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Gamblin Artists Oil - Cadmium Red Light, 8oz CanSave Up to40%Off listRed Gamblin Artist's Oils, The only choice for professionals! Since 1980, Gamblin has transformed oils and pigments into luscious, rich oil paints. Gamblin Artist's Oil Paints are made with refined linseed oil, so the paint film is more flexible and yellows significantly less than traditional linseed oil. No adulterants are used, so each color retains its unique tinting strength, undertone, and texture. Gamblin Artist's Colors have luscious working properties, and the colors are radiant. We're sure you'll agree that the quality of these oil colors is exquisite. For everything from realism to contemporary abstraction, you'll find the colors you need in the Gamblin line. Key Features: * Oil Paints: Available in 37ml and 150ml tubes, plus 8 oz. and 16 oz. cans * Sets w/ painting panels: Set of 9, Set of 3 * Professional quality * Inorganic colors made from metals (Cadmium, Cobalt, Iron, etc.) * 19th-century colors of the Impressionists * Classical and Renaissance era colors * High pigment load, low oil absorption * Colors easily grey-down in mixtures * Mostly opaque with a few semi-transparent and transparent colors * Made in Portland OR, USA * Perfect For: * Professional oil painters * Plein air artists * Alla prima painting * Vibrant portraits * Painting natural colors and light * Accurately reflecting the hues of nature * Smooth consistency and buttery feel * Outstanding lightfastness * Everyday studio use! Gamblin Metals- Gamblin Copper, Rich Gold, Pale Gold, and Silver are made by suspending bronze and aluminum powders in an alkyd binder. It's the light reflecting from all those bits of metal that create the "metal finish." The real metal flakes scatter light in many different directions giving surfaces painted with Metals a soft, lustrous appearance. Gamblin Metals have distinctive mixing characteristics. When mixed with transparent colors, they maintain their metallic luster and give glaze layers a unique sparkling quality. Gamblin Artists' Colors Introductory Set of 9 Colors Includes nine 37ml. tubes and a ready-to-use, This set contains one 6.5" x 12" pre-primed painting panel with 1.5in cradle depth.pre-primed birch painting panel handcrafted in North America from sustainable forests. Made in the USA. 37ml Colors include: Cadmium Yellow Light, Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Viridian, Yellow Ochre, Burnt Umber, Ivory Black & Titanium White Reclaimed Earth Set of 3 Tubes: Colors in the set include Rust Red, Iron Violet, and Brown Ochre. The tubes are nestled in a 6"x6" primed panel made in Oregon by American Easel. The masterfully constructed panel has poplar cradled sides and a Baltic birch face. Every speck of pigment in these tubes has been painstakingly reclaimed from waters tainted by iron released from mines. Iron oxides make lightfast, natural, and safe oil paints. John Sabraw and engineer Guy Riefler figured out how to extract iron from the polluted rivers, restore ecosystems, and create economic opportunities in communities struggling with environmental damage left behind by the coal mining industry. By purchasing this limited edition set you are supporting hard-working communities and helping make the Ohio and Mississippi Rivers healthier ecosystems. Is Gamblin Oil Paint Professional Grade? Gamblin Artist's Oil Paints are Professional Grade made with refined linseed oil! Gamblin always wanted to give artists color at its maximum with a luscious texture. There is so much more to our work than fine raw materials and high pigment loads. Gamblin is dedicated to getting that balance right. Every color. Every batch. Every time. See More
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Da Vinci Pro Liquid Art Panel 16"x20", 1-1/2" Deep (Box of 12)Save Up to68%Off listWhite Professional Art Panels with 1/8" raised lip to contain media Contain Your Media While Your Imagination Runs Wild! The Da Vinci Professional Liquid Art gesso panels feature a 1/8" raised lip which is part of the frame around the panel itself. The natural wood can be left as-is or stained and painted for frameless presentations. Gessoed with a professional quality gesso and great for use with Fluid Acrylics, High Flow Acrylics, Glazing liquids, Pouring Mediums, Encaustics, Pebeo Resin Paints and Alcohol-based dyes. Available in several sizes, with a choice of 3/4" or 1.5" depth. Great for Fluid acrylics & High flow acrylics, Liquid art techniques and pouring paints & pouring mediums. Contain Your Media While Your Imagination Runs Wild! 1/8" raised lip in 3/4" or 1.5" cradle depths Key Features:* 1/8" raised lip to contain media* Choice of 3/4" or 1.5" cradle depths* Quality