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LUKAS 1862 PRO Oil Color Set of 12, 10ml TubesSave Up to74%Off listAssorted Colors Germany's Finest Oil Colors now available in luxury oil painting sets! These deluxe sets are the perfect introduction to LUKAS 1862 Artists' Oil Colors! Now you can have the rich, 145-year history of LUKAS oils at your fingertips in a convenient set that also includes all the necessary oil mediums and even brushes! Whether you're looking for a complete setup for a first-time oil painter, a way to broaden your painting experience and material knowledge, or a beautiful lavish gift, LUKAS has the perfect set that will fit your needs. LUKAS 1862 Professional Oil Colors are incredibly smooth with a consistent ground particle size. All of the colors have the intensity valued by master artists! Key Features: * Convenient oil paint sets * Incomparable color intensity, highly pigmented * Colors enhanced with beeswax * Non-yellowing sunflower oil binder * Outstanding lightfastness * Shorter drying time * Dry to the touch usually in 2 to 4 days * Triple milled for smoothness * Pure, refined mediums * Click the yellow circle icon for set contents * Perfect For: * Gift giving * Clean and lifelike color mixing * Sampling brilliant color ranges * Smooth consistency and buttery feel * Studio painters * Plein Air artists * Alla Prima painting * Luxury oil painter gifts! 1862 Finest Oil Colors Deluxe Wooden Box Set: 27, 37 ml tubes of 1862 Oils Alizarin Crimson, Cadmium Orange, Cadmium Red Light, Cadmium Yellow Lemon, Cadmium Yellow Light, Cobalt Blue, Cyan Blue, Emerald Green, English Red, Green Earth, Indian Yellow, Indigo, Ivory Black, Lukas Red, Magenta Red, Opaque White, Payne's Grey, Permanent Green (Yellow), Raw Umber, Titanium White, Ultramarine, Ultramarine Violet, Van Dyke Brown, Viridian, Yellow Ochre, and Zinc White. Medium 1 (Fast-Drying Underpainting Medium) 50 ml bottle, Medium 2 (Wet-on-Wet Painting Medium) 50 ml bottle, Medium 3 (Fast-Drying Glazing Medium) 50 ml bottle, Bleached Linseed Oil, Picture Varnish (Gloss) 50 ml bottle, Brush Cleaner II 50 ml bottle, Citrus Turpentine 50 ml bottle, 5 LUKAS brushes, two Deluxe palette knives (Styles 5564 and 5568), two pieces of charcoal for sketching, one wooden palette, and a deluxe mahogany-finished 3-drawer "treasure chest." Please Note: The mediums included in this set are considered hazardous materials. This set cannot be shipped by Air or Next Day Services. The set can only be shipped by ground. LUKAS 1862 Oil Color 10 ml Set of 12 Colors: Set contains: Transparent Red Oxide, Ice Blue, Quinacridone Red, Quinacridone Magenta, Cobalt Teal, Brown Pink, Permanent Rose, Transparent Yellow Oxide, Yellow Ochre Light, Naples Yellow Light, Ivory Black, and Titanium White. LUKAS 1862 Oil Wood Box Set: Set contains: 12 tubes of 37ml Lukas 1862 oils (Cadmium Lemon Yellow, Cadmium Yellow light, Indian Yellow, Cadmium Red Light, Cobalt Blue, Cyan Blue (Primary), Ultramarine, Sap Green, Phthalo Green, Yellow Ochre, Burnt Sienna, and Ivory Black), one natural lacquered Box, one stretched canvas 30x40 cm, one cotton painting board 30x40 cm, one wooden palette, one Titanium white 200ml tube, two painting knives, five bristle brushes, 50ml brush cleaner oil, 50ml bleached linseed oil, and one Double Dipper Palette Cup. Lukas 1862 Oil Color Paints 37ml Spectrum Set of 40: Colors include Titanium White, Lemon Primary Yellow, Peach Pink, Cadmium Yellow Lemon, Cadmium Yellow Light, Cadmium Yellow, Yellow Ochre, Cassel Earth, Burnt Umber, Cyan Primary Blue, Cerulean Blue, Cobalt Blue, Ultramarine Blue, Phthalo Blue, Royal Blue, Bohemian Green Earth, Ivory Black, Warm Grey, Alizarin Crimson, Beige, Blue Black, Burnt Sienna, Cadmium Orange, Cadmium Red Deep, Cadmium Red Light, Cobalt Violet Hue, Geranium Lake, Gold Metallic, Green Earth, Indian Yellow, Magenta Red (Primary), Naples Yellow, Paynes Grey, Phthalo Green, Prussian Blue, Raw Sienna, Raw Umber, Sap Green, Turquoise, and Vermillion Light. Lukas 1862 Oil Colors 160-Year Anniversary Masters Set of 10, 37ml: To celebrate the 160th anniversary of LUKAS, we have created a limited-edition set composed of our finest 1862 artists’ oil colors. This set celebrates and is inspired by artists that have been part of LUKAS' history since the beginning, such as Master Painter Vincent Van Gogh, whose color palette is reflected in this set. The set includes Zinc White, Permanent Yellow Light, Cadmium Orange, Vermilion Deep, Ultramarine, Cobalt Blue, Prussian Blue, Emerald Green, Yellow Ochre, and Burnt Umber Please note the contents of each set can be substituted without notice. See More
