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Gamblin Cold Wax Medium 4ozSave Up to25%Off list…hardens to the density of a beeswax candle. Unlike other Gamblin painting mediums, which increase the flow and gloss of oil colors to varying degrees, Cold Wax Medium makes oil colors thicker and more matte. It has a “short” characteristic and gives a clean break off of the brush or knife, retaining… Makes oil colors thicker and more matte Gamblin Cold Wax Medium a mixture of natural beeswax (wax pastilles), Gamsol and a small amount of alkyd resin. The term “cold” in Cold Wax Medium and Cold Wax Painting refers to the fact that heat is not required for working with this wax medium – as it dries by solvent evaporation (Gamsol), rather than the cooling of the wax, as in encaustic painting. As the Gamsol evaporates out of the medium, the soft wax hardens to the density of a beeswax candle. Unlike other Gamblin painting mediums, which increase the flow and gloss of oil colors to varying degrees, Cold Wax Medium makes oil colors thicker and more matte. It has a “short” characteristic and gives a clean break off of the brush or knife, retaining the sharp peaks of impasto. These working properties allow for expressive brushmarks and the ability to carve into paint layers with palette knives. Cold Wax also gives oil colors a beautiful translucent quality, similar to the seductive surfaces of encaustic paintings. * Cold Wax - Made from natural white unbleached beeswax.* Mix directly into colors* Cold Wax creates an ultra-thick, matte impasto* For greater shine and flexibility mix with Galkyd medium* Excellent in creating a variety of textures within a painting What is Cold Wax Painting? Cold Wax Painting is any type of painting that heavily utilizes Cold Wax Medium into oil colors. In its own way, Cold Wax Painting blurs the line between oil painting and encaustic painting. Cold Wax Painting It’s a rare occurrence for one specific painting medium to have a whole genre of painting associated with it, but Cold Wax Medium is one such medium. Cold Wax Painting is not defined by subject matter nor the degree of realism or abstraction, Cold Wax Painting is unified by artists’ shared interest in experimentation, texture and the physicality of paint layers. See More
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New York Central Acrylic White Gesso, 4oz BottleSave Up to55%Off listWhite Professional grade gesso for archival results New York Central® Gesso is a professional grade acrylic ground. It’s perfect for a variety of surfaces, from canvas to metal. You can apply the gesso with a palette knife to create a rough texture or sand between coats to achieve a smooth result. Once dry, New York Central® Gesso makes a sturdy base for graphite, charcoal, oil pastels, acrylic, and oil paints. You can even mix it with acrylic paint to create a toned background. Key Features: * Professional grade acrylic gesso * Matte white, opaque finish * Non-yellowing, acid-free, and archival * Flexible and non-cracking * Water-resistant once dry * Intermixable with acrylic paint * Optimal absorbency rate for paints Perfect For: * Priming raw canvas, panels, or paper * Acrylic and oil paints * Preparing wood and metal surfaces * Charcoal, pencil, and oil pastel * Creating a smooth or textured foundation * Adding a high level of tooth to a surface Acrylic Gesso Instructions: * Use at full strength or thin with up to 25% water. When thinning more than 25%, create an equal mix of water and matte medium. * Sand slick surfaces first. Apply a thin coat with a flat brush and let dry for 24 hours before painting. * To create a smoother base, sand the dried gesso and reapply. * Acrylic painters should apply at least two coats. * Oil painters should apply 2-4 coats and sand between applications. * To create a colored background, gradually add acrylic paint to the gesso until you reach your desired tone. Stir until thoroughly blended. Apply as normal. See More
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New York Central Acrylic Gloss Medium, 4oz BottleSave Up to55%Off listProfessional grade mediums for archival results by New York Central® New York Central® Professional Acrylic Mediums are perfect for thinning and extending acrylic paint. Many misinformed artists use water to thin their acrylic paint, but using too much water can weaken the paint bond… Professional grade mediums for archival results by New York Central® New York Central® Professional Acrylic Mediums are perfect for thinning and extending acrylic paint. Many misinformed artists use water to thin their acrylic paint, but using too much water can weaken the paint bond and cause long-term issues. New York Central® mediums support and maintain the structure of your paint while adding a gloss or matte effect. You can thin and extend your heavy body paints with acrylic medium. The more you add, the thinner and more transparent the paint will become. You can also use New York Central® Acrylic Medium as a collage adhesive or as a fixative for dry media. Key Features: * Professional grade acrylic medium * Matte or gloss finish * Mediums are semi-opaque when wet, transparent when dry * Extends colors without damaging paint structure * Non-yellowing, acid-free, and archival * Flexible and non-cracking * Water-resistant once dry * Intermixable with acrylic paint * Perfect For: * Increasing color depth and transparency * Thinning heavy body paints * Collage, mixed media, and photo transfers * Use as a collage adhesive or as a fixative for dry media * Professional artists and students * Everyday studio use Acrylic Medium Instructions: * Always stir gently. If bubbles appear, let the mixture sit for about ten minutes or until the bubbles dissipate, then resume use. * For use as an extender, mix the medium with acrylic paint. The more you add, the thinner and more transparent the paint will become. * To fix chalk pastels or graphite, mix 1 part medium to 1 part distilled water and apply with an airbrush or atomizer. * To use as a collage adhesive, apply at full strength with a brush or sponge. See More