gessoed surface* Natural wood frame* Accepts various liquid media* Can be unframed, framed or shown in floater frame* See Videos and Jerry's LIVE Perfect For:* Allowing artisitc freedom while containing media* Resin-based paints * Acrylics and mixed media* Fluid acrylics & High flow acrylics* Pouring paints & pouring mediums* Encaustics* Resin pours, Alcohol inks & dyes* Gouache and pouring mediums* Watch Our Jerry's LIVE Demo on Painting & Pouring on our Liquid Art Panels Relax, play, and enjoy the process of producing a pouring painting with Turner Acryl Gouache and Pouring Medium, on a Da Vinci Pro Liquid Art Panel. No drawing or prior art skills required! Want the full supply list to follow along? Click Here Da Vinci Liquid Art Professional Panels with 1/8" raised lip is the only line to come in size 1.5" deep! See More
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Gamblin Burnt Plate Oil #000 8oz BottleSave Up to40%Off listBrown True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More
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New York Central Professional Watercolor Panel, 140lb Hot Press, 16"x20" 7/8" ProfileSave Up to46%Off listWhite Hand-mounted 100% Cotton Acid-Free Watercolor Paper Your favorite watercolor paper mounted to the finest Birch wood panel with acid-free and waterproof adhesive. The mounted paper won't buckle or warp when wet because it's glued to the panel. New York Central Professional Watercolor Panels provide a fresh, modern way to present your artwork without a frame. Each panel is hand-mounted with your choice of paper! Choose from these 100% cotton watercolor papers: * New York Central Bright White: Hot Press, Cold Press or Rough * Arches Natural White: Hot Press, Cold Press or Rough * Arches Bright White: Hot Press, Cold Press or Rough * Fabriano Artistico Bright White: Hot Press, Cold Press, Soft Press or Rough * Stonehenge Aqua: Hot Press or Cold Press To choose your preferred paper brand see the buttons below Finished work can be framed under glass or sprayed with an acrylic polymer for frameless presentation. Golden polymer coatings are available in gloss, matte, or satin finishes and help protect your artwork. For a resin finish, we recommend Pebeo Glazing Resin. Hang Without A Frame For A Fresh Modern Look Key Features: * Birch wood panels * 7/8" or 1-5/8" profile * Archival waterproof adhesive * 140lb 100% cotton, acid-free papers and surfaces * Available in eight sizes from 6" x 8" - 18" x 24" * Warp-resistant birch with kiln-dried New Zealand pine cradles * Paper mounted by skilled artisans Perfect For: * Artists seeking a museum-quality, archival surface * Artists looking for a sturdy, non-buckling watercolor surface * Mixed Media applications * Frameless presentation * Permanent works of art Please note: We carefully make each order by hand. As a result, it may take longer for your order to ship. See More
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Jo Sonja Matte Acrylic - Burnished Copper, 8oz BottleSave Up to38%Off listRed Flow formula acrylics offering the opacity of color and the beautiful, velvet matte finish Chroma's Jo Sonja's highly pigmented matte acrylics dry to a beautiful velvet matte finish and provide superb brush handling characteristics. Unlike gouache, the acrylic color is water-resistant and will not chip or crack when cured. Jo Sonja Matte Acrylic colors will remain vibrant for generations because they contain ASTM lightfast pigments. Formulated for application on any surface or use in combination with Jo Sonja's Mediums and Background Colours. The exciting range of Jo Sonja mediums allows the paints to be used on virtually any surface from paper and cards to canvas, wood, glass, ceramics, fabrics, and more! All products in the range are compatible and cleans up with mild soap and cold water. Jo Sonja Artists’ Acrylic Colors are flow formula acrylics offering the opacity of color and the beautiful, velvet matte finish associated with traditional gouache plus superb handling and brushing characteristics. Unlike gouache, they are water-resistant and will not chip or crack when cured. Suitable for most surfaces, including paper, paper-mache, cards, canvas, wood, fabric, tin, terracotta, glass, and tile. Key Features: * Vibrant lightfast colors * Dries velvety matte * Water-resistant once dry * Will not chip or crack once cured * ASTM lightfast pigments * Superb brush handling characteristics * Clean up with mild soap and cold water * Metallic, pearlescent, and iridescent colors Perfect For: * Use on paper, cards, canvas, wood, glass * Paper mache, fabric, tin, terracotta, and tile * Mixed media applications * Artists of any skill level * Good matte finish * Good adhesion * Great for creating precise detail * Use with Jo Sonja mediums * Limitless techniques See More