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Gamblin Galkyd Painting Medium 4.2oz (125ml) BottleSave Up to25%Off list…creating an enamel-like surface. Galkyd is our fastest-drying painting medium. Thin layers will be touch-dry in approximately 24 hours. Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing… True to historic working properties. Safer. More Permanent Gamblin Galkyd Mediums are Contemporary Painting Mediums!. Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube - from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors - from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. When a painting is completed, all of the thought, effort and emotion that went into it are reflected in the artist’s marks. Choosing the appropriate painting medium can be an essential part of making oil painting your own. With a painting medium that fits your needs, you can get into the flow of painting faster and stay there longer. Gamblin Galkyd Gel - "G-Gel" Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Gel is a stiffer gel compared to Neo Megilp that holds thicker, sharper brushmarks and dries more quickly. Galkyd Gel increases transparency of oil colors and creates impasto. Gamblin Galkyd Painitng Medium - Galkyd thins oil colors and increases transparency and gloss. When used in greater proportions with oil color, Galkyd will level brush-strokes, creating an enamel-like surface. Galkyd is our fastest-drying painting medium. Thin layers will be touch-dry in approximately 24 hours. Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Gamblin Galkyd Painting Medium Lite No.2 - Galkyd Lite thins oil colors and increases transparency and gloss. When used in moderation with oil colors, Galkyd Lite will retain brushstrokes. Galkyd Lite is more fluid and less glossy compared to Galkyd. Thin layers will be touch-dry in 24 to 30 hours. This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Gamblin Galkyd Slow Drying Medium - Galkyd Slow Dry thins oil colors and extends working time. Galkyd Slow Dry is more fluid and less glossy than Galkyd Lite. Use one part Galkyd Slow Dry to one part oil colors to paint wet-into-wet for at least a day.. Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. What is Gamblin Galkyd? Gamblin Galkyd thins oil colors and increases transparency and gloss. Galkyd Medium - An alkyd resin painting medium that increases the fluidity of oil colors and speeds their drying time See More
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Gamblin Artists' Oil Painting Mediums Neo-Megilp 4.2 ozSave Up to25%Off listWhen mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. See More
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Sennelier L'Aquarelle French Artists' Watercolor Travel Set of 8, 10ml TubesSave Up to60%Off listAssorted Colors Fine Honey-based luxury watercolor sets from France Sennelier has reformulated and improved their l'Aquarelle Artists' Watercolors for discerning watercolorists. The professional quality watercolors are made by suspending finely ground, lightfast pigments in a smooth gum arabic and honey binder. Sennelier watercolors are luminous, vibrant, free-flowing, and lustrous — and are now available in convenient sets of either tubes or half pans! The portable palette sets are all-inclusive, with colors, brushes, and even fold-out palettes perfect for travel. Pick one up today, and see why Sennelier is one of the most trusted names in artists' colors! Key Features: * Finest French luxury artists' watercolors * The improved formula uses more honey! * Available in tube and pan sets * Highly lightfast and permanent * Kordofan gum arabic and honey binder * Original colors based on the palettes of the Impressionists * The most luminous lights to the most decadent darks Perfect For: * Working in the studio or outside * Painting long-lasting, radiant works of art * Discerning watercolor artists * Travel * Creating bright, transparent washes of color See More
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Gamblin Solvent-Free Fluid Oil Medium 4.2oz BottleSave Up to25%Off list…Oil is a pale, slow-drying oil. When used as a painting medium, Safflower Oil to colors increases flow and slows dry times. Use sparingly or mix with an equal amount Gamsol to create a traditional slow-drying, low-viscosity painting medium. To paint solvent-free, we recommend Gamblin Safflower Oil… Gamblin Solvent-Free Painting Mediums Solvent-Free Gel and Solvent-Free Fluid are painting mediums made from safflower oil and alkyd resin with no solvent. Why safflower? We chose safflower for these mediums because of its paler color. The alkyd resin, which is essentially a highly polymerized oil, accounts for the faster drying rate of these materials, compared to either linseed or safflower oils used alone. Both Solvent-Free Fluid and Gel increase the flow of oil colors, increase transparency, gloss and color saturation. Both Solvent-Free Fluid and Gel increase the flow of oil colors, increase transparency, gloss and color saturation Solvent-free-Mediums:* Gamblin Solvent-Free Gel gives colors more flow and transparency, yet holds the shape of your brushmark. Solvent-Free Gel has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Gel is non-toxic and contains no Gamsol or petroleum distillates.Solvent-Free Gel is