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Creative Mark Butcher Tray 11"x15" PaletteSave Up to58%Off list…coated white enameled metal * Paint will not bead up on enamel * Paint colors will not stain Perfect For: * Oil paints, acrylics, alkyds, and watercolor * Colors show up well against white * Color mixing * Easy cleanup * Getting rid of palette paper! * Moving paint around your palette * Soaking… Easy to clean triple-coated enamel tray palettes! The Creative Mark Butcher Tray Palettes are made of triple-coated white enameled metal and are perfect for color mixing! Use the palette tray to mix your oil colors, acrylics, and alkyds, or use it as a fantastic wash basin for watercolors. Modeled after the original American butcher trays, Creative Mark Butcher Palettes have a smooth surface that is easy to clean. Paint colors will not stain the white of the palette. If you leave your paint to dry on the palette overnight, you can easily scrape off the dried paint with a spatula or razor blade the next morning. Like the old butcher trays of yesteryear, Creative Mark Butcher Palettes have slight rim imperfections that add character and do not affect performance. Key Features: * High-quality palette makes mixing a pleasure * One inch high palette walls * Lightweight * Triple coated white enameled metal * Paint will not bead up on enamel * Paint colors will not stain Perfect For: * Oil paints, acrylics, alkyds, and watercolor * Colors show up well against white * Color mixing * Easy cleanup * Getting rid of palette paper! * Moving paint around your palette * Soaking watercolor paper for stretching "I can't say enough about this tray. I use acrylics on a daily basis and honestly sometimes the paint adds up and I don't clean it right away. Even when I leave it on overnight, I can easily take a razor and swipe away the leftovers. I have had it for about 3 weeks and it hasn't stained at all. I would definitely recommend this for acrylics use, oils and watercolor would probably be even easier to clean." - Billie See More
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SoHo True Color Peel Off Palette Neutral Grey Butcher Tray Large 11x15"Save Up to59%Off list…clean up after painting with acrylic paints. This palette is excellent for plein air use, because the neutral grey surface reflects sunlight much less than a white palette. Acrylics will not stain the surface of the SoHo Magic True Color Peel Off Palette, and once the paint dries on the… The palette that’s true to color and easy to clean! Surfaces that are a neutral grey color offer artists results that are more true to color. The SoHo "Magic" True Color Peel Off Neutral Grey Palettes not only provide a neutral grey surface, they also are incredibly easy to clean up after painting with acrylic paints. This palette is excellent for plein air use, because the neutral grey surface reflects sunlight much less than a white palette. Acrylics will not stain the surface of the SoHo Magic True Color Peel Off Palette, and once the paint dries on the palette, you can peel it right off! The palette looks brand new with every use. Oil colors can also be used on this neutral grey palette. However, they cannot be peeled off once dried. These magical palettes are available in three different styles: an oval arm palette, a small butcher tray and a large butcher tray. Key Features: * Features a true-color, neutral grey surface* Incredibly easy to clean up after painting with acrylic paints* Made of a unique plastic blend* Dried acrylic paint peels right off the palette surface** Easy and fun clean up!* Acrylic colors will not stain the surface of the palette* Available in 3 different styles: Oval arm palette, Small butcher tray& Large butcher tray Perfect For: * Use with acrylic or oil colors* Easy clean up* Use en plein air – palettes will not reflect the harsh sunlight* Reflects sunlight much less than a white palette* See colors more accurately* Artists of all skill levels Students, classrooms, and educators *Please note: Fully dried, un-thinned acrylic paint peels easily from palette due to the strength of acrylic resins. Acrylic paint thinned with water (or acrylic gouache) may not peel easily due to the resin strength being broken down in the paint film. Palette can be soaked or washed with soap and water to clean thinned paint. See More
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Fabriano 1264 Watercolor Spiral-Bound Cold-Press Pad - 11x15 Portrait, 140lb (30-Sheet)Save Up to33%Off listWhite Perfect for all lifting and scrubbing techniques! Fabriano 1264 Watercolor Pads feature 140lb. (300gsm) Cold Press, acid-free, Bright White paper. The paper's Cold Press finish is very forgiving, enabling all lifting and scrubbing techniques while enhancing color vibrancy. Each paper sheet is made using Hydro-Power in Italy and is FSC Certified. Available in spiral-bound (with micro-perforations) and glue-bound (fold-over sheet) format. Fabriano 1264 Watercolor Pads satisfy the needs of student and professional watercolorists. The paper is ideal for watercolor, gouache, and acrylic ink. Key Features: * 140lb (300gsm) weight * Bright White * Cold Press texture * Super color retention and intensity * Spiral-bound or glue-bound pad * Spiral-bound pads have micro-perforated sheets * Glue-bound pads feature fold-over sheets * FSC certified paper * Made in Italy Perfect For: * Watercolor, gouache, and acrylic ink * Bold washes of color * Students and professionals alike * Beginner and classroom use * All watercolor techniques * Lifting and scrubbing techniques * Spontaneous sketching and Plein air work See More
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Fluid Watercolor Paper Pad 140lb Cold Press 11" x 15"Save Up to35%Off listWhite Quality Cold Press Watercolor Paper Fluid™ Watercolor Paper is an acid-free, 140lb paper perfect for watercolors, colored pencils, pastels, acrylic washes, and more! The paper is made by milling small batches of alpha-cellulose very slowly. Each Fluid sheet is crafted in a European mill that has been making fine art papers since 1618. The paper machine runs very slowly to create a more robust watercolor paper that is stronger. High-quality watercolor paper in easy-to-use pads! Key Features: * 140 lb (300 GSM) cold press paper * Archival and acid-free * 20 sheets per pad * Made with high-quality alpha cellulose * Crafted in a 400-year-old European mill Perfect For: * Watercolors and mixed media * Fine artists * Colored pencil, pastel, and light acrylic washes * Artists, students, studios, classrooms and teachers See More
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Winsor & Newton Oil Painting Primer, 1 Liter CanSave Up to43%Off listWhite Ready-to-use primer in a non-yellowing oil-modified alkyd resin medium Winsor & Newton Oil Painting Primer is a ready-to-use primer in a non-yellowing oil-modified alkyd resin medium. No thinning or stirring is required. Oil Painting Primer can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper) with virtually no sinking in. A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming. The treated ground then accepts oil colours easily and without chalkiness or absorbency.Key Features:* Size: 500ml & 1000ml cans* Ready-to-use primer * Non-yellowing oil-modified alkyd resin medium* Can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper)* Used to prepare a surface before painting* A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming Oil painting primer imparts a traditional oil base. Some artists prefer this and may find a slight increase in gloss and smoothness. Oil primed canvases may slacken off less than acrylic primed canvases. A coat of warm glue size is required first. As a result of their formulation, Winsor & Newton acrylic primers are also suitable for oil painting. They are popular because they dry quickly and do not require any sizing underneath. See More
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LUKAS Oil Painting Medium - Fast Dry Glazing Medium #3, 1 Liter CanSave Up to61%Off list…professional-quality drying oils and mediums. Any additive used to alter the working properties of oil paint needs to be of equal quality for the continuity of paint film strength and durability. LUKAS is proud to offer a unique selection of oils and mediums to enhance your oil painting experience.… The Perfect Oil Mediums To LUKAS Oil Paints! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of oil paint needs to be of equal quality for the continuity of paint film strength and durability. LUKAS is proud to offer a unique selection of oils and mediums to enhance your oil painting experience. The Shellac Solution, Glazing, and Alkyd Mediums are all available in a one-liter cans. Key Features:* Accelerates the drying time* Increases gloss & translucency of colors* Alkyd resin-based medium shortens drying time* Size: one liter or 125 ml* For information click on yellow technote icon Perfect For:* Making custom painting mediums* Accelerating the drying of oil colors* Professional Oil Painters* Maintaining consistency* Preserving gloss* Discerning students & amateurs Fast Dry Glazing Medium #3 - Clear, quick-dry medium accelerates the drying time of oils. Increases gloss & translucency of colors; dried layers remain soluble in turpentine. Alkyd Oil Medium #4 - Alkyd resin-based medium for shortening drying time of oil paints. Elastic and adhesive, increases gloss and translucency and dries permanent. Shellac Solution - is a Gold Yellow classical natural resin primer. It decreases the absorbency of painting surfaces. See More