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Paramount Pro-Tones Canvas Panel 16"x20", Sahara (Box of 12)Save Up to60%Off listOrange Triple primed canvas panels available in four, non-reflective colors! The Pro-tones canvas panels and rolls by Paramount feature 11oz, triple-primed, cotton canvas with acid-free binding. They are available in 4 popular background tones: Seafoam, Sahara, Dune and Studio Grey. These tones allow artists to see colors more accurately either inside or outside en plein air, because they create a softer and more forgiving background than the traditional white color. Their surface consists of an isolating layer, with three coats of primer. The Creator of the Original and Most Widely Used Color Toned Panels! Key Features: * 4 Non Reflective Colors: Seafoam, Sahara, Dune and Studio Grey * Triple-Primed - Create a softer and more forgiving background * Professional grade 11oz weight * Made of durable 100% Cotton Canvas * Acid-Free, archival-grade quality * Available in soft, non-reflective colors * Turned edge panels over MDF board * Colors: Seafoam, Sahara, Dune and Studio Grey Perfect For: * Professional quality canvas * Perfect for use en plein air or indoors * Perfect for painting with acrylics, oil colours, gouache and for use with pastels * Available in professional sized rolls, turned edge panels over MDF board * See More
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Gamblin Oil Painting Ground 8oz CanSave Up to40%Off listWhite Makes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium carbonate gives tooth for strong adhesion. Gamblin Ground makes a brighter and less-absorbent ground layer compared to acrylic “gesso” – meaning that oil paint layers on top will better retain their color saturation. In addition, the lower absorbency allows for “reductive” underpainting techniques when painters need to wipe back to the white of the Ground. Key Features:* See video - Ground Application* Makes a strong, bright, non-absorbent foundation for oil paintings* Formulated from alkyd resin, titanium dioxide, and calcium carbonate* Brighter and less-absorbent ground layer * Oil paint layers on top will better retain their color saturation* Lower absorbency * Thicker than acrylic gesso* Can be applied on top of acrylic gesso Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. Fabric supports should be sized with PVA Size before applying Gamblin Ground. Also, Gamblin Ground can be applied on top of acrylic gesso for a brighter white, less-absorbent ground layer. Gamblin Ground is thicker than acrylic gesso, and requires different application techniques See More
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SoHo Paper Palette Pad w/Thumb Hole 16x20"- White 30 SheetsSave Up to42%Off listWhite Disposable white paper palette pads - 2x thicker than any other brand A good palette pad must not frustrate you. There are several ways it can. It can wrinkle, it can bleed through and it can be torn from the edge of a palette knife. The Soho Paper Palette Pad features 100 gram coated sheets that can hold lots of paint, will not bleed through to the next sheet, and are beefy enough to take the occasional nick from a palette knife.To utilize just lay out colors, use as you would any palette and discard when done without the need of scraping off a palette. These pads are available with or without a finger hole depending on how you want to employ the palette. 2x thicker than any other brand - Paint will not bleed through to next sheet Key Features:* 30 sheets in each pad, Multiple Sizes* 100 gram coated sheets* Available with or without thumb hole* Extra heavy sheets* 2x thicker than any other brand* Won't tear when using a palette knife* Paint will not bleed through to next sheet* Wrinkle free with most applications! Perfect For:* Acrylics and Oils* Alkyds* Caseins* Palette knife use* Easy clean up* On the go* Studios, workshops & classrooms Each has 30 sheets—not 50—for two reasons. Reason one is to make it lighter for traveling and reason two is because by the time an artist uses 25 sheets the palette is a little worse for wear. 30 sheets is a nice compromise.To utilize just lay out colors, use as you would any palette and discard when done without the need of scraping off a palette. These pads are available with or without a finger hole depending on how you want to employ the palette. See More
