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Da Vinci Pro Medium Textured Panel 4"x8", 7/8" Deep (Box of 12)Save Up to75%Off listWhite Superbly crafted for permanent works of art! Tested by artists, Da Vinci Pro Medium Textured Gesso Panels offer a slight textured surface for artists seeking a panel that grabs media like canvas. Works well with oils, the surface is easily adaptable to oil pastel and other drawing sticks, crayons, graphite and colored pencils, hard and soft pastels, acrylics and acrylic gouaches, and mixed media. Seal with an archival spray fixative appropriate to your individual medium for a dramatic, frameless presentation of your artwork. Key Features: * Medium textured, white acrylic polymer gesso with quartz sand * 7/8” and 1 5/8” cradle depths for frameless presentation * Kiln-dried New Zealand Pine cradle * Warp resistant, sealed MDF hardboard panel * Wide range of sizes for any artist’s needs * Cradles easily accept paint, stain, or clearcoat for finishing Perfect For: * Acrylics, oils, drawing sticks, crayons, pencils, colored pencils, and all types of pastels * Large scale drawings without the need or cost of framing * Frameless presentation of artwork in any media * Archival art that will last a lifetime * Students, teachers, professionals * See More
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Da Vinci Pro Ultra Smooth Panel 5"x5", 3/4" Deep (Box of 12)Save Up to76%Off listWhite Ultra Smooth, white acrylic polymer gesso! Superbly crafted for permanent works of art! Tested by artists, these silky smooth panels are perfect for artists with painting techniques requiring a smooth, consistent, archival surface. For artists requiring an extremely smooth surface for technical illustrations, drawings, trompe l’oeil, oil or acrylic paint, Ultra Smooth Panels are ideal. The buffed finish readily accepts technical drawing pens, graphite and colored pencils, conte’, charcoal, oil, acrylic gouaches, and more. Seal with an archival spray fixative appropriate for your individual medium (or varnish for paintings) for a dramatic, frame-less presentation of your artwork. Seal with an archival spray fixative appropriate for your individual medium (or varnish for paintings) for a dramatic, frame-less presentation of your artwork. Key Features: * Ultra Smooth, white acrylic polymer gesso * 3/4" and 2" cradle depths for dramatic presentation * Kiln-dried New Zealand Pine cradle * Warp resistant, sealed MDF hardboard panel * Perfect for high-detailed portraiture or trompe l’oeil * Wide range of sizes * Cradles easily accept paint, stain, or clearcoat for finishing * Painting techniques requiring a smooth, consistent, archival surface Perfect For: * Portrait artists and detail painters * All painting and drawing techniques * Brittle media * Technical drawing pens, graphite and colored pencils, charcoal * Oil, acrylic gouaches, and more * Frameless presentation of artwork in any media * Archival art that will last a lifetime * See More
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Da Vinci Pro Resist-Grip Panel 4"x8", 3/4" Deep (Box of 12)Save Up to76%Off listWhite Superbly Crafted For Permanent Works Of Art- Resist-Grip Panels If you paint with acrylics or encaustics, Da Vinci Pro Resist-Grip Textured Gesso Panels are the very best primed surface ever created for your medium. The coarse texture grips heavy bodied acrylics extremely well and allows for an endless array of layering without any problems, whether with thin glazes or heavy impasto layers. For encaustics, the toothy primer grabs hold firmly to lower layers, providing a strong firm support for subsequent layers to adhere to. It is also the very first panel surface that offers a real tooth for grabbing hold of pastels and colored pencils, allowing layering and blending with ease. Just carefully seal with several light coats of archival spray for pastels, and you won't have to place your pastel or colored pencil art under glass. For other works, seal with the appropriate fixative for your medium (or varnish for paintings), for a frameless, dramatic presentation of your artwork. Key Features: * Coarse Textured, white acrylic polymer gesso with quartz sand * ¾” and 2” cradle depths for dramatic presentation * Kiln-dried New Zealand Pine cradle * Warp resistant, sealed MDF hardboard panel * Seal work easily with archival spray (appropriate to media) for frameless display * Wide range of sizes * Cradles easily accept paint, stain, or clearcoat for finishing Perfect For: * Acrylics, encaustics, oils, colored pencils, and oil pastels, and soft pastels * Building layers of media without peeling off * Large scale drawings without the need or cost of framing * Archival art that will last a lifetime * Students, teachers, professionals * See More
