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Fabriano Studio Watercolor Paper, 22"x30" - Cold Press (20 Sheets)Save Up to53%Off listNow Available In Easy-To-Frame Sizes! Fabriano Studio Watercolor Paper is made of 25% cotton and lignin free cellulose and is available in a lovely cold pressed or hot pressed surface. The paper is sized internally and externally, providing a paper surface that will hold up to vigorous painting… Now Available In Easy-To-Frame Sizes! Fabriano Studio Watercolor Paper is made of 25% cotton and lignin free cellulose and is available in a lovely cold pressed or hot pressed surface. The paper is sized internally and externally, providing a paper surface that will hold up to vigorous painting while guaranteeing optimal absorbance. The paper is made up of 100% of E.C.F. pulp (Elemental Chlorine Free), from responsibly managed forests that are respectful of environmental standards. It is a fantastic sheet for artists at all skill levels seeking high-quality paper at a modest price. Fabriano Studio Watercolor Paper is perfect for watercolor, gouache, tempera, acrylic, ink, charcoal, and drawing. Key Features:* 25% Cotton* Archival quality* Acid-free* Internal and external sizing* 100% elemental chlorine free pulp* Exceptional value and quality* Available in different sizes and bindings* Perfect For:* Watercolorists* Drawing and sketching* Fine artists and students* Artists at all skill levels* Watercolor and gouache* Tempera, acrylic, ink* Charcoal and graphite See More
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Sennelier Extra Soft Pastel Cardboard Box Set of 30 - Assorted Colors, Half-SticksSave Up to60%Off listAssorted Colors Sennelier Extra Soft Pastel Sets utilize a deep and rich history of color! In 1887, a huge supporter of the arts named Gustave Sennelier opened his artist’s supply store “Maison Sennelier” directly across from the Louvre in Paris, France. Sennelier was a talented chemist by trade, but through his love of art had a sharply honed eye for value and color. His extensive background researching and studying pigment origins led him to create his own personal pigment mixtures to sell directly to his customers (initially he sold his paints through existing manufacturers). His friendships with prominent artists of the day (whether already famous or yet undiscovered) and his fierce loyalty to them and their craft resulted in creating multiple mediums designed specifically for them. At the turn of the 20th century, Gustave dedicated three years of development to create an extra soft pastel for his friend and patron, artist Edgar Degas. His goal was to create a stick with the highest amount of pigment possible, adding only the transparent binder of gum arabic (a watercolor binder) and mineral fines to change the gradients of the colors (increasing amounts as the pastel stick lightens towards white). The use of the gum arabic creates a soft pastel that can also be wetted once on the substrate, and spread like a watercolor. With a total of 525 colors and the largest chromatic range offered in soft pastels, their vibrancy and brightness can attributed to not containing clays, like other brands. Pastel artists everywhere revere Sennelier especially for their mellow and deep dark tones compared to other makers, likely due to their higher pigment concentration with little filler. The cylindrical pastel mold used by Sennelier in the manufacturing process does not compress the pastel paste, instead merely forming the uniform shape (which now features a larger diameter stick than before for added strength, while maintaining the soft nature of the pastel). Sticks are dried naturally in the open air for 4 weeks for a uniform softness throughout the pastel. Using Sennelier Soft Pastels utilizes a deep and rich history of color, backed up by one of the most dedicated craftsman to color in history. Artists who relied on his and his son Gustave’s expertise and experience achieved fame through their artworks, like Paul Gaugin, Modigliani, Monet, Cezanne, Degas, Picasso, Chagall, Salvador Dali, and so many more. Give yourself the treat designed for the pastel master Degas himself, and choose Sennelier for the finest quality soft pastels available! Key Features: * Available in multiple sets for all budgets * Specially selected sets for landscape, portrait, or still life * Originally created by Sennelier for master pastellist Edgar Degas * Renowned for deep and dark colors due to high pigment load * Available in cardboard and wood box sets for travel Perfect For: * Serious Pastel Artists * Application over watercolor or acrylic * Use with textured and sanded pastel papers and boards * Traveling, does not fall under airline restrictions * As gifts for the artist who has everything * Half Sticks Measure 1 1/14” long x 5/8” diameter (unwrapped in a slightly larger, squared shape to prevent breakage) * Standard Sticks measure 2 ½” long x ½” diameter * Half Stick Black Wood Box Sets of 60 & 120 - these Sennelier best selling half stick soft pastels are now available in chic black wood boxes, perfect for gift giving. Opening the ebony box of these luminous colors inspires creation! * Plein Air Landscape Half Stick Set of 80 - Sennelier has a rich history of providing Plein Air painters like Cezanne with their pastels, giving him the ability to produce the vibrant, rich landscape