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Jo Sonja's Acrylic Gloss Varnish (Polyurethane), 8ozSave Up to38%Off list…your painting, these Jo Sonja Mediums can help you. Key Features: * Texture and effect mediums * Thin or thicken paint viscosity * Increase open (working) time * Dry transparent or translucent * Extend the volume of paint * Intermixable with Jo Sonja paints Perfect For: * Jo Sonja acrylic paints *… Take your paintings and techniques to the next level! Jo Sonja's range of acrylic mediums will help you take your painting to the next level from preparation, to special effects, to finishing. If you want to add texture, glaze, sparkle, or crackle effects to your painting, these Jo Sonja Mediums can help you. Key Features: * Texture and effect mediums * Thin or thicken paint viscosity * Increase open (working) time * Dry transparent or translucent * Extend the volume of paint * Intermixable with Jo Sonja paints Perfect For: * Jo Sonja acrylic paints * Creating special effects * Faux finishers * Finishing a painting * Artists of all skill levels * All acrylic-friendly surfaces * Experimenting with different textures and techniques Crackle Medium: A transparent medium that causes Jo Sonja's Colours to separate into crackled patterns of various sizes. You can use the crackle medium to simulate the effects of aging. Flow Medium: an acrylic flattening agent used to level out the textural properties of Jo Sonja acrylic paint. Flow Medium is used to thin paints and other mediums. Water may dilute the paint's acrylic binder, reducing its adhesive qualities. When Flow Medium is added in small amounts, it produces a thinner, smoother paint that leaves no brush marks. Glazing Medium: A transparent acrylic glazing medium you can use alone or with Jo Sonja's Artists or Jo Sonja's Background Colours. Mix with acrylic color to seal as your basecoat or alone on raw wood as a light sealer. A coat of Glazing Medium is recommended before staining for an even application of stain. Polyurethane Varnish: Provides the toughest finish available with excellent corrosion, chemical, scratch, and wear resistance. Use indoors or outdoors to provide maximum, long-term protection. The varnish dries clear and is non-yellowing. Jo Sonja's Acrylic Polyurethane Varnishes are available in Gloss and Matte. Retarder Medium: Extends the drying time of Jo Sonja's Colours. It allows an extended working or "open" time for blending. Opal Dust: Jo Sonja's Opal Dust is a clear gel that contains tiny light-reflecting holographic particles, which create an interplay of colors reminiscent of gems. Opal Dust may be used alone or applied to a dry pre-painted surface. It is suitable for various surfaces, including paper, card, glass, transparency film, plastic, canvas, wood, terra cotta, tin, fabric, silk, or dried flowers. Mix with Jo Sonja's Artists' Colors before applying for a more subtle effect. Drying time depends upon the thickness of the application. Brushstrokes are evident when wet but disappear when fully dry. See More
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Daniel Smith Watercolor Stick Set of 24 + 16"x20" New York Central Watercolor Sheets 140lb, Cold Press (10 Sheets)Save Up to77%Off listAssorted Colors Great Gift Sets For that special Artist There are many creative art sets at Jerry's for that talented and creative person in your life! Here are a few professionally curated sets that are sure to make someone smile and spread creative cheer. Each gift kit comes with all you see for one low price. To view the contents of the set you are interested in, please click on the white notepaper icon beside the set. Key Features: * Curated gift sets * Contain an assortment of art supplies Perfect For: * Gift giving * Spreading creative cheer * Artists and art teachers See More
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Chroma Atelier Interactive Mediums and Additives - Pouring Medium, 8ozSave Up to40%Off list…touch-dry layers of Atelier Interactive Acrylic paint when water no longer reopens the paint. It's sprayed onto touch-dry paint to soften edges, blend colors, and remove paint. Please note that the Unlocking Formula will not work on cured paints. Pouring Medium: Designed for extreme fluid effects… Do more with your acrylic paints! With Chroma Atelier Interactive Mediums, you can control more of the painting process and do more with your acrylic paints! Revisit and awaken touch-dry Atelier Interactive paint with the Unlocking Formula, or extend the open time and blend-ability of your acrylics with Slow Medium. Traditional gels and pastes are excellent for adding texture and structure to your painting while also extending your paints. All of the Chroma Atelier Interactive Mediums offer limitless creative possibilities. Key Features: * Thin or thicken paint viscosity * Increases color transparency * Increase open (working) time * Dry transparent or translucent * Extend the volume of paint * Intermixable with Chroma Atelier Interactive paints Perfect For: * Acrylic painting * Collaging & mixed media * Artists