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Canson Mi-Teintes Sheet 19" x 25" (Pack of 10) in 429/Felt GraySave Up to33%Off list
Starting At: 24.49
Grey A huge favorite with colored Pencil, charcoal, and pastel artists! Canson’s Mi-Teintes is one of the world’s most celebrated papers for colored pencils, pastels, charcoal, and Conte’. Canson Mi-Teintes Assorted Color Sheet Packs cover a variety of color styles, for all artistic needs and interests. Mi-Teintes has a 55% cotton rag content, is gelatin sized, and has a sturdy 98lb weight, making it very strong and allowing repeated re-working in a variety of media. Each sheet has two distinct surface textures, one smooth and one with grainy texture, making it a marvelous work surface for pastellists, colored pencil artists, and charcoal lovers that enjoy working on a toned ground. Sheet size is 19" x 25" with 60 different colors available, 10 sheets per pack. Rolls are available in White and Black, and are 59" X 11 yards long. Key Features: * 55% cotton rag * Gelatin sized * Two distinct surface textures * 98 lb paper weight * Rolls available in Black and White Perfect For: * Pastellists, Colored Pencil Artists * Illustrators, Designers, and Fine Arts * Use with Charcoal, Conte’ sticks, Oil Pastels * Gelatin sizing accepts watercolor and gouaches * Use in Mixed Media See More -
Soho Artist Oil Color Payne's Grey, 50ml TubeSave Up to81%Off list
Starting At: 0.99
Grey Artist Oils at The Best Value! Good color is vital for the success of the painter! Thick and Rich Color! Good color is vital for the success of the painter. Only oil colors that act like oil colors and provide for lasting and predictable results should be considered by any artist at any skill level. Many brands of student grade oil color don't feel like genuine oil colors and don't mix well, ultimately achieving less appealing results in a finished painting. This artist range of colors is designed for all artists at all skill levels. It is particularly well loved by oil colorists that use lots of color seeking high performance and economy. SoHo Oils are slowly ground on triple roller mills allowing pure refined linseed oil to completely encapsulate the pigment for maximum luminosity and superb handling properties. SoHo Urban Artist Oil Colors eliminate the need for student oils, providing first time artists and professional artists on a tight budget the use of "real" color with a buttery consistency, excellent pigment load and lightfast results. That way, once they can afford better, they can move up to a more expensive brand, already familiar with what a true oil color can do. Glazing is no problem with these colors, and palette knife painting is quick and expressive, just as you would expect from far more costly brands. If you are looking for the next step up in color, we recommend Lukas Studio Oil Colors. Available in bonus size tubes! 50ml tube offers 20% more paint than traditional 40ml tubes, 170ml tubes offers 13.3% more paint than traditional 150ml tubes, 430ml cans offer 72% more paint than traditional 250ml jars of paint. Key Features:* 50ml, 170ml Tubes - 430 Ml Cans* Slowly ground, triple milled* Pure refined linseed oil* Buttery consistency for smooth application of color* Maximum luminosity and superb handling properties* Perfect for use with brushes or palette knives* Does not blotch when thinned for staining or glazing* Great color for true mixes without surprises* 55 colors including primaries* Perfect For:* Excellent pigment load for brilliant color and a wide variation of mixed shades with white* Purified linseed oil and high quality artist pigments* Combines professional quality, high performance, and economy pricing with the properties of a "true" oil color* Ideal for working professionals on a budget, artists who enjoy painting on a large scale and first time artists* 21 ml tubes make it possible to carry a large color range into the field or from your studio to class* 170 ml tubes come in boxes ideal for storage between use* One price system achieved by substituting costly and toxic traditional pigments with safer modern alternatives See More -
Fabriano Cromia Paper, Pale Gray 19.6"x25.5" 220gsm (10 Sheets)Save Up to32%Off list
Starting At: 74.99
Grey Master Quality Papers That Stand the Test of Time Fabriano Cromia paper is an archival, acid-free paper perfect for drawing with colored pencils, pastels, graphite, and charcoal. The sheets are made of 50% cotton and 50% alpha-cellulose and have a soft feel with a significant amount of tooth on both sides. Cromia paper is durable enough to handle light washes of color and mixed media techniques. Fabriano makes the sheets without optical brighteners, which means they offer the best possible lightfastness. Each sheet features two deckle edges, measures 19.6" x 25.5", and weighs 220gsm. Key Features: * 220 gsm archival, acid-free paper * Contains 50% cotton and 50% alpha-cellulose * Soft feel and great tooth on both sides * No optical brighteners * Best possible lightfastness * 2 deckle edges per sheet * Made in Italy using hydro-power Perfect For: * Drawing with pastels and charcoal * Use with colored pencils and graphite * Illustrators, designers, and fine artists * Light washes of color * Mixed media techniques See More -
Pastelmat Pad Palette No. 6 - Charcoal Grey, 24x30cm (12-Sheets)Save Up to20%Off list
Starting At: 32.00
Grey A unique surface for pastels, colored pencils & rich painterly effect Clairefontaine's Pastelmat Paper Pads texture grabs onto the pastel, breaking up the pigment and pulls it deep into the surface for exceptionally vibrant color and can used as painting with pastel as Pastelmat is so versatile that, in addition to pastel and pastel pencils, it will support most dry and wet media including: oil pastels, charcoal, colored pencils, acrylics, watercolors and gouache. Pastelmat® Premium Paper Pads offers artists new opportunities with a unique surface that grabs pastels more effectively than Ingres papers but is less abrasive then sanded papers. Pastelmat® pads have glassine sheet protectors between each page. Its unique velvety texture, made from a fine coating of cellulose fibers, can grab and hold multiple layers. Pastelmat is acid-free and pH neutral. Pads have glassine sheet protectors between each page. A legendary reputation among the world's foremost pastelists. Pastelmat® Premium Paper Pads offers artists new opportunities with a unique surface that grabs pastels more effectively than Ingres papers but is less abrasive then sanded papers. Pastelmat Colors * Palette No. 1: 3 sheets each of Maize, Buttercup, Dark Grey, and Light Grey. * Palette No. 2: 4 sheets each of Sienna, White, and Charcoal Grey. * Palette No. 3: 12 sheets of White. * Palette No. 4: 3 sheets each of Dark Blue, Light Blue, Wine, and Sand. * Palette No. 5: 3 sheets each of Dark Green, Light Green, White, and Dark Blue. * Palette No. 6: 12 sheets of Charcoal Grey formerly called Anthracite. * Palette No. 7: 3 sheets each of Sanguine Red, Sand, Beige, and Dark Grey. Key Features: * Pads contain 12 sheets of (360gsm / 170lb) paper * Acid-free and pH-neutral * Cellulose surface holds pigment deeply * No need for fixative spray * Softer hand than gritty course sanded papers * No fingertip scraping * Holds up to water and solvent-based washes * Lower Consumption Rate of Costly Pastels * Supports All Pastel Types * Erasability and No Pastel Dust Perfect For: * Mixed Media: Soft pastel, oil pastel, pastel pencil, charcoal, colored pencils, acrylics, watercolors, and gouache * Washes & Blending techniques * Building multiple layers of color without fixative * Creating painterly effects with soft buttery marks * Painting with Pastel, Blending & Layering   Glassine Sheets: Pastlemat® pads are bound with glassine barrier sheets between each page to prevent smudging. Fine- line Artwork: Unlike grittier sanded papers, Pastelmat®'s velvety surface is suitable for fine line artwork See More -
Strathmore 500 Charcoal Paper 19"x25" - #136 Blue Gray, Pack of 25Save Up to33%Off list
Starting At: 10.23
Blue 100% Cotton Acid Free Premium Charcoal Paper/Pads The staple for charcoal and pastel artists for over 110 years, this 100% cotton fiber paper has a traditional laid finish that provides the precise shading control needed for these media. Colors include bright white, white, black and nine tints. Media Applications: Graphite pencil, colored pencil, charcoal, sketching stick, soft pastel, mixed media Key Features: * 64 lb. 95 g/m2* Laid Surface* 100% cotton fiber* Raised texture* Acid-free paper* 24 Sheet Pads: Wire Bound Perfect For: * Graphite pencil* Colored pencil* Charcoal* Sketching stick* Soft pastel* Mixed media Its raised texture is also suitable for pen, pencil, or art crayon Pad Features: Wire Bound Sheets are Actual Size when removed at the wire binding. Colors in pad include 3 sheets each of eight colors.Please note: The manufacturer reserves the right to substitute colors in assorted packs. Colors may be different than pictured. See More -