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Centurion Deluxe Oil Primed Archival Linen Panel - 4" x 8" (Pack of 12)Save Up to84%Off listWhite Master Quality Archival Deluxe Linen Panels! Superb performance and color retention! Exclusive OP enhanced oil priming As an oil colorist, it is important to work on oil-primed surfaces and not universally primed surfaces. The reason is that universal primed surfaces are semi-absorbent. Gesso is absorbent even if it is plate smooth. The paint does not get absorbed as much and sits on the surface more making it easy to blend and manipulate. Granted, it is not highly absorbent, but the fact remains that some oil will get into the primer and flatten the image. You can get around this by using an under-painting oil ground on top of the surface of a universal ground canvas, but this is very time-consuming and expensive. Our primer does not contain zinc or lead. The main ingredients used in the coating of these panels are acrylic emulsion, titanium pigment, calcium carbonate, and alkyd resin. Unlike universal ground, our oil priming chemically bonds with the oil paint and is non-absorbent allowing the paint to sit up on the surface with the correct refraction quality of the oil binder. If you use any high-quality oil color, we urge you to use an oil-primed surface, and now we make it affordable! Exclusive OP Enhanced Oil Priming! Centurion Deluxe Professional Oil Primed Linen Panels, specifically designed for oil painters. Superb receptive surface accepts even the thinnest oil color lay down without fragmenting on the surface and is a permanent surface as colors adhere better on it than any other oil primed canvas on the market today! Acid-free and archival, the primed medium-textured linen is cleanly wrapped and adhered to a solid 3mm MDF wood board. Key Features: * Acid-free, Archival Linen Panels * 11oz. Oil Primed * Made of medium weight linen * Exclusive OP enhanced oil priming * Mounted on 3mm (1/8") MDF wood board * Medium weight and texture * Non warping Perfect For: * Artists of all skill levels * Oil and Alkyd Painting * Archival Longevity * Linen Lovers expecting the best! * Professional Artists, Commissioned work * Traveling, takes up 1/4 the space of a 3/4" canvas For a good value on a smooth linen panel, this is it! The fine linen weave makes details easy when painting still life. Our Centurion canvas is used throughout the world by serious artists ranging from dedicated students to the most world-famous artists. Teachers and famous artists asked us to try to come up with an affordable oil-primed linen canvas. Not only did we wow them with quality but we also wowed them with the final price. You can buy Centurion Oil Primed canvas mounted to hardboard 3mm panels (1/8" thick), in canvas pads that can be stapled or taped to painting boards, in rolls for stretching your own canvas, and in an Elite style stretched canvas engineered to maintain the integrity of the canvas even in the largest sizes. See More
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Jack Richeson 1/8" Toned Gesso Hardboard Canvas Panels - Grey, 5"x5"Save Up to11%Off listWhite Please Note: Supplier Issues - Check Back For Re-Supply Date Professional, tempered hardboard panels coated with high quality gesso! These premium panels from Jack Richeson are the ideal surface for any artist working in acrylics, alkyds or even caesin! Made from Richeson's superior grade hardboard with a solid fiber core, these tempered panels are extremely strong and warp-resistant. Premium Toned Gessoed Panels have been double-coated with a high quality toned gesso resulting in a beautifully even, lightly-toothed surface that bonds perfectly with the hardboard panel and will not separate. Whether you are working in acrylics, alkyds, traditional or water-soluble oil paints, Richeson's 1/8" deep Premium Gessoed Hardboard Panels are the perfect painting surface that is ready to paint! With beautifully beveled edges, these warp-resistant tempered panels are covered with a high-quality toned gesso and are produced with a double coat waterfall system for a perfect lightly toothy surface. Perfect for portraitists, they are a time and energy-saver, ideal for both pros and students. Perfect for use with oils, alkyds, acrylics, caseins, and other water-based paints. Key Features:* Mid-Tone Grey & Umber Wash Toned* Warp-resistant tempered high-density hardboard panel* Solid fiber core* Premium quality surface* Professional acrylic gesso surface* Evenly coated with toned professional gesso* Beautifully beveled edges* Tempered High Density Fiberboard* Made in the USA Perfect For:* Artists of all skill levels* Oils, alkyds, acrylic and casein* Creating fine details* Smooth applications of paint* Painting immediately, no extra priming necessary Mid-Tone Grey Toned - Gessoed 1/8" Hardboard / Umber Wash Toned Gessoed 1/8" Hardboard - See Listing Below See More