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LUKAS Oil Painting Medium - Retouching Varnish, 1 Liter CanSave Up to61%Off list…Perfect Accompaniment To LUKAS Oil Paints Professional oil paints require professional-quality mediums and varnish. Any additive used to alter the final sheen of the painting needs to be of equal quality of the paint used, for the maximum benefit of continuity of paint film strength and durability.… The Perfect Accompaniment To LUKAS Oil Paints Professional oil paints require professional-quality mediums and varnish. Any additive used to alter the final sheen of the painting needs to be of equal quality of the paint used, for the maximum benefit of continuity of paint film strength and durability. LUKAS is proud to offer a unique selection of varnishes to enhance your oil painting experience. Picture Varnish Gloss, Retouch Varnish, and Dammar Varnish are available in one-liter cans. Key Features: * Protects your painting * Unifies surface quality * Size: one liter can * Professional Quality Perfect For: * Temporary protection * Final, permanent protection * Oils, alkyd, and egg tempera * Altering paint sheen Retouching Varnish- This solvent-based acrylic varnish is water-clear and suitable for intermediate, temporary protection of oil and alkyd paintings and for retouching work. Dammar Varnish, Classical - This traditional, natural resin-based varnish is slightly amber in color, but dries to a durable, glossy film perfect for protecting finished art in oils, alkyd and egg tempera. Remains soluble in turpentine; will lose elasticity over time Picture Varnish Modern - Water-clear synthetic resin varnish for oil, acrylic, alkyd and tempera paintings. Protects artwork from environmental damage. Non-yellowing and removable with turpentine or mineral spirits. See More
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LUKAS Oil Painting Medium - Pure Balsam Distilled Turpentine, 1 Liter CanSave Up to60%Off list…smelling solvent for oil colors containing lemon peel oil. Clear turpentine substitute good for thinning and cleaning oils and dissolving resins like dammar or mastic to produce mediums. Odorless Thinner - Near-odorless paint thinner for oil colors. Ideal for cleaning painting tools; should not be… Balsam Turpentine - Pure, water-clear thinner for oils made from cleaned balsam resin. Excellent for thinning oil paints as well as dissolving resins like dammar or mastic to produce mediums. Rectified Balsam Turpentine - Similar to Pure Balsam Turpentine, but distilled multiple times. Ideal for thinning oil colors and dissolving resins to create mediums and varnishes. Citrus Turpentine - Pleasant smelling solvent for oil colors containing lemon peel oil. Clear turpentine substitute good for thinning and cleaning oils and dissolving resins like dammar or mastic to produce mediums. Odorless Thinner - Near-odorless paint thinner for oil colors. Ideal for cleaning painting tools; should not be used for dissolving natural resins (as in the creation of traditional mediums and carnishes) or for thinning resin-based solutions. See More
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Da Vinci Pro Birch Wood Panel 30"x40", 1-5/8in DeepSave Up to75%Off listNatural Superbly Crafted For Permanent Works Of Art! Fine-grained, finely sanded These superior quality Birch hardwood painting panels give artist’s exceptional panel strength and rigidity, with very fine wood grain. Finely sanded Da Vinci Pro Birch Wood Painting Panels deliver a consistently strong, sturdy archival support. They are fine grained and super smooth. The panels can be directly universally gesso primed, Encaustic gesso primed, or barrier-coated with PVA or rabbit skin glue sizing before oil priming. They are also popular with artists making their own linen or cotton canvas panels, or mounting sanded pastel or watercolor paper for a firm archival painting surface. Features:* Fine-grained, finely sanded* 7/8", 1 5/8" & 2 1/2" Deep* Strength and rigidity* Warp resistant, kiln-dried New Zealand Pine cradle with Birch panel* You can gesso the panel* Light weight and sturdy* Tougher than canvas and no problem of ever sagging* Unframed or framed* Wood sourced from ecologically fast growth forests Perfect For:* Nice smooth surface, no need to prep prior to base coating* Students, Teachers, Professionals* Mounting linen or canvas* Archival substrate* Universal priming* Well made so that even the edges hold the paint* Artists making their own linen or cotton canvas panels* Great for gallery presentations* Mounting sanded pastel or watercolor paper for a firm archival painting surface* Lightweight easy to hang* Acrylics, acryl gouache, pencil, collages* Artist Testimonial - "These Panels Are Beautifully Crafted" "I would give the DaVinci, Birch wood painting panels a five star rating any time. I love the DaVinci Birch and cradled painting panels. These panels are beautifully crafted, light weight and sturdy. Really they are more like furniture than a simple painting surface. Even though I gesso the surface its not necessary. Simply be inspired and apply the paint." Artist Ron Croci “The thickness of the board makes it easy to handle while painting, and in larger sizes an extra support beam is added to the middle of the board. I highly recommend these” Artwork by Artist Samuel Flegal @samuelflegal See More
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Winsor & Newton Oil Drying Refined Linseed Oil, 1L BottleSave Up to43%Off list…drying oils and mediums. Any additive used to alter the working properties of oil paint needs to be of equal quality for the continuity of paint film strength and durability. Winsor & Newton is proud to offer a unique selection of oils and mediums to enhance your oil painting experience.… The Perfect Accompaniment To Oil Paints! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of oil paint needs to be of equal quality for the continuity of paint film strength and durability. Winsor & Newton is proud to offer a unique selection of oils and mediums to enhance your oil painting experience. Drying oils control color, prevent over-thinning when mixed with solvents, and help maintain the flexibility of paint film. Key Features: * Accelerates the drying time * Increases gloss & translucency of colors * For information click on yellow technote icon Perfect For: * Making custom painting mediums * Accelerating the drying of oil colors * Professional oil painters * Maintaining consistency * Preserving gloss Cold Pressed Linseed Oil - An oil extracted without the use of heat. Cold Pressed Linseed Oil makes oil colour "fatter". It reduces viscosity for better flow while adding transparency and gloss. Drying Poppy Oil - Extracted from the seeds of the poppy plant. Drying Poppy Oil makes oil colour "fatter" and has a pale character. The fast drying oil stabilizes a colour’s film. Dries more slowly than linseed oil and preserves good, clear colours even in the spectrum of light colours. Drying Linseed Oil - Fastest drying linseed oil, increases gloss, transparency, and reduces consistency. It decreases the consistency and transparency of the oil paint. Add to other oils to accelerate drying times. Linseed Stand Oil - For glazing and as an alternative for Refined Linseed Oil, due to its pale colour and excellent levelling. Linseed Stand Oil makes oil colour "fatter". It's a pale viscous oil that slows drying while imparting a smooth, tough enamel finish with no brush marks. Refined Linseed Oil - A low viscosity alkali refined oil of pale colour that dries slowly. Refined Linseed Oil makes oil colour "fatter". It reduces the consistency of the paint. Slower drying variant of the linseed oils. Add to fast drying oils to balance drying times. Bleached Linseed Oil - A refined pale oil which will improve the flow of colour and dries slightly faster than Refined Linseed Oil. Use with pale colours and white. Thickened Linseed Oil - Amber coloured, partially oxidised oil. Makes oil colour "fatter". A faster drying viscose oil. Can be used in combination with Sansodor to accelerate drying rates further. Safflower Oil - Extracted from the seeds of the safflower plant. Makes oil colour "fatter" and has a pale character. It's a slow drying oil that stabilizes paint film. Use with whites, pale and bright colours. The pale colour preserves the brightness of pigments. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More