Rembrandt Pastel Paper Pad (50-Sheet) 120lb 8.3 x 11.7 Industrial GreySave Up to25%Off list
Starting At: 12.69
Grey A Huge Favorite With Soft Pastel Artists! Rembrandt Soft Pastel Paper Pad's offer the best surface for your soft pastel paintings. Each pad contains five sheets in six-light or six-dark colors with thirty acid-free sheets altogether. The 75 lb (160 gsm) high cotton content sheets feature a subtle tooth for attracting and holding onto pastel particles. Glue-bound into convenient pads Rembrandt Soft Pastel Paper Pads are ideal for soft pastel, charcoal, pencils, and chalk. The dark-colored pad includes Heather Grey, Warm Grey Light, Ice Blue, Warm Grey, Graphite, and Black. The light-colored pad includes Sunshine, Cream, Goldenrod, Steam Grey, White, and Bluish Grey. Key Features: * Light or Dark colored sheets * Five sheets in six different colors, 30 sheets per pad * Acid-free, 75 lb (160 gsm) paper * High cotton content * Subtle tooth for grabbing and holding pastel particles * Glue-bound into convenient pads Perfect For: * Professional pastel artists * Soft pastel, charcoal, pencils, and chalk * Illustrators, designers, fine arts * An endless array of techniques * Archival foundation for pastel and pencil See More -
Jacquard Pinata Alcohol Ink - Shadow Grey, 4ozSave Up to25%Off list
Starting At: 3.19
Grey highly saturated, acid-free, transparent, alcohol-based ink! Jacquard Piñata Colors alcohol-based inks are vibrant, color-saturated, acid-free, transparent inks. The alcohol base is permanent and moisture resistant when dry. You can use them on almost any surface as long as it's clean and oil-free. Highly versatile, Piñata alcohol inks are perfect for a variety of applications, including rubber stamping, fine art, fiber art, and scrapbooking. You can also use Piñata in calligraphy, faux finishing techniques, and airbrush applications, as well as wood and leather staining. Piñata Clean-Up Solution contains moisturizers to keep brushes soft and pliable. Regular rubbing alcohol is terrific for ordinary brush and sponge clean up. Use the Clean-Up Solution for the final rinse to keep brushes soft and ready-to-use the next time! Piñata also offers Claro Extender, which can be mixed with Piñata Alcohol Ink to extend working time. When dropped or brushed on top of dry Piñata, Claro Extender will make the ink spread and create a marbleized effect. Key Features: * Alcohol-based * Vibrant acid-free inks * Permanent * Moisture resistant when dry * Transparent * Use on almost any oil-free surface * Claro Extender extends working time Perfect For: * Glass, leather, metal * Wood and plastic * Canvas Paper: coated & uncoated * Foiled papers, mat board * Leaf & gilded surfaces * Rubber stamping & fine art * Fiber art & scrapbooking See More -
Sennelier La Carte Pochette 11.8" x 15.75" - 6 Pack, Light GreySave Up to45%Off list
Starting At: 37.13
Grey Specially Developed for Pastel Painting! La Carte Pastel Cards are professional acid-free and lightfast pastel paper cards designed explicitly for pastelists. Each paper card has a 170 lb. (360 gsm) stiff weight, similar to Bristol. It's hard to fold, crease, or puncture the card, unlike other pastel papers. The surface has a neutral pH, slightly abrasive vegetable fiber coating that reacts with soft and oil pastels to enhance adhesion, thus reducing the need to fix artwork heavily. The card has a soft, uniform tooth that grabs and holds soft pastel, graphite, and charcoal. Each pochette includes six paper cards measuring 11.8" x 15.75". Key Features: * Each pochette includes 6 paper cards (11.8" x 15.75") * Available in 4 beautiful colors * Stiff 170 lb. (360 gsm) weight * Neutral pH surface * Velvety textured surface with a smooth tooth * Made of ground vegetable fiber and cork * The surface can hold up to 25 layers of soft pastel! Perfect For: * Soft pastels, charcoal, and graphite * Pastellists and colored pencil artists * Drawing on a colored background * Mixed media artists * Illustrators, designers, and fine arts * Experts and enthusiasts See More -
Art Spectrum Smooth Pastel Paper - Australian Grey, 19.5"x27.5" (Pack of 10)Save Up to35%Off list
Starting At: 27.97
Grey Create beautiful pastel art pieces with these versatile pastel papers! Art Spectrum Colourfix Smooth Pastel Papers are 340gsm pastel papers created by screen printing Colourfix Smooth Primer onto European Archival 300gsm hot press watercolor paper. The Colourfix primer contains lightfast acrylic color and a proprietary mixture of several types of silica to impart a smooth tooth. The Colourfix surface can take many pastel layers, which means that there is no need to spray layers with fixative constantly. Available in a full range of 20 colors as well as Rainbow, Cool, and Warm color packs, these pastel papers are versatile enough to work with wet and dry mediums. Key Features: * 340gsm pastel papers * Smooth texture with a soft tooth * Versatility allows artists to work with several mediums * Tooth enables excellent resistance for pastel drawing * Surface will hold multiple layers of pastel without the need for fixative * Clean white border for beautiful presentation * Available in 20 colors Perfect For: * Pastel artists * Wet and dry mixed media * Working with pastels, oil colors, & watercolors * Charcoal, pencils & other dry media * Soft pastels and oil pastels * Ink or thin acrylic-based colors * Gouache and watercolor See More -
Pebeo Fantasy Prisme Color Moonstone 45 mlSave Up to25%Off list
Starting At: 6.38
Grey Solvent-based colors that create honeycomb and textured effects! Pébéo Fantasy Prisme pearlescent, opaque colors render a honeycomb effect on flat horizontal surfaces. This effect reveals itself while the paint is drying (5 to 10 minutes). They work well on Liquid Art Panels and can also be used on glass, canvas, metal, mirror, Plexiglass, acetate, plastics, ceramics, and more. Fantasy Prisme work well with the Studio Acrylics line as well as with Gedeo Resins and Mirror Effect Metal Leaf. Make sure to clean brushes and droppers with odorless mineral spirits or citrus-based brush cleaners and then rinse with soapy water.Please note: Stir the paint with a wooden stick prior application to obtain a homogenous and fluid color. DO NOT SHAKE. Use a dropper to place color or pour directly from the bottle onto a flat horizontal surface. The length of time required for the colors to be completely dry varies according to the thickness of the application. A 1/16 inch (2 mm) thick application is dry to the touch after 24 hours and completely dry after 72 hours. Wait a minimum of 7 days before adding a coat of resin over completely dry colors. Key Features:* Pourable, liquid, solvent-based paint* Creates honeycomb-like effects over time* Good lightfastness* Compatible with all other products in the Pébéo Mixed Media line Perfect For:* Abstract art* Resin jewelry* Mixed media applications See More -
Daler-Rowney Georgian Oil Color 38ml Tube - Payne's GreySave Up to40%Off list
Starting At: 4.19
Grey Artist quality oil colors at a much better value! "Buttery and vivid... These paints come alive!"-Thumper, Artist & Customer (Auburn, WA) Daler-Rowney’s Georgian Oil Colors are the product of over 200 years of fine craftsmanship from the company’s color factory in Bracknell, England. Named for the company’s founder, George Rowney, his passion for traditional milling techniques in the pursuit of classical and modern colors has translated into the satisfying experience for both brush and palette knife painting today. Georgian Oil Colors provide a high quality oil color at a uniform and economical price. They use lightfast and permanent pigments that are triple-milled for easy mixing and consistent brilliance across all colors. The precise measurements used for individual colors requires the perfect balance of oil content and high quality pigment, finely ground to release the full intensity of the color and to ensure complete dispersion. Their new and improved formula provides enhanced single pigment color brightness, which remain consistent from first application to final finish. The Georgian Oil Colors generally require very limited quantities of added mediums, which is perfect for using freely straight from the tubes. Students and professional artists alike will feel they have found a workhorse, both for their studios and for plein air painting. Key Features:* 54 brilliant colors available* High lightfast ratings and highly permanent* 24 single pigments, 31 opaque or semi-opaque colors* Improved color strength (color reduction 5:1; mix of 5 part of white and 1 part of the color to show the effect/ result)* Improved consistency of drying from 4-5 days to 2-5 days* All colors are rated as Permanent**** or Normally Permanent*** Perfect For:* Student to professional works * Classrooms and workshops * Large scale projects * Artists in search of an unbeatable value * Daler-Rowney Georgian Oil Color Selection Set of 10 - The Perfect Set For The New Oil Artist! This set includes ten popular colors in generous 38ml tubes Ten 38ml Colors include: Titanium White, Lemon Yellow, Cadmium Red Hue, Alizarin Crismon, French Ultramarine, Viridian Hue, Yellow Ochre, Burnt Sienna, Raw Umber, and Ivory Black See More -