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Schmincke Mussini Drying Accelerator 35 ml TubeSave Up to10%Off listMagnificent mediums for oil paints Schmincke Oil Mediums allow you to create fluid glazes or thick Impasto effects. You can even transform traditional oils into water-mixable oil paints with Medium W. All of the mediums increase the gloss and transparency of oil paint while accelerating or slowing… Magnificent mediums for oil paints Schmincke Oil Mediums allow you to create fluid glazes or thick Impasto effects. You can even transform traditional oils into water-mixable oil paints with Medium W. All of the mediums increase the gloss and transparency of oil paint while accelerating or slowing drying time. Key Features: * Accelerate or slow drying * Improve transparency and gloss * Outstanding working properties * Extend oil paints and use less paint * Perfect For: * Traditional oil paints * Blending and glazing * Changing the paint texture * Adding to oils undiluted Schmincke Mussini Drying Accelerator: is an especially fast-drying, Jelly-like painting medium for oil colors. The paste preserves the consistency and degree of gloss of oil colors. To avoid weakening of binding properties, use dosage of 10 to max of 30%. The product is ready to use and should be added to oil colours undiluted. After use clean tools as soon as possible with turpentine or brush cleaner. The Schmincke Mussini drying accelerator contains: siccative, stand oil, resin solution, mineral spirit. Impasto Medium (Megilp): Schmincke Meglip Impasto Medium is an oil painting medium designed for painting thickly. The medium preserves the buttery character of oil paint while accelerating the drying process. When you are applying paint in a thick style with a palette knife you should include some Impasto Medium to support the drying process between layers of paint. Contains: alkyd resin, stand oil, and fillers. Medium L: The Jelly-like medium improves oil paint flow while reducing brush strokes, accelerating drying time, and increasing gloss and transparency. Shake well and stir before use. Close immediately after use. The recommended dosage for medium L is 10 - 20 %. The product is ready to use out of the bottle, but you can dilute it with turpentine substitute 50019. Medium W: Schmincke Medium W is a low-odor oil paint additive that transforms traditional oil paints into water-mixable oils. The odorless medium increases gloss and transparency while allowing you to clean your tools with water. You should shake the bottle before use. Mix 2 parts of oil color and 1 part of Medium W on your palette, then add water to thin. Add more Medium W to the mixture as necessary. After use, you can clean your painting tools with water. Oil colors mixed with Medium W may appear lighter or "milky" when wet, but the color will return as the paint dries. Medium W Gel: Schmincke Medium W Gel is a jelly-like oil paint additive that transforms traditional oil paints into water-mixable oils. The odorless medium increases gloss and transparency while allowing you to clean your tools with water. Mix 2 parts of oil color and 1 part of Medium W Gel on your palette, then add water to thin. Add more Medium W Gel to the mixture as necessary. After use, you can clean your painting tools with water. Oil colors mixed with Medium W Gel may appear lighter or "milky" when wet, but the color will return as the paint dries. Refined Linseed Oil: Refined Linseed Oil is winterized and bleached. Many artists use it as a medium when painting. It slows down the drying time of your paint, which can be very useful when painting in layers. Please note: The natural yellowing tendency of linseed oil cannot be stopped by bleaching! Schmincke Primer 1: Schmincke Primer 1 is a pure white, semi-opaque, light-resistant, and nonaging primer for oil and acrylic colors. The primer has a strong absorbent character and forms an elastic, matt film once dry. Schmincke Primer 1 is ready to use straight out of the bottle, or for a thinner consistency, you can thin it with water. For max dilution, mix with 30% water See More
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Blockx Oil Color 35 ml Tube - Veronese GreenSave Up to30%Off listGreen Finest Quality Artists' Oil Colors Made and processed by the Blockx family in Belgium, still handground in the Blockx tradition with slowly rotating stone mills, our extra-fine artists' colors are made from the finest selection of pigments and oil. Only pure pigment is used for maximum lightfastness, buttery consistency and easy mixing on the canvas itself. All colors have a minimum lightfast rating 7 out of 8 on the blue wool scale. So they all can be considered perfectly lightfast. Iron oxides, earths and blacks are ground with linseed oil. All other pigments are ground with poppyseed oil which is well-known for its lack of yellowing and the non-forming of wrinkles at the time of the drying. As an oil colorist you deserve the very best colors to paint with. Blockx has been made in the same way