works he is known for. This 80 color half stick Plein Air collection has been carefully selected for its’ simplicity and ability to mix a full spectrum of landscape color, without carrying the extra weight of too many pastels in the field. Half sticks are great for making broad strokes, to cover larger areas more quickly. * Voyage Set of 10 - This Voyage pastel set features 10 professional quality half-stick soft pastels by Sennelier. Handmade since 1900 these extra-fine pastels have unparalleled softness and pigment intensity providing each stroke with brilliant color. Enclosed in a sturdy metal tin for protection, each set also includes 3 sheets of pastel card, a graphite pencil and a pastel brush. * Value Sets of 80 - Available in sets of 80 Assorted Colors and 80 Landscape Colors, these value sets also include a 10-Pack of UArt Pastel Paper and a Creative Mark 12x16" Mesh Zipper Bag! * Vintage Set of 12 - This unique limited edition set is the perfect way to celebrate Sennelier's 125th anniversary! Includes 12 soft pastels in the same original range as chosen by the company's founder, Gustave Sennelier, packaged in a vintage style cardboard box. A great gift for any artist! * Luxury Wood Box Set of 525 - This new Limited Edition Set celebrates Sennelier's 125th Anniversary of making the highest quality art mediums! Includes the entire range of standard stick Soft Pastels (one of each color), beautifully housed in a gorgeous convenient tiered box, featuring individual pastel drawers. An amazing gift set for serious artists! See More
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Sennelier Soft Pastel Half Stick Set Portrait DarkSave Up to61%Off listPortrait Colors Color-themed sets of Bold, lightfast, water-soluble pastels! Sennelier uses only the purest pigments and natural binders to create lightfast, water-soluble Half-Stick pastels. Formed painstakingly by hand, the pastels are placed in special molds and left to air dry. No fillers or clays are used. Sennelier soft pastels are so soft that a gentle stroke will deliver a bold, rich line of color. Each pastel half stick measures 1-1/4" long x 1/2" in diameter. Pastel sets are packaged with a snug-fitting foam insert that protects each half-stick. Sennelier offers a variety of color-themed sets. With a curated half-stick set, you get twice as many pastels for the money and get to sample a wide range of vivid colors. The Sennelier Half-Stick sets are available in nine color themes. Each pastel set provides plenty of color inspiration. Key Features: * Super soft, velvety, vibrant colors * Nine color theme sets * Half stick measures 1-1/4" long x 1/2" in diameter * High-quality pure pigments * Natural transparent binder * Lightfast * No fillers or clays are used * Nested in a foam-lined box to avoid breakage Perfect For: * Serious pastel artists * Drawing bold rich lines * Application over water media * Layering and blending * Studio or Plein air work * Textured or sanded pastel papers * Mixed media application * Uncomplicated, spontaneous creativity Emerald Sea: The perfect combination of blue and green hues allows for the various nuances of an emerald sea. You can use the blues for light enhancement while the greens bring the appropriate depth. Colors include #256, #722, #730, #259, #468, and #957. Seaside: This set is great for taking on a family beach vacation. The Seaside group has blues and earth tones to portray the beach feeling. You can use the white to bring out the light of a Summer day. Colors include #259, #502, #479, #453, #115, and #484. Dark Skin Tones: Sketching a Portrait is not an easy task. However, the carefully selected hues allow for a genuine rendering of the facial expression of a model. The juxtaposition of colors combined with careful blending will achieve stunning results. Colors include #412, #442, #406, #61, #131, and #439. Pale Skin Tones: Sketching a Portrait is not an easy task. However, the carefully selected hues allow for a genuine rendering of the facial expression of a model. The juxtaposition of colors combined with careful blending will achieve stunning results. Colors include #904, #366, #686, #264, #406, and #52. Winter Landscape: Perfect for creating a simple winter landscape. The six-color assortment enables you to give depth to the artwork while creating an ethereal look to the snow. Colors include #714, #525, #428, #210, #137, and #394. Autumn Landscape: Imagine an autumnal forest filled with luminous reddish tones. You can use this selection of pastels to produce a complete Fall landscape. Colors include #37, #297, #754, #191, #46, and #239. Summer Sky: The six blue and white hues are perfect for creating a Summer sky filled with light and contrast. Colors include #395, #714, #257, #423, #525, and #392. Stormy Sky: The perfect assortment of colors to render the intensity of a stormy sky. The mix of opaque and transparent colors creates a stunning finish. Colors include #133, #500, #479, #756, #285, and #504. See More
