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Unison Soft Pastel SetsSave Up to36%Off list…of color with consistent creaminess and reliable softness. These lightfast, water-soluble pastels are available in multiple, carefully selected sets, neatly packaged with protective foam inserts. Key Features: * Hand rolled with no compression or heating* Minimal to no binder added for clearest,… Pastels That Are A True Work Of Art, Themselves! Unison Soft Pastels, developed by British artist John Hersey, began in the early ‘80s when he could not find the working qualities he was looking for in the factory made pastels that were on the market. Hersey was disappointed that the mass-produced pastels broke too easily, were not consistent in texture, and didn’t suit his color vision as a painter. For several years he worked on handmade methods of production, the texture of his pigments in mixtures, and creating sensible color sequences. Once he finally felt satisfied and presented his pastels publicly, they were met with immediate enthusiasm! The pastels are created with superior-quality pigments in an 8 stage process, by a small staff of skilled artisans. Following a unique recipe for each custom created by John Hersey, all the dry pigments for the specific color being made are added to a bowl. Some specific recipes can call for up to 7 pigments! Pigments are then mixed carefully and binder is added where needed for the particular color’s properties— sometimes none is required. The mixture is thoroughly mixed to a thick consistency, and then spooned out in equal proportions onto sheets of blotting paper, resting until they are dry enough to handle. Drying time at this step can vary depending on pigment, and can take from a few minutes up to 24 hours. The spooned out portions are them squeezed to release excess water, to prepare them for rolling. Each portion is then carefully rolled into the pastel shape by hand, to give a unique texture that will help provide a consistent response. After drying slightly longer on the blotting paper, the rolled pastels are then cut exactly to size with a handmade cutting tool. After cutting, the pastels are gently placed on wire trays and dried overnight in a very gentle heat. They are then taken and stored in the packing room, to await hand-labeling. The handmade nature and precise, careful development and care of Unison Pastels make them ideally fashioned for the discerning artist. Unison’s complete range features 288 colors, utilizing many single and pure pigments, along with John Hersey's selective pigment blends. Unison Soft pastels are rolled without the use of extrusion, compression or heating, these pastels offer fluid lay-down of color with consistent creaminess and reliable softness. These lightfast, water-soluble pastels are available in multiple, carefully selected sets, neatly packaged with protective foam inserts. Key Features: * Hand rolled with no compression or heating* Minimal to no binder added for clearest, most vivid colors* Richly pigmented, lightfast colors* Consistent, smooth application and reliable softness Perfect For: * Discerning Pastel Artists* Artists looking for superior color, texture, and response* Pastelist seeking customized, unique colors* Fans of handmade pastels Due to the handmade nature of these pastels, sizes may vary slightly. The approximate size of each pastel should be: Standard pastel L: 5cm w: 1.2cm and the Half stick pastel L: 2.5cm w: 1.2cm See More
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Dr. Ph. Martin's Spectralite Liquid Acrylic SetsSave Up to14%Off list…Collection Set #1 - This set includes one 1 oz jar of each: Spectrum Yellow, Orange, Ruby Red, Grass Green, True Blue, Violet, Magenta, Emerald, Matte Black, White, Spectrum Red and Nautical Blue. All colors packaged in glass bottles with eye dropper lids.* Private Collection Set #3 - This set… Dr. Ph. Martin's Spectralite color is great for making vivid, expressive paintings. These permanent, lightfast and non-toxic concentrated acrylic-based colors are a favorite. Use on board, paper or canvas. * Private Collection Set #1 - This set includes one 1 oz jar of each: Spectrum Yellow, Orange, Ruby Red, Grass Green, True Blue, Violet, Magenta, Emerald, Matte Black, White, Spectrum Red and Nautical Blue. All colors packaged in glass bottles with eye dropper lids.* Private Collection Set #3 - This set includes one 1 oz jar of each: Hansa Yellow Medium, Chrome Yellow, Quinacridone Violet, Aqua, Bora Bora Blue, Yellow Oxide, Red Oxide, Burnt Umber, Sepia, Gold, Silver and Copper. All colors packaged in glass bottles with eye dropper lids.* Color Extender - Use this color extender to increase transparency while maintaining the permanency of the color. See More
