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Liquitex BASICS Acrylic Assorted Colors Set of 12, 4ozSave Up to47%Off listAssorted Colors A great starting point for Acrylic Beginners and Students! Liquitex BASICS Acrylic line is developed for students and artists who need dependable quality at an economical price. BASICS are a medium viscosity paint made with lightfast, artist-quality pigments.. Paint provides great coverage, drying to a satin finish, with colors uniquely formulated to bring out maximum pigment. Perfect for beginners, large-scale works or backgrounds, murals, and learning color mixing! Click the item number to learn about each set! Key Features: * Dependable and affordable * Value/Student Series Acrylic * Excellent working qualities * Made with lightfast, artist-quality pigments * Click on the paper icon to read about each set * Perfect For: * Underpainting or sketching if you’re a serious artist * Students learning Acrylics * Artists painting large scale * Budget-minded Artists * Make great gifts! See More
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Pebeo Studio Acrylic Pouring Experiences Set, 118mlSave Up to33%Off listAssorted Colors Add texture and Experience pouring with Pebeo Studio Acrylics Pebeo Studio Acrylics are available in a heavy body version and a pourable fluid paint. All Pebeo paints are richly pigmented. Their high viscosity paints are thick and allow you to play with texture and dimension. The colors mix cleanly and can be layered and thinned to glaze consistency. Pebeo Studio Acrylic Pouring colors are fluid acrylic paints that are pre-mixed with pouring medium. With these pre-mixed fluid colors, you can experience the fun of pouring without the hassle of mixing. All Pebeo Studio Acrylics are lightfast and dry to a permanent flexible film! Key Features: * Heavy body or pourable viscosity * Richly pigmented acrylic paints * Retain brush and painting knife strokes * Pre-mixed pourable colors contain pouring medium * Easily mixable with great light-fastness * Available in assorted sets * Click on the yellow circle icon to view set description Perfect For: * Mixed media applications * Pouring paintings * Adding texture to portraits * Pebeo Liquid Art Panels * Canvas, cardboard, wood & metal Pebeo Studio Acrylic Set of 24 (12ml): The set contains 24 assorted tubes: Titanium White (2x), Primary Yellow, Cadmium Orange Hue, Transparent Vermilion, Primary Magenta, Oriental Violet, Primary Cyan, Phthalocyanine Emerald, Hooker's Green, Cadmium Green Hue, Yellow Ochre, Burnt Sienna, Burnt Umber, Mars Black, Medium Cadmium Yellow, Lemon Cadmium Yellow, Light Ultramarine Blue, Dark Ultramarine Blue, Veronese Green, Payne's Grey, Cobalt Blue Hue, Raw Sienna, and Naples Yellow. Pebeo Studio Acrylic Pouring Experiences Set of 47: The set includes White, Yellow, Blue, Turquoise, Gold, Silver, Pearl White, one 50ml bottle of Silicone Oil, four canvas boards 20x25 cm, three bags of glitter, five droppers, eight wooden sticks, eight measuring cups, two painting knives, one plastic support stand, four gloves, and a user guide. Pebeo Studio Acrylic Pouring Experiences Set of 6: This set includes 118 ml bottles of White, Red, Blue, Turquoise, Black, and Gold paint. Each color is ready-to-use for pouring straight out of the bottle. Pebeo Studio Acrylic Ultimate Pouring Medium Discovery Set: Nancy Wood designed this set in collaboration with Pébéo. The set includes one bottle of 250ml Pouring Medium, a smaller bottle of catalyst. 5 x 20ml tubes of Studio Acrylic, a palette knife, and one Master Class video. The 2-part medium allows artists and amateurs to master unique effects and a professional finish. With this set, you can discover the founding principles behind pouring. Pebeo Studio Acrylic 100ml Primary Set of 5 with Color Wheel: This set contains a Color Wheel and 5 x 100ml tubes of Titanium White, Primary Cyan, Primary Yellow, Primary Magenta, and Mars Black. Pebeo Studio Acrylic 20ml Dyna Set of 6: This set contains 6 x 20ml tubes in Titanium White, Iridescent Blue-Green, Iridescent Violet-Blue, Iridescent Green-Yellow, Iridescent Blue-Black, and Titanium White. Pebeo Studio Acrylic Coffret Collection Box Set: This set contains 12 tubes of Studio Acrylics 20 ml, 1 tube of Titanium White 100 ml, 1 tube of modeling paste 100 ml, 1 Black Acrylic Marker 4 mm, 2 brushes, 2 painting knives, 1 palette, and 3 canvas boards 22 x 16 cm. See More
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Winsor & Newton Cotman Watercolor Plus Set of 12, 8ml TubesSave Up to49%Off listAssorted Colors Quality watercolors at affordable prices! Winsor & Newton produce their Cotman Watercolors at a reduced cost for students and beginners while meeting quality standards. They use modern organic pigments instead of costly metallics to make their quality colors affordable. Some of the rare pigments used in Artists' Watercolors are replaced with less expensive alternatives in the Cotman line. The range of 40 colors offers excellent lightfastness and tinting strength. All the colors mix cleanly and are easy to manipulate with a brush or sponge. Key Features: * Available in: 8ml and 21ml tubes * 40 beautiful tones * Excellent tinting strength * Affordable but uncompromising in quality * Easy to work with * Good transparency * Imported from England Perfect For: * Students and beginners * Painting watercolor washes * Gradient effects * Basic and advanced color mixing * Creating long-lasting works of art * Artists of all skill levels See More
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Awagami Ginwashi 39gsm Cream 25" x 38" (Pack of 25)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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