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EconoSpace© Art and Glass Separator 1/4" 60 Ft Bundle 12, 5 Ft Pieces - ClearSave Up to11%Off list…document. * Made from clear, neutral pH plastic* Quick and easy - Saves time* Works in both wood and metal frames* Professional looking - No painting* Neutral pH - No plasticizers - Won't harm fine art* Cuts easily & clean with razor or shears* .005 Inch neutral pH acrylic adhesive (Adhesive… EconoSpace© is a clear, neutral pH plastic "peel & stick" type art-glass separator that bonds to the edge of the glass in a picture frame. This is used to make the proper airspace between the art and glass in either wood or metal picture frames. This airspace helps prevent mold growth, paper buckling, image transfer, and adhesion to the glass. It is available in 4 sizes from 1/16 inch airspace up to 3/8 inch and most come in clear, black, and white. EconoSpace can be used to frame photographs, watercolors, pastels, and any paper art or document. * Made from clear, neutral pH plastic* Quick and easy - Saves time* Works in both wood and metal frames* Professional looking - No painting* Neutral pH - No plasticizers - Won't harm fine art* Cuts easily & clean with razor or shears* .005 Inch neutral pH acrylic adhesive (Adhesive is 250% thicker than the others)* Hollow for stiffness and lightness - doesn't tend to sag in the frame* Both with glossy and matte finished sides See More
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DuraLar .003" Overlay Sheeting 20" x 50 Foot RollSave Up to32%Off list…painting surface for many mediums. Available in a .005" Matte pad (25 sheets) 9x12", 11x14", 14x17" and 19x24" Wet Media Pads - This.004" clear polyester film is specially treated on both sides to accepts water-based mediums, markers and inks. Will not bead, chip or run. Great for planning painting… Grafix Dura-Lar Is Unsurpassed By Other Films For Clarity, Strength, Stability And Flatness Artists have long used acetate to protect artwork, create color separations and make overhead transparencies. Dura-Lar is a superior product to acetate as it is safe for lay over artwork, will remain crystal clear, consistent with color, and stays flat. It is particularly good for framing and presentation. Most common use is to place it between art and the top mat to protect art without having to wrap the entire mat. Pads and rolls are available in .003", .005", .007" and .010" gauge. The gauge or thickness of plastic film is expressed in thousands of an inch, said as “mils”. For example, .005″ is said “5 mils”. Key Features: * Pads have 25 sheets each * Will not tear * Will not absorb moisture or discolor with age * Heat resistant * Dimensionally stable * Lays flat * Acid-free and archival Perfect For: * Overlays * Mixed Media * Color separations * Stencils & Layouts * Graphic arts * Packaging & printing Matte Pads - This .005" polyester film has a matte coating on two sides. It provides a uniform drawing surface that will accept pencil and ink, will erase cleanly without ghosting and acts as a unique painting surface for many mediums. Available in a .005" Matte pad (25 sheets) 9x12", 11x14", 14x17" and 19x24" Wet Media Pads - This.004" clear polyester film is specially treated on both sides to accepts water-based mediums, markers and inks. Will not bead, chip or run. Great for planning painting compositions, as a painting surface and printmaking. Overlay Sheeting Rolls - The film is an ultra clear, glossy surface for protective coverings, layouts, color separations, window applications and overhead transparencies. Use as an artwork surface for permanent inks and markers. We carry economical rolls in medium weight 5 mils, heavy weight 7 mils and extra heavy weight 10 mils. See More
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Old Holland Classic Pigment Caput Mort Violet 160gSave Up to40%Off listViolet Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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