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SoHo True Color Peel Off Palette Neutral Grey Butcher Tray Large 11x15"Save Up to54%Off list…clean up after painting with acrylic paints. This palette is excellent for plein air use, because the neutral grey surface reflects sunlight much less than a white palette. Acrylics will not stain the surface of the SoHo Magic True Color Peel Off Palette, and once the paint dries on the… The palette that’s true to color and easy to clean! Surfaces that are a neutral grey color offer artists results that are more true to color. The SoHo "Magic" True Color Peel Off Neutral Grey Palettes not only provide a neutral grey surface, they also are incredibly easy to clean up after painting with acrylic paints. This palette is excellent for plein air use, because the neutral grey surface reflects sunlight much less than a white palette. Acrylics will not stain the surface of the SoHo Magic True Color Peel Off Palette, and once the paint dries on the palette, you can peel it right off! The palette looks brand new with every use. Oil colors can also be used on this neutral grey palette. However, they cannot be peeled off once dried. These magical palettes are available in three different styles: an oval arm palette, a small butcher tray and a large butcher tray. Key Features: * Features a true-color, neutral grey surface* Incredibly easy to clean up after painting with acrylic paints* Made of a unique plastic blend* Dried acrylic paint peels right off the palette surface** Easy and fun clean up!* Acrylic colors will not stain the surface of the palette* Available in 3 different styles: Oval arm palette, Small butcher tray& Large butcher tray Perfect For: * Use with acrylic or oil colors* Easy clean up* Use en plein air – palettes will not reflect the harsh sunlight* Reflects sunlight much less than a white palette* See colors more accurately* Artists of all skill levels Students, classrooms, and educators *Please note: Fully dried, un-thinned acrylic paint peels easily from palette due to the strength of acrylic resins. Acrylic paint thinned with water (or acrylic gouache) may not peel easily due to the resin strength being broken down in the paint film. Palette can be soaked or washed with soap and water to clean thinned paint. See More
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Fabriano 1264 Watercolor Spiral-Bound Cold-Press Pad - 11x15 Portrait, 140lb (30-Sheet)Save Up to33%Off listWhite Perfect for all lifting and scrubbing techniques! Fabriano 1264 Watercolor Pads feature 140lb. (300gsm) Cold Press, acid-free, Bright White paper. The paper's Cold Press finish is very forgiving, enabling all lifting and scrubbing techniques while enhancing color vibrancy. Each paper sheet is made using Hydro-Power in Italy and is FSC Certified. Available in spiral-bound (with micro-perforations) and glue-bound (fold-over sheet) format. Fabriano 1264 Watercolor Pads satisfy the needs of student and professional watercolorists. The paper is ideal for watercolor, gouache, and acrylic ink. Key Features: * 140lb (300gsm) weight * Bright White * Cold Press texture * Super color retention and intensity * Spiral-bound or glue-bound pad * Spiral-bound pads have micro-perforated sheets * Glue-bound pads feature fold-over sheets * FSC certified paper * Made in Italy Perfect For: * Watercolor, gouache, and acrylic ink * Bold washes of color * Students and professionals alike * Beginner and classroom use * All watercolor techniques * Lifting and scrubbing techniques * Spontaneous sketching and Plein air work See More
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Fluid Watercolor Paper Pad 140lb Cold Press 11" x 15"Save Up to35%Off listWhite Quality Cold Press Watercolor Paper Fluid™ Watercolor Paper is an acid-free, 140lb paper perfect for watercolors, colored pencils, pastels, acrylic washes, and more! The paper is made by milling small batches of alpha-cellulose very slowly. Each Fluid sheet is crafted in a European mill that has been making fine art papers since 1618. The paper machine runs very slowly to create a more robust watercolor paper that is stronger. High-quality watercolor paper in easy-to-use pads! Key Features: * 140 lb (300 GSM) cold press paper * Archival and acid-free * 20 sheets per pad * Made with high-quality alpha cellulose * Crafted in a 400-year-old European mill Perfect For: * Watercolors and mixed media * Fine artists * Colored pencil, pastel, and light acrylic washes * Artists, students, studios, classrooms and teachers See More