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Dr. Ph. Martins Radiant Concentrated Watercolor SetsSave Up to11%Off listFor lightfast, archival watercolor - Use Dr. Ph. Martin's Hydrus Fine Art Watercolor! Dr. Ph. Martin's Radiant Concentrated Water Color is produced in an extremely concentrated form to achieve the greatest possible brilliance. Each liquid color comes in an iconic 0.5 oz (15 ml) glass bottle package… For lightfast, archival watercolor - Use Dr. Ph. Martin's Hydrus Fine Art Watercolor! Dr. Ph. Martin's Radiant Concentrated Water Color is produced in an extremely concentrated form to achieve the greatest possible brilliance. Each liquid color comes in an iconic 0.5 oz (15 ml) glass bottle package with its own eyedropper. Dr. Ph. Martin's colors are primarily formulated for use in graphic arts work on paper surfaces intended for reproduction (e.g. cartooning, illustration, and other graphic arts), and are especially popular for airbrushing. Like all aniline dye base colors, they are fugitive when exposed to direct sunlight over time. Key Features: * Dye Based * Non-clogging * Transparent * Non-Toxic * Dropper top Perfect For: * Brush * Airbrush * Technical Pen See More
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Dr. Ph. Martin's Hydrus Fine Art Liquid Watercolors & SetsSave Up to20%Off list…and in airbrushes. All colors come in 1oz. bottles with dropper tops. * Pigment-based Watercolors* Available in: 1oz. (30 ml) glass bottles & sets* Dropper Top Bottles* Acid-Free, Non toxic* Lightfast and Archival Grade* Intermixable: colors are intense, they mix beautifully* Designed for use… Lightfast, transparent, fine art quality watercolor in a glass bottle Dr. Ph. Martin's Hydrus Fine Art Liquid Watercolors are made from the finest lightfast, transparent, brilliant and permanent artist pigments. These liquid colors are highly concentrated and when used straight from the bottle, yield the most vivid colors available to the watercolorist. Made from the finest artist pigments, Dr. Ph. Martin's Hydrus Fine Art Watercolor can be blended and intermixed while still maintaining the transparency and luminosity of the colors. Add water to achieve the richness of tone you desire and white for pastels and opaque shades. Great for use in technical, calligraphy, fountain pens, and in airbrushes. All colors come in 1oz. bottles with dropper tops. * Pigment-based Watercolors* Available in: 1oz. (30 ml) glass bottles & sets* Dropper Top Bottles* Acid-Free, Non toxic* Lightfast and Archival Grade* Intermixable: colors are intense, they mix beautifully* Designed for use with: Brushes, Airbrushing, Technical Pens, Dip Pens See More
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Dr. Ph. Martin's Bombay India Inks & SetsSave Up to29%Off listLightfast, permanent, waterproof, non-clogging India Ink! Dr. Ph Martins Bombay India Inks offer powerful color in a convenient dropper-stopper glass bottle and are perfect for creating permanent background washes on a wide variety of surfaces. The non-clogging inks can be diluted with water and… Lightfast, permanent, waterproof, non-clogging India Ink! Dr. Ph Martins Bombay India Inks offer powerful color in a convenient dropper-stopper glass bottle and are perfect for creating permanent background washes on a wide variety of surfaces. The non-clogging inks can be diluted with water and used with brushes in traditional watercolor techniques or in dip pens, technical drawing pens, and airbrushes. All Dr. Ph Martins Bombay India Inks come in convenient dropper style glass bottles that are perfect for studio use. Colors can be used straight from the bottle or mixed together to create custom colors. The color intensity can be lowered without reducing the permanency of each color by adding water to the ink. All colors are brilliant and transparent, except black and white, which are opaque and have excellent covering power. These highly pigmented India inks not only remain lightfast and permanent but are also totally waterproof when dry. Key Features:* Highly pigmented India inks* Lightfast and permanent* Waterproof when dry* Acid-Free Archival Grade* Adheres to nearly all surfaces* Non-clogging when used in pens* Dropper-stopper glass bottle Perfect For:* Watercolor techniques* Illustration* Dip pens or technical drawing pens* Airbrushes* Background washes* Mixed media* Everyday studio use! See More
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Awagami Creative Washi Paper Pack, 1lbSave Up to29%Off listAssorted Colors Feed your paper addiction with this giant set! At Awagami, creativity starts with paper; that's why the Creative Washi Packs include a diverse range of colorful papers. The decorative washi papers are perfect for Origami, scrapbooking, or book art projects. Feed your paper addiction with this giant package of paper. Contents vary a bit from pack to pack, but each assorted paper pack weighs about 1 pound, and each mixed naturals paper pack contains 50 sheets. Key Features: * Decorative washi paper * About 1 pound of paper in each assorted pack * 50 sheets in each mixed naturals pack * Random paper sizes and designs * Made by skilled artisans in Japan Perfect For: * Origami * Scrapbooking * Fine book art projects * Collage designs See More
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Awagami Japanese Handmade PapersSave Up to24%Off list…30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage,… Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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