Saral Transfer Paper Pack of 12 Sheets, 18" x 24" - Sally's GraphiteSave Up to50%Off list
Starting At: 12.69
Grey Wax-Free Precision Tracing on any Surface! Use Saral Wax Free Transfer Paper like carbon paper to transfer, trace a design, or sketch to any other surface - paper, wood, glass, acetate, metal, cloth, canvas, ceramics, and more! The all-purpose, acid-free coatings can be used several times each to render crisp, clean tracings. The tracings are easily erased like a pencil and do not smear. The tracing can be inked or painted over with no bleeding. When used with fabric, the transfer lines can be washed or brushed off and will not set into the fabric, even when used with a hot iron. Saral WAX FREE Transfer Paper is available in 5 colors: Graphite, White, Blue, Yellow, and Red in rolls of four sheets measuring 12" x 3 feet for a total of 12 feet each box. A larger size is available in a 12-Pack of 18" × 24" sheets in Sally’s Graphite transfer paper. All Saral transfer papers conform to ASTMD-4236 and are certified by The Art & Creative Materials Institute as non-toxic. Key Features:* Available in 5 colors: Graphite, Blue, Red, White, and Yellow* Wax Free Transfer Paper, 4 Sheets* 4 sheets per box - 12" x 3 ft each sheet* For tracing a design or sketch to another surface* The ability to use each sheet multiple times* Conforms to ASTMD-4236 and are certified non-toxic Perfect For:* Fine Arts and Watercolor painting * Tole painting, Scrapbooking * Fabric painting, Quilting, Sewing * Graphic Arts, Architecture * Woodworking, Ceramics, Stained Glass, Metalworking See More -
Pebeo Cerne Relief - Imitation Lead, 20mlSave Up to26%Off list
Starting At: 4.28
Grey Dimensional paint for outlines and unique relief effects! Pébéo Cerne Relief colors are ideal for adding patterns and for creating outlines and designs for liquid paints such as Vitrail, Ceramic, or Fantasy Colors. Use the relief colors on most surfaces including Pébéo Liquid Art Panels, glass, canvas, metal, mirror, Plexiglas, acetate, plastic, ceramic and more! They are available in 2 transparent colors and 9 opaque colors, including metallic outliner colors. Please note: There is a safety seal on the tube. Remove the cap and nozzle from the tube, and use the black cap to pierce a hole through the seal. Then wipe off the cap and replace onto the tube. After each use, quickly replace the cap to avoid the paint drying in the nozzle. Allow at least 30 minutes to dry before applying Vitrail colors. Key Features:* Tube with pre-cut outliner nozzle included* Opaque, transparent, metallic, and glitter colors* Use with Vitrail Colors* Compatible with the Studio acrylics, Gedeo Resins, and Mirror Effect Metal Leaf Lines* Available in 20ml Tubes* Replacement tips/nozzles available - pack of 6 Perfect For:* Stained glass effects* Adding decorative elements* Mixed media applications Surfaces: Can be applied on most surfaces including Pébéo Liquid Art Panels, glass, canvas, metal, mirror, Plexiglas, acetate, plastic, ceramic and more! Pébéo’s Cerne Relief Applications: may be used to create outlines to contain and delineate Vitrail, Ceramic and Fantasy liquid colours. Can be used as a decorative element on any dry painted surfaces. Ideal for Mixed Media applications when combined with the Studio Acrylics, Gédéo Resins and Mirror Effect Metal Leaf lines See More -
Jacquard Neopaque Fabric Color (Sneaker Series) - Concrete Grey, 2.25oz JarSave Up to30%Off list
Starting At: 5.30
Grey Dazzling opaque colors for fabric, paper, leather, wood and more! These gorgeous, brilliant opaque paints spread smoothly and stay flexible. They are a perfect choice for fabric and leather, but are also stunning on surfaces like paper, photos, wood, shrink plastic and even styrofoam! Neopaque paints are designed to cover dark backgrounds with light application. On light backgrounds they produce a subtle "designer palette" alternative to a more intense color scheme. Neopaque colors may be painted, stenciled, screen printed, airbrushed (when diluted) and stamped. They may also be added to Jacquard Lumiere colors to produce an antique effect. Available in 2.25 oz and 8 oz bottles. See More -
12 Shades Of Grey Oil Paint, Blue Grey 50ml TubeSave Up to55%Off list
Starting At: 1.85
Blue 12, lovely brilliant grey tones. Impossible to find anywhere else at anywhere close to this amazing price. Are you ever curious about what happens in the shadows, the twilight or umbra of a painting? Give up control and go down the rabbit hole with 12 Shades of Grey and let the colors thrill you as you become entangled in their subtle, almost enigmatic shades. 12 Shades of Grey Oil Colors provide unique shades of hard-to-find greys. Highly pigmented from the finest materials and processed on triple mills, these oil paints will enable you to achieve sultry effects like you've never seen before. Key Features: * Single tubes in 50ml tubes * Highly pigmented * Triple-milled colors * Subtle greys * Set of 12 includes 21 ml tubes * Very smooth colors and just the right tones of greys Perfect For: * Painting shadows and greys * Mixing without making muddy colors * Practicing your painting * Underpainting* Light Fastness Chart of the Oils & Acrylics in our 12 Shades of Grey Series Color No. Color Name Oil Color Acrylic Color 460 BLUE GREY **** *** 781 YELLOW GREY **** *** 342 RED GREY *** *** 343 ORANGE GREY *** *** 783 VIOLET GREY **** **** 694 BROWN GREY **** **** 787 GREY MID **** **** 786 PALE GREY *** **** 797 PAYNE'S GREY *** *** 796 WARM GREY **** **** 576 GREEN GREY *** **** 795 COLD GREY *** **** *** Very good lightfastness **** Excellent lightfastness *** Package design may vary on 50ml tubes. See More -
Stonehenge Printmaking & Drawing Paper Roll 50"x10yd, Pearl GreySave Up to52%Off list
Starting At: 37.65
Grey An American-made Drawing & Printmaking Classic! Stonehenge by Legion, a traditional fine art paper! This machine made sheet has a slight, even texture that compliments many artistic pursuits. It combines a 250gsm beefy weight, 2 deckle edges, strong surface, excellent acceptance of ink and wet media and pleasant feel. Internally sized, made of 100% cotton. * 22 × 30" Sheets 250 Gr/M2 weight. - 90lb.* Use it for watercolor, printmaking, pen-and-ink, pencil, or pastel.* Smooth, flawless surface* Machine-made in the United States* 100% cotton fibers, Acid-Free* Each sheet has two deckle edges* Sold In: Packs(10,25,100) & Rolls It is a favorite not only with printmakers but with artists that specialize in drawing and painting techniques in a variety of media including graphite, artist crayons, pastels, watercolor and colored pencils, inks, and light gouache. Stonehenge continues to be made in the USA as a high quality affordable paper that never compromises fiber composition, archival properties or its suitability for multiple mediums. Stonhenge papers are the "paper of choice" by the Colored Pencil Society of America See More -
Painter's Color Diary Empty Binder Box 9" x 12"Save Up to54%Off list
Starting At: 8.47