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SoHo Urban Artist Soft Pastel Half Stick Set of 120 - Assorted ColorsSave Up to62%Off listAssorted Colors Super soft, super pigmented pastels in convenient half stick sets! Artist Soft Pastel Half Stick Sets are vibrant, luxurious sets of half stick soft pastels at an unbelievable value! These soft, buttery smooth pastels are highly pigmented and lightfast, and are the ideal introduction to soft pastels for artists who don't want to sacrifice quality for a reasonable price. The fact that these pastels are half stick size means a wider color palette can be obtained, and each set has a beautifully balanced rainbow selection of 48, 90, or 120 vibrant colors. With a soft and smooth consistency, SoHo Soft Pastel Half Sticks are perfect for layering and blending, whether in the studio or en plein air. Also, they are the perfect sets for students and teachers, supplying a vast array of colors at a modest investment. Whether you are a beginner or an experienced pastel artist, try SoHo Urban Artist Soft Pastel Half Stick Sets today — we're sure you'll be impressed! Key Features:* Super soft, velvety, vibrant colors* High degree of lightfastness* Fully pigmented* Measures 1.3" long* Goes on easily, blends easily Perfect For:* Layering & blending* Artists of all levels* Classrooms & workshops* Studio or Plein Air work* Mixed media pieces See More
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Pebeo Graduated Pipette Plastic Droppers, Pack of 5Save Up to38%Off listCreate The Beauty of Stained Glass with Vitrail Colors Luminous, high-gloss colors in transparent and opaque finishes great for glass, acetate, polyester, plexiglass! Pebeo Mixed Media Vitrail Colors are high-gloss, solvent-based colors, 36 total colors: available in 26 transparent and 10 opaque… Create The Beauty of Stained Glass with Vitrail Colors Luminous, high-gloss colors in transparent and opaque finishes great for glass, acetate, polyester, plexiglass! Pebeo Mixed Media Vitrail Colors are high-gloss, solvent-based colors, 36 total colors: available in 26 transparent and 10 opaque colors. These colors can be used with liquid art panels, metal, glass, ceramics, plastics, paper, canvas and more! Applied in thin or thick layers with a brush or used with a dropper. To imitate stained glass, use the Vitrail colours with the Cerne Relief outliners Key Features:* Mixable* Ready to use* Good lightfastness* Solvent-based* Transparent, intense and very bright colour* Opaque effect, luminous colours Perfect For:* Mixed media artists* Use on multiple surfaces* Use over acrylic mediums or in combination with resins What is Pebeo Vitrail Paint? To imitate a stained glass effect, use Vitrail Glass Paint with Pebeo Cerne Relief. Pebeo Cerne Relief is a water-based outliner that comes in a tube with a fine nozzle. It is available in a range of 7 colours and is used to create the outline of the design before applying the glass paint. After applying the Cerne Relief outliners, how long do you wait before applying Vitrail colours? It is better to allow the Cerne Relief dry at least 30 minutes prior to applying the Vitrail colours. QUALITY: Transparent, intense and very bright colours. Opaque effect, luminous colours. Solvent based, ready to use. Good lightfastness. Use with the cerne relief. COLOUR MIXABILITY: Colours can be mixed together. DRYING: 1 hour to the touch, completely dry after 8 hours. Drying times can vary depending on the thickness of the application, and the temperature and humidity of the room where the product is applied. SURFACES: Glass, polyester, acetate THINNER: Odorless mineral spirits or white spirits. OPACITY:Transparent and opaque colours FINISH Brilliant. See More
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Pebeo Graduated Pipette Plastic Droppers, Pack of 5Save Up to25%Off listSolvent-based colors that create honeycomb and textured effects! Pébéo Fantasy Prisme pearlescent, opaque colors render a honeycomb effect on flat horizontal surfaces. This effect reveals itself while the paint is drying (5 to 10 minutes). They work well on Liquid Art Panels and can also be used on… Solvent-based colors that create honeycomb and textured effects! Pébéo Fantasy Prisme pearlescent, opaque colors render a honeycomb effect on flat horizontal surfaces. This effect reveals itself while the paint is drying (5 to 10 minutes). They work well on Liquid Art Panels and can also be used on glass, canvas, metal, mirror, Plexiglass, acetate, plastics, ceramics, and more. Fantasy Prisme work well with the Studio Acrylics line as well as with Gedeo Resins and Mirror Effect Metal Leaf. Make sure to clean brushes and droppers with odorless mineral spirits or citrus-based brush cleaners and then rinse with soapy water.Please note: Stir the paint with a wooden stick prior application to obtain a homogenous and fluid color. DO NOT SHAKE. Use a dropper to place color or pour directly from the bottle onto a flat horizontal surface. The length of time required for the colors to be completely dry varies according to the thickness of the application. A 1/16 inch (2 mm) thick application is dry to the touch after 24 hours and completely dry after 72 hours. Wait a minimum of 7 days before adding a coat of resin over completely dry colors. Key Features:* Pourable, liquid, solvent-based paint* Creates honeycomb-like effects over time* Good lightfastness* Compatible with all other products in the Pébéo Mixed Media line Perfect For:* Abstract art* Resin jewelry* Mixed media applications See More
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Awagami Sekishu 35gsm White 24" x 39" (Pack of 25)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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