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Strathmore 500 Illustration Board for Wet Media 15x22INSave Up to38%Off list…techniques. Items in the 500 Series are unlined for unbound illustrations. 500 Series Illustration Board for Wet Media - The newest surface in the 500 Series is Illustration Board for Wet Media. Available in single sheet packs of either… Strathmore's Art Series is the superhero of all Bristol surfaces, but what would a superhero be without a core of worthy minions? The 200, 300 and 400 Series all provide surfaces with their own unique attributes and staying power in the attack of the sequential artists. For every tool that you take into battle in you own quest for the ultimate story, Strathmore has a surface that will stand up to the challenge. 200 Series Smooth Blue Line Bristol - Our 200 Series Smooth surface is a Bristol weight board printed with non-reproducible blue lines for comic and Manga applications. These blue lined sheets are available in page and cover formats for artists who prefer the convenience of a grid lined sheet. Pads and sheet packs in this series are offered in the industry standard 11×17" format. 300 Series Smooth and Vellum Bristol - 300 Series Smooth and Vellum 100 lb. Bristol surfaces are available in three sizes. The smooth surface is ideal for both traditional and specialty pen and ink. Both surfaces work well with specialty pens and markers. Sheet packs and pads are available in the standard 11×17" format. Pads are available in 5×17" and 12×12". None of these surfaces are lined allowing the artist the flexibility of working outside the box. 500 Series Bristol - Strathmore 500 Series Bristol is an industry standard created in 1893. These 100% cotton 2 ply bristols are available in three surfaces in the standard 11×17" format. The plate surface has an ultra-smooth finish that is unsurpassed for detail work using traditional pen and ink tools, pencil along with specialty pens and markers. Vellum has a toothy finish that is excellent for graphite pencil, colored pencil, sketching sticks and specialty pens and markers. It is also a very good choice for charcoal pen and ink, air brush and light washes. Bristol surfaces are not recommended for traditional watercolor techniques. Items in the 500 Series are unlined for unbound illustrations. 500 Series Illustration Board for Wet Media - The newest surface in the 500 Series is Illustration Board for Wet Media. Available in single sheet packs of either 15×22" or 22×30", this professional quality board was designed to accept all illustration media. It has a strong, durable vellum finish for traditional drawing techniques. In addition it has been internally sized to accept wet media and can be used for light washes up to wet on wet applications. See More
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Pro Draft Parallel Edge Board 20x26" U-PEB2026K Martin
Starting At: 168.99
…High resin particle board to prevent board breakage* Each side of the unit has large knobs for adjusting the straight-edge to align with the artwork/drawing and stay parallel Now you can draw, paint or sketch on anything as thin as tracing paper and as thick as illustration board and still have a… The latest innovation for drawing and painting in and out of the studio! The Martin® Deluxe Adjustable Parallel Straight Edge Board stands alone as the premier item in its class and in the industry! This lightweight and portable board features a nonporous white melamine drawing surface and an anti-warp aluminum body straightedge that easily secures into position with two locking knobs. This deluxe model surface is backed with the exclusive and innovative Martin Adjusto-stand which provides five (5) angles of adjustment and rubber feet for added stability. Includes comfort handle for easy transport. White melamine top with aluminum straightedge. Key Features & Specifications:* Smooth white scratch-proof melamine surface* Straightedge suitable for both ink and pencil* Locking knob secures vertical motion of straightedge* Large, easy to adjust knobs* Unique 5 angle Adjusto-Stand* Lightweight and handle makes it easy to transport* Angle adjustment varies with size of board. Larger boards will have a larger angle adjustment* Each side of the unit has large knobs for adjusting the straight-edge to align with the artwork/drawing and stay parallel* High resin particle board to prevent board breakage* Each side of the unit has large knobs for adjusting the straight-edge to align with the artwork/drawing and stay parallel Now you can draw, paint or sketch on anything as thin as tracing paper and as thick as illustration board and still have a smooth working parallel straight edge that will assist you in designing. Each is equipped with an all metal ratched stand underneath to obtain the perfect working angle with supreme stability. This superb, durable white drawing board won't warp and will provide years of trouble-free service. The angle of the board at the highest notch is a 30-degrees relative to the table it is sitting on. * #U-PEB1621K—16" X 21" * #U-PEB1824K—18" X 24" * #U-PEB2026K—20" X 26" * #U-PEB2331K—23" X 31" * #U-PEB2436K—24" X 36" See More -
Awagami Sekishu 35gsm White 24" x 39" (Pack of 25)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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Acurit Fixed Angle PXB Drawing Board 20"x26"Save Up to44%Off list…Perfect For Designers Acurit PXB Parallel Boards provide a sturdy and stable surface for drawing, sketching, and drafting. Laminated on both sides with nonporous melamine, the portable boards have a surface that is scratch and dent resistant. Each PXB board comes with a fitted straight-edge motion… A Compact Portable Work Surface Perfect For Designers Acurit PXB Parallel Boards provide a sturdy and stable surface for drawing, sketching, and drafting. Laminated on both sides with nonporous melamine, the portable boards have a surface that is scratch and dent resistant. Each PXB board comes with a fitted straight-edge motion bar for drawing precise parallel lines. Dials on either side of the bar and a network of crossed wires and pulleys make adjustments smooth and easy. Available in two styles: The Fixed Angle PXB has a fixed 12° angle with collapsible legs. Grip tracks on the underside of the board allow it to hang over the edge of any table. This unique feature brings the work surface closer to you at a comfortable angle. The Multi-Angle PXB has an adjustable frame with 5 drawing angles (15°, 35°, 45°, 50°, and 60°). Acurit PXB Parallel Boards offer the stability you need to take your designs to the next level. Whether you're working on a small sketch or a large project, the Acurit PXB Parallel Boards have you covered. Key Features: * Compact and portable * Smooth and durable laminated surface * Parallel motion bar with easy-to-adjust dials * Transparent ruler with inch markings and inking edge * Fixed Angle PXB available in 20" x 26", 23" x 31", and 24" x 36" * Multi-Angle PXB available in 20" x 26" and 23" x 31" * Durable handle for easy transport * Rubber feet for added stability * Board thickness 17mm Perfect For: * Artists, architects, engineers, and designers * Those who demand precision and accuracy in their work * Anyone who needs a reliable, durable, drawing surface * Working in the studio or classroom * Beginners and professionals See More
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