Blue Build Your Color Library! Patent Pending Exclusive to Jerry’s, The Painter’s Color Diary® has a fail-proof layout that allows you to record swatch information for future reference. There are countless ways to use the Painter's Color Diary®. Some examples are: * Swatching new color purchases * Testing color transparency and opacity * Creating color mixing formulas * Testing color palettes for an upcoming painting The color diary is spiral-bound with removable pages so that you can work on multiple sheets simultaneously. Once dry, you can reinsert the pages between layers of the included glassine, so they don’t stick together. The top of each color chart has a space for writing the paint brand, the date, or an assignment title if it’s for class. Each swatch box contains a bold black line to show transparency or separate half-tones. The color diary is truly a game changer when it comes to planning the mood of a painting. It’s a remarkable resource to have. Oil & Acrylic Color Diary: * Perfect for oil and acrylic paint * 40 outlined swatch boxes on each page * 136 lb. (290gsm) sized canvas textured paper * 10 removable pages with glassine interleaving * Each swatch outline measures 1" x 1-1/2" * Pages measure 9" x 12" from the spiral binding Watercolor & Multimedia Color Diary: * Perfect for watercolor, colored pencils, pastels, and more! * 35 outlined swatch boxes on each page * 140 lb. (300gsm) 100% cotton cold press paper * Landscape page layout for watercolor gradations * 10 removable pages with glassine interleaving * Each swatch outline measures 1" x 1-1/2" * Pages measure 9" x 12" from the spiral binding Travel Painter’s Color Diary®: * Perfect for watercolor, colored pencils, pastels, and more! * 140 lb. (300gsm) 100% cotton cold press paper * Landscape page layout for watercolor gradations * 36 swatch boxes per page * 10 removable pages with glassine interleaving * Each swatch outline measures 1-3/16" x 1/2" * Pages measure 6" x 8" from the spiral binding Painter’s Color Diary® Binder Box: * Designed to hold Painter’s Color Diary® pages * 1-½" diameter binder ring * Holds up to 40 diary pages * Overall size 9-3/4" x 14-7/8" x 2-7/16" * Holds up to 40 pages (sold separately) * Compatible with 9" x 12" and 6" x 8" sizes * Durable soft-touch cover and sides * Strong magnetic closure keeps the binder secured * Metal label plate for easy identification * Added protection from light and dust * Perfect for cataloging all of your swatches archivally Build your color library with the new Painter's Color Diary® Binder Box – the perfect place to store and protect all your swatched pages. Painter's Color Diary® Review "Over the decades, I have continued to make tests of a diverse and ever-growing collection of oil paints, taking note of how they respond to the addition of white paint to analyze tinting strength or adding a glaze medium to note how the pigments react transparently. Sometimes I will test one color, such as Raw Sienna, from different paint manufacturers to determine which version will be best for my needs. Before using The Painter's Color Diary®, I did these tests on my painting or palette and wiped them away. With this wonderful tool, I now keep a record and note each color and company. For me, The Painter's Color Diary® is the perfect color tool for artists working in oils. Printed on high-quality canvas paper and protected by vellum sleeves, this pad allows for the testing and recording of colors with no bleed-through. I highly recommend the Painter's Color Diary®, not only for students but for professional artists. My color struggle now will be to decide whether to keep the pages in the book or post them on the studio wall!" John Wellington - Painter and teacher See More -
Phenomenon Shell Paper 5-Pack - Warm GreySave Up to78%Off list
Starting At: 7.99
Grey Coated with an emulsion made with real seashell powder! Shell Paper is a paper made with actual shell emulsion, specially designed for multimedia to accept acrylics, watercolors, inks, pastels, and even oil pastels! This paper easily mounts to any board surface to make unique Plein air painting boards. Imported from Vietnam, this paper will open new creative avenues for artists everywhere. The colors are organic pigments with natural white to add a beautiful pearlescent effect to transparent washes. Surface is lustrious and semi-absorbant. The calcium in the shell coating allows for wet media techniques, making Shell Paper the ideal surface for multimedia expressions using a wide array of media from crayon and charcoal to fluid acrylics and inks. The paper is handmade sheet by sheet, so each piece of Shell Paper is unique and somewhat different than the next. All sheets are 20x24" in size and are available in 5 sheet packs with resealable clear bags plus in packs of 25 sheets wrapped in paper. Key Features:* Acid-free and archival* Unique characteristics* Actual shell emulsion* Imported from Vietnam Perfect For:* New exciting creative avenues* Works well with dry art media and wet media* Block printing, screen printing, monotype printing* Pen and ink, marker, crayon, pastel, charcoal and stamping techniques Shell Paper Art Gallery See More -
Createx Airbrush Colors 2oz Transparent Medium GreySave Up to23%Off list
Starting At: 3.59
Grey The Number One, Most Widely Used Professional Airbrush Paint in the World! Createx Airbrush Colors are made with lightfast, exterior grade pigments and durable resins that provide exceptional flow and atomization. They are the most widely used and trusted professional airbrush paint in the world. With a wide line of colors including transparent, fluorescent, pearlized and iridescent colors, they can be used on a variety of surfaces. Each paint can be used on fabric, wood, automobiles, leather, canvas, plastics, aluminum and other metals, ceramics, latex, glass and more. Createx Airbrush Colors are made with a water-based formula that is non toxic and meets ASTM D-4236 standards. They are durable and can withstand outdoor elements like rain, dust and sunlight without fading or cracking. Key Features: * Made with lightfast, exterior grade pigments and durable resins * Exceptional flow and atomization * Wide range of opaque, transparent, fluorescent, pearlized and iridescent colors * Water-based, non-toxic colors Perfect For: * Automotive, fabric, wood, clay, metals, plaster, latex, glass and more * Withstanding outdoor elements without fading * Airbrushes and airguns * Sealing with a clear urethane for permanence See More -
Sennelier La Carte Pastel Paper - Dark Grey, 19"x25" (Pack of 10)Save Up to47%Off list
Starting At: 12.01
Grey Especially Developed for Pastel Painting! La Carte Pastel Paper was the very first product developed especially for pastel painting. La Carte Pastel Paper has a 200 lb. stiff weight similar to Bristol. It cannot be easily folded, creased or punctured, unlike other pastel papers. La Carte Pastel has a neutral pH, slightly abrasive vegetable fiber coating that actually reacts with soft and oil pastels to provide enhanced adhesion and thus, reducing the need to heavily fix artwork. Key Features:* Available in 14 beautiful colors* Neutral pH* Velvety texture* Vegetable fiber coating for smooth tooth* Coating will not eat away even the softest pastel* Stiff 200 lb. weight* Surface can hold up to 25 layers of soft pastels! Available in 19x25” and 23x31” Sheets. Please note: Minimum Purchase Requirement is 5 SHEETS of the SAME SIZE in assorted colors See More -
Pebeo Fantasy Moon Color Veil of Smoke 45 mlSave Up to25%Off list
Starting At: 6.38
Grey Solvent-based colors that create marbled effects! Pébéo Fantasy Moon opaque colors render a hammered or marbled effect on flat horizontal surfaces. The liquid paints create unique effects, which depend on whether used alone or mixed with Fantasy Prisme, Vitrail or Ceramic paints. They work well on Liquid Art Panels and can also be used on glass, canvas, metal, mirror, Plexiglass, acetate, plastics, ceramics, and more. Make sure to clean brushes and droppers with odorless mineral spirits or citrus-based brush cleaners and then rinse with soapy water.Please note: Stir the paint with a wooden stick prior application to obtain a homogenous and fluid color. DO NOT SHAKE. Use a dropper to place color or pour directly from the bottle onto a flat horizontal surface. The length of time required for the colors to be completely dry varies according to the thickness of the application. A 1/16 inch (2 mm) thick application is dry to the touch after 24 hours and completely dry after 72 hours. Wait a minimum of 7 days before adding a coat of resin over completely dry colors. Key Features:* Pourable, liquid, solvent-based paint* Creates crater-like effects over time* Good lightfastness* Compatible with all other products in the Pébéo Mixed Media line Perfect For:* Abstract landscapes and seascapes* Resin jewelry * Mixed media applications See More -
Pebeo Vitrail Color Opaque Pewter 45 mlSave Up to26%Off list
Starting At: 4.28
