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Bob Ross Liquid White Oil Medium 8oz (237ml) JarSave Up to25%Off listWhite Wet-on-wet oil painting mediums & basecoats The goal of Bob Ross, one of America's most beloved artists, was to open the world of art to people who otherwise would never be able to enjoy the excitement of painting. His products have been developed to successfully achieve results with his wet-on-wet technique, which is a basic process of painting over layers of wet paint to achieve relatively fast and effective results. Bob Ross Oil Painting Mediums are designed especially for use in the wet-on-wet techniques demonstrated in Bob Ross's books and video programs. Key Features: * Non-toxic acrylic base coats * Liquid oil mediums for Bob's wet-on-wet technique * Unlimited creative possibilities Perfect For: * The Bob Ross Wet-on-Wet Technique * Excellent dry base coat * Oil painting Acrylic Base Coat- Smooth brushing and even-leveling, they create an ideal base for wildlife painting. Glazing Medium- This medium produces the details characteristic of animal fur. Dries quickly, resists yellowing and provides a long lasting quality paint film. Liquid Mediums- Available in white, black or clear. Bob's unique secret formula of base coats aid in the painting's foundation and keep the canvas wet, the most fundamental step in Bob's wet-on-wet technique. Smooth and slow drying, they allow blending and mixing right on the canvas! Non-Toxic. Liquid Opal Medium - For soft oil colors. This pearlescent medium adds a deep richness to floral paintings and yields an affect that is reminiscent of opal gems. See More
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Williamsburg Handmade Oil Paint - Titanium White, 237ml CanSave Up to30%Off listWhite Handmade Master Quality Oil Paints - Manufactured In The U.S.A! Getting the proper pigment is just the beginning! So much of the quality of oil paint is in the grinding. Each color is ground to enhance the beauty and luminosity specific to that particular pigment. Some colors by nature will feel slightly gritty, others extremely smooth. For instance, Cerulean Blue will have a beautiful velvet, light-absorbing surface with an extremely strong covering power; Siennas, by comparison, are often chunky or gritty to allow light to travel through the vehicle, exposing rich golden or mahogany undertow instead of just heavy, dull browns. Pigments are ground in pure alkali-refined, ph balanced linseed oil, and made in batches no larger than 5 gallons at a time. This gives total control over the paint, much like late 19th-century French color makers. All materials are hand measured, and every ounce of paint is scrutinized. Williamsburg Handmade Oil Colors are then packaged in 37ml and 150ml non-reactive aluminum tubes. Williamsburg Handmade Oil Colors are used by the world’s finest artists, whose works can be found at the Metropolitan Museum of Art and MOMA in New York City, the National Gallery of Art in Washington, D.C., and the Beaubourg in Paris. Key Features:* Professional, Handmade Oil Colors* Incredibly pigment rich paint* Dense buttery texture* Extensive Cobalt & Cadmium Colors* Large assortment of Earth Colors* Oil color line of 178 colors!* 37ml & 150ml Tubes* 237ml & 473ml Cans* Perfect For:* Professional Oil Painters* Discerning students & amateurs* Artists favoring Old Masters materials* Enthusiasts of handmade oil paints* Producing museum-quality artworks See More
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Williamsburg Safflower Oil Color 237 ml Can Titanium WhiteSave Up to30%Off listWhite Long Lasting Brilliance and Clarity in a Handmade Safflower Oil Paint - Reduces Yellowing! Going back to the earliest traditions of oil painting, Williamsburg offers 13 whites, blues, and other delicate transparent colors made with a far less yellowing safflower binder. Artists will find these invaluable for holding onto maximum clarity and brightness in the upper layers of their paintings. These colors are not recommended for underpainting or foundational layers within a painting, as safflower oil binder takes longer to dry and produces a slightly weaker film. Milled with the highest quality, expeller-pressed Safflower Oil, the line features Porcelain White as the only color of the line not offered in their Linseed-based oils. Porcelain White is a less brittle, semi-transparent alternative to Zinc White. As with all of Williamsburg’s products, their Safflower Oil Colors are painstakingly made by hand. They are available from Jerry’s in 37ml and 150ml tubes. Key Features:* Handmade Safflower Oil Colors* Longer dry times than linseed colors* Non-yellowing white & transparent colors* Safflower oil line of 13 colors* Perfect For:* Professional Oil Painters* Discerning students & amateurs* Artists concerned about yellowing* Enthusiasts of handmade oil paints See More
