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Gamblin Etching Ink - Sepia, 1lb CanSave Up to15%Off list
Starting At: 21.25
Brown Strong reliable inks for edition printing Gamblin Etching Inks were formulated at the request of professional printmakers in the Pacific Northwest who wanted strong reliable inks for edition printing. The palette of pure intense pigments offers a broad range of color mixing potential. Because of their high pigment load, Gamblin Etching Inks are a much better value than lower priced etching inks which are full of extenders. Inks are available in 1 lb. (300 ml) cans. Gamblin Etching Inks are all bound in the highest quality Burnt Plate Oil Key Features: * Inks are available in 1 lb. (300 ml) cans * High pigment load * Reliable inks for edition printing * Excellent working properties * Incredible sensitivity to the printmaker’s marks * Only the finest quality Burnt Plate Oil and lightfast pigments are used * Handcrafted in small batches at Gamblin’s factory in Portland, Oregon Perfect For: * Edition printing * Deep rich blacks * Engravers * Mezzotints * Strong lines & Medium plate tones Gamblin Printmaking Inks are made with the same respect for traditional materials that have made Gamblin Artists Oil Colors the choice for many of Americas finest painters Printmakers can count on a high pigment load and rich saturated colors in their prints. Gamblin Inks print with unparalleled intensity and sensitivity to printmakers most finely detailed marks. See More -
Winsor & Newton Galeria Acrylic Mediums - White Gesso Primer, 1 LiterSave Up to30%Off list
Starting At: 9.79
White Push the performance of Galeria Acrylics further with Galeria Acrylic Mediums! Winsor & Newton’s Galeria Acrylic Mediums are designed to work with their Galeria line, allowing you to explore the full range of acrylic property possibilities, from thinned fluid media effects with Flow Improver to heavy, carvable paste that can be tinted and built up. Slow drying time with Retarder, thin and extend acrylic color, and even Varnish Galeria works for final shine and protection. Galeria Extender - A highly economical medium, Galeria Extender increases volume of paint and maintains opacity. Color will dry to a matte finish. A great product for those on a limited budget. Galeria Flow Improver - Additive that loosens the surface tension of water within the acrylic paint, increasing the flow and allowing the application of areas of flat color evenly without changing the color strength. Increased flow is ideal for masking application, flowing gestural watercolor-like techniques, and “staining" applications. Should be used only in the amount needed to achieve the desired effect. Galeria Fluid Retarder - and additive for extending the drying and working time of acrylic colors. Small amounts (a few drops) will allow for extended blending and manipulation. Fluid Retarder does not contain sufficient acrylic resin to act as an additional “binder" and should be used only in the amount needed to achieve the desired effect. Galeria Gloss Medium - high clarity and even flow, Gloss Medium boosts the brilliance and transparency of the color as well as improving adhesion and durability. Ideal for glazing or applying thick, highly transparent layers of brilliant color for depth and “stained-glass" effect. Galeria Gloss Varnish - A unique, removable gloss varnish of the protection of finished acrylic works. Can be mixed with Galeria Matte Varnish to vary the final varnish. Galeria Heavy Carvable Modeling Paste - Tough and fully carvable, it remains flexible on a variety of surfaces and is suitable for multiple layers. Formulated to have the least effect on color shift from wet to dry. May be overpainted. Acrylic color may be added directly into paste during application (note it will become lighter and ‘chalky’ and the resulting paste will have reduced body). Galeria Iridescent Medium - Developed to provide pearlescent effects when added to color. Most effective when used with transparent colors over dark under layers. Galeria Matte Medium - Creates a flat, even finish. Maintains brilliance of color while boosting transparency, adhesion and durability. Galeria Matte Varnish - a uniquely removable matte varnish which may be mixed with Galeria Gloss Varnish to vary the final finish. Galeria Satin Varnish - A uniquely removable satin varnish for the protection of finished acrylic paintings. Galeria Modeling Paste - a lighter weight, flexible modeling paste for use on canvas (to minimize sagging). Finely textured with a soft sculptural consistency. Suitable for building multiple layers. May be overpainted, color may be added directly to paste (will become lighter and more ‘chalky’, and give paste a reduced body). Matte finish. Galeria White Gesso Primer - made from high quality acrylic resin with a good level of pigment strength, can be used straight from the container and provides excellent tooth for adhesion. To reduce absorbency and boost film integrity of the film a minimum of two coats is required if working with oils. Key Features: * Retarder for Wet-in-Wet * Flow improver for fluid techniques * Mediums to improve flow * Economical Mediums Perfect For: * Students and budgeting artists * slowing drying with retarder * Thin and maintain paint integrity * Extending paint with mediums See More -
Krylon Gesso Spray, 11oz CanSave Up to55%Off list
Starting At: 8.59
White Fine Art Sprays to Varnish or Fix Any Media! Krylon Artist Sprays are quality fixatives, general sprays for sealing, and quality varnishes for acrylics, alkyds, and oil paintings. Key Features: * Varnishes and fixatives * Archival, seals and protects * Available in 6oz, 10.25oz, and 11oz can sizes Perfect For: * Fixing charcoal and drawing medias * Varnishing paintings * Artists of all skill levels Acrylic Crystal Clear - This sturdy, clear finish does not yellow with age. Dries in minutes enhances and protects color with a moisture-resistant finish. Easy-Tack™ - Easy-Tack creates a smooth, flexible, temporary hold. Rearrange work until the perfect design is achieved. Easy-Tack never becomes permanent, yet will not lose its gentle grip! This acid-free spray is safe for photos, scrapbooks, and more! Excellent for stenciling or temporary placement since it leaves no residue. Gesso Spray - Spend more time artistically and less time preparing your surface! Easy, the one-step application requires no mixing—shake, point, and spray. Will not yellow, resists chipping, dries to the touch within 15 minutes, ready to work in 30 minutes. High Strength Spray Adhesive - This fast-acting adhesive has a variable volume controlled web spray pattern that offers high contact strength. Superior, permanent bond; High contact strength; Bonds heavy-duty materials like wood, metal, plastic, glass, laminate, and more. Kamar® Varnish - Keep your oil, acrylic, or watercolor paintings looking like a masterpiece! This varnish is free from impurities and protects against yellowing while allowing for easy reworking. Kamar Varnish dries to a high gloss finish. Low Odor Clear Sprays This permanent, latex enamel spray is excellent for preservation, can be used indoors and cleans up easily with soap and water! Preserve It! - Protection is easy with Preserve It!® Digital photos, greeting cards, address labels, scrapbook materials, and more last twice as long once you add this layer of protection. Without it, moisture, fading, early aging, ink runs, and damage from smudges can ruin your most precious valuables. Satin Finish Spray - Clear, protective spray finish for all kinds of arts, crafts, and home décor projects. Permanent, protective gloss finish, non-yellowing, moisture-resistant. Spray Adhesive - This high-performance spray exhibits an extended open-tack time so projects can be easily adjusted before drying completely. This acid-free formula is safe for photos, scrapbook pages, and other lightweight memorabilia. Provides an even spray pattern, is non-wrinkling with no bleed through. Super Quick Grip Spray Adhesive - Adheres lightweight surfaces in seconds and dries secure and permanent. The adhesive creates a smooth, flexible, non-wrinkling bond. Fast tack, dries quickly; strong, permanent bond in seconds; smooth, non-wrinkling adhesion; acid-free. Triple-Thick Crystal Clear Glaze - This bright, clear acrylic coating gives a glass-like illusion of depth. Its glaze equals three coats of other clear aerosols — superior high-gloss coating with a shiny, durable finish. UV-Resistant Clear Coatings - This tough finish does not yellow with age and protects arts, crafts, and valuables from harmful light rays. Moisture- and chip-resistant, smudge-proof, and dries in minutes. Available in gloss or matte. Workable Fixatif - This re-workable spray eliminates smudging and wrinkling while protecting pencil, charcoals, pastels, chalk, tempera, Conte, crayon, watercolor, India ink, and more! Easy to erase, Acid-free, and archival safe. See More -