Grey THE IMPOSING BEAUTY OF THE STAINED GLASS - RIGHT AT YOUR REACH Luminous, high-gloss colors in transparent and opaque finishes! Pebeo Mixed Media Vitrail Colors are high-gloss, solvent-based colors— 36 total colors: available in 26 transparent and 10 opaque colors. These colors can be used with liquid art panels, metal, glass, ceramics, plastics, paper, canvas and more! Applied in thin or thick layers with a brush or used with a dropper. Compatible with other products in the Pebeo Mixed Media line. You can easily imitate the lead strips of stained glass windows using self adhesive lead strips, combined with transparent colours to create astonishingly beautiful light effects Key Features:* Mixable* Ready to use* Good lightfastness* Solvent-based* Transparent, intense and very bright colour* Opaque effect, luminous colours Perfect For:* Mixed media artists* Use on multiple surfaces* Use over acrylic mediums or in combination with resins What is Pebeo Vitrail Paint? To imitate a stained glass effect, use Vitrail Glass Paint with Pebeo Cerne Relief. Pebeo Cerne Relief is a water-based outliner that comes in a tube with a fine nozzle. It is available in a range of 7 colours and is used to create the outline of the design before applying the glass paint. After applying the Cerne Relief outliners, how long do you wait before applying Vitrail colours? It is better to allow the Cerne Relief dry at least 30 minutes prior to applying the Vitrail colours. QUALITY: Transparent, intense and very bright colours. Opaque effect, luminous colours. Solvent based, ready to use. Good lightfastness. Use with the cerne relief. COLOUR MIXABILITY: Colours can be mixed together. DRYING: 1 hour to the touch, completely dry after 8 hours. Drying times can vary depending on the thickness of the application, and the temperature and humidity of the room where the product is applied. SURFACES: Glass, polyester, acetate THINNER: Odourless mineral spirits or white spirits. OPACITY:Transparent and opaque colours FINISH Brillant. See More -
Marabu Easy Marble Antique Silver Paint, 15mlSave Up to30%Off list
Starting At: 3.90
Grey Marabu Easy Marble - Solvent-based marbling color! Marabu Easy marble is a solvent-based marbling color paint that can be used on water and doesn’t require the use of any other chemicals. Marabu Easy Marble paint works particularly well on three dimensional objects. It adheres to Styrofoam, glass, plastic, wood, papier-mâché, polyester, polypropylene, paper and many other surfaces. Easy marble can be used on fabric for decorative purposes only. Clean Easy marble up with isopropyl alcohol when wet and xylene or similar solvents when dry. Easy Marble paints are lightfast and quick-drying Key Features: * Marabu Easy Marble - Solvent-based * Doesn’t require the use of other chemicals * Cleans up with isopropyl alcohol or solvents, depending on dryness * Easy Marble paints are lightfast and quick-drying * Perfect For: * Decorating three dimensional objects * Also use on Styrofoam, glass, plastic, wood, papier-mâché, polyester, polypropylene, paper and many other surfaces See More -
Gamblin 1980 Oil Colors - Neutral Grey, 150ml TubeSave Up to40%Off list
Starting At: 4.80
Grey A True Oil Color At A Real Value Gamblin's 1980 Oil Colors are made with pure pigments, the finest refined linseed oil and real value. This line of student grade oil paint offers artists true colors and a smooth application; instead of a homogenized texture or muddy color mixtures. Gamblin 1980 Oils Paint mixes fine pigments with marble dust (calcium carbonate) to extend the pigments easier and keeps the value of the artist grade pigment without the price tag of a professional quality paint. 48 colors in sizes of 37ml and 150ml tubes. Click Here -> Gamblin 1980 Oil Color Chart Key Features:* Available in 48 colors* 37ml and 150ml tubes* Formulated with pure pigments* Finest refined linseed oil* Made with marble dust (calcium carbonate)* Made in Portland Oregon* Perfect For:* Classrooms and workshops* Quality student grade paint* Made in USA brand* True color and texture* Experiencing colors that are true Gamblin 1980 Oil Colors are made with the same dedication and pure pigments that go into our Artist’s Oils. In addition, we use the same process of mixing, milling, filling, and hand labeling. Introductory Set- This set of 1980 Oil Colors is intended to give beginning painters a thoughtfully constructed palette to support any style of painting and includes 8 popular colors as well as Gamblin's solvent-free safflower oil. Contains: 6.5in x 12in pre-primed painting panel with 1.5in cradle depth, 37 ml (1.25 oz) tubes are included Cadmium Yellow Light, Yellow Ochre, Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Phthalo Green, Ivory Black, and Titanium White See More -
M. Graham Oil Color 37ml - Payne's GreySave Up to40%Off list
Starting At: 10.19
Grey M. Graham Oils - The only oil paint with Walnut Oil In the tradition of the masters, M. Graham artists’ oil paint is made with pure walnut oil for its brilliance, clarity, texture, and resistance to fading and yellowing. Working in small batches, we craft oil colors true to the roots of Renaissance painting: delicately free-flowing, solvent-free, and with no fillers or additives. Founded by artists, M. Graham Oils use only the finest vehicle, Walnut Oil to make some of the finest oil paints on the market! Walnut oil provides a "unique refractive index" and will not yellow over time, which allows for incredible paint brilliance. Walnut oil's unique body allows for an increased amount of pigment suspension in comparison with other oils, giving their paint higher color saturation and tinting strength, as a result. Manufactured with only the finest example of each available pigment source, their paints contain no fillers, extenders, or adulterants, which have negative effects on color and how the eye perceives it. Hand-crafted in small batches, attention is paid to adapting manufacturing processes to specific pigment "personalities" and requirements. Use of proper milling pressure for each pigment helps to achieve optimum pigment load and dispersion. Artists run the Quality Control Department at M. Graham, assuring the quality of everything they manufacture. A green company, their products and manufacturing is solvent-free. Green-minded artists can finally enjoy painting with high-end, professional quality oils, from an environmentally conscious company! Key Features:* Manufactured exclusively using pure walnut oil* Only finest, purest pigment source used in their paints* No fillers, extenders, solvents or adulterants added * Colors made in small, hand-crafted batches* Constantly tested against the competition for greater tinting strength and pigment load* Quality Control done by actual artists to ensure exceptional quality* Company founded BY Artists, FOR Artists! Perfect For:* Amateur to professional artists* Artists seeking pure, brilliant oils for their palette* Artists who want products made by artists, for artists!* Environmentally concerned, "Green" artists* Health-conscious artists* Artists seeking high color saturation and tinting strength* Oil painters concerned with paintings yellowing over time* Producing brilliant paintings!* Artists desiring superior, constantly tested oil paints Set of 5 with Mediums: Includes 37 ml tubes of Azo Yellow, Naphthol Red, Ultramarine Blue, Phthalocyanine Green, and Titanium White, plus free 59 ml samples of two M. Graham solvent free mediums: Walnut Oil Medium and Walnut Alkyd Medium. See More -
Schmincke Mussini Oil Color 150ml - Bluish Grey 2Save Up to30%Off list
Starting At: 15.93
Blue Unparalleled luminosity and outstanding lightfastness! Schmincke MUSSINI® Fine Artist Resin Oil Colors use the recipes of the old masters to provide unparalleled brilliance and luminosity in a truly reliable paint film. Vats of Schmincke oil colors are stored for up to three months before paint is added to the tubes. This vat time allows the linseed, safflower, and walnut oil to coat the pigment thoroughly. Different amounts of dissolved damar resin are then added to guarantee tension-free color layers that dry harmoniously. The addition of dissolved dammar resin depends on the oil requirement of the particular color. As a result, each of the 108 color shades has an individually balanced recipe. The high luminosity, outstanding lightfastness, and depth of light that can be achieved with Schmincke MUSSINI® Resin Oil Colors make them a pleasure to use. Key Features: * Balanced and tension-free drying process * Mixture of linseed, safflower, walnut oil, and dissolved dammar resin * Colors based on recipes of old masters * High luminosity * Excellent lightfastness * Truly reliable paint film * Imported from Germany * Perfect For: * Professional oil painters * Creating beautiful glazes * Pigment aficionados * Upgrading to professional oils * Portrait painting * Painting beautiful atmospheric landscapes See More -