of all skill levels * All acrylic-friendly surfaces * Pouring painting techniques * Faux finishers * Experimenting with different textures and techniques Unlocking Formula: is used to reopen touch-dry layers of Atelier Interactive Acrylic paint when water no longer reopens the paint. It's sprayed onto touch-dry paint to soften edges, blend colors, and remove paint. Please note that the Unlocking Formula will not work on cured paints. Pouring Medium: Designed for extreme fluid effects and pouring techniques. Self-leveling and dries to a gloss finish. The best paint to use with this medium is Atelier Free Flow. Fast Medium/Fixer: Is designed to speed up the Interactive Acrylic painting process by quickly fixing a paint layer. You can use it to dilute the paint for glazing and thin painting techniques. Fast Medium/Fixer will speed up the layering process. Excellent for fast glazing and quick layering techniques. Slow Medium: Atelier Slow Medium slows down the drying time when added to Atelier Interactive Acrylic paint. You can thin the viscosity of your Interactive paint while also giving yourself more time to work. Ideal for larger paintings. It tacks up quickly, but it can easily be brought back to a more fluid stage by spraying it with water. Thick Slow Medium: has a gel-like consistency that is useful when artists want to have more blending time but do not want a thinner paint. You can use Thick Slow Medium for spreading and diluting paint without making it thin or runny. The concentrated medium is best used in small amounts. Just add to your palette when you want to maximize viscosity, and keep your Atelier Interactive Acrylic paints open for an extended period. Heavy Gel Gloss: A thick, water-based, glossy acrylic gel medium designed to create texture in acrylic painting. Heavy Gel Gloss creates a more translucent and buttery paint and increases gloss levels. It can also be used as an adhesive to bond other materials to the painting. *Note that the Heavy Gel Gloss uses conventional fast-drying technology, but it can take quite some time to dry when they are applied thickly. Clear Painting Medium: is one of the most popular mediums in acrylic painting. It is used with the paint to dilute the viscosity and blend colors without losing pigment intensity. This mid-viscosity medium allows the paint to spread over a surface for more blendable gradations of color. Retarder: slows down the drying process when added to acrylics and mediums. Retarder is particularly useful when painting wet-over-wet or wet-over-dry techniques. About 10% addition to any of the three mediums above can be useful for painting outdoors or in very dry conditions. See More
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Winsor & Newton Oil & Acrylic 108 lb 16x20 Pad 10-SheetsSave Up to41%Off listWhite Formulated to withstand thick, layered paint applications Winsor & Newton Oil And Acrylic Pads contain 10-sheets of fine-grain canvas textured paper ready for oil or acrylic paints. The textured paper is formulated to withstand thick, layered paint applications without any priming or preparation. Winsor & Newton designed the Oil and Acrylic paper with the right degree of absorbency while also preventing oil from sinking through the paper. The portable gum-bound pads are popular for sketching outdoors and in the studio. Free from acids and optical brighteners, this paper is archival and resistant to aging. Key Features: * Canvas textured paper * 108lb, 230gsm Weight * Gummed binding * No need to prime paper * Paint will not soak through * Ideal absorbency for oil applications * Acid-free and resistant to aging Perfect For: * Oil, acrylic, and oil pastel * Thick paint applications * Sketching outdoors and in the studio * Rendering and high color luminosity * Practicing techniques with oils and acrylics * Artists who prefer using paper to canvas See More
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SoHo Acrylic Canvas Paper Pad, 16"x20" - 20 Sheets, 110lbSave Up to57%Off listWhite Create art wherever you are on canvas textured paper! The SoHo Acrylic Canvas Paper Pads are the perfect companion for any acrylic painter. The coated paper has an imprinted texture that mimics canvas. You don't need to worry about surface prep or gesso because the canvas paper is ready for acrylic paint! The lightweight pad format enables you to create spontaneous pieces wherever you are. Each glue-bound pad contains twenty sheets of 110 lb. (180gsm) canvas textured paper ready for practice sketches or finished paintings. A very beefy sheet with a beautiful surface texture that mimics the texture of the finest linen canvas perfect for any acrylic artist! Key Features: * 110 lb. (180gsm) canvas paper * Acid-free * 20 sheets per pad, glue-bound * Cover: 128gsm cardstock * Backing: 1.5mm grey board with matte lamination * Available in sizes 6x6", 6x12", 8x8", 9x12", 12x16", and 16x20" * Perfect For: * Acrylic paint * Acrylic mixed media work * Finished paintings * Spontaneous creativity * Travel * Plein air painting * Urban sketching See More