GOLDEN Absorbent Ground White 8 ozSave Up to30%Off list
Starting At: 14.90
White Create a porous, paper-like surface on many different substrates GOLDEN Absorbent Ground is an acrylic liquid surfacing medium that can be used to create a porous, paper-like surface on many different substrates. Applied over gessoed canvas, the Absorbent Ground allows for raw canvas-like staining on a protected substrate. It also allows watercolors to be used on canvas. It is uniquely formulated for unsurpassed absorbent action when dry. Key Features:* Sizes: 8oz, 16oz, 32oz & 1 Gallon* Create a porous, paper-like surface on many different substrates* Applied over gessoed canvas* Lightfast, permanent, and flexible* Allows watercolors to be used on canvas* Unsurpassed absorbent action when dry* Opaque acrylic primer for water media See More -
Speedball Professional Relief Ink - Titanium White 8ozSave Up to34%Off list
Starting At: 15.13
White Produce stunning professional quality prints with these vibrant, premium relief inks! Speedball Professional Relief Inks Formulated to possess all of the working properties that artists demand, Speedball Professional® Relief Inks are made from the highest quality, lightfast pigments and contain no fillers. They roll out consistently and transfer beautifully, resulting in intense, crisp, archival prints. Containing (10) single-pigment colors and a Transparent Base, these professional-grade inks all carry the AP Seal and can clean up easily with soap and water or traditional window cleaner. Most notably, the Speedball Professional Relief series boasts its flagship color-Speedball® Supergraphic Black, created by world-renowned relief artist, Bill Fick. Key Features: * Highest quality, lightfast pigments * Contain no fillers * Designed for accomplished printmakers * Produces intense, crisp, archival quality prints * Holds fine details with beautiful transfer quality * Water miscible oil base makes for easy clean up * Professional-grade inks all carry the AP Seal Perfect For: * Professional printmakers * Block printing * Student artists * Linocut printing * Cleans up easily with soap and water or traditional window cleaner Speedball Professional Relief Inks are designed specifically for professional level printmakers. These premium quality relief inks offer viscosity similar to that of oil-based inks, rolling out consistently, transferring beautifully, and holding fine details to produce intense, crisp, archival quality prints. Extend the color range by combining these inks with Extender to produce transparent layers. With a water-miscible oil base, these true process relief inks are lightfast and easily cleaned up with a little soap and water. See More -
Speedball Block Printing Water-Soluble Ink 5oz - BrownSave Up to46%Off list
Starting At: 3.79
Brown The unquestionable industry-leader! Created from pigments ground and milled to the perfect consistency for block-relief printing. Speedball® Water-Soluble Block Printing Inks print in bold color and dry to a rich, satiny finish. They have amazing tack guaranteeing even scope and consistent amazing results. They may be mixed to create custom colors creating unique outcomes. Great for printing with linoleum wood or soft block surfaces, flexible printing plates or polyfoam. This printing technique traces its history back over 5,000 years and is a must try for any artist. Available in 16 brilliant colors. Fluorescent colors are listed on a separate page. All colors clean up easily with soap and water. Key Features:* Bold colors* Dries to rich, satiny finish* Excellent tack for even coverage* Easy clean-up with soap & water Perfect For:* All artists* Printing with linoleum, wood or soft block surfaces All colors are AP non-toxic. All colors except Magenta are considered lightfast. Available in 5 oz tubes and 8 oz jars. See More -
Wicked Air Airbrush Colors Brown 2ozSave Up to21%Off list
Starting At: 3.47
Brown Excellent Airbrush Coverage Right Out of the Bottle! Wicked Airbrush Colors are an ultra-high, professional performance, multi-surface airbrush paint that is suitable for any substrate from fabric all the way to automotive applications. Whether you are painting t-shirts, cars, or illustrations, Wicked Colors have exceptional flow and atomization right out of the bottle or airbrush. They contain mild amounts of solvent, exterior resign and automotive pigments to make an extremely durable paint that can withstand prolonged and direct exposure to outdoor elements like light and dust without washing or fading. Key Features: * Made with a highly durable binder * Exceptional flow and atomization * No heat required for automotive application Perfect For: * Automotive, fabric and illustration use * Withstanding outdoor elements * Airbrushes and airguns See More -
Art Spectrum Colourfix Pastel Primer Jar 1 LiterSave Up to33%Off list
Starting At: 19.96
White This primer allows you to work in several layers with little to no fixing and allows the use of wet media such as oils, watercolors and acrylic colors for mixed media works. Colourfix primer is available separately and is the same used for priming the sheets. Use them to prime any paper or board or to cover unwanted passages or to "touch up" smudges or for reverse painting effects. Primers may be mixed to create unique hues. Clear Primer makes virtually any surface, even glass, a pastel surface and is excellent for experimenting allowing you to add pastels into your watercolors, acrylics or oil colors. Supertooth Pastel Primer available in Natural/Clear 250 ml Jar. See More -
Canson Canva Paper Pads 16" x 20"Save Up to33%Off list
Starting At: 9.89
White Canvas-textured paper perfect for works in acrylics or oils! Canson Canva Paper has an imprinted texture similar to the texture of linen fabric, and is ready to paint on without priming or preparation! The bleed-proof paper surface absorbs paint evenly and is perfect for small sketches and compositions in acrylics or oils when stretched canvas is not an option. Each tape-bound pad contains ten sheets of 136lb (290gsm) canvas textured paper for practice sketches or finished paintings. Key Features:* Acid and lignin-free* Imprinted canvas texture* Bleed-proof, no need for a primer!* Ten sheets tape-bound* 136lb (290gsm) weight Perfect For:* Sketches in acrylic or oil paint!* Oil, acrylic, pastels, or mixed media work* Professional paintings* Spontaneous creativity* Traveling* Plein air painting* Urban sketching See More -
Clairefontaine Paint'ON Mixed Media Pad 6x8" WhiteSave Up to20%Off list
Starting At: 7.20