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Claessens Linen #66 Single Oil Primed Medium Texture Roll, 122" x 10.9 ydSave Up to66%Off listWhite Claessens Oil Primed Medium Textured Linen Rolls Feature Meticulous Craftsmanship - Their Most Popular All-Purpose Surfaces! Claessens Linen Rolls provide artists with optimal professional quality in painting surfaces and craftsmanship. Each specific primed linen type passed through its own set of manufacturing steps and quality control, resulting in the premium painting surfaces Claessens is renowned for. After receiving the raw linens, quality control carefully inspects the entire surface for weaving faults. Abnormally thick threads are scrupulously removed. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. For oil primed canvases, zinc white is used as the first coat, bound with linseed oil; carefully applied to the glued linen with trowel-like knives. Then the canvas is sanded and a layer with a titanium white base is applied in the same fashion, then placed in a drying room for 3 days to air dry naturally. Double primed canvases undergo the same process again, as do additional primings. After the final coating is applied, the canvas is moved back to the drying room for 10 days. The finished canvases are then again carefully inspected one last time before they are place on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create an archival, exceptional linen canvas worthy of your finest masterpiece! Single Oil Primed Linen Roll #15 - Single OP #15 - Claessens Linen features a pronounced medium weave and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with landscape and general subject painters (slightly more weave texture than commercial cotton canvas). Warp 17cm/14.5cm weft; weighs 13.12oz. Double Oil Primed Linen Roll #15 - Double OP #15 - Claessens Linen features a pronounced medium weave and a double layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with landscape and general subject painters (slightly more weave texture than commercial cotton canvas). Warp 17cm/14.5cm weft; weighs 14.75oz. Single Oil Primed Linen Roll #66 - Single OP #66 - A favorite of many famous artists world wide due to its even medium texture, a tight weave and strength. The world’s most popular linen for landscape painting. It has a 43.2 TPI warp and 36.8 TPI weft. Single primed weighs 13.48 oz. per square yard. 2 coat sizing. Key Features: * Professional Quality Linen * Popular Medium (all purpose) weave * Oil primed by hand * Best bonding surface for oils * Perfect For: * Professional Oil Painters * Landscapes, still life, general purpose * General painting techniques * Aspiring students & amateurs See More
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Claessens Linen #20 Single Oil Primed Heavy Texture Roll, 122" x 10.9 ydSave Up to66%Off listWhite Claessens Oil Primed Rough Linen Rolls Feature Meticulous Craftsmanship With Close Attention To Detail! Claessens Linen Rolls provide artists with optimal professional quality in painting surfaces and craftsmanship. Each specific primed linen type passed through its own set of manufacturing steps and quality control, resulting in premium painting surfaces Claessens is renowned for. After receiving the raw linens, quality control carefully inspects the entire surface for weaving faults. Abnormally thick threads are scrupulously removed. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. For oil primed canvases, zinc white is used as the first coat, bound with linseed oil; carefully applied to the glued linen with trowel-like knives. Then the canvas is sanded and a layer with a titanium white base is applied in the same fashion, then placed in a drying room for 3 days to air dry naturally. Double primed canvases undergo the same process again, as do additional primings. After the final coating is applied, the canvas is moved back to the drying room for 10 days. The finished canvases are then again carefully inspected one last time before they are place on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create a archival, exceptional linen canvas worthy of your finest masterpiece! Single Oil Primed Linen Roll #20 - Single OP #20 Claessens Linen features a pronounced, heavier texture and a single layer of primer for oil and alkyd painting. It accepts most painting techniques where smooth texture is not needed, and is popular with landscape artists, large scale easel painters, and muralists. Warp 14.3cm/10.5cm weft; weighs 12.39oz. Single Oil Primed Linen Roll #29 - Single OP #29 Claessens Linen features a pronounced, heavy weight and rough texture with oil priming for oil and alkyd painting. Painters who enjoy a very hearty, heavy texture will enjoy this linen. Perfect for landscapes, large scale easel painters, and muralists. Warp 21.6cm/12.5cm weft; weighs 16.52oz. Single Oil Primed Linen Roll #70 - Single OP #70 Claessens Linen features a pronounced rough texture, with a single layer of primer for oil and alkyd painting. It accepts most painting techniques where smooth texture is not needed, and is popular with landscape artists, large scale easel painters, and muralists. Warp 25.4cm/26.7cm weft; weighs 13.71oz. Key Features: * Professional Quality Linen * Heavy and Rough textures * Oil primed by hand * Best bonding surface for oils * Perfect For: * Professional Oil Painters * Landscapes, murals, large scale works * Techniques complimenting a rough surface * Aspiring students & amateurs See More
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