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Speedball UV LED Exposure Lamp 30WSave Up to38%Off list…sheet of black paper; (1) Speedball Screen Printing Instruction Guide. Essential Tools Screen Printing Kit — Ideal for those who already have all the ink their project requires. The Speedball Essential Tools Kit contains the products needed to create a screen using either the Drawing… Screen printing kits perfect for beginners and advanced artists! Speedball, a company globally recognized for mastering printmaking, has developed these fantastic screen printing supply kits ideal for any artist! Learn printing techniques from the ground up, or improve your knowledge with these convenient kits that come with everything you need for creating beautiful and detailed screen prints! Key Features: * Permanent fabric screen printing ink * Ink won't crack or peel over time * No heat-setting required * Laundry safe * Bold opaque color * Workstation cleans up easily with soap and water * Perfect For: * Printing bold, opaque color with a soft hand * Cotton, linen, polyester blends, rayon, and other synthetic fibers * Use on paper and cardboard * Bright and personalized fabrics * Long-lasting fabric block printmaking Intermediate Deluxe Screen Printing Kit — Provides all that’s needed to print on either fabric or paper using the Drawing Fluid/Screen Filler and the Photo Emulsion methods of screen printing. This kit contains: (1) 10”x14” Speedball Wooden Screen Frame and Base; (1) 8”x10” Speedball Wooden Screen Frame; (1) Speedball Craft Squeegee (Textile); (1) Speedball Craft Squeegee (Graphic); (2) 4oz. jars of Speedball Fabric Screen Printing Ink (one each Black, Red); (4) 4oz. jars of Speedball Acrylic Screen Printing Ink (one each Black, Process Cyan, Process Magenta, Process Yellow); (1) 4oz. bottle of Drawing Fluid; (1) 4oz. bottle of Screen Filler; (1) 3.3oz. bottle of Speedball Diazo Photo Emulsion; (1) bottle of Speedball Sensitizer; (1) 4oz. bottle of Speedball Photo Emulsion Remover; (1) 4oz. bottle of Speedball Speed Clean™; (2) Speedball Transparencies; (1) Round Brush; (6) Craft Sticks; (1) sheet of black paper; (1) Speedball Screen Printing Instruction Guide. Essential Tools Screen Printing Kit — Ideal for those who already have all the ink their project requires. The Speedball Essential Tools Kit contains the products needed to create a screen using either the Drawing Fluid/Screen Filler or the Photo Emulsion methods of screen printing. This kit features: (1) 10”x14” Speedball Wooden Screen Frame; (1) Red Baron™ Squeegee; (1) 4oz. bottle of Drawing Fluid; (1) 4oz. bottle of Screen Filler; (1) 3.3oz. bottle of Speedball Diazo Photo Emulsion; (1) bottle of Speedball Sensitizer; (1) 4oz. bottle of Speedball Photo Emulsion Remover; (1) 4oz. bottle of Speedball Speed Clean™; (1) Round Brush; (1) Speedball Screen Printing Instruction Guide. Intermediate Screen Printing Kit — For artists ready to tackle both the Drawing Fluid/Screen Filler and the Photo Emulsion methods of screen printing to print on paper, this kit is an excellent find! The Speedball Intermediate Kit includes: (1) 10”x14” Speedball Wooden Screen Frame; (1) Red Baron™ Squeegee; (2) 4oz. jars of Speedball Acrylic Screen Printing Ink (one each Black, Red); (1) 4oz. bottle of Drawing Fluid; (1) 4oz. bottle of Screen Filler; (1) 3.3oz. bottle of Speedball Diazo Photo Emulsion; (1) bottle of Speedball Sensitizer; (1) 4oz. bottle of Speedball Photo Emulsion Remover; (1) 4oz. bottle of Speedball Speed Clean™; (1) Round Brush; (2) Craft Sticks; (1) Speedball Screen Printing Instruction Guide. Advanced All In One Screen Printing Kit - Light source included! — Ready to take on the Photo Emulsion method for your next creation? Then this kit is perfect for you! Not only does the Speedball All-in-One Kit include all of the tools and inks featured in complementary kits in the line, but it also contains the light source needed to make the process of exposing your screen a breeze! This kit includes: (1) 10”x14” Speedball Wooden Screen Frame and Base; (1) Speedball Craft Squeegee (Textile); (4) 4oz. jars of Speedball Fabric Screen Printing Ink (one each Black, Red, White, Blue); (1) 3.3oz. bottle of Speedball Diazo Photo Emulsion; (1) bottle of Speedball Sensitizer; (1) 4oz. bottle of Speedball Photo Emulsion Remover; (2) Speedball Transparencies; (1) Lamp; (1) Photoflood Bulb; (1) Lamp Clamp; (4) Craft Sticks; (1) sheet of black paper; (1) Speedball Screen Printing Instruction Guide. NEW! Diazo Light Kit — The Speedball Light Kit is perfect for exposing screens using the Speedball DIAZO Photo Emulsion process. Comes with an exposure lamp, 250 wall photo flood bulb, and 9.5in x 13.75in black paper. Beginner