White Made right to inspire. Made tough to perform. PaintON® is an extra heavyweight art paper designed to support almost any medium. The sturdy 115 lb (250 gsm) paper is perfect for playing with pen & ink, gouache, pastels, acrylics, collage, and more! PaintON® sheets are double-sized to resist buckling, so you don't have to hold back. You can paint as many layers as you want because the paper has exceptional wet strength. A very light grain surface makes the paper ideal for precise drawing. The surface can even withstand repeated erasing without pilling. PaintON® pads are available in 4 neutral background tones: White, Natural, Grey, and Black. Colored paper pads are deep-dyed, so there are no annoying white cores to uncover. Key Features: * 100% cellulose paper with a very light grain * 20 Sheets per pad * Heavyweight 250 gsm paper – accepts layers of wet media without warping or buckling * Double-sized for exceptional wet strength * Pigments remain high on the surface for color vibrancy * "Drawing-friendly" surface withstands repeated erasing without pilling * Supports blending, layering, and lifting of color * Paper shades are deep-dyed – no white core * Acid-free, pH Neutral, archival quality * PEFC forest certified Perfect For: * Wet and dry mixed media * Pen & ink, gouache, and pastels * Light watercolor washes * Acrylics, collage, and more! * Oil pastels and pencil * Smooth applications of paint * Painting immediately, no extra priming necessary * Inking techniques without feathering or bleeding * Perfect for use en Plein air or indoors * Works in both dark and light media * Dimensional dramatic art See More -
Painter's Color Diary 9"x12" Wire Bound Pad, WatercolorSave Up to54%Off list
Starting At: 8.47
White Build Your Color Library! Patent Pending Exclusive to Jerry’s, The Painter’s Color Diary® has a fail-proof layout that allows you to record swatch information for future reference. There are countless ways to use the Painter's Color Diary®. Some examples are: * Swatching new color purchases * Testing color transparency and opacity * Creating color mixing formulas * Testing color palettes for an upcoming painting The color diary is spiral-bound with removable pages so that you can work on multiple sheets simultaneously. Once dry, you can reinsert the pages between layers of the included glassine, so they don’t stick together. The top of each color chart has a space for writing the paint brand, the date, or an assignment title if it’s for class. Each swatch box contains a bold black line to show transparency or separate half-tones. The color diary is truly a game changer when it comes to planning the mood of a painting. It’s a remarkable resource to have. Oil & Acrylic Color Diary: * Perfect for oil and acrylic paint * 40 outlined swatch boxes on each page * 136 lb. (290gsm) sized canvas textured paper * 10 removable pages with glassine interleaving * Each swatch outline measures 1" x 1-1/2" * Pages measure 9" x 12" from the spiral binding Watercolor & Multimedia Color Diary: * Perfect for watercolor, colored pencils, pastels, and more! * 35 outlined swatch boxes on each page * 140 lb. (300gsm) 100% cotton cold press paper * Landscape page layout for watercolor gradations * 10 removable pages with glassine interleaving * Each swatch outline measures 1" x 1-1/2" * Pages measure 9" x 12" from the spiral binding Travel Painter’s Color Diary®: * Perfect for watercolor, colored pencils, pastels, and more! * 140 lb. (300gsm) 100% cotton cold press paper * Landscape page layout for watercolor gradations * 36 swatch boxes per page * 10 removable pages with glassine interleaving * Each swatch outline measures 1-3/16" x 1/2" * Pages measure 6" x 8" from the spiral binding Painter’s Color Diary® Binder Box: * Designed to hold Painter’s Color Diary® pages * 1-½" diameter binder ring * Holds up to 40 diary pages * Overall size 9-3/4" x 14-7/8" x 2-7/16" * Holds up to 40 pages (sold separately) * Compatible with 9" x 12" and 6" x 8" sizes * Durable soft-touch cover and sides * Strong magnetic closure keeps the binder secured * Metal label plate for easy identification * Added protection from light and dust * Perfect for cataloging all of your swatches archivally Build your color library with the new Painter's Color Diary® Binder Box – the perfect place to store and protect all your swatched pages. Painter's Color Diary® Review "Over the decades, I have continued to make tests of a diverse and ever-growing collection of oil paints, taking note of how they respond to the addition of white paint to analyze tinting strength or adding a glaze medium to note how the pigments react transparently. Sometimes I will test one color, such as Raw Sienna, from different paint manufacturers to determine which version will be best for my needs. Before using The Painter's Color Diary®, I did these tests on my painting or palette and wiped them away. With this wonderful tool, I now keep a record and note each color and company. For me, The Painter's Color Diary® is the perfect color tool for artists working in oils. Printed on high-quality canvas paper and protected by vellum sleeves, this pad allows for the testing and recording of colors with no bleed-through. I highly recommend the Painter's Color Diary®, not only for students but for professional artists. My color struggle now will be to decide whether to keep the pages in the book or post them on the studio wall!" John Wellington - Painter and teacher See More -
D'Artigny Series 3593 White Bristle D-Brush, Size #0Save Up to45%Off list
Starting At: 8.39
White Innovative "D" shaped ferrule 2 in 1 brush for Acrylic and Oil! Raphael D'Artigny (D-BRUSH) brushes combines both a round and a flat brush and are known for their natural "fine white" interlocked hog bristles. Excitingly, Raphael has added a new brush shape to the D'Artigny line. The new brush, named for its "D" shaped ferrule, has multiple uses. The convex side of the brush is soft and flexible, with a soft curve, while the flat side is firmer for a more responsive stroke. You can use the flat side of the brush to apply color and lay down your initial sketch. Once those shapes and lines are ready, you can use the soft domed side of the brush to blend and soften colors. With double-crimped ferrules, these brushes are durable and ideal for oil and acrylic painting. Key Features: * D-Brush, 2 brushes in 1 * Combines both a round and a flat brush * D-Brush d’Artigny (Natural Hog Bristles) * 3593 series long handle * Flat side firm and responsive * Rounded side soft and flexible * Interlocked, extra-white hog bristles * Naturally flagged ends hold paint well * Good shape retention and stiffness Perfect For: * Oil and acrylic painters * Laying down blocks of color * Initial sketching and impasto techniques * Softening edges and blending colors * Smoothing brush marks * A springier stroke See More -
Sargent Herringbone Weave Linen Canvas Single Oil Primed (680 gsm) 41" x 1 Yard SampleSave Up to79%Off list
Starting At: 138.89