available in the following size: 37 ml, 150 ml * Gamblin Solvent-Free Fluid painting medium gives oil colors more flow and transparency. It has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Fluid is non-toxic and contains no Gamsol or petroleum distillates. To ensure proper drying and prevent beading-up of paint layers, Solvent-Free Fluid should be used in moderation with oil colors – no more than 25% by volume. To avoid wrinkling, apply mixtures of Solvent-Free Fluid and oil colors thinly. For underpainting, we recommend adding Gamsol to Solvent-Free Fluid. Solvent-Free Fluid is available in the following sizes: 4.2oz, 8.5 oz & 16.9 oz. * Gamblin Safflower Oil is a pale, slow-drying oil. When used as a painting medium, Safflower Oil to colors increases flow and slows dry times. Use sparingly or mix with an equal amount Gamsol to create a traditional slow-drying, low-viscosity painting medium. To paint solvent-free, we recommend Gamblin Safflower Oil for cleaning brushes while you are working. Solvent-Free Safflower Oil is available in the following sizes: 8.5 oz & 16.9 oz. The biggest difference between the Solvent-Free Fluid and the Gel is their consistency. The Fluid medium more significantly increases the flow of oil colors off of the brush. In terms of its working properties, it is similar to either straight linseed or safflower, though faster-drying. Brush-marks will be slightly leveled, or “rounded” when using the Fluid. Drying Time: In regards to their drying, these mediums have a “moderately fast” drying rate – meaning that thin layers will dry to the touch in approximately 36 – 48 hours. Because they rely solely on oxidation to dry, they have a longer working time compared to our Galkyd mediums, which begin to tack up as their Gamsol content evaporates from paint layers. See More
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Awagami Papers Mulberry (45GSM) Pack of 25Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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Sennelier l'Aquarelle Artists Watercolor - Van Dyck Brown, 10ml TubeSave Up to45%Off listBrown Honey Based Watercolor - Finest Luxury honey-based artists' watercolors from France! For 125 years, Sennelier of France has been a respected and trusted artists' color maker, with their line of watercolors being among the most popular in the world. Now, Sennelier have reformulated the recipe and expanded the color range for these paints, creating the improved line of L'Aquarelle French Artists' Watercolors! While retaining many of the original colors based on the palettes of the Impressionists, l'Aquarelle Luxury Watercolors now boast a wider range of 110 vibrant colors, from the most luminous lights to the richest darks. Honey in the paint to reinforce the longevity of the colors, their radiance, and luminosity.* Highly Pigmented To Produce The Most Vivid Expressions* Honey Is Added To Binder Which Creates A Lustrous Finish To Your Art* 110 Colors Including Unique Ones Of The French Palette Key Features:* Finest French luxury artists' watercolors* Newly improved formula uses more honey!* 110 colors in 10ml & 21ml tubes* Highly lightfast and permanent* Kordofan gum arabic & honey binder* Original colors based on the palettes of the Impressionists* The most luminous lights to the richest darks Perfect For:* Luminous watercolor washes* Rich and brilliant colors* A traditional yet modern palette* Long-lasting, radiant works of art* Discerning watercolor artists* A new experience in watercolor painting!* Smooth paint ideal for radiant, transparent washes Only the finest, highly lightfast pigments are used, ground slowly on stone mills and soaked for 24 hours in pure water so they incorporate more fully with the Kordofan gum arabic and honey binder, making for a smooth paint ideal for radiant, transparent washes. Sennelier also increased the honey content in l'Aquarelle French Watercolors, which serves not only as a preservative, but also as an additive that improves the paint flow while imparting incomparable brilliance and smoothness, and leaves the dried paint film with a lustrous finish. Using traditional paint-making methods, Sennelier has tailored their new line of watercolors to meet the needs of today's watercolor artists — now you too can add the brilliance of l'Aquarelle French Artists' Watercolors to your own art! Honey-based Watercolors Made in France Honey has many virtues: a symbol of light and sun, an emblem of poetry and science and has been used since Ancient times as a remedy for dry skin and to help heal wounds. This nectar is used in L'Aquarelle Sennelier not only as a preservative but as an additive giving incomparable brilliance and smoothness to the paint. Always striving for excellence, Sennelier has reworked its watercolor formula by increasing the amount of Honey in the paint to reinforce the longevity of the colors, their radiance, and luminosity. See More
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