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Sennelier Rectified Turpentine Spirits, 1 Liter BottleSave Up to31%Off list…for oil painting. Mixed with colors, it gives a very pleasant paste. Especially suitable for roughing and general management of the work. If you want to work for a long time in the fresh air, you substitute a less volatile essence such as aspic essence or petroleum essential oil. Sennelier… Sennelier Rectified Turpentine Spirits, Pure Landes pine gemstone turpentine is obtained by distillation. Keep away from air. Traditional thinner recommended for oil painting. Mixed with colors, it gives a very pleasant paste. Especially suitable for roughing and general management of the work. If you want to work for a long time in the fresh air, you substitute a less volatile essence such as aspic essence or petroleum essential oil. Sennelier Rectified Turpentine Spirits for mixing with oil colors to produce a paste that is ideal for underpainting and sketching. Indispensable thinner to make a painting entirely with turpentine Sennelier Venice Turpentine Pure natural balsam with the consistency of honey. Resin extracted from larch. Add as a plasticizer and gloss enhancing agent to oil colors, varnishes and mediums. Creates a jewellike quality with a tough enamel-like surface. Use with care (maximum 5%), as excess will make the film more brittle. Recommended thinner: turpentine (up to 20%). Add as a plasticizer and gloss enhancing agent to oil colors, varnishes ad mediums. Creates jewel-like quality with a tough enamel-like surface See More
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American Easel Wood Painting Panel 1-5/8" Deep 30x40"Save Up to28%Off listNatural Sturdy, cradled wood painting panels ideal for any artist! These new, all-wood painting panels from American Easel are the perfect surface for any painter or multimedia artist! Proudly crafted in the USA from splinter-free birch plywood mounted onto sanded, 1-5/8" deep solid poplar cradles, these panels are stretch and warp-resistant. You can prime them with just about any ground, from traditional gesso and rabbit skin glue to synthetic sizing, pastel, or encaustic grounds! Since the choice of priming is yours, so is the choice of media: use anything from watercolors, acrylics, and oils to egg tempera, encaustic, collage — even some sculptural effects on these strong and sturdy panels. With slightly beveled paintable cradle edges, a frame is not necessary. Just paint the edges and hang! The American Easel 1-5/8" Deep Painting Panels are available in a wide variety of rectangular and square sizes. Bring the tradition and versatility of wooden panels to your artwork with this new line from American Easel! Key Features: * Birch plywood on solid poplar 1-5/8" deep wood cradles * Smoothly sanded with slightly beveled corners * Will not flex, stretch, or warp * Paint the cradle edges and hang as-is: no framing necessary! * Prime with virtually any ground: gesso, pastel primer, glue, mounted paper, and more! * Available in rectangular and square formats * Made in the USA! Perfect For: * Ideal for detailed works and heavier art requiring a durable substrate * Students, Teachers, Professionals * Mounting linen or canvas * Gallery presentations * Mounting sanded pastel or watercolor paper * Firm archival painting surface * Lightweight easy to hang * Acrylics, acryl gouache, pencil, collages See More
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AlumaComp Aluminum, 30"x40" Archival Painting & Mounting PanelSave Up to78%Off listSilver 100% Archival / Unprimed Aluminum Boards - Acid Free- Adds Value to Your Artwork 100% Archival Boards - Acid Free- Adds Value to Your Artwork Great for Plein Air Painting - Painting on metal panels has been historically recorded since before the times of Rembrandt, who painted many of his great masterpieces on copper. In the last 20 years, professional artists have been moving towards working on aluminum composite panels (ACP), which feature lighter weights and stronger construction. AlumaComp is widely used for mounting fine art, photographs, linen and canvas to create an incredibly stable painting panel, or to use on its own as a reliable, archival painting support. The brushed aluminum surface takes primer beautifully, providing texture that grips the primer for a perfect bond. The smooth aluminum surface can be used as is to take advantage of its' beautiful finish, or custom sanded or polished for any texture necessary for your artistic applications. When used as a painting panel, the smooth side can be used as the work’s actual highlights for a modern look— either left bare as is, or sanded/buffed back to the bare metal before varnishing to take advantage of the metallic glow. Simply peel the screened film used to protect both sides, and let your creativity do the rest. Key Features: * Double-sided – one brushed aluminum, one polished smooth * 100% Archival Rigid and strong, yet lightweight * 4mm (3/16") thick * Acid-Free - Archival, will not decay * Prime and Paint in traditional oils & acrylics * Use primed or unprimed * Accepts most fine art media, primed or painted directly * Perfect for use as a mounting surface for photography, linen and canvas, even image transfers * Will not mold, or mildew like stretched canvas or wood panels * Can be Framed - No backing board needed * Sold Individually or in Boxes of 2 Perfect For: * Adding Value to Your Art * Plein Air - Lightweight & free from moisture * Professional Photographers, Fine Artists, Graphic Artists * Oils, Acrylics, Mixed Media, Watercolors * Art Prints, Inkjet, Screen Printing, Photos * Creating artwork with a fresh, modern look * Saving shipping costs to clients and galleries, due to lighter weight * Experimental and modern art * Working in environments where humidity levels fluctuate* See below for the larger sizes sold in boxes of 2: 36" x 36" - 18" x 72" - Also not for larger sizes, may need to support to prevent bending Professional Artist Eric Armusik "My work requires the highest standards and after 15 years of painting on wood i have abandon it forever after painting on AlumaComp, I will be painting all 40 large panels using this substrate as well as many more paintings, commissions and mounting of my prints", "It's an amazingly versatile substrate for those who want the smooth surface of a panel but are afraid to paint on something like wood which is prone to warping" Eric Armusik, (b. 1973) paints classical figurative art that fuses his life experiences with art history. His paintings are a declaration to the dramatic power of representational art. The origin of his inspiration does not lie in academia, but rather his childhood, surrounded by the vivid paintings he saw in Gothic cathedrals as a child. Eric doesn’t aspire to simply paint a figure; he paints a moment, a human experience, and an emotional dialogue that transcends culture, religion and time itself. See More
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Michael Harding Oil Color - Burnt Sienna, 1L CanSave Up to25%Off listBrown ”These Michael Harding paints that I am using are doing exactly what he said they would - they’re changing my life!!! Warning - these Professional Oil Paints are highly addictive! Over 30 years ago, painter Michael Harding set out for perfection in a line of handmade oil colors. Today, Michael Artists Handmade Harding Oil Colors are a leader in the professional fine art supply industry! Harding’s dedication to using only the highest pigment loads and pure ingredients (without the use of artificial driers, extenders, or fillers) gives artists working qualities unlike any other oils, making their work stand out in a room full of paintings. The consistency is creamy, buttery, and easy to handle, offering the greatest possible coverage with 100 brilliant, vibrant colors to choose from. Please note that packaging may vary. Key Features: * Exquisitely Handmade Oil Colors * Highest, most brilliant pigment load * No added driers, fillers, or extenders * Highest lightfastness ratings * Professional Quality * Rich, creamy consistency Perfect For: * Professional Oil Painters * discerning students & amateurs * Artists favoring Old Masters materials * Use with Michael Harding Mediums * Artists requiring highest pigment oils * Painters using only handmade oils Are Michael Harding paints good? Yes! Michael Artists Handmade Harding Oil Colors are a leader in the professional fine art supply industry! Harding’s dedication to using only the highest pigment loads and pure ingredients gives artists working qualities unlike any other oils! See More