White A highly coveted, master-crafted canvas - Perfect for even the most detailed paintings! John Singer Sargent was one of the greatest portrait artists of all time, and part of his success was dependent on the canvas he used. New J.S. Sargent Herringbone Weave Linen Canvas from Creative Mark is a unique addition to their canvas line, with innovative qualities unavailable anywhere else. This canvas is made from only the finest linen flax, meticulously hand-processed and woven into a twill herringbone pattern that provides uniformity, elegance, and strength. The unique weave makes for a smooth surface with superior resilience that can withstand stretching in any direction and the most rigorous of painting techniques. Available in unprimed, oil primed, and glue-sized surfaces, there is the perfect option for any painter. Great care is taken in producing each oil-prepared canvas. Synthetic glue, which is less sensitive to humidity, is used rather than hide glue. We have not used white lead for many years, per Belgian and European legislation. The coating itself consists of linseed oil as a binder, chalk, and titanium white oil paint as the pigment ground. Gesso the unprimed version for acrylic painting, mount the glue-sized onto board for egg tempera, or stretch the oil-primed canvas onto gallery bars and paint a masterpiece worthy of Sargent himself! Key Features: * Highly coveted, master-crafted canvas rolls * Strong herringbone twill weave * Incredibly fine surface * Oil Primed features 2 coats of professional quality primer * Sold in 83" x 6 yard rolls or sample sheets * 3 surfaces: unprimed, glue-sized, and oil primed Perfect For: * Professional realist artists * Highly detailed oil paintings * Priming and painting in any medium * Portrait artists and detail painters * A superior, resilient and durable substrate * Archival art that will last for lifetimes! See More -
Artfix Belgian L64C Oil Primed Linen Roll, 85" x 5 ydsSave Up to61%Off list
Starting At: 58.60
White Combine the exceptional archival nature of French Linen with the excellence of the ArtFix’s priming! For over 50 years the Narozni family has crafted premium artists' canvases in Provence, France, still hand produced and primed. Today, they have passed this knowledge to Chassis France, the French specialist manufacturing canvas and frames for over 60 years. The close attention to detail is what makes ArtFix a premium surface for the educated and discerning artist who chooses the very finest canvases for painting. In the world of flexible fabric painting substrates, linen has proven itself for generations as being the fiber that has long stood the test of time. Much stronger and more durable than cotton due to a longer natural thread fiber structure and strength without issues of shrinking and sagging, it can be woven in a thinner, tighter weave that weighs much less with much greater strength. Due to the nature of the fiber, the weave cannot be woven into a completely precise, machined-look texture like cotton, which creates a unique painting surface many artists covet. Long revered for their fine linens with their incredible surface priming, ArtFix combines time-honored European manufacturing methods of priming with modern chemistry. All linens (even unprimed) are double sized for protection against acids in oil paints, which allows uniform breathing of the linen under the painting to reduce paint film stress once the work is completed. Primed up to 4 layers (depending on the roll style), each layer is applied by hand and sanded. This effort of labor prevents peeling, flaking, and cracking of the primer, and makes for the most bond with fresh paint. This time-consuming process produces an unbelievable primed surface that painters become devotees to! Select from pre-sized raw, universal, and oil primed conservator’s grade linen rolls, and indulge in the ArtFix experience. Can’t decide? Try cut pieces of different styles to learn which is your favorite! Canvas Style Notes: "C" Styles - Lead-style Oil Primed: ArtFix’s specially formulated oil priming gives the traditional qualities of lead priming, without its toxicity. the unique absorbency allows oil paints to bite into the surface, increasing adhesion and depth of color. Colors glow from within when glazed on the surface. “C" Style rolls are highly recommended for all oils and alkyd paintings. "U" Styles - Universal Primed: ArtFix’s “U" style’s carefully formulated acrylic universal priming emulates many characteristics of oil-based primers, but maintains the durability and elasticity of acrylic priming. Unlike glossy acrylic primers, the surface is more matte and a bit more absorbent to promote exceptional adhesion to a variety of media. Excellent for works in oils, acrylics, and even drawing media (oil stick, pastels, charcoal, graphite), due to the absorbent surface. When mounted to a stiff surface, even brittle media like egg tempera and caseins work beautifully on the universal primed surface and smooth polyester texture. "G" Styles - Absorbent Ground: ArtFix’s “G" style priming is a single layer of an absorbent grey ground primer. Absorbent ground linen can be used to work with oils and acrylics where wash and staining effects are desired, as they will absorb into the ground. This style primer also works well with liquid acrylics, oil pastels, and other media that has absorbent needs to create proper adhesion. Unprimed: Pre-sized, ArtFix unprimed rolls are ready to accept whatever form of custom priming you desire, from clear or colored gessoes, oil priming, pastel primer, etc. Please see tech notes on each individual line item canvas for information on canvas type, weight, surface texture, media, priming information, and best uses for each canvas style to find what roll best suits your artistic techniques and needs. Key Features: * Conservation grade French Linen * hand-primed by skilled artisans * Universal, Oil, Absorbent Ground Primers * Pre-Sized Raw Linen options Perfect For: * Oil and Acrylic Painters * Professional and discerning Artists * Conservation Specialists * Devotees to ArtFix’s Priming Formulas See More -
Canson Montval Acrylic Painting Pads 16" x 20"Save Up to33%Off list
Starting At: 11.39
White French-made paper with textured surface and gelatin sizing. When acrylic colors are used as a thick paste on Montval Acrylic, artists can achieve characteristics similar to oil painting. 10 sheet tape-bound pads. See More -
Strathmore 300 Series Canvas Paper Pads 16" x 20" Glue Bound 115 lbs (10 Sheets)Save Up to33%Off list
Starting At: 3.98
White 300 Series Canvas Textured Paper Acid Free 10 sheets of canvas-textured paper for practicing techniques with oils, caseins, acrylics, egg tempera or alkyds. A canvas-textured paper for practicing techniques with oils and acrylics. Great for sketching and practicing techniques. This heavyweight paper is sized for wet media applications and has a surface that replicates the surface of a traditional canvas. It is ideal for practicing techniques with oils, acrylics, tempera and casein. Key Features:* Weight: 115lb 187 gsm* 10 sheets of textured Canvas* Glue bound pads with flip-over covers Perfect For:* Use with oils, acrylics, tempera and casein* Sketching and practicing techniques See More -
Strathmore 400 Series Acrylic Pads 12" x 12" 246 lb (10 Sheets)Save Up to33%Off list
Starting At: 5.11
White Heavyweight, versatile Strathmore acid-free papers This paper painting pad features 246lb (400 g/m2) paper which is ideal for acrylic painting. The heavyweight linen finish is perfect for acrylic painting. Tape bound, 10 sheets per pad. Made with the acrylic artist in mind, but it is also well suited for a variety of other painting, drawing, pastel or charcoal applications where a heavy paper with a toothy surface is desirable. The paper has a cream-colored linen finish. 246lb (400 gsm). Key Features:* Weight is 246lb (24" x 36" x 500 sheets) or 400 g/m2 (gsm)* Cream Linen Surface* Tape bound pads with flip-over covers Perfect For:* Painting, drawing, pastel or charcoal applications* Heavyweight linen finish for acrylic painting* Painting in the studio or on the go! See More -
Claessens Linen #012 Glue Sized Moderately Fine Texture Roll, 82" x 6 ydSave Up to73%Off list
Starting At: 419.74