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SoHo Watercolor Block 16"x20", 140 lb. (20 Sheets)Save Up to54%Off listWhite 25% Cotton Paper For Watercolorists And Illustrators SoHo Watercolor Paper is a reliable choice whether you're a student or a seasoned artist. The 140 lb. cold press paper is a 25% cotton and 75% lignin-free cellulose blend, both internally and externally sized for optimal absorbency. The longer cotton fibers add strength and absorbency to the shorter cellulose fibers, ultimately creating a paper that ranks above other student-grade watercolor papers. Each sheet is machine-made and has a balanced grain that softens evenly when wet, making it an ideal surface for watercolor and gouache. SoHo Blocks and Pads are available in various sizes, with 20 sheets per block and 12 sheets per pad. Responsibly Made With Sustainable Resources! The cellulose used to create SoHo Watercolor Paper is responsibly sourced from FSC-certified forests, and the pulp is bleached with chlorine dioxide instead of elemental chlorine gas. Thus, making SoHo Watercolor Paper a sustainable choice for the planet and your artwork. Key Features: * 140 lb. cold press texture * 25% cotton, 75% cellulose * Machine-made for consistency * Acid-free and lignin-free * Sized internally and externally * Elemental chlorine-free (ECF) * Sourced from FSC-certified forests Perfect For: * Watercolor and gouache * Acrylic and ink * Charcoal and graphite * Plein air painting and travel * Fine students and artists See More
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Centurion Deluxe Oil Primed Linen Pad, 16"x20" (10 Sheets)Save Up to62%Off listWhite Master Quality Archival Oil primed linen pads offering the most brilliant painting results! Exclusive OP Enhanced Oil Priming! Centurion Deluxe Professional Oil Primed Linen Pads, specifically designed for oil painters are the ideal lightweight alternative for traveling oil painters, giving them the ability to take 10 sheets of oil primed linen in a space smaller than one single 3/4" canvas! We’ve taken our popular sized Centurion Linen and given it a double oil priming, that allows your oils to sit up on the surface and gives it the proper refractive, non-absorbent, proper bonding qualities that only oil priming can give. The sturdy 11oz linen has a medium-fine tooth, making it perfect for all oil painting techniques. Linen sheets can be used while on the pad, or removed and even used to make custom linen panels glued to wood painting panels or acid-free foam core. Linen sheets are tape mounted onto stiff backing board for durability. Centurion Oil Primed Linen Pads are ideal for traveling, workshops, and classes. Key Features:* 11oz, double oil primed linen* Beautiful medium-fine texture* All purpose weave - beautiful texture* Sheets can be panel mounted* 10 sheets per pad* Linen sheets are tape mounted onto stiff backing board for durability* Designed exclusively for oils and alkyds* Perfect For:* Great for plein air painting* Oil Painters of all skill levels* Making custom painting panels* Workshops, traveling, instructors* Oil priming provides ideal bond with paint* Brilliant refraction of oil and alkyd paints Exclusive OP Enhanced Oil Priming! Centurion Deluxe Professional Oil Primed Linen Pads, specifically designed for oil painters. Superb receptive surface accepts even the thinnest oil color lay down without fragmenting on the surface and is a permanent surface as colors adhere better on it then any other oil primed canvas on the market today! See More
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Yes! All Media Cotton Canvas Pad 16"x20", 10 SheetsSave Up to54%Off listWhite If It's Wet It Goes On Yes! A Canvas That Accepts Every Wet Media Lightweight and versatile for travel and outdoor painting in gouache, acrylic or watermixable oils. Taped to a board, the smooth, thin canvas has just enough texture to absorb paint and can be mounted later. Yes, is plate smooth using only the finest close weaved cotton and primed three times to a super smooth surface. The priming is the key. Imagine a canvas so versatile that it will accept any paint, ink or marker you have in your studio. Imagine the possibilities. You'll find this surface to be fantastic with virtually any acrylic based paint from heavy body to acrylic based inks to airbrush colors. A Canvas That Accepts Every Wet Media - Patented priming accepts all media Key Features:* Wet Media Canvas Pad (10 