in Belgium by family members for over 140 years. Today, Blockx is the oldest artist paint manufacturer continuously run and operated by a family. The story began when Jacques Blockx, a noted chemist, was asked by his artist friends to make reliable oil colors that would be permanent and extremely expressive. His formulas for permanent and lightfast colors are legendary and carefully guarded by the Blockx family today, who still test each batch of color to personally insure absolute quality and satisfaction. Key Features:* Slowly stone ground in pure Poppy Seed Oil* 84 colors available in 35ml & 200ml tubes* The preferred color of Rene Magritte, Salvador Dali and Frank Stella* All colors have a minimum lightfast rating 7 out of 8* Made from the finest selection of pigments and oil* Maximum lightfastness, buttery consistency and easy mixing on the canvas* Iron oxides, earths and blacks are ground with linseed oil* Other pigments are ground with poppyseed oil* Lack of yellowing and the non-forming of wrinkles at the time of the drying* Colors produced in maximum color concentration Perfect For:* Colors in still life that deliver consistent results* Fine quality paint that moves beautifully* Beginner to Professional artists* Amazing pigment load* Color that holds it's tone beautifully when mixed with titanium white* Use in studios or professional classrooms New: historical pigments handground with poppyseed oil; Vermillon, Naples yellow light, Naples yellow dark, Lapis Lazuli How Blockx Oils Are Made Using Blockx oils is a tactile experience—they are creamy yet firm, and allow the artist to feel the color with brush or painting knife. Indeed Blockx is a bit expensive, but these paints are worth every penny. An investment in Blockx is an investment in your art and truly one that will pay dividends in the future. Mixing: Pigments, oil, generally poppyseed oil, and specific ingredients are pre-mixed according to their particular nature to achieve the best paste for milling. Grounding: The paste is ground on a three roll mill made of stone rolls, to preserve the purity of paints, rotating at low speed to avoid heating. This operation is conducted 3 or 4 times-each time reducing the size of particles-allowing us to fill the tube immediately to preserve all the qualities of the paint. Test: Besides the long experience of the craftsman, numerous checks are made of particle size, consistency, drying time, density, and so more. A sample of each batch is carefully kept for years. See More
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Schmincke Mussini Oil Color 35ml - Natural Burnt SiennaSave Up to30%Off listBrown Unparalleled luminosity and outstanding lightfastness! Schmincke MUSSINI® Fine Artist Resin Oil Colors use the recipes of the old masters to provide unparalleled brilliance and luminosity in a truly reliable paint film. Vats of Schmincke oil colors are stored for up to three months before paint is added to the tubes. This vat time allows the linseed, safflower, and walnut oil to coat the pigment thoroughly. Different amounts of dissolved damar resin are then added to guarantee tension-free color layers that dry harmoniously. The addition of dissolved dammar resin depends on the oil requirement of the particular color. As a result, each of the 108 color shades has an individually balanced recipe. The high luminosity, outstanding lightfastness, and depth of light that can be achieved with Schmincke MUSSINI® Resin Oil Colors make them a pleasure to use. Key Features: * Balanced and tension-free drying process * Mixture of linseed, safflower, walnut oil, and dissolved dammar resin * Colors based on recipes of old masters * High luminosity * Excellent lightfastness * Truly reliable paint film * Imported from Germany * Perfect For: * Professional oil painters * Creating beautiful glazes * Pigment aficionados * Upgrading to professional oils * Portrait painting * Painting beautiful atmospheric landscapes See More
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Montana Water Based Spray - Fluorescent Blue, 400mlSave Up to35%Off listFluorescent The Spray Paint of The Future! MTN Water-Based Spray Paints by Montana Colors are low-odor, water-soluble spray paints made with high-quality pigments. The safer low-odor color formulation is perfect for creating high-end studio art inside your studio. You can use the cap nozzles to produce various techniques and effects. Spray on canvas, wood, glass, metal, EPS foam, and more. The water-based paints are water-resistant once dry and have a matte finish. Responsive, fast-drying Montana Water-Based Spray Paints are ideal for creating graffiti art, fine art, and ornamental arts and crafts. Key Features: * Low odor water-based paint * High-quality pigments * Water-resistant once dry * Matte finish * Strong performance paint * 400 ml can format * Pocket cap nozzle * Perfect For: * Studio or indoor work * Painting canvas, wood, glass, metal, or EPS foam * Various spray techniques * Workshops and group activities * Graffiti art, fine art, and interior design * Crafts and hobbies See More