White Quality linen worthy of your finest masterpiece! Claessens linen is made with only the finest linen flax. Great care is taken to weave the canvas. Quality control carefully inspects the canvas by hand for faults and removes any abnormally thick threads. Synthetic glue, which is less sensitive to humidity, is used rather than hide glue. The finished canvases are placed on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create an archival, exceptional linen canvas worthy of your finest masterpiece! Key Features: * Professional quality glue sized linen * Synthetic glue is used instead of hide glue * Multiple surface textures offered * Quality checked by hand * Prime to suit your painting needs! Perfect For: * Professional painters of all types * Custom priming and stretching your own canvas * Highly detailed oil paintings * Portrait artists and detail painters * Archival art that will last! Glue Sized Linen Roll #09 - Features a fine texture. Ideal for use with portraits and painting genres that require a smoother surface - like detailed work. Warp 11 cm / 14 cm weft, 6.61 oz. Glue Sized Linen Roll #012 - Features a moderately fine texture. Ideal for use with general painting techniques and most painting genres. Warp 20 cm / 16 cm weft, 7.17 oz. Glue Sized Roll #013 - Features an extra fine texture. Ideal for use with portraits and painting genres that require a smooth surface. Warp 23 cm / 23 cm weft, 6.28 oz. Glue Sized Roll #029 - Features a pronounced and beefy, hearty rough texture that is popular with landscape and abstract painters, mixed media artists, and for large-scale easel and mural works. Warp 21.6 cm / 12.5 cm weft, 12.53 oz. Glue Sized Roll #066 - Features a medium texture. Perfect for most styles of painting and most general applications. Warp 17 cm / 14.5 cm weft, 8.85 oz. See More -
Mimik Synthetic Goat Brush, Mottler Size 1"Save Up to62%Off list
Starting At: 13.35
White Animal-Friendly Mottlers Outperform Natural Goat Hair! Mimik Goat Mottler Brushes contain a groundbreaking synthetic fiber that mimics natural goat hair. The filaments are incredibly soft, thin, and absorbent, just like a goat's fur. The ultra-fine synthetic filaments adjust to any surface texture, ensuring consistent, even application with minimal brush marks. Use the mottler shape to apply large washes of color, blend paint, apply a glaze, or varnish your work. Although natural goat brushes are used primarily for watercolor, this synthetic version can even be used with oil and acrylic! Key Features: * Mimics natural goat hair * Extremely soft and thin synthetic filaments * Absorbent filaments soak up and hold watercolor well * More break and tear-resistant than natural goat hair * Animal-friendly and cruelty-free brushes * Short durable handles made of FSC-certified beech wood * Rust-proof nickel plated ferrules * Handmade in Germany * Exquisite craftsmanship ensures that hairs won’t come out while painting Perfect For: * Oil, acrylic, and watercolor * Silk painting with dye * Painting large washes of color * Blending and softening edges * Applying soft glazes of color * Wet-on-wet oil painting techniques * Varnishing a painting with minimal brush strokes See More -
Pebeo Studio Acrylics Mediums - Sand Textured Gel (White), 250mlSave Up to25%Off list
Starting At: 6.16
White Unlimited opportunities for experimenting with creative inspiration Pébéo Mixed Media Studio Mediums offer an extensive line of acrylic mediums for creating an array of textures and dimensional effects. Ideal for mixed media applications, these mediums—once dry—can be used beneath acrylics as well as resins, solvent-based paints, ceramic paints, and more! Key Features: * Thick, richly pigmented acrylic mediums * Retain brush and painting knife strokes * Easily mixable with great light-fastness * Available in iridescent Dyna Perfect For: * Uncomplicated, spontaneous creativity! * Mixed media applications * Adding texture to portraits * Pebeo Liquid Art Panels * Canvas, cardboard, wood & metal * Children, students, and professionals Studio Acrylics Gloss Gel –non-yellowing acrylic gloss gel with translucent gloss finish. Studio Acrylics Matt Gel –non-yellowing acrylic gel with translucent matte finish. Studio Acrylics Bindex –non-yellowing fluid acrylic binder—dries translucent with a satin finish. Studio Acrylics Dyna Bindex –non-yellowing fluid acrylic binder with interference pigments for reflective, color-changing effects--available in blue, violet and green. Studio Acrylics Modeling Paste –highly textured, opaque white modeling paste used for creating impastos and dimension—may be used alone or mixed with colors—retains tool imprints, keeps volume and dries to a matte finish. Studio Acrylics Modeling Paste High Density -highly textured, opaque white modeling paste formulated with fine grain used for creating impastos and dimension—may be used alone or mixed with colors—retains tool imprints, keeps volume and dries to a white-gray porous surface. Studio Acrylics Crackling Effect Modeling Paste –opaque white paste used to create impastos with crackle effect—may be used alone or mixed with colors (75% modeling paste / 25% color)—to increase adherence and enhance the crackling effect, recommended to prime the surface at least 1 hour prior to applying the modeling paste. Studio Acrylics Sand Textured Gels –acrylic polymer with colored sand-based gel available in black, white, red, and yellow—apply with a painting knife and dilute with water or Bindex as needed. See More -
Sennelier Egg Tempera - Zinc White, 21ml TubeSave Up to35%Off list
Starting At: 10.75
White A highly pigmented, professional tempera medium Sennelier Egg Tempera paint is a semi-opaque, water-soluble and permanent painting medium used for fine art painting and restoration (and can even be used as an underpainting for oil paints). Unlike oils, egg tempera does not age or yellow, due to being egg emulsion-based instead of oil based. Varnished egg tempera paintings are difficult to distinguish from oils due to their vibrancy and brilliance in how the pigment suspends in the emulsion. It is a popular medium with oil painters who seek a health alternative to the harsh and dangerous solvents involved with oil colors, as it requires nothing more than soap and water cleanup. Like their other paint lines, Sennelier Egg Tempera paints are professional quality pigments with the highest pigment loads possible. Key Features:* Classical painting medium* Water soluble, no need for solvents* Highly archival* Rich satin-matte finish* Highly pigmented paints* Authentic egg tempera made in the traditional manner* Use varnish over egg tempera paintings for an oil painting like appearance Perfect For:* Fine art painting, restoration, and icon painting* Underpainting for oil painters* Restoration Work * Icon Painting* Technical illustrative painting styles Intro Set of 5- Contains five 21 ml tubes including: Titanium White, Lemon Yellow, Rose Madder Lake, Ultramarine Blue, and Ivory Black Light Wooden Box Set Of 15 - Contains: One 34 ml tube of Titanium White, one 60 ml jar of Egg Tempera Binding Medium, a wooden palette, one metal palette cup, two brushes, a Flat #4 and a Round #5, 15, 21 ml tubes of Egg Tempera: Burnt Sienna, Cadmium Yellow Deep Genuine, Carmine, Cobalt Violet Hue, Emerald Green, Ivory Black, Lemon Yellow, Naples Yellow, Permanent Intense Red, Prussian Blue, Raw Umber, Ultramarine Blue, Vermilion, Viridian, and Yellow Ochre. Capable of creating detailed and complex effects, the medium of egg tempera can be traced back as early as ancient Greece. During the early Italian Renaissance, egg tempera reached its’ zenith, and was the predominant medium for religious icon panel paintings done between the 12th and 15th centuries. Even with the rise in popularity of oils beginning in the 15th century, Renaissance masters such as Michelangelo and Botticelli continued to prefer the deep luminosity of the medium. Even with the decline of the medium in favor to oils, artists like Marc Chagall (who exclusively used Sennelier) in the early 1900’s led to the medium’s revival, and it became more popular with the use by American painters such as Andrew Wyeth and Thomas Hart Benton. In 1892, chemist and fine arts purveyor Gustave Sennelier created