LUKAS 1862 Oil Color - Payne's Grey, 37ml TubeSave Up to63%Off list
Starting At: 7.79
Grey Incomparable color intensity! A Jerry's Exclusive! Finest Professional Artists' Oil Colors Valued by the Masters! A Jerry's Exclusive! Considered One Of The Worlds Favorite Oil Colors! Made in full pigment strength and in almost exactly the same manner. This allows artists to select a palette of colors between the two lines based on the economy they need. With modern abilities to concentrate pigments, LUKAS has created colors with the intensity valued by master artists but without the need to work the paint before painting. LUKAS colors are incredibly smooth with a consistent ground particle size. This is accomplished by grinding pigments with vehicle up to 7 times through a triple roller mill. LUKAS has mastered the art of making oil colors by taking the guesswork out of drying while still maintaining an excellent archival painting film. Their secret recipe employs primary driers that support the surface drying as well as auxiliary driers that support the body of the paint layer's drying. Created over 150 years ago, LUKAS 1862 Oils are a premium quality oil paint. LUKAS colors are incredibly smooth premium quality oil paint. Colors created with the intensity valued by master artists! If you had to choose 1 oil paint, this one would be it! 77% of the colors are Series 1! Key Features:* Incomparable color intensity, highly pigmented* Smooth consistency and buttery feel* 62 of the 80 color range are Series 1 for an exceptional value!* Enhanced with beeswax* Non-yellowing sunflower oil* Outstanding lightfastness* Shorter drying time* Dry to the touch usually in 2 to 4 days* Incredibly smooth with a consistent ground particle size* Triple-mill process to produce this superb oil paint* Palette based on those used by old masters* Pure, refined mediums Perfect For:* Consistent in hue and texture from tube to tube* Clean and lifelike mixing* Brilliant color spectrum* Classic palette* Smooth consistency and buttery feel* Outstanding lightfastness* Bring out your highlights* Smooth and amazing blend* Increase painting output* Every Masterpiece is Made with Master Quality Paint "I use LuKas Oil Paints for all my oil paints. I have been a professional artist for 40 years and Lukas oil paints are the best paints I have ever used. Their buttery application is perfect for my seascapes and figures." Brilliant Color Spectrum, Great Value! - Based on the highest quality classic and modern pigments, the wide 80-color spectrum available in LUKAS 1862 Oil Colors consists of no fewer than 40 single-pigment colors for clean and lifelike mixing, along with 2 metallic shades. Incomparable color intensity - The finest in classic and modern pigments, all with high to very high light fastness ratings, give LUKAS 1862 Oil Color a brilliance, concentration and permanence that stands the test of time. Beeswax - Beeswax adds body and creaminess to the paint, that is why it feels so nice and because the body of the paint is consistent it helps with even drying so it dries reliably. Shorter drying time - Dry to the touch usually in 2 to 4 days means that you can continue work on your LUKAS 1862 Oil Color paintings faster than with other brands without risking damage to the under layers. Pure, refined mediums - Pharmaceutical grade, virgin cold-pressed linseed oil, non-yellowing sunflower oil, and a touch of beeswax give LUKAS 1862 Oil Colors their silky, "short", and buttery consistency that makes for smooth brushstrokes, even drying and a stronger paint film. Classic palette - LUKAS 1862 Oil Colors have a color palette based on those used by old masters such as Van Gogh and widened to include favorites from more recent times, making for a well-balanced and versatile color palette sure to please the most demanding of painters! 62 of the 80 color range are Series 1 for an exceptional value! - Imported from Germany exclusively for Jerry's, we are proud to present this line of finest artists' oil color from LUKAS. Combining tradition with innovation allows LUKAS to create an oil paint with the finest in classic and modern pigments, outstanding light fastness, excellent coverage, smooth consistency and buttery feel. All the finest ingredients come together in a triple-mill process to produce this superb oil paint! LUKAS oils have remained a preferred choice among European artists for over a century, and they are fast becoming a favorite in America too! Are Lukas Oil Paints good? Yes! Lukas Oil Paints have incomparable color intensity valued by the masters! With modern abilities to concentrate pigments, LUKAS has created colors with the intensity valued by master artists but without the need to work the paint before painting. The finest in classic and modern pigments, all with high to very high light fastness ratings. Dry to the touch usually in 2 to 4 days with Pharmaceutical grade, virgin cold-pressed linseed oil, non-yellowing sunflower oil, and a touch of beeswax. Who makes Lukas paint? LUKAS has, since its foundation in 1862 in Düsseldorf (Germany), been considered the smart choice by artists, offering only the best professional art supplies at a reasonable cost. LUKAS has always had a close relationship with the city's local artists and The Academy of Fine Arts in Düsseldorf who have both helped develop and test new products sending key feedback to improve and evolve the product range. The brand is named after St Lukas, patron protector of Painters and receives national & international acclaim throughout its production period in Germany and Bracknell, UK. See More -
Sennelier Artists' Extra-Fine Oil - Payne's Grey, 200 ml TubeSave Up to45%Off list
Starting At: 11.12
Grey A New Generation of Oils! Only the finest natural and inorganic pigments . Sennelier Artist's Oil Paints have been the standard of quality for over 100 years. Sennelier's passion for colour chemistry and focused pigment research led to the development of a distinctive oil colour manufacturing process that has been employed for generations. Sennelier gathers only the finest natural and inorganic pigments from around the world. The pure pigments are ground very slowly with extreme care to an extra-fine consistency. They are then combined at maximum concentration with an archival safflower oil to yield the highest possible tinting strength and a lustrous satin finish. The sensuous pigments have a unique buttery texture, a consistency originally developed for the expressive style of the Impressionist painters who frequented the Sennelier store in the 19th century. Non-Yellowing Safflower Oil - highest possible tinting strength and a lustrous satin finish Sennelier's meticulous work, his vast knowledge of pigments, his talents as a colourist, and collaboration with Cezanne and other Masters gave rise to a palette of oil colours that quickly became the standard of quality. Favoured by some of the greatest artists (Monet, Gauguin, Matisse, Picasso, Bonnard, Modigliani, Chagall, Ernst, Hockney), Sennelier oils hang in the world's most prestigious museums. Today, Sennelier's classic palette is expanding with 50 new, original shades that encompass contemporary trends and tastes. These colours, still as smooth and luminous as ever, offer an updated texture with firmer body to accommodate the requirements of 21st century artists. Key Features: * 40ml & 200ml Tubes (500ml Titanium White) * 21ml and 40ml set sizes * Improved 'buttery' consistency * 145 luminous colors / Sets * Uses non-yellowing Safflower Oil Perfect For: * Better value at a lower cost * Canvas, panels, boards * Working with texture effects * Artists of all levels Today, Sennelier's classic palette is expanding with 50 new, original shades that encompass contemporary trends and tastes. These colours, still as smooth and luminous as ever, offer an updated texture with firmer body to accommodate the requirements of 21st century artists.Utilizing the time-honoured, exacting methods perfected for over one hundred years, the new paints are produced under the watchful eye of Dominique Sennelier. At Sennelier, tradition meets the needs of today's artists and the innovations of modern chemistry. Sennelier proudly introduces the next generation of oils, a collection of professional, extra-fine colours that reinvents your palette and redefines quality Landscape Plein Air Set - A color palette selected by award-winning Plein Air artists! Set includes eight 40 ml