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Molotow ONE4ALL 4-8mm Marker - Zinc YellowSave Up to20%Off listYellow These multifaceted acrylic-based paint markers will revolutionize graffiti art! Imagine a world where graffiti art is possible and stained hands don't exist! Welcome to the world of Molotow ONE4ALL Acrylic Paint Markers! The unique line of Molotow acrylic-based paint ONE4ALL graffiti markers will replace the accumulated utensils of a graffiti artist's tool belt: countless spray cans, airbrushes, permanent markers and paint brushes. Everything is possible with these highly pigmented, acrylic-based markers. ONE4ALL markers allow artists to tag their creations on nearly any surface, indoor or outdoor. The ONE4ALL markers are preferred by, but not limited to, illustrators, writers, and street artists. Molotow offers 12 interchangeable tips, 40 different colors, and 5 different marker sizes. There are over 1,000 combination possibilities, and with these premium ONE4ALL markers, street artists will be unstoppable! Key Features: * Customizable acrylic-based paint markers * 40 brilliant, opaque colors * On-the-fly refillable marker - Ability to be refilled! * Dries quickly, dilutable with water or acetone Perfect For: * Illustrators, calligraphers and street artists * Heavily UV exposed surfaces * Large area application * Replacing traditional street art tools See More
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Jack Richeson Printmaking Supplies Clear Carve 12" x 50 ft.Save Up to42%Off listFlexible and durable material that makes carving linoleum easy!Jack Richeson's Lino Grip and Clear Carve are the best tools for getting started in printmaking. These products are ideal for students and beginners, but artists of any skill level will enjoy the benefits that these products have. *… Flexible and durable material that makes carving linoleum easy!Jack Richeson's Lino Grip and Clear Carve are the best tools for getting started in printmaking. These products are ideal for students and beginners, but artists of any skill level will enjoy the benefits that these products have. * Clear Carve- Clear Carve from Jack Richeson is a perfect clear surface for carving an image over any image, photo or sketch. Made from flexible and durable material that is easy to carve, Clear Carve wont crack or dry out and eliminates the need for any sort of messy image transfer paper. * Lino Grip- This lightweight linoleum block stop flawlessly holds linoleum in place as you carve better than any piece of wood or metal rest. Compact for easy storage, this slim, flexible, and grippy lino grip is easy to wash and perfect for aiding in the safe use of carving tools. It's great for beginners. Key Features: Made from flexible and durable materials Easy to clean Clear Carve is available in several sizes Easy to carve Speeds up block printing Perfect For: Beginners and students Tracing works of art, photographs and more! Learning the basics of block printing Holding linoleum in place (Lino Grip) Use with carving and other printmaking tools See More
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50Pk Arches Watercolor 156lb Hot Press Natural White 25.75X40Save Up to40%Off list…watercolor painting, as for all wet techniques such as ink, gouache, and acrylic Exclusive to ARCHES®: it is sized to the core with natural gelatin, which means it can be scratched without tearing or linting. It also preserves the luster and transparency of the colours whilst preventing paints from… Natural White 100% Cotton Paper, Lasting Whiteness with Strength and Longevity The Artists' Choice For Watercolor Papers Since 1492! Mould-made in France, Arches Natural White Watercolor Paper is 100% cotton rag watercolor paper. Considered the most popular in the world, each gelatin-sized Arches watercolor paper sheet has four deckle edges and may be repeatedly erased and over-painted while still maintaining its beautiful surface quality and integrity. Arches natural white watercolor paper is available in all three popular watercolor paper finishes, hot press, cold press and rough grain Ideal for watercolor painting, as for all wet techniques such as ink, gouache and acrylic. Arches natural white watercolor paper has been a favorite among artists for over 500 years, and it's easy to see why! Made from 100% cotton linters and both internally and externally gelatin sized, acid-free Aquarelle watercolor paper is one of the finest art papers in the world. Sized to the core with natural gelatin, a process exclusive to ARCHES®. Even if it is soaked for a long time, the paper will still retain enough gelatin not to become too absorbent. Arches Hot Pressed papers are plate smooth and are ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing, and airbrushing. The rich Arches Cold Pressed surface is a particular favorite of illustrators, watercolorists, and airbrush artists. For a bolder, more robust surface, Arches Rough provides just enough texture allowing for easy working, and is strong enough to maintain its character even after reworking. The Rough texture is also used by watercolorists, airbrush artists, and acrylic painters. 260 lb. is approximately the same weight as 140 lb. paper but in double elephant (available in larger sizes than 22x30"). Key Features:* 100% long rag cotton* Mould-made in France* Available in hot press, cold press and rough grain!* Two natural deckle edges, two torn deckle edges* Acid-free, no optical brightening agents* Natural color* Sized to the core with natural gelatin Perfect For:* Watercolorists* Maintaining the integrity of the paper after repeated erasing and painting* Finished artwork* Wet techniques such as ink, gouache, and acrylic Arches Watercolor Paper, Natural White Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706), fungicidal treatment to prevent the appearance of mould Uses: ideal for watercolor painting, as for all wet techniques such as ink, gouache, and acrylic Exclusive to ARCHES®: it is sized to the core with natural gelatin, which means it can be scratched without tearing or linting. It also preserves the luster and transparency of the colours whilst preventing paints from penetrating into the thickness of the paper. See More
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