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Paris Oil Primed Artists' 30x40" Linen Canvas, Box of 3Save Up to77%Off listWhite Premium Heavy Duty European Style and Quality Linen - The ultimate stretched linen canvas for oil color artists! Beginning with only the finest quality long-yarn linen fibers, Paris canvas is woven into a medium weight fabric with a 42 TPI warp and 40 TPI weft. The linen is hand washed and pumiced to a lovely even surface, then coated with a layer of glue sizing and three coats of archival, non-yellowing, off-white oil primer, and is hand-sanded between coats for ideal adhesion. This oil primer is specially formulated to produce beautiful results with oil paints: as it is non-absorbent, the oils in the paint are allowed to sit up on the surface, making for luminous, refractive effects only possible with oil paints used on the proper ground. Once primed and dried, the canvas is stretched onto an innovative designed solid pine stretcher bars — instead of the standard tongue-and-groove join of regular stretcher bars, these bars feature slot-lap joins that are far less likely to go out of square. In addition, the 1" deep by 2-1/4" wide stretchers offer more support to the canvas, as the bulk of the size is in the width. Larger size canvases also feature 3/4" deep by 2-1/4" wide cross braces for added support. * Premium, classic European-style stretched linen canvas * Texture of the surface is in the medium range * Linen is hand-washed and pumiced for a fine surface * Luxurious non-absorbent, non-yellowing, off white oil primer * Bars feature slot-lap joins that are far less likely to go out of square * 1" deep by 2-1/4" wide stretchers offer more support to the canvas * Larger size canvases also feature 3/4" deep by 2-1/4" wide cross braces for added support * Hand-sanded between coats for excellent adhesion * Innovative stretcher and cross bar system stays square * Meticulously inspected at each stage of manufacture * The finest painting support for oil colors, crafted without compromise! The canvas is wrapped onto the stretchers and tacked along the sides with traditional copper tacks, a method that distributes the stress of the canvas more securely and ensures the strength of the stretching over time. The overlapping canvas corners are not cut, but folded carefully, and excess canvas is stapled onto the back of the stretcher frame, making for easy re-stretching if ever necessary. Once finished, each canvas is individually inspected and only once inspection is passed is it stamped with the Paris logo on the back of the product. Finally, cardboard corner protectors are added to prevent damage in shipping or storage, so the canvas that arrives to you is perfect in every way. Key Features:* Finest medium weight long yarn linen canvas* Weight: 10.3 oz - Really Strong Linen* Heavy duty 1" D x 2-1/4" W pine stretchers* Interlocked stretcher joint keeps canvas square* Copper tacks along outer edge, stapled on back* 1 layer of glue sizing and 3 coats of fine oil primer* Includes 8 wood tightening pegs* Corrugated corners for protection during transport Perfect For:* Brilliant results with oil colors* Archival works designed to last* Excellent adhesion of oils in thick or thin layers* Easy re-stretching if ever necessary* Adding a charming, classic, hand-made quality* The finest old world, European style* Achieving a luminous, refractive effect in oils If you are an oil color artist looking for the highest quality linen surface for your paintings, look no further than new Paris Oil Primed Artists' Linen Canvas. In our opinion, you cannot find or make a better stretched linen canvas at any price that is as good as Paris. It is truly the ultimate canvas for the most discerning of oil painters, and we are sure you'll be impressed! See More
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Raphael Premium Archival Raphael Oil Primed Linen Panel 30x40"Save Up to80%Off listWhite A Surface The Paint Can Caress - Modern, master quality oil-primed linen created in Italy Holding the finished canvas in your hand, the primed surface feels almost buttery, and the linen underneath is smooth and incredibly uniform hence providing the underlying cause for such an excellent master-quality product. Handmade in Italy, Raphael Premium Archival Oil Primed Linen Panel surface is non-absorbent, allowing the color to sit up on the surface. The depth is created by the refractive qualities of the oil, which enhance the natural tendencies of the pigment. Raphael has just enough tooth to keep the surface receptive to hold initial layers of paint while they dry and bond with the oil surface. Raphael Premium Archival Oil Primed Linen is expertly mounted on multi-ply board made with poplar wood. The slight tooth and incredible priming make each stroke velvety smooth and luxurious. Key Features: * 3/8" Thickness * Fine weave, 100% linen canvas * Oil-primed linen canvas, mounted to panel * Hand primed, four coats of priming * Natural glue sealer * Expertly mounted onto warp-resistant plywood * Primed with a luxurious, acid-free, non-absorbent ground * Handmade in Italy * Reliability of the material and consistency of the finished product Perfect For: * The perfect archival surface for any painting in oils * Make oil painting a real pleasure * Fine weave and texture * Lasts hundreds of years * Create depth and beauty that only oil colors can achieve * Foundation allows for virtually any technique from abstract to the most intricate portrait and super realistic technique Raphael Premium Archival Oil Primed Linen Panels are expertly mounted on warp-resistant Poplar plywood. The slight tooth and incredible priming make each stroke velvety smooth and luxurious. Years ago, we worked with an excellent Italian company in creating a linen canvas that would make oil painting a real pleasure and produce results that were more brilliant than before possible with commercial products. This linen canvas has a fine weave and texture and is created with one coat of natural glue sealer and four coats of oil priming. The Italian priming method was developed over five centuries. The difference is the reliability of the material and the consistency of the finished product. Although processed entirely by hand, the modern assembly line and super clean workplace allow the finished product to be amazingly consistent and beautiful. See More
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Old Holland Oil Color - Titanium White, 1 LiterSave Up to44%Off listWhite Considered one of the Finest Oil Paints In the World! Manufacturing pigments since 1664, Old Holland Classic Oil Colors are still considered today as one of the top oil paints in the world! Boasting artists like Van Gogh, Vermeer, and other Dutch Masters that used their pigments and paints, Old Holland uses only pure, cold-pressed linseed oil as a binder with the highest possible pigment loads, creating brilliantly concentrated paints that provide exceptional covering power, strength of color, and color intensity. All Old Holland Classic Oil Paints are completely lightfast except for the Madder Lakes and Cremnitz White, which are nearly lightfast. All Old Holland oils are manufactured using stone rollers only, as the colors of the paint will not change due to metal oxidations (which will alter Cadmium colors). All colors are completely free of cheap fillers and artificial dryers like other premium paints contain. Although Old Holland Oils initially may seem very expensive, the heavy concentration of pigment is actually an exceptional value, given the covering power of the paint and minimum amount needed for color mixing. One tube of their highest possible concentration of pigment equals the pigment contained in 2 to three tubes of other professional brands! Old Holland Classic Oil Colors come in 40ml and 225ml tubes. Cremnitz White, Flake White, Mixed White, Titanium White, and Zinc White can be purchased in 125ml and 225ml tubes, as well as 475ml cans. Key Features: * Oil Paints used by Van Gogh and Vermeer * 40ml, 125ml, 225ml tubes / 475ml Cans * 40 ml or 18ml tube sets of 10 * Highest Professional Quality * Highest possible pigment loads * Manufacturing Pigments Since 1664 * Completely lightfast * Cold Pressed Linseed Oil Binder * Exceptional covering power * Strength of color and color intensity * Paint will not change due to metal oxidations * Free of cheap fillers Perfect For: * Professional Oil Painters * Pigment Afficionados * Making paint go further * Upgrading to Professional Oils * Highest Quality Paints You Can use Old Holland Oil Sets of 10: Want to blow the oil painter in your life away and make their artist friends swoon with envy? Old Holland Classic Oil Colors Sets are the perfect gift for just that! "Lake" means transparent glazing colours. "Extra" means traditional colour made from lightfast pigment See More