tubes of Sennelier Oil Color, Isabey # 6 Bristle Brush, a plein air field guide to color mixing, and 10 tips for better plein air painting! Wood Box 40ml Tube Set of 12- This set includes a luxury quality wood box with twelve 40 ml tubes of Sennelier Oil colors, 2 empty glass jars ideal for storing your favorite oil mediums, one painting knife, one artists quality brush, one double metal palette cup, one deluxe wooden palette and assorted charcoal. Artist Oil Set with Black Wooden Box- This black wooden box contains a beautiful set of 10, 21ml oil tubes. The box also includes an assortment of accessories used to aid your artist's adventures. Including a sennelier cloth, charcoals, a green for oil medium, along with Precision brushes 8504 size 4, and 8534 size 12, as well as honey soap. Oil Color Set of 10 - This Artist Oils set features 10 tubes of 21ml extra-fine artist quality oil paint. Made using pigments of the highest quality, this set provides maximum pigment load and color intensity. The pure safflower oil carrier creates resistance to yellowing and provides a unique satin sheen. Colors in the set include #116 Titanium White, #511 Bright Yellow, #675 Red Vermillion, #619 Permanent Intense Red, #315 Ultramarine Deep, #326 Phthalocyanine Blue, #805 Chromium Green Light, #252 Yellow Ochre, #211 Burnt Sienna, #755 Ivory Black. *Actual colors will vary due to Manufacturer availability See More -
Old Holland Oil Color - Davy's Grey, 40ml TubeSave Up to44%Off list
Starting At: 14.74
Grey Considered one of the Finest Oil Paints In the World! Manufacturing pigments since 1664, Old Holland Classic Oil Colors are still considered today as one of the top oil paints in the world! Boasting artists like Van Gogh, Vermeer, and other Dutch Masters that used their pigments and paints, Old Holland uses only pure, cold-pressed linseed oil as a binder with the highest possible pigment loads, creating brilliantly concentrated paints that provide exceptional covering power, strength of color, and color intensity. All Old Holland Classic Oil Paints are completely lightfast except for the Madder Lakes and Cremnitz White, which are nearly lightfast. All Old Holland oils are manufactured using stone rollers only, as the colors of the paint will not change due to metal oxidations (which will alter Cadmium colors). All colors are completely free of cheap fillers and artificial dryers like other premium paints contain. Although Old Holland Oils initially may seem very expensive, the heavy concentration of pigment is actually an exceptional value, given the covering power of the paint and minimum amount needed for color mixing. One tube of their highest possible concentration of pigment equals the pigment contained in 2 to three tubes of other professional brands! Old Holland Classic Oil Colors come in 40ml and 225ml tubes. Cremnitz White, Flake White, Mixed White, Titanium White, and Zinc White can be purchased in 125ml and 225ml tubes, as well as 475ml cans. Key Features: * Oil Paints used by Van Gogh and Vermeer * 40ml, 125ml, 225ml tubes / 475ml Cans * 40 ml or 18ml tube sets of 10 * Highest Professional Quality * Highest possible pigment loads * Manufacturing Pigments Since 1664 * Completely lightfast * Cold Pressed Linseed Oil Binder * Exceptional covering power * Strength of color and color intensity * Paint will not change due to metal oxidations * Free of cheap fillers Perfect For: * Professional Oil Painters * Pigment Afficionados * Making paint go further * Upgrading to Professional Oils * Highest Quality Paints You Can use Old Holland Oil Sets of 10: Want to blow the oil painter in your life away and make their artist friends swoon with envy? Old Holland Classic Oil Colors Sets are the perfect gift for just that! "Lake" means transparent glazing colours. "Extra" means traditional colour made from lightfast pigment See More -
Pyramid Pre-Cut Mats 4 Ply - Style G - Granite (Pack of 10)Save Up to61%Off list
Starting At: 19.99
Grey Everyone loves Pyramid Mats and now there's more to love! These professional quality value boards are cut crisp and clean. Boards are buffered with calcium carbonate to an alkaline reserve of 3-5%. Best used for presentation and open edition prints. Not recommended for archival long-term matting or presentation. *Backing not included. Pyramid Pre-Cut Mat Packs are cut to order. Please allow extra time for shipping. To order quantities of more than 100 pre-cut mats, please call Customer Service at 800-827-8478 for availability and time line. Please note: Even though Pyramid Mats are PreCut, we carefully cut each mat by hand, so it may take longer to ship your mats. Please call customer service if there are any questions about timing! Key Features:* Sold in 10-Packs * Classic rectangular shape * Buffered core and neutral PH facing paper* 4-ply board Perfect For: * Presentation * Open edition prints Style Outside Dimensions Inside Dimensions Picture Size A 8 × 10" 3.5 × 5.5" 4 × 6" B 8 × 10" 4.5 × 6.5" 5 × 7" C 9 × 12" 5.5 × 7.5" 6 × 8" D 11 × 14" 7.5 × 9.5" 8 × 10" E 12 × 16" 8 × 10.5" 8.5 × 11" F 12 × 16" 8.5 × 11.5" 9 × 12" G 16 × 20" 10.5 × 13.5" 11 × 14" H 16 × 20" 10.5 × 14.5" 11 × 15" I 16 × 20" 11.5 × 15.5" 12 × 16" J 18 × 24" 10.5 × 16.5" 11 × 17" K 18 × 24" 12.5 × 18.5" 13 × 19" L 20 × 24" 15.5 × 19.5" 16 × 20" M 22 × 28" 14.5 × 21.5" 15 × 22" N 22 × 28" 17.5 × 23.5" 18 × 24" O 24 × 30" 16.5 × 21.5" 17 × 22" P 24 × 30" 18.5 × 24.5" 19 × 25" See More -
Sennelier Rive Gauche Oil 200Ml Blue-GreySave Up to30%Off list
Starting At: 6.55
Blue Artist Quality Fine Oil Colors Bound with Safflower Oil Made in France, from the famed Parisian riverside that once inspired artists such as Matisse and Picasso. Sennelier’s line of fine oil paint offers the City of Paris in both 40ml and 200ml tubes! Made from a rich, balanced blend of cadmium substitutes, Rive Gauche Fine Oils are highly pigmented, producing colors with an opaqueness and luminosity equivalent to that of real cadmium. Bound with safflower oil, Rive Gauche fine oils have a lower level of yellowing, and are designed to dry twice as fast as classic oils without losing workability. With its thick, creamy consistency, oil colors mix clearly, and each paint stroke is smooth and uniform; drying to an intense satin finish. Featuring 60 colors in 40ml tubes and 56 colors in 200ml tubes, Sennelier’s Rive Gauche Fine Oil Paint brings the City of Lights to artists all over the world with its wide range of bright, brilliant colors. Excellent for students and professionals alike. Key Features:* Oils dry twice as fast * Bound with Safflower Oil (vegan based)* Lower level of yellowing* Thick, uniform texture with a satin finish* Made of cadmium substitutes* Produce highly-pigmented, luminous colors* Colors mix clearly* Single series with 60 colors in 40ml tubes and 56 colors in 200ml tubes* Perfect For:* Working twice as fast as classic oils without losing workability* Artists who do not want to be restricted by their paint’s drying-time* Great for underpainting or large scale projects* Student to professional works* Artists who desire affordable, high quality oil paint * Made In France Dries twice as fast!Whilst retaining the key characteristics of oil painting, Rive Gauche fine oils dry twice as fast as classic oils. The outcome of this is a shortened drying time that does not restrict an artists possibilities of working with fresh paint. Oils that yellow two times less! Safflower oil is used to make the 60 colours. It is characterized by its low level of yellowing (50% less than linseed oil) and its excellent compatibility with pigments. See More -
Winsor & Newton Artisan Water Mixable Oil Color - Payne's Grey, 200ml TubeSave Up to40%Off list
Starting At: 7.19
