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Jacquard Procion MX Dye 2/3 oz Ice BlueSave Up to20%Off listBlue Ideal for dyeing plant-based fibers such as cotton, linen, and rayon! Jacquard Procion MX Fiber Reactive Dyes are vibrant "cold water dyes" that you can fix chemically to plant-based fibers with soda ash. Procion MX powder dye does not require electricity and is ideal for batik, tie-dye, shibori, ice dyeing, low water immersion dyeing, printing, and direct painting. This fiber-reactive dye is known for the permanent wash-fast bond it creates with cellulosic fibers like cotton, linen, canvas, hemp, jute, ramie, sisal, paper, and rayon. Procion dyes are permanent, colorfast, and very washable. Generally, one 2/3 oz jar will dye more than one pound of fabric. As a fiber-reactive dye, Procion MX forms a strong covalent bond with cellulosic fibers, making it the most permanent and washfast of all dyestuffs: FABRIC/FIBER/SURFACES: cellulose fibers: cotton, linen, canvas, hemp, jute, ramie, sisal, paper, rayon and more Key Features: * Powdered cold water dye * Concentrated powder * Extremely brilliant and wash-fast colors * Will not bleed or fade with washing * Vibrant, permanent color * Use Soda Ash (to make colors permanent) * Use Urea to enhance dye color Perfect For: * Dyeing cellulose fibers * Cotton, linen, canvas, hemp, jute, ramie, sisal, paper, and rayon * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Fabric dyeing * Direct painting or printing applications * Surface design Instructions and Color Mixing Chart! See More
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Reflexions Watercolor Journal 5.91X9.45In 140lb. Cold Press 48 PagesSave Up to63%Off listBlue Let Your Imagination Flow Brilliantly! Acid free paper with a clean white appearance for beautiful results. Lays Completely flat Great paper is always important to achieve better results no matter what your skill level is! That's why we recommend you use Reflexions Watercolor Journals. These journals feature an acid free paper with a clean white appearance, a beautiful cold pressed fine texture and heavy tub and external sizing to allow ink and paint to sit up nicely on its surface. The results are beautiful and vibrant! Beefy enough to handle watercolors, thinned acrylics, acrylic inks, spray colors, markers. Lays Completely flat for working two-page spreads! Key Features:* 300 gram (140lb imperial) Weight* Acid-Free Paper* Cold Pressed Fine Texture Soft White Color* Special Deluxe Premium Smyth Sewn Books secures 24 sheets* Lays Completely flat for working two-page spreads* Clean white appearance* Heavy covered board cover and back with inside pocket* Elastic strap to keep books from opening between uses* Fine perforation allowing it to be removed without harming the artwork Perfect For:* Keeping books from accidentally opening when traveling with an elastic cover band.* Accepts all well media well because of vat and external size.* Creating all types of mixed media works. * Working two-page spreads that are wonderful for depicting cityscapes, seascapes and landscapes* Beefy enough to handle watercolors, thinned acrylics, acrylic inks, spray colors, markers* All types of watercolor painting, graphic and fashion designs and mixed media works* The 300 gram weight (140lb Imperial) is beefy enough to handle watercolors, thinned acrylics, acrylic inks, spray colors, markers and other wet media and works wonderfully with fine line pens, graphite, crayon, oil pastel, standard colored pencil and watercolor pencil. Use to create all types of watercolor painting, graphic and fashion designs and mixed media works. Books feature special deluxe Smyth sewing which not only secures all 24 sheets inside but allows the book to layout completely flat for working two-page spreads that are wonderful for depicting cityscapes, seascapes and landscapes. Books feature heavy covered board cover and back with inside pocket and elastic strap to keep books from opening between uses. Each sheet has a fine perforation allowing it to be removed without harming the artwork. See More
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Awagami Papers Mulberry (45GSM) Pack of 25Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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