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Winsor & Newton Oil Color Solvents - Sansodor, 1L BottleSave Up to43%Off list…Removing dried paint * Removing varnish Picture Cleaner - A natural resin/oil emulsion containing ammonia, designed for cleaning varnished paintings. Dissolves linseed oil oxidation and removes surface dirt. English Distilled Turpentine - Can be used to create your own painting mediums.… Professional Grade Artist Solvents Artists use solvents to clean brushes and palettes after painting. Winsor & Newton solvents are made specifically for artists’ use and are fully volatile, meaning they leave no residual matter once evaporated. Key Features: * Artists' Picture Cleaner * English Distilled Turpentine * Sansodor * White Spirit Perfect For: * Cleaning palettes and brushes * Removing dried paint * Removing varnish Picture Cleaner - A natural resin/oil emulsion containing ammonia, designed for cleaning varnished paintings. Dissolves linseed oil oxidation and removes surface dirt. English Distilled Turpentine - Can be used to create your own painting mediums. Distilled Turpentine is derived from pine trees and is the most traditional solvent. You can use it to clean brushes. Sansodor - For creating your own painting mediums. Sansodor™ performs like turpentine, but its low odor makes it the least hazardous solvent. Leading art schools recommend it, and it is often the only solvent permitted in their studios. Also good for diluting paint and cleaning brushes. It evaporates slowly and increases blending time. White Spirit - Can be used to create your own painting mediums. Artists’ White Spirit is a petroleum distillate. It makes a leaner mixture with the colour and evaporates quickly. It can be used to clean brushes. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More
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Winsor & Newton Oil Color Varnishes - Dammar Varnish, 1L BottleSave Up to43%Off list…oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Retouching Varnish - preserves the artwork until the painting is fully cured and ready for its final varnish. Retouch varnish allows the paint… Professional Grade Artist Varnishes Varnishes protect thoroughly dried paintings from dirt and grease build-up over time. Winsor & Newton Varnishes are available in various finishes for different purposes. Key Features: * Gloss, matt, and satin varnishes * Retouching varnish Perfect For: * Dried oil paintings * Protecting paintings from dirt and grease Artists' Gloss Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Matt Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Retouching Varnish - preserves the artwork until the painting is fully cured and ready for its final varnish. Retouch varnish allows the paint film to cure through the varnish. Can be overpainted. Dammar Varnish - High gloss finishing treatment for paintings. Dammar Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with Distilled Turpentine. Satin Varnish - Satin finishing treatment for paintings. Artist's Satin Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More
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Centurion Deluxe Oil Primed 30"x40" Linen Canvas .67" Deep (Box of 6)Save Up to64%Off listWhite Master Quality Archival Deluxe Stretched Canvas! Superb Performance And Color Retention! Exclusive OP Enhanced Oil Priming! As an oil painter, it is important to work on oil primed surfaces. First, oil on oil will provide the best chemical bond for the paint layers that go on, afterwards. Secondly, gesso are acrylic based, and either repel oil if they have too high of a resin base, or absorb the oil too much if it is too matte, making color sink and look dull and lifeless. Oil priming allows the color to sit cleanly and brightly on the surface, with refraction of the white from below. Centurion’s affordable (OP DLX) oil primed canvas is a great way to start painting with not only an oil primer, but the luxurious texture and archival tradition of linen! Exclusive OP enhanced oil priming! Oil Primed Linen, Deluxe Professional Stretched Canvas (OP DLX) Back stapled to allow for easy re-keying or re-stretching, Centurion Canvases have 4 paintable edges for frameless or floater frame presentation. The stretchers are kiln-dried, all pine bars for strength and durability. Centurion Linen is a master-quality, 11oz. weight linen with a lovely medium texture and weave, that’s archival nature will last hundreds of years. Centurion Deluxe Oil Primed Linen Canvases come in convenient 0.67" and 0.87" depths for ease of specific framing needs. Centurion Deluxe Oil Primed Linen also comes in rolls for custom stretching onto custom sizes or deeper gallery stretchers, and is also sold in Panels for studies, plein air, or to take up less space for traveling. Key Features:* Exclusive OP enhanced oil priming* Master quality 11oz. weight linen canvas for archival longevity* Deluxe Oil-primed linen* Medium weight and texture* Kiln-dried Pine Stretchers* Back stapled for clean edges* Easy re-keying or re-stretching* Convenient 0.67" and 0.87" depths for ease of specific framing needs* Superb performance and color retention* Non-absorbent, enhanced oil primer allows for brilliant results* Perfect For:* Oil and Alkyd Painting* Archival Longevity* Students to Professional Artists* Commissions and Final Paintings* Superb receptive surface There is no canvas like this canvas! Exclusive OP Enhanced Oil Priming! Centurion Deluxe Professional Oil Primed Linen Stretched Canvas, specifically designed for oil painters. Superb receptive surface accepts even the thinnest oil color lay down without fragmenting on the surface and is a permanent surface as colors adhere better on it then any other oil primed canvas on the market today! See More
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LUKAS Oil Painting Medium - Stand Linseed Oil, 1 Liter CanSave Up to60%Off listBleached Linseed Oil - High quality, cleaned and bleached oil for use as a painting medium and binder for pigments. Perfect for glazing techniques and mixing with resins for traditional mediums; though slight yellow tint may affect white pigments. Linseed Oil Varnish - This painting medium and… Bleached Linseed Oil - High quality, cleaned and bleached oil for use as a painting medium and binder for pigments. Perfect for glazing techniques and mixing with resins for traditional mediums; though slight yellow tint may affect white pigments. Linseed Oil Varnish - This painting medium and pigment binder is made by adding siccatives to linseed oil to speed the drying time. Has an obvious reddish-yellow tint. Mix with medium to dark colors to increase flow and speed drying. Stand Linseed Oil - Viscous, yellowish medium made thicker than standard linseed oil through application of heat. Increases gloss and translucence of oil colors, can be used as a binder or for making resin-based mediums. Slow-drying. Poppyseed Oil - Colorless, slow-drying oil carefully extracted from poppy seeds and bleached. Serves as a binder for creating oil colors, and a medium to add transparency. Its non-yellowing properties make it especially well suited for mixing with white or bright colors. See More
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Amsterdam Standard Series Acrylic Paint - Primary Cyan, 1 Liter JarSave Up to35%Off listBlue An excellent choice for the beginning or intermediate artist! An excellent medium body acrylic paint for the artist who seeks high quality and high value. Made in Holland from carefully selected pigments. Features include a very high level of lightfastness, short drying time, and an acrylic resin paint that is virtually odorless when wet. The Standard Series Amsterdam Acrylic colors can be mixed with water or acrylic mediums, and clean up requires only water and soap. Their thick creamy consistency is perfect for Oil like effects. Amsterdam Acrylics are quick drying and non-toxic, so they are perfect for the student or studio! Please click on the yellow circle technote icon to view pigment information for each individual color. Key Features:* Thick medium body acrylic paint* 100% acrylic resin* High level of lightfastness* Short drying time* Virtually odorless* Quick drying and non-toxic Perfect For:* Oil type effects* Impasto* Heavy application* Clean up with soap and water* Classroom or studio* Beginner and intermediate artists See More