his own line of Sennelier Egg Tempera paints, after extensive research into classical, authentic Renaissance formulas. Egg Tempera is a semi-opaque, water-soluble and permanent painting medium used for fine art painting and restoration (and can even be used as an underpainting for oil paints). Unlike oils, egg tempera does not age or yellow, due to being egg emulsion-based instead of oil based. The egg emulsion recipe binder produces a satin-matte finish that is water resistant when dry, and is thinned with water or egg tempera medium when painting. Varnished egg tempera paintings are difficult to distinguish from oils due to their vibrancy and brilliance in how the pigment suspends in the emulsion. It is a popular medium with oil painters who seek a health alternative to the harsh and dangerous solvents involved with oil colors, as it requires nothing more than soap and water cleanup. Like their other paint lines, Sennelier Egg Tempera paints are professional quality pigments with the highest pigment loads possible. Unlike oil paint, egg emulsion binder is stiffer and more brittle, so it does not lend well to impasto painting techniques. Traditionally, due to the brittle nature, egg tempera is best used on wood or canvas panels, or heavy primed paper that has been mounted on a hard surface. Note: Sennelier recommends artists give their finished egg tempera works a coating of charcoal or pastel fixative before applying a final oil paint picture varnish, to seal and protect the work. See More -
Richeson Shiva Oilstik - Iridescent BrownSave Up to29%Off list
Starting At: 9.38
Brown Shiva Paintstik Oil Colors - Tradition, Quality & Stability Richeson Shiva Paintstiks® are solid oil paints in stick-form that easily blend straight from your stick onto paper, board or canvas. Great for Plein Aire painting and quick sketches. Use with painting medium and brush for adding detail or creating soft blends. Colorless and Iridescent blender sticks are easy to use since no mediums are required. Paint dries to the touch within 24 hours. Tradition, Quality & Stability Key Features:* Each stick measures 4.5" long x .62" diameter* Fade-proof and Non-Toxic* Easy clean-up: soap and water or baby wipes* Rich, creamy and buttery consistency* Colors are fully mixable* Most colors dry within 24 hours; permanent when dry* Compatible with other oil paints and mediums* Convenient for on-the-go painting* Colorless blenders - without pigment - available* Most colors are non-toxic - AP* No unpleasant odors or fumes, so you can paint virtually anywhere Perfect For:* Ideal for sketching and outlining* Fade-proof and Non-Toxic* For the professional artist, art student or amateur artist* Effective medium to think out shape* Composition and color, without a palette or mixing cup* Spread or blended and used in conjunction with conventional oil* They are self-sealing* Convenient for on-the-go painting* Paint virtually anywhere, at any time, on almost any surface* Draw directly on paper, wood, canvas and other surfaces* Varnishes may be applied to finished paintings after they are completely dry Shiva Artist's Paintstik Oil Colors are a refined linseed oil blended with quality pigment and solidified into a convenient stick form. They are also a useful aid to the art teacher to help students grasp fundamentals of oil painting without using classroom time for mixing paint and clean-up. You can actually paint "wet into wet" with a solid oil stick, allowing a feeling of free, spontaneous expression. In most cases, the paint dries in 24 hours. Artist's Paintstik Oil Colors are available in 51 Professional Colors, 12 Student Colors, and 16 Iridescent Colors. See More -
Richeson Casein Artist Colors Titanium White 37 mlSave Up to43%Off list
Starting At: 7.14
White From rich opaques of oil to thin watercolor washes - One of the most durable mediums known to man Casein (kay'seen) is a quick-drying, aqueous medium using a milk-based binding agent, and is one of the most durable mediums known to man. Nine thousand year old casein cave paintings have been discovered in Asia, and later, the medium was used by Byzantine, Roman and Renaissance artists including the Old Masters. Richeson Casein is a versatile, professional, water-based medium known for its velvety finish! Richeson Casein Colors are fast-drying, reworkable water-soluble paints. Caseins are great for underpainting and work with oils! Key Features:* Milk protein-based paints* Dries to a natural matte finish* Apply in any manner from impasto to watercolor* Casein can be used on interior walls, metal, wood, laminates, metal, glass or ceramics* Archival: Yes. Properly done and with a protective varnish * Good choice for dry and light, wet media sketching* Perfect medium to use for underpainting* Dries quickly* From rich opaques of oil to thin watercolor washes Perfect For:* Suitable for a variety of surfaces* Great for illustration work* Casein can be used on canvas, although only in very thin application* All-purpose paper in a sketching format* You can paint on 140lb. watercolor paper if the painting will be properly framed shortly after completion* You can apply casein "juicy" like watercolors, impasto like oils, or anything in between "Casein is a water-based paint medium with working properties that resemble gouache, cel vinyl—and, in some respects, oil. I've used all of those latter paints quite a bit, but casein has qualities all its own. It can be used transparently, but it has great opacity when you need it, something often lacking in acrylic. It's one of the oldest paint mediums, dating all the way back to the Egyptians – JAMES GURNEY" What is Casein? Casein (kay'seen) is a quick-drying, aqueous medium using a milk-based binding agent, and is one of the most durable mediums known to man. Nine thousand year old casein cave paintings have been discovered in Asia. Later, the medium was used by Byzantine, Roman and Renaissance artists, including the Old Masters. Known for their versatility and array of capabilities, casein paints can be used to create a variety of effects from the rich opaques of oil to thin watercolor washes. Because casein has an exceptional integrity of color and always dries to a perfect matte finish, it is unexcelled for art reproduction. The velvety matte finish can also be buffed to a satin sheen or varnished to produce a resemblance to oils. Over time, casein pigments become resistant to moisture and as history has proven, the medium has a durability and permanence which has easily stood the test of time. Because it dries quickly, it is possible to lay down a glaze and move onto the next stage within a few hours instead of waiting for days, or even months, as with oils. Can I mix casein with other mediums? Yes you can! Use casein over watercolor or gouache or as an underpainting for acrylic, pastel or oils. If using casein under oils, apply a barrier layer of Damar varnish over the casein before the oil paint. Casein can also be used under oils as an excellent underpainting medium. See More -
Silver Mop White Goat Hair Short Handle sz. 1/2in Oval BrushSave Up to35%Off list
Starting At: 6.27