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Norma Blue Water-Mixable Oil Color - Neutral Black, 35ml TubeSave Up to36%Off listBlack Water-Mixable, Environmentally Conscious, Vegan Oil Paint NORMA Blue Water-Mixable Oils by Schmincke are ideal for painting without solvents in the studio or classroom. The high-quality line comprises 48 brilliant colors guaranteed to ignite your passion for oil painting. The oils can be used pure, diluted with water, or combined with the NORMA Blue mediums. You can easily clean any used brushes or tools with soap and water. Enhance your artwork further with Schmincke's collection of five NORMA Blue mediums, designed to simplify your painting experience. Some of the mediums have an accelerating or retarding effect on the drying time, while others can be used to increase gloss. A special linseed oil completes the range of the NORMA Blue mediums. Key Features: * Low-odor water-mixable oils * Buttery consistency * Highly pigmented and lightfast * Low yellowing * Vegan and eco-friendly * Formulated from high-quality vegetable oils * No cobalt, cadmium, or zinc oxide pigments used * Allergy-friendly: no preservatives * Cleans up with water Perfect For: * Alla prima and traditional oil techniques * Environmentally conscious artists * Painting without any harsh chemicals * Sampling brilliant color ranges * Indoor painting and classroom use * Plein air painters Painting Medium Blue: 1:1 Lean painting medium, watery, oil-free, and low odor. This medium supports the traditional oil paint consistency and makes the oil paint smoother. Please note you should not use this medium with traditional oil paints. Medium 2 Blue: Fat painting medium for water-mixable oil colors. Water thinnable, retards drying, and allows for longer wet-on-wet painting time. The high oil content increases gloss and forms a soft elastic film. Medium 2 can also be used with traditional oil paints. Dosage: Do not exceed a mixture of 1:1 if possible. Contains: modified safflower oil, poppy oil, and siccative. Medium 3 Blue: Is a painting medium with oil content for water-mixable oil colors. You can dilute it with water. The medium accelerates drying, increases gloss, and makes paint layers more resistant. Medium 3 can also be used with traditional oil paints. Contains: modified linseed oil and siccative. Linseed Oil Blue: Modified linseed oil, water-dilutable, and used as an additional binder for water-mixable oil colors. It can also be used for traditional oil paints. Contains: modified linseed oil. Transparent/Gloss Medium Blue: Is a very fat painting medium for water-mixable oil colors. You can dilute it with water. The medium increases transparency enhances gloss, and softens brush marks. Use it only on the upper layers of paint. Transparent/Gloss Medium can also be used with traditional oil paints. Shake before use. Contains: modified linseed oil, safflower oil, and siccative. See More
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Cobra Water-Mixable Oil Spray Varnish - Gloss, 400ml CanSave Up to46%Off list…the underlying paint layer, does not turn yellow, does not crack and can be easily removed if necessary (also after many years). Can be used with oils and acrylics: Cobra odorless spray varnishes for offer permanent protection against aging of the paint, dust, dirt and the like, gives the painting… Odorless Varnish for Permanent Protection Against Aging, Dust, Dirt and More Cobra odorless painting spray varnishes will protect a painting for a long time. The Talens Cobra odorless spray non-yellowing varnishes come in convenient spray cans for easy application. When applied to a thoroughly dry (between 6-12 months) painting, they will protect against aging and environmental pollutants, while unifying the sheen of the piece. Removable with mineral spirits; available in Gloss, Satin, and Matte finishes. Cobra varnish: offers protection against aging of the paint, dust, dirt and the like, gives the painting an even sheen, adheres well to the underlying paint layer, does not turn yellow, does not crack and can be easily removed if necessary (also after many years). Can be used with oils and acrylics: Cobra odorless spray varnishes for offer permanent protection against aging of the paint, dust, dirt and the like, gives the painting an even sheen, adheres well to the underlying paint layer and does not yellow or crack over time. * Cobra varnish glossy 102, 400 ml- Purpose: Permanent protection of an oil painting (final varnish). Composition: Synthetic resin, odorless white spirit. Qualities: Gives a high gloss. Apply when the paint layer is completely dry (at least 6 months). Does not yellow and dries within a few hours. Dry varnish layers can be removed with