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Old Holland New Masters Acrylic Titanium White 1liter JarSave Up to25%Off listWhite Highest pigment load acrylics with a 100% pure acrylic medium Designed to have little color shift from wet to dry, Old Holland New Masters Acrylics hold the maximum possible pigment content as well as look and feel of classic oils straight from the tube. In 1998, Old Holland’s chemists began research in the area of acrylic paint colors, with the goal to create an exceptional professional acrylic paint line that was worthy of carrying the Old Holland name. The project was dubbed "New Masters" as a long-held dream of the late owner Professor Theo de Beer, since Old Holland Oils were used by the old Dutch masters. He foresaw that the modern medium of acrylics would be used by the new masters of art. Key Features:* Full range of 168 colors* Highest pigment load* High impasto capabilities* Dries to a satin gloss* Oldest paint maker in the world!* Professional Acrylic Sets* All-Inclusive Deluxe Wood Box Set Perfect For:* Professional Acrylic Painters* Transitioning to acrylics from oils* Impasto painting to glazing* Feel of oil paints in an acrylic After testing more than 250 pigments and different mediums for the paints, they were incorporated into a series, irrespective of cost. Instead of the resins most of the major acrylics manufacturers incorporated into their products, Old Holland chose a 100% pure acrylic medium from a European manufacturer as the paint vehicle. More expensive than traditional popular resins, it gives New Masters Acrylics the same characteristics and texture of Old Holland’s Classic Oils. Utilizing traditional pigments like Genuine Manganese Blue, etc. to more modern lightfast anthraquinonoids and more, Old Holland produced acrylics that they tested with professional artists in various countries. By the end of 2005, the range of 168 colors was introduced, and consisted of opaque and transparent lightfast colors that were free of additives and fillers. Drying to a satin gloss, they can be used for a wide range of techniques from thick impasto to ultra-thin glazing. With an extensive selection of metallics, pearlescent, iridescent, and interference colors that are extremely lightfast, the high doses of pigment in the patented binding system ensure each color displays the unique characteristics of the individual pigment. Try the simple starter New Masters Set of 6, or spring for the Deluxe Wood Box Set — the perfect transition for the professional oil painter to the medium of acrylic painting — and fall in love! New Masters Acrylic Set of 6 - Includes six 60ml tubes of Titanium White, Azo Yellow Light, Naphthol Vermillion, Quinacridone Fuschia, Ultramarine Blue, and Phthalo Blue. New Masters Acrylic Deluxe Wood Box Set - Deluxe Italian Mabef Wood Sketch Box contains thirty 60ml tubes of Old Holland New Masters Acrylic Colors, three brushes, and a wood palette. See tech notes for complete set contents. See More
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Michael Harding Non-Absorbent Acrylic Primer Dark Raw Sienna 1LSave Up to25%Off listBrown Tired of dull flat oil paints? You need a non-absorbent ground! Regular acrylic gesso is notorious for leeching oil from oil paints, and absorbent acrylic gesso makes oil paints look dull, flat, and muted. Unlike those acrylic gesso's Michael Harding's primer is non-absorbent and preserves the luster of oil paint. Michael's acrylic primer does not absorb oil; instead, the paint sits on top of the surface. The primer is made with non-toxic, non-absorbing acrylic resin; that's why it produces such a strong, flexible ground. You can apply Michael Harding's Non-Absorbent Acrylic Primer to linen, cotton canvas, wood, and MDF. Key Features: * Non-absorbent acrylic primer * Formulated to not absorb or dull oil paints * Creates a strong bond with paint * Prevents paint from delaminating * Lightfast and will not fade over time * Thick, creamy consistency * Smooth, even-toothed finish Perfect For: * Oil and acrylic painters * A uniform painting surface * Beginner and professional artists * Preparing canvas, wood, or MDF for paint * Everyday studio use Instructions: The primer is best used in 2 coats; You may dilute the first coat with water (no more than 1 part water to 3 parts primer). This first coat will be touch dry within a couple of hours, and then you can apply the second coat. You should not apply the primer over Rabbit Skin Glue or unstable supports. See More
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Winsor & Newton Liquin Original Medium 1 Liter (33.8oz) BottleSave Up to43%Off list…halves the drying time of oil. Creates a viscous paint that holds many marks from brushes or palette knives. Keeps the oily texture of pure oil paint. Allows the paint to dry faster and makes working with multiple layers easier. (touch dry in 1-6 days, depending on colour paint thickness). Suitable… Accelerate Drying Time With Liquin Winsor and Newton Liquin™ Mediums are ready-made mixtures of solvent and linseed oil. There are five types of Liquin, and each will help you accelerate the drying times of your oil paint. Each variety has a slightly different formula, but they are all related to the original Liquin recipe. Key Features: * Speeds up the drying process * Adds transparency and gloss * Non-yellowing Perfect For: * Oils and alkyds * Reducing brush strokes * Glazing and blending techniques Liquin™ Original - halves the drying time of oil colour and reduces brush stroke retention. Creates a smooth, gel-like paint film that is easier to work with. Liquin™ allows the paint to dry faster and makes working with multiple layers easier. Liquin™ Light Gel - halves the drying time of oil colour and produces a smooth gel. Creates low-viscosity, gel-like paint film that is easier to work with and reduces brush stroke retention. Liquin™ allows the paint to dry faster and makes working with multiple layers easier. Liquin™ Fine Detail - The most fluid medium within the Liquin™ family. Add to colour to produce a low-viscosity mixture. Increases fluidity and reduces brushstroke retention. Liquin™ allows the paint to dry faster and makes working with multiple layers easier. Liquin™ Impasto - A paste-like, semi-gloss version of Liquin™ that halves the drying time of oil and produces a crisp texture. Adds viscosity to your paint that retains marks from brushes or palette knives. It allows the paint to dry faster and makes working with multiple layers easier. Speeds drying (touch dry in 1-6 days, depending on paint thickness). Resists yellowing. Not suitable as a varnish or final coat. Liquin™ Oleopasto - A paste-like, semi-matte version of Liquin™ that halves the drying time of oil. Creates a viscous paint that holds many marks from brushes or palette knives. Keeps the oily texture of pure oil paint. Allows the paint to dry faster and makes working with multiple layers easier. (touch dry in 1-6 days, depending on colour paint thickness). Suitable for impasto & texture work. Resists yellowing. Not suitable as a varnish or final coat. Blending & Glazing Medium - Adjusts oil paint's viscosity and drying behavior for seamless colour blends and even glazes. Improves transparency. PLEASE NOTE: All products in this category are hazardous materials: They cannot ship by Air/Next Day Services. Ground Only. See More
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Frida Glass Paint Frida Relief Outliner 1 liter - WhiteSave Up to68%Off list…to make designs for Frida Glass Paints. Select any standard or metallic outliner color, make your design and allow to dry for approximately 2-3 hours and then fill in with your Frida Glass Paint! * Frida Solvent- to clean up any messes made with Frida Glass Paint or Relief Outliners Key Features:… Create Designs for your Frida Glass Paint! Relief Outliners are the first step to creating artwork with the beautiful look of real stained glass. Each relief outliner creates the out lines to make designs for Frida Glass Paints. Select any standard or metallic outliner color, make your design and allow to dry for approximately 2-3 hours and then fill in with your Frida Glass Paint! * Frida Solvent- to clean up any messes made with Frida Glass Paint or Relief Outliners Key Features: * Can create intricate designs * Dries quickly in just 2-3 hours * Adheres perfectly to glass, acrylic surfaces, aluminum and even lightly gessoed wood * Available in standard and metallic colors Perfect For: * Creating designs for Frida Glass Paint * Stained glass * Artists of all skill levels Frida Glass Paint Instructions > See More