Grey Who Says Oil and Water Don't Mix! Designed to look and work just like traditional oil paint Just because oil and water don't mix in your kitchen doesn't mean there aren't other methods to make them happy in each other's company. A most effective route is through the addition of a chemical emulsifier that has an attraction on one side of the molecule for water and, on the other, for oil. The result? A happy match made, if not in heaven, at least in the laboratory. Mix with Water - Artisan provides all the characteristics expected from conventional oil color: High pigment strength, a high proportion of single pigments, and variable opacity. The key difference is their ability to be mixed with water even though they are made with traditional oil binders. Chemical analysis has indicated that any added water fully leaves the paint film within a short time; no water remains "trapped" to weaken or loosen the color on the canvas. Drying Time- The water evaporates out of the paint film fairly rapidly leaving behind a conventional oil color that dries by oxidation, as normal. Adhesion and drying time have been shown to be comparable to conventional oil color. Research has also shown that the dried Artisan film is similar to a conventional oil film in solvent resistance, yet remains slightly softer than conventional colors, offering increased flexibility, which is a very good thing. Your canvas can flex with changes in temperature and humidity; a paint film that will go along with it will better resist cracking or lifting. Key Features: * 40 vibrant tones * Designed to look and work just like traditional oil paint * Thick, buttery consistency * All colors are touch dry in 2-12 days * Clean up is easy with just soap and water! * High pigment strength and variable opacity * Mix with water and avoid hazardous solvents * Made from modified linseed and safflower oils * Winsor & Newton Artisan Water Mixable Oil Colors - These magnificent paints are designed to look and work just like traditional oil paint, but they're a bit special. You can use them without hazardous solvents - they're happy being thinned down and cleaned up with water. They're especially good for artists who share a workspace or don't want solvents in school or at home. For Water Mixable Mediums Click here -> Winsor & Newton Artisan Water Mixable Oil Painting Mediums See More -
Art Spectrum Colourfix Fine Tooth Pastel & Mixed-Media Paper 19-1/2" x 27-1/2" (Pack of 10)Save Up to35%Off list
Starting At: 27.97
Grey A superb substrate for pastels, oils, acrylics, watercolors and other fine art media Art Spectrum Colourfix Pastel Paper is made of acid-free, archival European Archival 300gsm Hot Pressed watercolour paper, features a lightfast very permanent coated paper. The Art Spectrum Colourfix Original Coated Pastel Paper has a medium toothy surface that will hold multiple layers of pastel, charcoal, or chalk without needing fixative between the layers. It is a superb substrate for pastels, oil colours, acrylics, inks, oil pastels, gouache, watercolours and dry media such as charcoal and pencils. Key Features:* 300gsm acid-free & archival paper* Natural, toothy surface* Tooth enables excellent resistance for soft pastels & oil pastels* Clean white border for beautiful presentation* Natural toothy surface will hold multiple layers of pastel without the need for fixative* Can be sanded, scrubbed, soaked and reworked over and over Perfect For:* Wet and dry mixed media* Soft pastels and oil pastels* Charcoal and pencil* Oil colors, ink, or thin acrylic-based colors* Gouache and watercolor* Displaying your finished artwork Colourfix™ Original (Medium) Paper is available in 20 colours in A3, 23 x 30cm (9" x 12") and 50x70cm (20" x 28") sizes. Cool Tones, 9" x 12", 10 Sheets Pack - Includes the following 10 cool tones in a 9"x12" sheet: Blue Haze, Deep Black, Deep Ultra, Elephant, Fresh Gray, Leaf Green Dark, Natural, Rose Gray, Storm Blue, and White. Warm Tone 9" x 12", 10 Sheets Pack - Includes the following 10 warm tones in a 9"x12" sheet: Aubergine, Australian Gray, Burgundy, Burnt Umber, Olive Green, Raw Sienna, Rich Beige, Sand, Soft Umber, and Terra Cotta. Rainbow Packs: 9" x 12" & 20" x 28", 20 Sheets Pack Includes all 20 colors in the Colourfix line See More -
Arhnem 1618 Printmaking Paper 245 Gsm - Grey, 22" x 30" Sheet (Pack of 10)Save Up to49%Off list
Starting At: 16.22
Grey A Premium 100% Rag Printmaking Paper! Speedball's Arnhem Printmaking Papers are made near the city of Arnhem in Holland by Schut Papier, a paper mill that has been creating fine paper since 1618. Offering a semi-smooth surface with a smooth appearance that accepts a variety of printmaking techniques and media. Every sheet of Arnhem Printmaking Papers accepts multiple layers of ink brilliantly and can handle dry and damp printing. Key Features:* Available in: White & Warm White & 245gsm or 320gsm* Premium 100% rag printmaking paper* Vellum finish * Two deckled edges* Made from strong fibers* Excellent wet strength and absorbency* Subtle grain and smooth appearance* Accepts multiple layers of ink brilliantly* Available in: White & Warm White Perfect For:* All printmaking media* Excellent results in a variety of media* Intricate details* Dry or damp printing* Multiple layers of ink* Extremely versatile* Graphic relief and silkscreen images* Delicate and rich intaglio prints Arnhem 1618 paper offers a semi-smooth surface with a substantial feel to the touch. The subtle grain combined with a smooth appearance allows a variety of media to take to the paper, while remaining a reliable surface for intricate detail. Arnhem’s strong and highly absorbent fibers make it ideal for dry or damp printing, allowing it to accept multiple layers of ink brilliantly. Arnhem Printmaking Paper Review "The way it absorbs ink was really important to me. Akua inks dried faster on this paper than others I've used. Also, the substantial weight of the paper-that made it seem like a higher quality paper. It has a "presence" to it that other papers don't." - PRINTMAKING PROFESSOR See More -
Somerset Velvet Printmaking Papers 250gsm 22" x 30" (Pack of 10)Save Up to42%Off list
Starting At: 56.29
Grey The choice of artisans and printmakers worldwide Somerset Velvet Printmaking Paper is a very popular grade of printmaking paper from the historic St. Cuthbert’s Mill in the UK, first introduced in the early 1970’s. Somerset is a beautiful paper to work with, boasting a lightfastness rating of 7 on the Blue Wool Scale for all colors. Originally intended as a printmaking paper, they have been 'discovered' to also be highly suitable for pastel drawing. Mould-made 100% cotton, acid free with four deckle edges. The surface has a gentle texture, soft and good-tempered nature, and is a strong and stable enough sheet to ensure excellent printing. Each sheet comes with 4 deckle edges and is watermarked (except for the book papers) for authenticity. It remains flat after printing and offers durability and long life to finished editions of work. Key Features:* Mouldmade in UK* Acid free acrylic primer* 100% Cotton* Neutral pH, Acid-Free* Chlorine Free* 4 deckles (2 natural deckles, 2 tear deckles)* Lightly sized, gentle texture surface* Specialty Paper, printmaking papers* Lightfastness rating of 7 on the Blue Wool Scale Perfect For:* The choice of artisans and printmakers worldwide* Any printmaking application* Highly suitable for drawing, charcoal & pastels* Letterpress, engraving, foil stamping and offset* Remaining flat after printing* Durability and long life to finished editions of work See More -
Matisse Structure Acrylic Colors Phthalo Green 150 mlSave Up to50%Off list
Starting At: 7.25
Grey A Heavy Body Acrylic Suited to Impasto Techniques Matisse Structure Acrylics come in 98 highly pigmented lightfast colors! Because of their heavy body and high viscosity, Matisse Structure Acrylic Colors are ideally suited to impasto techniques and thick textured applications. You can easily apply the paint with a brush or palette knife straight from the tube. Matisse Mediums can be mixed in to alter the body and texture, gloss and sheen, or working time of the paint. Key Features: * Heavy body, high viscosity acrylic * Excellent lightfastness * No masking agents! * Brilliant and highly pigmented * 98 Brilliant professional colors Perfect For: * Impasto painting techniques * Painting colorful backgrounds * Mixing with acrylic mediums * Large-scale acrylic paintings * Intermediate to professional artists Artist Review & Testimonial Professional Artist Andy Russell - "Matisse Acrylic Paints have proven to be a pleasure to work with in so many ways. They are of the highest quality, richly pigmented and creamy smooth and perfect for the professional artist." “I use Matisse Structure Acrylics for a thick textured, bold impasto look and Matisse Flow Acrylics for the smooth, highly detailed results. They are also excellent for covering large areas." “I love colors and they come in a full range, which makes me feel like a kid in a candy store. I almost think of them as flavors. I really like their unique colors such a Cadmium Orange Deep, Australian Red Violet and Australian Blue Gum, Australian Salmon Gum and Australian Sienna. After years of painting in acrylics, it is exciting and refreshing to use these new colors. Discovering them was like getting a ‘booster shot’ of creativity for my work." See Full Review and Videos In Our Blog - Click here > See More
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