White Ultra-soft Natural goat hair and synthetic filament mops! Silver Brush Goat Hair Brushes are made of incredibly soft goat hair that is perfect for softening and blending value transitions. Ultra-soft white goat hair bristles stay soft when wet and are perfect for blending and softening oils or acrylics. The black goat hair stiffens when wet allowing for rougher treatment or creating texture when blending color. The ultra-soft goat hair bristles are ideal for oil and acrylic paint but can also be used to create sky washes with watercolor. Conservators favor the goat hair and the mop shape for dusting archival items. Silver Brush Goat Hair Fans and Mops are perfect for artists that work with acrylics, watercolors, and oils. A treat for any multi-media artist! You can use the mop brush shape to develop backgrounds and sky washes with watercolors. Soft synthetic filaments within the Ultimate Varnish Mop Brush spread water-based color or varnish on any surface without leaving bubbles behind. Each varnish brush is made with soft synthetic hair perfect for varnishing furniture or a finished painting. Key Features: * Ultra-soft white or black goat hair * Bristles stay soft when wet * Very soft hair stiffness * Natural goat hair mop brushes * Unique synthetic varnish brush filament * Mop shape in oval or round * Spread color and varnish on any surface without leaving bubbles * Short handle Perfect For: * Oils, acrylics, or watercolor * Creating background color or sky washes * Blending or softening color * Conservators * Water-based varnish and paints * Varnish application * Even gradation of brush strokes * Multi-media artists Artist Goat Mop Set: Our set includes a full size 1" oval and size 10 and 14 round ultra-soft white goat hair mop brush. Each brush is impeccably fashioned within seamless nickel-plated brass ferrules attached to dark red polished wood handles. Ultimate Goat Mop Set: Our set of mops includes four round mops in sizes #12, #14, #16, and #20, plus two oval mops in sizes 1/2" and 3/4". White goat hair stays soft when wet while black goat hair stiffens and adds a delicate texture to your work. Each brush is impeccably fashioned within seamless nickel-plated brass ferrules attached to dark red or black polished wood handles. Short Handle Goat Hair Mop Set of 4: Our set of mops includes Size #10 White Round, 1" White Oval, #16 Black Round, and 3/4" Black Sky Wash. Ultra-soft goat hair bristles are perfect for blending and softening color with oils or acrylics. You can also use these brushes to create backgrounds and washes with watercolors. Ultimate Varnish Mop: Soft synthetic filament. Ideal for finishing furniture and varnishing paintings. Soft and lustrous, the varnish brush will spread color and varnish on any surface without leaving any bubbles behind. This brush is perfect for use with water-based varnish and paints. See More -
Creative Mark White Natural Goat Hair Mop Brush Oval 1"Save Up to61%Off list
Starting At: 6.56
White The preferred brush for a wide range of techniques! Creative Mark Natural Goat Hair Mop Brushes are a must-have for any painter! You can use the super absorbent natural goat hair for various techniques, from watercolor washes to dry blending oil paints. The white goat hair remains soft even when wet, making it ideal for watercolor application. With our black goat hair mop, you can add marvelous dry brush textural effects. When wet, the black goat hair stiffens slightly, allowing you to soften edges and create color transitions in oils or even acrylics. Our bushy rounds are terrific for washes, and the oval mop shape offers additional control for blending and softening. Goat hair brushes are best for blending paints on a variety of surfaces and great for watercolors. Key Features: * Natural goat hair mop brushes * White goat hair stays soft when wet * Black goat hair stiffens slightly when wet * Mop brushes in oval and round shapes * Short handle * Perfect For: * Watercolors, oils, or acrylics * Backgrounds and sky washes * Creating texture when blending color * Dry brush techniques * Gentle transitions and color shifts Natural White Goat Hair Mop Brush Set of 4: Round sizes #10, #14, #20, and Oval Mop size 1" Natural Goat Hair Mixed Mop Set of 3: White Goat Hair Round sizes #10, #14, and Black Goat Hair Oval Mop size 1" Natural Goat Hair Super Mop Set of 6: White Goat Hair Round sizes #12, #16, and Oval Mop size 3/4" and Black Goat Hair Round sizes #14, #20, and Oval Mop size 1/2" See More -
Krink Alcohol Paint Marker White Box Set of 4Save Up to25%Off list
Starting At: 8.21
White Super wide, opaque ink markers for bold strokes! Krink Permanent Alcohol Paint Markers allow you to write and draw on a variety of surfaces. Craig Costello, the founder of Krink, first developed the K-63 squeezable bingo-style marker for graffiti artists. As street art took off, Craig continued to innovate and create new marker styles. Krink markers are available in a variety of different nib and body styles today. With opaque alcohol-based Krink paint, you can write on almost any surface. The super opaque paint stands out on paper, plastic, glass, painted surfaces, and metal. The bingo-style tip is excellent for drawing on a large scale, while the dual nib and chisel tips are perfect for creating varied lines. You don't have to pick just one marker style. The Krink Box Sets include an assortment of 4 permanent marker styles. Key Features:* Super broad valve-action nibs* Quick drying & permanent* Super Black, White, and Silver* Vibrant opaque paint* Huge paint capacity! Perfect For:* Interesting effects* Street art, craft, and industrial applications* Metal, canvas, painted surfaces, wood, glass, plastic, paper and more! See More -
Charbonnel Aqua Wash Etching Ink - Snow White Titanium, 60ml TubeSave Up to20%Off list
Starting At: 16.55
White Vivid, permanent, non-toxic inks for intaglio, lithography, and more! Charbonnel Aqua Wash Etching Inks are made with extra-fine lightfast pigments and an innovative oil binder that makes clean-up a breeze! The oil emulsion inside the ink allows you to use it like any other traditional solvent-based ink. Charbonnel Aqua Wash Inks clean up with soap and water and are non-toxic. No water is used within the inks, so your printing plates and tools will not rust. Key Features: * Water-washable etching inks * Odorless and non-toxic * Extra-fine lightfast pigments * Cleans up easily with soap and water! * Slow drying time similar to traditional inks * Will not rust tools or plates * Stable and long-lasting inks Perfect For: * Intaglio, lithography, monotype, and more! * Artists that prefer not to use toxic solvents * Studio and classroom use * No-hassle, everyday studio use * Easy clean-up with soap and water * Working in large groups * Studio and classroom use * Student artists See More -
Krink K-60 Dabber Alcohol-Based Paint Marker, White 60mlSave Up to25%Off list
Starting At: 13.49
White Squeezable, Blotter-Style Paint markers For Broad Coverage! First developed for street artists, Krink K-60 Paint Markers are now seen as the go-to marker for all large-scale painters. The high-quality opaque alcohol-based paint stands out on light and dark surfaces. A round dabber-style tip and squeezable body let you control the paint flow. The round dabber tip is also excellent for drawing on a large scale. Because the opaque paint is alcohol-based, you can write on almost any smooth surface. Krink paints stand out on paper, plastic, wood, glass, painted surfaces, and metal. With 15 vibrant, permanent colors to choose from, you can let your imagination run wild. The set of 6 includes Black, White, Red, Yellow, Light Blue, and Light Green. The set of 12 includes Black, White, Silver, Red, Pink, Orange, Yellow, Light Green, Light Blue, Light Pink, Purple, and Yellow Green. The Custom Paint Marker Kit includes: Create your own custom color markers! 4 colors, 2 empty markers, 4 tips, and 2 caps to make multiple K-60 markers Key Features: * Pigmented alcohol paint * Opaque, permanent color * 15mm Round dabber-style tip * Huge 60ml capacity! * 15 vibrant colors * Xylene-free * Conforms to ASTM D-4236 * Made of recyclable (#2 resin code) HDPE plastic * Handmade in the USA Perfect For: * Painting on smooth surfaces * Glossy paper, plastic, and glass * Metal and painted surfaces * Street art and industrial applications! * Controlling paint flow as you draw Warning: Flammable and may cause irritation. Keep away from children. See More -