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Lascaux Primer Liter JarSave Up to38%Off listWhite A gesso Made to the specifications of European conservators! Lascaux Acrylic Gesso is a semi-absorbent primer perfect for preparing canvas for oil, acrylic, and tempera painting. The gesso's pure acrylic resin composition is dispersed by rutile titanium dioxide and mineral based extenders. Once dry Lascaux Acrylic Gesso has a pure white matt finish with a good tooth. The white ground is elastic, lightfast, and age resistant. Key Features: * Pure white matt, with good tooth * Elastic structure * Lightfast and age resistant * Rapid drying * Excellent adhesion * Semi-absorbent primer for canvas * Conforms to ASTM D-4236 * Made in Switzerland Perfect For: * Oil, acrylic, water, and tempera painting * A uniform painting surface * Glazing techniques * Beginner and professional artists Directions for use: On unsized textiles, Lascaux Gesso should be diluted 1:1 with water for the first coat. If desired after approx. 4 - 6 hours (according to the temperature), a second coat may be applied. Between the two coatings, uneven fibers and knots can be flattened with fine sandpaper. Coated fabrics can be rolled. On absorbent supports like paper, cardboard, and fibreboard Lascaux Gesso is applied diluted with 10 - 15% of water, as required. On wood or concrete, a preliminary coat of Lascaux Hydro Sealer diluted 1:4 with water is recommended. For the following coat of Lascaux Gesso, cut with 25% of water. Lascaux Gesso should not be used below the temperature of +46°F. Coverage: Approximately 50-100 ml/m2 per coat, depending on the support and application See More
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Jacquard Permanent Dyeset Concentrate, 1 LiterSave Up to30%Off listWater Based Clear Resist - Jacquard has developed a superior water based resist, is used like a frisket to impede the flow of dye. It will completely wash out of fabric with warm water, even after steaming. It holds a crisp line without spreading and does not shrink or pucker when dry. It can be… Water Based Clear Resist - Jacquard has developed a superior water based resist, is used like a frisket to impede the flow of dye. It will completely wash out of fabric with warm water, even after steaming. It holds a crisp line without spreading and does not shrink or pucker when dry. It can be colored with any water based dye and is screenable, odorless, alcohol free and non-toxic. Water Based Permanent Metallic Resists - Use in the same way as Clear Resist but the color is permanent when washed or dry cleaned. Available in black, copper, gold and silver, these resists hold fine, crisp lines that do not spread. The consistency is perfect for production silkscreening or squeeze bottle application. Permanent Dyeset Concentrate - This concentrate is used to set Jacquard Silk Colors (Green Label) Dye. It also can be an alternative to steam setting. See More
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Ampersand Museum Series Hardbord Cradled 2" Panel 30x40" - Pack of 2Save Up to33%Off listWhite Available in 1/8in flat panels, 3/4in cradle, 1.5in cradle and 2in DEEP cradle profiles. Museum Series Hardbord is an ultra-smooth, non-absorbent uncoated panels. Prepare your own unique painting grounds and textures on Ampersand Museum Series Hardbord™, the ultra-stable, professional artist-grade hardboard support. The high-density fiber core is engineered for stability, eliminating the warping and bowing issues that can be noticed with other substrates. Moisture resistant and formaldehyde-free, Hardbord is the substrate used to manufacture all Ampersand Museum Series pre-coated panels. Panels also contain no harmful VOC’s (volatile organic compounds) that other hardboard panels and MDF boards at the hardware store contain. All wood panels should be sealed with some sort of sealant and primed before painting. Perfectly suited to all acrylic gesso and oil primers, most any media can be used, depending on the primer used. Perfect for traditional and water-soluble oils, acrylics and acrylic gouache, inks, oil and soft pastels, and most any drawing media. Hardbord can either be used to paint on directly after priming, or as a support on which to mount watercolor papers, photographs, fabrics and prints. The cradled panels are made with 13-ply birch plywood strips that are attached flush to the back edges of each panel. Stain, paint or wax the cradle edges and eliminate the cost of framing altogether! Archival, eco-friendly and made in the USA! Key Features: * Ultra-stable, designed to last * Ultra-smooth Hardbord is a great surface for mixed media, collage, plein air, metal leaf, heavy paint applications * Accepts all types of grounds * Warp-free, high-density fiber core * Available in 4 profiles! * Made without formaldehyde or harmful VOCs * No harmful chemicals used, no dangerous emissions for artists Perfect For: * Perfect support to mount watercolor papers, photos, fabrics, prints, and more. * Plein air or studio painting * Frame-free gallery presentation with deeper cradles * Custom priming or sealing with any ground * Mounting watercolor papers, prints, or doing photo transfers 1/8" Flat Panels - ideal for plein air and studio painting— slips easily into pochade boxes. Flat panels allow for standard framing. 3/4" Cradled Panels - offer more support for using heavier mediums and built up textures. Depth allows for traditional canvas-style framing or floater frames. 1.5" Cradled Panels- for even more support; can be left frame-free for gallery presentation or used with deep floater frames. 2" Deep Cradle Panels - for maximum support and frameless presentation, all in one. Read About "How To Mount Canvas Onto Ampersand Boards" See More
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Art Spectrum Colourfix Pastel Primer Jar 1 LiterSave Up to33%Off listBlack This primer allows you to work in several layers with little to no fixing and allows the use of wet media such as oils, watercolors and acrylic colors for mixed media works. Colourfix primer is available separately and is the same used for priming the sheets. Use them to prime any paper or board or to cover unwanted passages or to "touch up" smudges or for reverse painting effects. Primers may be mixed to create unique hues. Clear Primer makes virtually any surface, even glass, a pastel surface and is excellent for experimenting allowing you to add pastels into your watercolors, acrylics or oil colors. Supertooth Pastel Primer available in Natural/Clear 250 ml Jar. See More
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Ampersand Value Series Unprimed Basswood Panel 1-1/2" Cradle 30" x 40"Save Up to49%Off listNatural Smooth, absorbent, uncoated panel used with a variety of media The Ampersand value series artist wood panel is an unprimed basswood that is smooth, absorbent, uncoated panel that is free from plywood seams, knots, or troublesome raised fibers. Unprimed Basswood can be used with a variety of media. With the exception of encaustics and pyrography, it is strongly recommended to seal and prime all unprimed panels before use. Basswood is a premium, select wood that outperforms the commonly used birch plywood in many ways. It is inherently smoother with a tight wood grain and no raised fibers, making it easier to gesso and paint on. The strong 4mm premium basswood surface is perfect for priming and painting, encaustic, mixed media, collage, wood burning, and heavy paint applications. Ready to Customize - Ampersand Value Series Unprimed Wood Panels are ideal for artists that prefer a quality surface to seal and prime with a ground of their choice. Key Features:* 4mm Premium basswood surface* Stronger and better than birch* Smooth, absorbent, uncoated panel* 7/8" or 1-1/2" deep High-density, solid wood cradles* Super smooth; no excessive grain* Durable, stable & long-lasting* Sanded perfectly smooth* FREE of knots, seams and excess wood grain* Cradle is crafted from solid pine that can be finished with paint or stain Perfect For:* Priming with gesso, oil ground & more* Can be used with a variety of media* Artwork in virtually any media* An ultra-smooth surface ideal for detail work, yet sturdy enough to withstand thick layers* Support to protect your art and prevent warping* Encaustic, Wood burning* Once sealed and primed, the surface is perfect for mixed media, collage, and heavy paint applications like pouring Please Note: To ensure archival longevity, all unprimed wood panels should be sealed and primed before use. Learn more in this blog post on How to Seal and Prime Ampersand Wood Panels. See More
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Fredrix Dixie PRO Series Stretched Canvas 2-1/4" - 30"x40" (Box of 2)Save Up to46%Off listWhite Deep Stretched Artists’ Cotton Canvas — With Extra-Large Sizes! The PRO Series 12 oz Dixie Pre-Stretched Canvas is the professional choice for any artist! Using 12oz, universally acrylic primed 100% cotton duck canvas, Fredrix carefully stretches it onto kiln-dried, 2 1/4" extra deep stretcher bars for a durable, sturdy, yet elegant painting surface. Back stapled to allow for frameless presentation, Fredrix Deluxe PRO Series 12 oz Dixie Cotton Canvases have a 17.5oz primed weight and are the perfect surface for all your traditional and water mixable oil, acrylic, and alkyd masterpieces. Sizes offered up to an enormous 72"x72"! Key Features: * 100% cotton duck canvas * 12oz base cotton weight * 17.5oz primed canvas weight * Acid-free universal acrylic primer * 2 1/4" deep, kiln-dried stretchers * back stapled for clean edges * Extra deep boxes of 2 canvases * Perfect For: * acrylics, oils, alkyds * mixed media artists * frameless deep presentation * great value, 2 canvas pack * students, artists, instructors See More