Sheets)* 11oz weight 100% unbleached cotton canvas* Patented priming accepts all media* Triple-primed with acid free special wet media primer* Portrait smooth fine weave surface* 10 sheet canvas pads can be used for inkjet printing* Perfect For:* watercolors, oils, acrylics, markers, shellac and acrylic-based inks, airbrush colors & alkyds* Heavy body to acrylic based inks to airbrush colors* You can easily draw on it* Paint on it with any media* Great for making color charts* Class projects and studies for large scale works The Portrait Cotton - Portrait artists and super realistic technique artists craved for a surface that was plate smooth but also affordable. Yes, is plate smooth using only the finest close weaved cotton and primed three times to a super smooth surface. So smooth you can easily draw on it. But here's the twist you can also paint on it with any media! The priming is the key. Imagine a canvas so versatile that it will accept any paint, ink or marker you have in your studio. Imagine the possibilities. The Watercolor Surface - Many watercolorists draw with permanent marker as they create their watercolors. With this surface you can draw right into your watercolor without feathering or smudging or you can paint on top of the drawing. A unique twist to this canvas is that you can draw with permanent marker and use the lines to form a resist for your watercolors. This is very similar to resists used for silk painting. It is quite amazing and interesting. For traditional watercolor painting the color sits right up on the surface and allows for easy lifting, scratching into the paint film, reworking the painted surface and even layering for unique effects. Use with opaque or transparent colors. This canvas works best with tube watercolor and provides rich, vibrant expressions. Acrylics and Watercolors - We don't know where art will lead you but you may want to start off playing with watercolors and gouache reworking or even removing areas then fine tuning and finally finishing off the top layers with permanent acrylics. Of course you don't need to use watercolors with your acrylics but you can if you want. You'll find this surface to be fantastic with virtually any acrylic based paint from heavy body to acrylic based inks to airbrush colors.Before applying watercolor, we suggest that you clean the canvas thoroughly with high-strength Isopropyl alcohol to remove any hand-oils from the canvas. Surface oils may have accumulated from manufacturing, packaging, or unwrapping the canvas. Cleaning the canvas should prevent the paint from beading up on the surface. See More
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Strathmore 300 Series All Media Artist Stretched Cotton Canvas 16"x20", 1-3/8" Deep (Box of 3)Save Up to49%Off listWhite Triple-Primed 100% Cotton Canvas 3/4" & 1-3/8" profiles Professional artists and amateurs can appreciate the exceptional quality of Strathmore's 300 Series Stretched Canvases. The robust 100% cotton Strathmore 300 Series stretched canvas has a medium-grain texture, allowing it to withstand even heavy impasto applications of acrylic or oil paint. Each canvas comes prepped for immediate use and boasts a solid pine stretcher frame in a traditional 3/4" or gallery 1-3/8" profile. Key Features:* Linen Texture, Triple-primed* 12oz.(410gsm) weight* 100% cotton canvas* 3/4" - Traditional Profile* 1-3/8" - Gallery Profile* Medium grain linen surface texture* Acid free* Back-stapled* Solid pine frame* Ready-to-use surface Perfect For:* Heavy applications* Acrylic, oil, or water-mixable oil* Impasto applications * Mixed media work* Collages* Painters of all levels See More
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New York Central Courbet Ultra Fine on AlumaComp Panel 16X20InSave Up to58%Off list…AlumaComp Aluminum Panels Hand Mounted with 8 Professional Surfaces Thought about making your own linen panels, but could use that valuable time painting instead of prepping? New York Central® has heard you and has taken the beauty and luxury of Europe's finest Linens and Poly Cottons, and… Archival, museum quality professional canvas panels! AlumaComp Aluminum Panels Hand Mounted with 8 Professional Surfaces Thought about making your own linen panels, but could use that valuable time painting instead of prepping? New York Central® has heard you and has taken the beauty and luxury of Europe's finest Linens and Poly Cottons, and professionally mounted them on AlumaComp Aluminum Panels for your convenience! Using Lineco Neutral pH Adhesive (acid-free, museum-quality formula designed specifically for preservation materials), our skilled craftsman hand-mount Raphael Linen, Claessens oil and universal primed linens, and Belle Arti poly-cotton canvases to our own