white spirit. Extremely flammable. * Cobra varnish satin 118, 400 ml- Purpose: Permanent protection of an oil painting (final varnish). Composition: Synthetic resin, matting agents (silicas), odorless white spirit. Qualities: Gives a silky sheen, Apply when the paint layer is completely dry (at least 6 months), Does not yellow and dries within a few hours. Dry varnish layers can be removed with white spirit. Extremely flammable. * Cobra varnish matte 103, 400 ml - Purpose: Permanent protection of an oil painting (final varnish).Composition: Synthetic resin, matting agents (silicas), odorless white spirit. Qualities: Gives a matte gloss. Apply when the paint layer is completely dry (at least 6 months). Does not yellow and dries within a few hours. Dry varnish layers can be removed with white spirit. Extremely flammable. See More
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Liquitex Acrylic Soluvar Matte Varnish Spray, 400mlSave Up to46%Off listProtect Your Acrylic and Oil Pieces with Soluvar Liquitex Professional Soluvar Varnish provides transparent protection for acrylic and oil artworks. Soluvar dries clear to a flexible, non-tacky, hard surface and instantly increases the brightness and saturation of colors. The mineral spirit-based… Protect Your Acrylic and Oil Pieces with Soluvar Liquitex Professional Soluvar Varnish provides transparent protection for acrylic and oil artworks. Soluvar dries clear to a flexible, non-tacky, hard surface and instantly increases the brightness and saturation of colors. The mineral spirit-based varnish allows you to easily clean and remove dust from the surface of the painting without damaging the paint under the protective layer. Best of all, it protects dried paints from UV light damage and resists the discoloration, yellowing, and fogging caused by humidity. Key Features: * Mineral spirit-based varnish * Increases brightness and color saturation * Improves surface durability * Protects colors from UV light damage * Resists discoloration - yellowing and fogging - caused by humidity, heat, and UV * Allows surface moisture to pass through and breathe Perfect For: * Protecting art * Oil and acrylic paintings * Use on flexible or rigid supports * Unifying the surface sheen * Guarding against dirt retention * Interior and exterior use * Protects against dirt How to use it - Application * Before varnishing, ensure the paint surface is fully dry - 72 hours-two weeks for acrylics, depending on thickness, and 6-12 months for oils. * Ensure your space is well-ventilated and dirt and dust-free. * Place the artwork flat on a surface - always varnish horizontally. * Apply 1-2 coats of Gloss Medium as a permanent isolating barrier first and leave to dry for three days. * Once completely dry, clean the surface with a lint-free rag dampened with mineral spirits. * Apply 1-2 layers of Soluvar, leaving 24 hours between coats. * Use long, even mists, covering the surface from top to bottom while moving from one side to the other. See More
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Sennelier Latour Pastels Fixative Spray 400ml CanSave Up to46%Off list…media and oil pastels * Preventing your artwork from smearing! * Fixing soft pastel works * Protecting oil pastel art D'Artigny Spray Fixative for Oil Pastels: This transparent fixative contains a blend of vinyl resin and alcohol base. The spray leaves a clear glossy film that protects oil pastels… Archival Fixative Sprays To Protect Drawings And Pastels Sennelier's line of fine art fixatives is like no other. Each spray provides a degree of archival protection for different media types. The non-yellowing sprays are clear and protect graphite, charcoal, oil pastel, and soft pastel drawings. Key Features: * Fixatives for different media types * Archival * Clear and non-yellowing * Adds a final layer of protection * Resin and alcohol-based solutions Perfect For: * Graphite and charcoal drawings * Dry media and oil pastels * Preventing your artwork from smearing! * Fixing soft pastel works * Protecting oil pastel art D'Artigny Spray Fixative for Oil Pastels: This transparent fixative contains a blend of vinyl resin and alcohol base. The spray leaves a clear glossy film that protects oil pastels against dust and smears. Latour Spray Fixative For Pastels : A resin and alcohol-based solution that protects soft pastel artwork and seals them to the support. Delacroix Spray Fixative for Pencils & Charcoals: Specially formulated for work in pencil, charcoal, and graphite powder. The spray is similar to Latour fixative but is stronger, and that's why we don't recommend using it with soft pastels. HC10 Universal Fixative Spray: Sennelier fixative is made from a protective acrylic resin. The resin base makes spray perfect for Artists who want a more powerful fixative that will not alter their work's appearance. See More
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