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Senso Clear Primed Linen 30"x40", Stretched Canvas - 3/4" Deep (Box of 6)Save Up to49%Off listNatural Clear Primed Stretched Linen Canvas, Medium tooth natural linen weave surface The Senso Clear Primed Stretched Linen Canvas is one of the few you'll find that will inspire you. Senso linen is made from a specially processed heavyweight linen that has a medium tooth with a good paint gripping texture and superb color elements creating a rich background for many unique painting effects. It is clear acrylic primed and will take acrylic colors, oil colors, caseins, alkyds and egg tempera. It will also make an excellent alternative to sanded pastel paper and it will enhance the value of finished paintings. * Sold In: Individual or boxes of 6 * 3/4" Deep, Heavyweight natural linen * Multi-media surface great for oil, acrylic and alkyd colors * Medium tooth natural linen weave surface * Special clear acrylic primer allows canvas surface to show through * Expertly stretched onto the back of genuine pine stretcher bars * Warp-resistant genuine pine stretchers * Back-stapled to allow for keying or re-stretching (keys included) * Four paintable edges for frameless presentation * Available in 3/4" and 1-1/2" depths Many artists like to leave a border around their compositions having them float on the linen creating a unique presentation that they or their customers can frame or hang as is. The canvas is stretched onto the back of genuine pine stretcher bars leaving a crisp neat edge. Standard weight ¾" × 1½" stretcher bars. Is linen or cotton canvas better? Linen is strong and durable, and remains the preferred surface for many artists. Linen is more expensive than cotton and retains its natural oils, which helps to preserve the fiber's flexibility and stops the canvas from becoming brittle. It is also regarded as having a more “natural” weaved finish than cotton. See More
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Senso Clear Primed Linen Stretched Canvas, 30"x40" - 1-1/2" Deep (Box of 3)Save Up to55%Off listWhite Clear Primed Stretched Linen Canvas, Medium Tooth Surface Senso Linen Stretched Canvases are clear primed, so you can use the rich natural color of the linen in your compositions. Each canvas is woven with specially processed heavyweight linen to create a medium-tooth canvas with good paint-gripping texture. You can paint with acrylics, oils, and alkyds on the clear, acrylic primed surface. Senso Linen is also a great alternative to sanded pastel paper. Key Features: * 1-1/2" deep stretched canvas * Medium tooth natural linen weave surface * Special clear acrylic primer allows linen to show through * Back-stapled to allow for keying or re-stretching (keys included) * Warp-resistant genuine pine stretchers * Four paintable edges Perfect For: * Oil, acrylic, and alkyd colors * Alternative surface to sanded pastel paper * Frameless presentation * Painting portraits and landscapes * Archival works designed to last * Achieving a luminous, refractive effect in oils * Excellent adhesion of oils in thick or thin layers Many artists like to leave a border around their compositions to create a floating illusion on the linen. You can frame the 1-1/2" deep canvas or hung it as is. The canvas is stretched onto genuine pine stretcher bars and folded to create a crisp, neat corners. Is linen or cotton canvas better? Linen is strong and durable, and remains the preferred surface for many artists. Linen is more expensive than cotton and retains its natural oils, which helps to preserve the fiber's flexibility and stops the canvas from becoming brittle. It is also regarded as having a more "natural" weaved finish than cotton. See More
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Yes! All Media Cotton Canvas 30"x40", 3/4" Deep (Box of 6)Save Up to76%Off listWhite All Media, Portrait Smooth Canvas! Accepts Acrylics, Oils, Watercolors & Even Inks Yes! Canvas is an All Media, Portrait Smooth Stretched Canvas made from the finest cotton and primed three times to a super smooth surface. The canvas is so versatile that you can use any paint, ink, or marker you have in your studio on Yes! You'll find this surface works well with virtually any acrylic-based paint, from heavy body to acrylic-based inks. Yes! Canvas is also uniquely compatible with watercolor and water-soluble gouache. Traditional watercolor paint sits right on top of the surface, so you can lift the color, scratch into the paint, and apply layers for unique effects. Key Features: * 11oz weight, 100% unbleached cotton * Portrait smooth, fine weave * 3/4" Deep profile * Triple-primed with an acid-free all media primer Perfect For: * Painting with any media! * Watercolors, water-based inks, airbrush colors * Acrylics, markers, acrylic inks * Oil paint, shellac, and alkyds Jerry's Exclusive - Best Seller! The all media acrylic primer accepts watercolors, acrylic colors, oil colors, caseins, alkyds and egg tempera. For Portraits - Super realistic artists love Yes! because the surface is plate smooth and affordable. You can easily draw on the canvas because it's made with the finest close-weaved cotton and primed three times to a super smooth surface. But here's the twist you can also paint on it with any media! It will accept any paint, ink, or marker you have in your studio. As a Watercolor Surface - Many watercolorists draw with permanent marker as they create their base design. With this surface, you can draw right into your watercolor without feathering or smudging. A unique twist to this canvas is that you can draw with a permanent marker and use the lines to form a resist for your watercolors. This marker technique is very similar to the resist used for silk painting and is quite dazzling. For traditional watercolor painting, the color sits right on top of the surface, which allows you to lift paint, scratch into color, and apply layers for unique effects. This canvas works best with tube watercolor and provides rich, vibrant expressions. Acrylics and Watercolors - We don't know where art will lead you on this canvas. Still, you may want to start by playing with watercolors and gouache reworking and fine tuning until you finish the top layers with permanent acrylics. Of course, you don't need to use watercolors with your acrylics, but you can if you want. You'll find this surface to be fantastic with virtually any acrylic based paint from heavy body to acrylic based inks. Before applying watercolor, we suggest that you clean the canvas thoroughly with high-strength Isopropyl alcohol to remove any hand-oils from the canvas. Surface oils may have accumulated from manufacturing, packaging, or unwrapping the canvas. Cleaning the canvas should prevent the paint from beading up on the surface. See More
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Da Vinci Pro Liquid Art Panel 30"x40", 1-1/2" Deep (Box of 5)Save Up to68%Off listWhite Professional Art Panels with 1/8" raised lip to contain media Contain Your Media While Your Imagination Runs Wild! The Da Vinci Professional Liquid Art gesso panels feature a 1/8" raised lip which is part of the frame around the panel itself. The natural wood can be left as-is or stained and painted for frameless presentations. Gessoed with a professional quality gesso and great for use with Fluid Acrylics, High Flow Acrylics, Glazing liquids, Pouring Mediums, Encaustics, Pebeo Resin Paints and Alcohol-based dyes. Available in several sizes, with a choice of 3/4" or 1.5" depth. Great for Fluid acrylics & High flow acrylics, Liquid art techniques and pouring paints & pouring mediums. Contain Your Media While Your Imagination Runs Wild! 1/8" raised lip in 3/4" or 1.5" cradle depths Key Features:* 1/8" raised lip to contain media* Choice of 3/4" or 1.5" cradle depths* Quality gessoed surface* Natural wood frame* Accepts various liquid media* Can be unframed, framed or shown in floater frame* See Videos and Jerry's LIVE Perfect For:* Allowing artisitc freedom while containing media* Resin-based paints * Acrylics and mixed media* Fluid acrylics & High flow acrylics* Pouring paints & pouring mediums* Encaustics* Resin pours, Alcohol inks & dyes* Gouache and pouring mediums* Watch Our Jerry's LIVE Demo on Painting & Pouring on our Liquid Art Panels Relax, play, and enjoy the process of producing a pouring painting with Turner Acryl Gouache and Pouring Medium, on a Da Vinci Pro Liquid Art Panel. No drawing or prior art skills required! Want the full supply list to follow along? Click Here Da Vinci Liquid Art Professional Panels with 1/8" raised lip is the only line to come in size 1.5" deep! See More
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