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Soho Oil Color - Red/Orange/Crimson (Set of 7), 50mlSave Up to76%Off listRed Artist Quality Oil Sets at Affordable Prices SoHo Urban Artist Oil Colors provide lasting and predictable results to artists of all skill levels. Painters that use lots of color love SoHo because the paints perform at a high level while still being affordable. The pigments are slowly ground on a triple roller mill and completely coated in pure refined linseed oil to give the oil paint its luminosity. SoHo oils provide first-time artists and professionals on a tight budget with buttery oil paints that are pigmented and lightfast. That way, once they can afford better, they can move up to a more expensive brand, already familiar with what true oils can do. Glazing is no problem with these colors, and palette knife painting is quick and expressive, just as you would expect from far more costly brands. Key Features: * Slowly ground, triple-milled oils * Pure refined linseed oil * High-quality artist pigments * Excellent pigment load * Buttery consistency for smooth application of color * Maximum luminosity and superb handling properties * Does not blotch when thinned for staining or glazing Perfect For: * Painters of all skill levels * Use with a brush or palette knife * True color mixes without surprises * Working professionals on a budget * Artists who enjoy painting on a large scale SoHo Oil Paint Sets Include Exclusive Extras! Click on the item number to view the contents of each set. See More
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12 Shades Of Grey, Blue Grey Oil Color, 50ml TubeSave Up to55%Off listBlue 12, lovely brilliant grey tones. Impossible to find anywhere else at anywhere close to this amazing price. Are you ever curious about what happens in the shadows, the twilight or umbra of a painting? Give up control and go down the rabbit hole with 12 Shades of Grey and let the colors thrill you as you become entangled in their subtle, almost enigmatic shades. 12 Shades of Grey Oil Colors provide unique shades of hard-to-find greys. Highly pigmented from the finest materials and processed on triple mills, these oil paints will enable you to achieve sultry effects like you've never seen before. Key Features: * Single tubes in 50ml tubes * Highly pigmented * Triple-milled colors * Subtle greys * Set of 12 includes 21 ml tubes * Very smooth colors and just the right tones of greys Perfect For: * Painting shadows and greys * Mixing without making muddy colors * Practicing your painting * Underpainting* Light Fastness Chart of the Oils & Acrylics in our 12 Shades of Grey Series Color No. Color Name Oil Color Acrylic Color 460 BLUE GREY **** *** 781 YELLOW GREY **** *** 342 RED GREY *** *** 343 ORANGE GREY *** *** 783 VIOLET GREY **** **** 694 BROWN GREY **** **** 787 GREY MID **** **** 786 PALE GREY *** **** 797 PAYNE'S GREY *** *** 796 WARM GREY **** **** 576 GREEN GREY *** **** 795 COLD GREY *** **** *** Very good lightfastness **** Excellent lightfastness *** Package design may vary on 50ml tubes. See More
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LUKAS Oil Painting Medium - Bleached Linseed Oil, 50ml BottleSave Up to60%Off list…Stand Linseed Oil - Viscous, yellowish medium made thicker than standard linseed oil through application of heat. Increases gloss and translucence of oil colors, can be used as a binder or for making resin-based mediums. Slow-drying. Poppyseed Oil - Colorless, slow-drying oil carefully extracted… Bleached Linseed Oil - High quality, cleaned and bleached oil for use as a painting medium and binder for pigments. Perfect for glazing techniques and mixing with resins for traditional mediums; though slight yellow tint may affect white pigments. Linseed Oil Varnish - This painting medium and pigment binder is made by adding siccatives to linseed oil to speed the drying time. Has an obvious reddish-yellow tint. Mix with medium to dark colors to increase flow and speed drying. Stand Linseed Oil - Viscous, yellowish medium made thicker than standard linseed oil through application of heat. Increases gloss and translucence of oil colors, can be used as a binder or for making resin-based mediums. Slow-drying. Poppyseed Oil - Colorless, slow-drying oil carefully extracted from poppy seeds and bleached. Serves as a binder for creating oil colors, and a medium to add transparency. Its non-yellowing properties make it especially well suited for mixing with white or bright colors. See More
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