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Gel Press Reusable Gel Printing Plate Circular 6"Save Up to10%Off listThe creative possibilities are endless with these reusable gel mono-printing plates! Polygel Gel Press Printmaking Plates allow artists to create beautifully detailed mixed media artwork and craft projects, no press needed! A super sensitive, nontoxic gel surface picks up the finest details making… The creative possibilities are endless with these reusable gel mono-printing plates! Polygel Gel Press Printmaking Plates allow artists to create beautifully detailed mixed media artwork and craft projects, no press needed! A super sensitive, nontoxic gel surface picks up the finest details making it easy to play with textures and layers. These nontoxic, latex-free gel printing plates are easy to clean, reusable and can be stored at room temperature. A minimal mess, low maintenance alternative to traditional monoprinting, these Gel Press Printmaking Plates are great for all artists, from budding artists to professionals! Key Features: * Vegan gel plates require no press * Reusable and nontoxic * Ultra-sensitive surface prints the finest details * Easily cleaned and can be stored at room temperature Perfect For: * Acrylic paint and ink * Printmaking and water-soluble inks * Mixed media artists * Family art projects * Professional or budding printmakers * Printing on thick art papers See More
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Schmincke Horadam Watercolor 24 Light Colors Dot CardSave Up to45%Off listAssorted Colors Horadam Watercolors Outperform All The Rest! Schmincke has been producing its Horadam line of watercolors since 1881. Today the Schmincke Horadam Aquarell watercolor paint line includes 189 glorious colors, 152 of those colors have the highest lightfastness ratings of 4 or 5 stars. 95 of the colors are formed with a single pigment for perfect mixing effects. Each color has its own independently optimized recipe made of the finest pigments, Ox gall, and traditional binders. Schmincke uses only Kordofan Gum Arabic from the southern Sahara a natural resin binder. Horadam colors can be raised from a dried palette without developing globules. Colors that have dried on the palette can be awakened with a wet brush and reused an infinite number of times. Schmincke limits use of ONETZ (ox gall) as a dispersant. This helps the artist maintain full control of color, even on softer papers. Key Features: * Tubes: 5ml, 15ml and Sets * Made in Germany * Highest possible lightfastness: 152 tones * 50 Granulating colors * Paint is reusable once dried on palette * Gum Arabic binding medium * Limited use of ox gall as a dispersant * High control of paint flow Perfect For: * Watercolorists * Professional artists with high standards * Illustrators * Color mixing * Plein Air painting * Soft sized papers Most of the Horadam watercolors are non-granulating and have an even paint flow, but 22 colors are granulating. You can spot granulating colors by the G stamped on the tube. Granulation is caused by: * Heavy pigment particles, like cobalt, settling in paper indentations. * Light pigment particles clustering together due to attraction. You can mix super granulating colors to create unusual color shifts. The granulating color shift will vary with the mixing ratio used. What is the right paper for granulation? The rule is: The rougher the paper, the greater the granulating effect. More absorbent papers need a little more water. Hot-pressed paper is unsuitable for granulating effects. Schmincke Horadam Watercolor Limited Edition Curated Wood Box Set, While Supplies Last! - A Jerry's Exclusive Set: 12 half pans, 5ml tube of titanium white, and 3 large empty pans, Wooden box palette and a Create your own color chart See More
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Strathmore 400 Series Softcover Recycled Art Journal 7-3/4x9-3/4" (112 pg) - GraySave Up to33%Off listGrey Fine art paper in finely crafted journals! Strathmore 400 & 500 Series Softcover Art Journals give artists the choice of high quality sketch, toned sketch, drawing, watercolor and mixed media papers. The velvety soft, flexible cover is a rich, dark brown color, and the durable Smyth-sewn binding allows pages to lay flatter. These beautiful lightweight journals are available in convenient, portable sizes -- making them perfect for artists on-the-go! * 400 Series Watercolor Softcover Art Journal- 140lb. 300 gsm, / 48 pages - This intermediate grade watercolor paper has a strong surface that is ideal for watercolor, gouache and acrylic. The natural white color and traditional cold press surface allows for fine and even washes, as well as lifting and scraping applications. Acid free. * 500 Series Mixed Media Softcover Art Journal- 90 lb. 190 g/m / 64 pages - This professional quality paper is internally sized for wet media with durable vellum finish for drawing techniques. It is comprised of 100% cotton fiber, and is acid free, 90lb., lignin free, and archival. Ideal for watercolor, gouache, acrylic, graphite, pen & ink, colored pencil, marker, pastel and collage. * Eco-Friendly 400 Series Toned Sketch Softcover Art Journal- Toned Gray & Tan Journals - 80 lb. 118 gsm / 112 pages - This medium surface, 80lb. sketch paper is ideal for use with graphite, chalk, charcoal, sketching sticks, markers, china markers, colored pencils, pens and white gel pens. A unique quality of this sketch paper is that it is 100% recycled and contains 30% post-consumer fiber -- making it an eco-friendly product! Available in Warm Tan and Cool Gray. Acid free. * 400 Series Toned Sketch Softcover Art Journal - 60 lb. 89 gsm / 160 pages - This general purpose, white, medium surface, 60lb., heavy weight sketch paper is intended for practice of techniques or quick studies with any dry media. It is ideally used with graphite pencil, colored pencil, charcoal, sketching stick, soft pastel and oil pastel. Acid Free. * 400 Series Drawing Softcover Art Journal - 80 lb. 130 gsm / 96 pages - This cream colored, medium surface, 80lb., drawing paper is ideal for sketching and finished work. This paper was engineered to work best with mediums such as graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel and oil pastel. Acid free. * Jerry's Strathmore Sketching Gift Set - This Gift Set from Strathmore, out right in time for the holidays includes everything you need to start sketching better today! This set includes a Softcover 400 Toned Gray Journal, a 12 pack of SoHo Compressed Charcoal (Midnight Black), a Creative Mark 12x16" Mesh bag and two 3-packs of SoHo Sketch Squares. See More
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Awagami Sekishu 35gsm White 24" x 39" (Pack of 25)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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