R&F Pigment Stick 100ml - Raw UmberSave Up to20%Off list
Starting At: 8.12
Brown Handmade oil paints in a convenient drawing stick form! R&F Pigment Sticks are oil paints manufactured with enough wax for the paint to be molded into stick form. Pigment Sticks allow the artist to draw or paint directly onto a surface without brushes, palettes, paint tubes or solvents. Blending only traditional materials: finely milled pigments, natural wax (beeswax & plant wax), and alkali refine linseed oil, R&F Pigment Sticks have none of the additives, extenders, and substitutes that traditional tube oils contain. While the use of these adulterations can save a lot of work and reduce the cost of materials, they lower the quality of the paint. Consequently the formulas are complex and manufacturing is labor intensive, and thus handmade in small batches where they are carefully milled and molded. The result is a professional quality oil Pigment Stick with a buttery, lipstick-like soft consistency that glides onto the painting surface. Paint Sticks can be thinned with traditional solvents, mixed with or used under or over traditional oils, or worked with a palette knife to a softer consistency to allow brushing or knifing onto a surface. Curing to a durable film like standard oils, Pigment Sticks can also be used with Encaustic paints for a variety of effects. Blending sticks are offered in two types, and are colorless sticks that can be worked into a Pigment Stick color to increase transparency, or blend colors together on the painting. Like with traditional oils, R&F Pigment Sticks should be used on primed surfaces that are oil or acrylic gesso primed, to protect the surface from the natural acid in linseed oil. What is the difference between R&F Pigment Sticks and Oil Pastels? Although both are made with pigments, waxes, and oils, they are completely different! Oil pastels typically contain a much higher wax content than an oil stick or bar, and are manufactured with a non-drying oil such as mineral oil or castor oil. Works done in Pigment Stick will oxidize (dry) over time like traditional oil paints, whereas oil pastels will always remain tacky and never dry, thus needing the protection of glass to protect the finished work. Explore the versatility and loosely gestural qualities this medium has to offer, with professional quality Pigment Sticks from R&F! Key Features: * Made solely of pigment, pure alkali refined linseed oil, and purified plant and bees waxes * Lipstick-like, soft creamy consistency * Contains no additives, extenders, or substitutes like tube oils * 2 types of Blending sticks for colorless blending * Perfect For: * Use with Traditional Oils and Encaustic Paints * Gestural drawing with oils in stick form * Immediacy of paint without the need for brushes or tools * Works on any surface primed for traditional oils * Thinning with solvents and oil mediums See More -
Montana ACRYLIC Water-Based Marker Refill - Shock Brown, 180mlSave Up to24%Off list
Starting At: 4.75
Brown Create your own custom Montana graffiti marker! This complementary range of paint refills, replacement nibs, and empty markers make the Montana ACRYLIC line even more versatile and customizable! Now it's easy to mix custom paints, fill up a marker, choose the perfect nib, and get started. As with all Montana products, these refills and accessories are easy to use and of the highest quality for long-lasting performance. Make unique colors and tools for your art with Montanas ACRYLIC Marker Refills and Accessories! Key Features: * Non-toxic matte acrylic paint refills * Replacement nibs, empty markers * Vibrant, lightfast, pigmented colors * Refillable; replaceable tips Perfect For: * Both interior and exterior use * Graffiti, street, and urban art * Canvas, wood, metal, cement, and glass * Extra-fine and bold strokes Empty Markers – Available in 0.7mm Extra Fine, 2mm Fine, 15mm, 30mm & 50mm Broad. Translucent barrels make it easy to see the color and amount of paint within. Replacement Nibs – In an even wider size range than original markers, from 0.5mm to 50mm. Smaller size nibs fit Extra Fine and Fine Markers, larger nibs fit Broad markers. Empty Bottles – Translucent plastic bottles in 25ml or 180ml sizes for mixing and storing custom paint colors. ACRYLIC Refill Paint – All 24 Montana ACRYLIC water-based paint colors are available in either 25ml or 180ml bottles and are infinitely mixable to create unique color blends. See More -
Professional Canvas Panel Box of 5 - Claessens 15DP Oil Primed, 1-5/8" Deep 14x18"Save Up to57%Off list
Starting At: 7.62
White Archival, museum quality professional canvas panels! 2 Panel Depths Mounted with 8 Professional Surfaces Thought about making your own linen panels, but could use that valuable time painting instead of prepping? New York Central® has heard you and has taken the beauty and luxury of Europe’s finest Linens and Poly Cottons, and professionally mounted them on Da Vinci Pro Birch Wood Panels for your convenience! Using Lineco Neutral pH Adhesive (acid-free, museum-quality formula designed specifically for preservation materials), our skilled craftsman hand-mount Raphael Linen, Claessens oil and universal primed linens, and Belle Arti poly-cotton canvases to our own cradled birch panels (formerly known as Jerry’s Pro Art Canvas Panels). This creates flawless, museum-quality painting panels unlike anything on the market. Perfect for oils, alkyds, acrylics, egg tempera, and caseins! Available in 8 professional quality linens and poly-cotton canvases. Panels are made to order. Expertly flawless, museum-quality painting panels unlike anything on the market * Raphael Oil Primed Fine Textured Linen * Claessens 15DP Oil Primed General Purpose Linen * Claessens 66 Oil Primed General Purpose Linen * Claessens 166 Universal General Purpose Linen * Claessens 13DP Oil Primed Fine Textured Linen * Courbet Ultra Fine Textured PolyCotton * Roma Affesco Poly Cotton Rough Texture --> Click Here to See More Details in a PDF Key Features:* 2 Depths: 7/8" and 1-5/8" cradled depths for dramatic presentation* Exceptional panel strength and rigidity* Available in 8 professional quality linens and poly-cotton canvases* Using Lineco Neutral pH Adhesive* Panel foundation is warp-resistant Birch with kiln-dried New Zealand Pine cradles* Archival canvas panels crafted by skilled artisans* Panels are made to order* Perfect For:* Artists of all skill levels* Artists seeking a museum-quality, archival surface* Artists looking to save time & money* Flawless, museum-quality painting panels* Designed specifically for preservation materials* Oils, alkyds, acrylics, egg tempera, and caseins! Please note: We carefully make each order by hand, as a result, it may take longer for your order to ship. See More -
Charbonnel Etching Ink - Snow White RS, 200ml CanSave Up to20%Off list
Starting At: 17.05
White Intaglio Inks, 100% natural, Trusted by Artists Throughout Time Charbonnel Etching Inks are 100% natural and non-toxic. Every color is highly pigmented and delivers impressive covering power even after dilution. The inks feature pigments chosen for their low acidity and exceptional lightfastness. Like oil paints, Charbonnel etching inks dry through oxidation. Depending on the color, the drying time can vary between 2 and 3 weeks. You can easily lighten the highly pigmented Charbonnel Etching Ink with transparency medium to create a range of tones. Key Features: * High-quality printmaking ink * 100% natural and non-toxic * Highly pigmented * Linseed oil-based binder * Additive-free intaglio inks * Wash up with oil or solvent * Inks absorb oxygen to dry * Made in France Perfect For: * Etching * Printmaking * Monotypes and monoprints * Intaglio printing * Professional artists See More
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