not pour thicker than 1/8” (3mm) or attempt to accelerate drying. Key Features: * Does not craze or crack * Designed to be poured in layers or puddles * 100% acrylic medium * High acrylic solids and reduced water content * Matte or glossy uniform surface * Use to adjust transparency or opacity Perfect For: * Acrylic paint * Dirty pour * Flip cup pour * Multiple color pour * Adhesion to chalky surfaces Color Pouring Medium may craze, but this is usually the result of too much paint being added and in turn, countering the acrylic solids level or the pour has been applied in too thick of a layer. This medium retains a slight cloudy quality making it a poor choice as a clear top coat or even transparent color layer. See More
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GOLDEN Open Acrylic Mediums Matte 1 gallonSave Up to30%Off list…further discounts can be applied. Image Transfer How-To Nearly any gel, medium, or acrylic paint will work to lift an image, depending on the texture, clarity, and color you want to trap the image within. 1. Apply the gel or paint, and while it is wet, place the image side of a printed laser paper… OPEN Gels and Mediums are compatible with Golden Heavy Body and Fluid Acrylic colors, as well as regular acrylic gels and mediums and will increase open time while altering their consistency. * OPEN Acrylic Gel (Gloss and Matte) - has a slightly softer feel than our Regular Gel (Gloss) and the same consistency as OPEN colors. It can be used for glazes and to extend the paints while maintaining working properties of OPEN acrylics. * OPEN Thinner - contains no binders and is used to thin the consistency of paint mixes without altering open time, or to maintain and adjust the workability of colors on the palette without the use of water mist and moisturizing palettes. Please note: The items on this page are available at the Best Lowest Price Possible and no further discounts can be applied. Image Transfer How-To Nearly any gel, medium, or acrylic paint will work to lift an image, depending on the texture, clarity, and color you want to trap the image within. 1. Apply the gel or paint, and while it is wet, place the image side of a printed laser paper copy directly into the wet gel. Let dry overnight. 2. Dampen the paper with a wet sponge. Wait a few minutes to allow water to soak paper. Begin rubbing carefully. Use a soft cloth or scrubbie to remove the paper. You will probably have to remove the paper a few times, for a clean transfer. When the water evaporates, you will be able to see the areas that you missed. See More
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GOLDEN Crackle Paste Medium, 1 gallon (128oz)Save Up to30%Off list…film to which subsequent layers of acrylic paint and mediums can be applied. All Molding Pastes can be easily tinted with GOLDEN Heavy Body, Matte, High Load and Fluid Acrylic Paints. All GOLDEN Molding Pastes clean up with soap and water. Paste mediums can be used to achieve a variety of effects… Achieve a variety of effects and expressions Molding Pastes are water-based products formulated with 100% acrylic polymer emulsions, which give great flexibility and durability. Drying times greatly depend upon film thickness. They dry to an opaque, semi-gloss film to which subsequent layers of acrylic paint and mediums can be applied. All Molding Pastes can be easily tinted with GOLDEN Heavy Body, Matte, High Load and Fluid Acrylic Paints. All GOLDEN Molding Pastes clean up with soap and water. Paste mediums can be used to achieve a variety of effects and expressions. When used in conjunction with acrylic colors they broaden working properties and expand creative possibilities. Unlike gels, pastes are opaque because they contain Marble Dust or other fillers that create a white or clay-tone finish with a variety of textures and properties Key Features:* Acrylic paste mediums* Easy clean up* 100% acrylic polymer emulsions* Flexibility and durability Perfect For:* Building surfaces* Creating textures* Blends with colors* Artists of all levels * Crackle Paste - Thick and opaque, designed to develop fissure-like cracks as it cures.* Coarse Molding Paste - Dries to a hard surfaced, stiff but flexible film.* Fiber Paste - Offers a dry film that has an appearance of rough handmade paper.* Hard Molding Paste - Dries to a hard, opaque film. * Light Molding Paste - Offers dramatic weight reductions when building thick layers of acrylic.* Regular Molding Paste - Excellent for building surfaces or creating textures. See More
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Liquitex Gloss Acrylic Pouring Mediums 1 gallonSave Up to46%Off list…* Acrylic Painters * Pouring painting techniques * Faux finishers * Dirty Pour paintings * High flow acrylic paint * Canvas and wood panels * Professionals and students * Teachers * An endless array of techniques Liquitex Pouring Mediums - How To Use Pouring Medium - Tips, Techniques & Projects… Flowing applications of color without crazing or cracking Liquitex Pouring Medium creates even puddles, poured sheets, and flowing applications of color without crazing or cracking. The paint film dries without holding bubbles and retains its high gloss and wet appearance when dry. Iridescent Pouring Medium has the same high gloss finish, but with an iridescent shimmer. Matte Pouring Medium does not produce a high gloss sheen and is perfect for photography. After the artwork is photographed, the painting can be varnished with a gloss varnish if a high gloss finish is desired. Slightly thicker than the original formula Iridescent and Matte Pouring Medium still produces pools, puddles, drips, and beautiful effects when mixed with Acrylic Inks or Soft Body Acrylics. Key Features: * Gloss, iridescent, or matte * 8oz, 16oz, 32oz bottle, or gallon * Fluid texture and transparent opacity * Creates even “puddles” and flowing applications of color * Does not craze, crack, or hold bubbles once dry * Flexible, non-yellowing, and water-resistant when dry * Will not add transparency when mixed with color * Gloss and iridescent retains high gloss wet appearance once dry * Perfect For: * Liquitex Soft Body Acrylic Color * Acrylic Painters * Pouring painting techniques * Faux finishers * Dirty Pour paintings * High flow acrylic paint * Canvas and wood panels * Professionals and students * Teachers * An endless array of techniques Liquitex Pouring Mediums - How To Use Pouring Medium - Tips, Techniques & Projects Click Here for the Liquitex Pouring Medium Tips & Projects See More
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Pebeo Studio Acrylic Pouring Medium, 500mlSave Up to20%Off list…glossy, non-yellowing medium is excellent for use with acrylic paints. You can create cell-like formations by adding a few drops of PĂ©bĂ©o Silicone Oil to the wet pouring mixture. PĂ©bĂ©o Pouring Medium can also be applied with a brush as a final varnish over an acrylic painting. Since it is a flexible… Ideal for creating clean, lacquered colors! PĂ©bĂ©o Studio Acrylic Pouring Medium is ideal for a variety of paint pouring methods, once dry, it has a sleek, bubble-free finish. The transparent, glossy, non-yellowing medium is excellent for use with acrylic paints. You can create cell-like formations by adding a few drops of PĂ©bĂ©o Silicone Oil to the wet pouring mixture. PĂ©bĂ©o Pouring Medium can also be applied with a brush as a final varnish over an acrylic painting. Since it is a flexible acrylic, you can pour the medium mixture over practically any hard flat surface. By altering mix ratios, colors, and types of substrates, it is almost impossible to run out of inspiration! Key Features: * Fluid, glossy, non-yellowing * Transparent and permanent after drying * Offers a flexible film * Bubble-free finish * Obtain the desired viscosity without thinning * Pour over any hard flat surface * Silicone oil in tiny amounts can trigger the cell creation process Perfect For: * Precise and smooth color application * Casting or pouring techniques * Studio or classroom use * Use with studio acrylics or Mat Pub colors * Dripping and pouring techniques * Coloring the casting in a mold * Final brush-on varnish * Mixed media applications See More
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