composite core aluminum panels. This creates flawless, museum-quality painting panels unlike anything on the market. Perfect for oils, alkyds, acrylics, egg tempera, and caseins! Hand Mounted By Our Our Skilled Craftsman To: 100% Archival 4mm (3/16") Thick Acid-Free Aluminum Boards AlumaComp's unique composition of two aluminum sides with a 1/8" polyethylene core makes them lightweight, archival, dimensionally stable and strong. Panels will never rot and are not affected by weather humidity changes or temperature fluctuations, even in transport. The light weight and slim profile is ideal for shipping, stocking pochade boxes, plein air painting, and for studio use. Available in 8 professional quality linens and poly-cotton canvases. Panels are made to order. * Raphael Oil Primed Fine Textured Linen * Raphael Zinc-Free Oil Primed Fine Textured Linen * Claessens 15DP Oil Primed General Purpose Linen * Claessens 66 Oil Primed General Purpose Linen * Claessens 166 Universal General Purpose Linen * Claessens 13DP Oil Primed Fine Textured Linen * Courbet Ultra Fine Textured PolyCotton * Roma Affesco PolyCotton Rough Texture Key Features: * Hand mounted using Lineco Neutral pH Adhesive * Available in 8 professional quality linens and poly-cotton canvases * Archival and acid-free * Museum-quality formula designed specifically for preservation materials * Exceptional panel strength and rigidity * Panel foundation is warp-resistant Aluminum composite-core panels * Archival canvas panels crafted by skilled artisans Perfect For: * Oils, alkyds, acrylics, egg tempera, and caseins! * Artists of all skill levels * Artists seeking a museum-quality, archival surface * Artists looking to save time Please note: We carefully make each order by hand, as a result, it may take longer for your order to ship. See More
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Illusions Floater Frame, 16"x20" Antique Silver - 3/4" DeepSave Up to71%Off listSilver Illusions 3/4" deep floater frames are available in 8 beautiful finishes! Illusions Canvas Floater Frames come with all fitting and hanging hardware, all you need is a screwdriver! With Illusions Floater Canvas Frames, creating the floating canvas effect has never been easier! Floater Frames are the preferred way to frame canvas paintings. Back in the 1970's, artists tried to create this floating effect by placing black tape around the edges of their paintings but today you don't need tape! Illusions does all the work for you! Each frame is painted black on the inside rim to increase the "float" effect. All you have to do is place your painting in the frame, attach it with the included hardware and you're ready to hang and enjoy. Illusions Canvas Floater Frames allow your entire work to be viewed, in fact even the sides of your canvas are easily seen. The dark interior of the frames make it appear as if your canvas is floating in space! Allow your entire work to be viewed! Even the sides of your canvas are easily seen 8 Colors Available: Antique Gold/Black, Antique Silver/Black, White/Black, Gold/Black, Silver/Black, Gold/Walnut, Solid Black & Solid Natural Hardware: Includes all hardware for simple assembly: Eight 1/2" offset clips, Twelve 3/8" screws, Two D-Ring hangers, One 6 ft. coil of hanging wire Minimum note: A minimum purchase of 4 assorted or the same color frames is required. Key Features:* Floater frames for canvas paintings* Create the "floating canvas" with ease* 3/8" face, 3/4" rabbet, 1-1/4" overall depth* Show off all aspects of your painting — even the sides!* Includes all hardware for simple assembly- Eight 1/2" offset clips, Twelve 3/8" screws, Two D-Ring hangers, One 6 ft. coil of hanging wire* Made of wood* Dark interior for float effect* Unobtrusive look that really lets the painting speak for itself while providing a professional, finished appearance* Perfect For:* Creating a canvas floating effect* Visibility of your entire work* 3/4" depth canvases* Showing off sides of canvases* Perfect choice for a gallery setting* Enhancing your artwork, not taking away from it! For 3/4" Canvas (Series 075): 3/8" face, 3/4" rabbet, 1-1/4" overall depth For 1-1/2" Canvas (Series 150): 3/8" face, 1-1/2" rabbet, 2"overall depth Hardware Included (see images):* Eight 1/2" offset clips* Twelve 3/8" screws* Two D-Ring hangers* One 6 ft. coil of hanging wire Illusions Floater Canvas Frames 3/4" Deep Artist Testimonial "I enjoy using these frames because they always enhance your artwork and never will you have to worry about the frame not focusing on your artwork. Sometimes the wrong frame ruined your artwork or fought it. I highly recommend these frames if your artwork is the focus and not the focus" See More
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