Screen Printing Vinyl Kit — The Beginner Screen Printing Vinyl Kit allows crafters and artists with a vinyl cutter to create custom screen printed products at home with no chemicals! Speedball partnered with vinyl crafter and screen printing extraordinaire Jennifer Sanderson of Pigskins & Pigtails to develop an all-in-one printing kit perfect for anyone wanting to use their vinyl stencils to create an endless range of personalized fashion, craft, and home decór projects. Perfect for the crafter looking for new ways to use their vinyl cutter, this kit has everything you need to get started screen printing custom shirts, totes, tea towels, and much more! The value-priced kit includes (1) Red Baron™ Squeegee, (1) 10x14 wood frame and mesh, (1) bottle of 4 oz fabric screen printing ink (Black), (3) craft vinyl sheets, (3) transfer tape sheets, (1) parchment paper sheet, (1) craft stick, and a set of step-by-step instructions. Drawing Fluid / Screen Filler Kit — Drawing Fluid and Screen Filler Set. The Drawing Fluid-Screen Filler method is a technique for creating screen art directly. Produce freehand drawings or traced images on a printing screen using the Drawing Fluid; then use the Screen Filler to create the final masked printing screen. This package contains one 8 fl. oz. bottle of Drawing Fluid; one 8 fl. oz. bottle of Screen Filler; and detailed instructions. Printing screens sold separately. Conforms to ASTM D4236. Made in the USA. See More
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Awagami Kitakata Paper Roll 36gsm 38"x10.9ydSave Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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Brush and Pencil Colored Pencil Titanium White 14 G Jar + SifterSave Up to10%Off listWhite Blend color, add back tooth, or whiten areas of your drawing! You can blend color, add back tooth, or whiten areas with Brush and Pencil Colored Pencil additives. Powder Blender is a non-toxic archival blending lubricant for colored pencils. The blending powder unlocks oil-based colored pencils so that you can make corrections and even erase areas. With Touch-Up Texture, you can recover lost surface tooth in your drawing. All you need to do is apply a small amount of Touch-Up Texture, allow it to dry, and add new layers of colored pencil. Or use it to create bright white highlights by mixing it with their Titanium White Powder. You can also apply Titanium White Powder with an applicator sponge in areas where you need to add white. No matter what you need to fix in your drawing, Brush and Pencil have the additive for the job. Key Features: * Colored pencil additives * Each additive has its own characteristics * Archival colored pencil tools * Sifter's included with powders * Glass bottle comes with a brush applicator Perfect For: * Oil-based colored pencils * Blending color * Adding back tooth * Whitening areas and highlights * Works best on rigid toothy surfaces * Apply with sponges or short bristle brushes Powder Blender Jar + Sifter: Powder Blender is a non-toxic and archival dry blending lubricant for colored pencils. The non-toxic powder works best on rigid, toothy surfaces like gessoed panels and sanded paper. You can dispense the powder with the included sifter and blend it with a sponge or short bristle brush. Powder Blender unlocks oil-based colored pencils and makes everything adjustable, correctable, and erasable. The powder performs best with oil-based pencils, but you can use it to pretreat a wax-based drawing before adding more layers. Once everything is blended, you can secure the layer with Fixative. Titanium White Jar + Sifter: Brush and Pencil took the Titanium White found in colored pencils and created a ground-breaking powder with it. The white powder is completely opaque and has excellent covering power. In areas where you need white, you can apply Titanium White powder with an applicator sponge. If you use too much, you can lift it back with mounting putty. Mix a pinch of Titanium White with a few drops of Brush and Pencil's Touch-Up Texture to add highlights. You can apply the creamy mixture with a detail brush. Once dry, you can draw over the highlights. Touch-Up Texture Bottle: Recover lost tooth in your drawings with a bottle of Touch-Up Texture. All you need to do is apply a small amount of Touch-Up Texture, let it dry, and add new layers of colored pencil. Or mix it with Colored Pencil Titanium White to create bright white highlights. Colored Pencil Touch-Up Texture is non-toxic, archival, and pH-neutral. The glass bottle comes with a brush applicator. See More
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