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Da Vinci Maestro Series 1505 Kolinsky sz. 4/0 X-Short SpotterSave Up to42%Off list…For:* Watercolor, rendering, illustration* Area work or fine details* Artist's seeking kolinsky red sable brushes* Students, teachers, professionals* Watercolorists and artists of all skill levels* Finessing delicate glazes with ease* Click on the yellow circle icon for size and set information MAESTRO The Ultimate Artists' Kolinsky Sable Watercolor Brushes! Only male Siberian Kolinsky Red Sable fur gathered in winter can earn the "Maestro" designation from da Vinci. da Vinci Maestro Kolinsky Red Sable Watercolor Brushes have an extra sharp point and longer tapered hair length that adds snap and precision to the brush. Anticipate amazing bristle spring and control along with unsurpassed water-holding capacity. Each brush has a brass-plated, nickel-plated, or gold-plated seamless ferrule that is rust-resistant. Before leaving the brush workshop, each brush is examined to make sure that the brush-head is flawless, and that the ferrule is firmly attached to the handle. The family-owned Da Vinci brush company has designed quality brushes for three generations in Germany. Utilizing the latest innovations, they produce brushes of unsurpassed quality, elegance, and durability. Key Features:* Male winter Siberian kolinsky red sable* Extra-sharp point* Longer tapered hair* Rust-resistant seamless ferrule * Spring and control* Unsurpassed water-holding capacity* Each brush is examined* Made in Germany* Perfect For:* Watercolor, rendering, illustration* Area work or fine details* Artist's seeking kolinsky red sable brushes* Students, teachers, professionals* Watercolorists and artists of all skill levels* Finessing delicate glazes with ease* Click on the yellow circle icon for size and set information See More
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Richeson Synthetic Watercolor Brush Series 9000 Round #0000Save Up to28%Off list…of pointed synthetic fibers blended to create a marvelous artist tool.* The brushes have a silver seamless ferrule and a beautiful black handle with gold and yellow trim. 9000 Series Synthetic Watercolor Rounds Set of 5: Brush sizes included in this set: Round Size #2, #4, #6, #8, #12 9000 Round Series Synthetic Short Handle Rounds release paint smoothly, giving the painter perfect control. Performance minded super strong filament hair brushes that withstand harsh painting techniques even on rough surfaces. The Richeson 9000 Round Series Short Handle rounds offer a quick, and flawless brush response coming to a split-proof, extra fine point or a neat hard edge. These brushes feature up to 1" seamless nickel plated ferrules attached to short black lacquered wood handles. These short handled rounds will hold plenty of watercolor, gouache, casein or acrylic, and release paint smoothly, giving the painter perfect control. * Its historic fine snappy point and its ability to carry great volumes of color have kept it an industry leader * These brushes have seven different types of pointed synthetic fibers blended to create a marvelous artist tool.* The brushes have a silver seamless ferrule and a beautiful black handle with gold and yellow trim. 9000 Series Synthetic Watercolor Rounds Set of 5: Brush sizes included in this set: Round Size #2, #4, #6, #8, #12 See More
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Yasutomo Black Sumi Ink 12oz KY12 Liquid Water ResistantSave Up to30%Off list…vegetable soot with no additives or preservatives. The ink contains no shellac and dries to a matte water-resistant finish once dry. The Bokuju Sumi Set contains two Sumi brushes, one bottle of Bokuju (liquid Sumi ink), and a porcelain saucer in a beautiful paper box. An illustrated instruction… Liquid Inks Formulated for Sumi painting and Calligraphy Yasutomo Sumi Inks are formulated for Sumi painting and Calligraphy and are in a convenient liquid form with no need for grinding. KF Shellac-Based Waterproof Sumi Ink is made from high-quality vegetable oil soot. A small amount of shellac is included in the formula for water resistance. KY Water Resistant Sumi Ink is made out of pure vegetable soot with no additives or preservatives. The ink contains no shellac and dries to a matte water-resistant finish once dry. The Bokuju Sumi Set contains two Sumi brushes, one bottle of Bokuju (liquid Sumi ink), and a porcelain saucer in a beautiful paper box. An illustrated instruction sheet is included, along with a QR code for video instructions. KV2 Vermilion, 2oz: Vermilion is an ancient red-orange Sumi ink used to hand-letter manuscripts, seal scrolls, and ink paintings. Many Asian calligraphy teachers still use Vermilion Sumi to correct or critique students' work. This water-resistant ink is opaque and dries to a matte finish. KF2 & KF12 Black Sumi Ink (Bokuju): * Waterproof liquid sumi ink * Contains shellac and is waterproof once dry * Made from quality vegetable oil soot * Convenient liquid form * Permanent and lightfast once dry KY2 & KY12 Black Sumi Ink (Bokuju): * Water-resistant liquid sumi ink * No additives or preservatives * Made from pure vegetable soot * Dries to a matte finish * Dense black ink is lightfast and water-resistant once dry See More
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Tim Holtz Alcohol Ink Getaway Color Kit, 1/2oz Bottle (Pack of 3)Save Up to20%Off listAssorted Colors Bold, Transparent, Fast-Drying, Acid-Free Inks in 3 Packs! Ranger Tim Holtz Alcohol Ink 3 Pack Kits contain 3 vibrant, fast drying, dye-based inks that can be used to create colorful effects when layered together on non-porous surfaces. Ideal for use on Alcohol Ink Yupo Paper the inks can be applied to glossy paper, plastic, glass, metal, glazed tiles, and other slick non-porous surfaces. Permanent, acid-free, and transparent, these inks can be intermixed and layered to create new colors and interesting shapes. Each Holtz Alcohol Ink Kit is made up of three complementary ink colors that can be used to create vibrant works of art. Key Features: * Acid-free * Multi-surface inks * Permanent and transparent * Fast-drying * 0.5 fl. oz. bottles * Precision tips * Coordinating colors * Click the yellow circle technote icon to view color information Perfect For: * Glossy paper, glass, metal, shrink plastic * Non-porous surfaces * Yupo paper or glazed tiles * Creating backgrounds * Scrapbooks, journals, or stand-alone works of art * Mixed media * Personal greeting cards 3 Pack (.5oz bottles) to Choose From * Beach Deco - Flamingo, Patina, and Amethyst colors * Cabin Cupboard - Caramel, Ginger, and Latte colors * Conservatory - Honeycomb, Botanical, and Poppyfield colors * Dockside Picnic - Watermelon, Citrus, and Sail Boat Blue colors * Farmers Market - Cranberry, Lettuce, and Eggplant colors * Key West - Dandelion, Coral and Pistachio colors * Mariner - Indigo, Mermaid, and Teakwood colors * Nature Walk - Wild Plum, Butterscotch, and Stream colors * Retro Cafe - Espresso, Pool, and Pink Sherbet colors * Spring Break - Valencia, Limeade, and Turquoise colors * Summit View - Sunshine Yellow, Sunset Orange, and Purple Twilight colors Please note: The manufacturer does not recommend using Tim Holtz Alcohol Inks, Metallic Mixatives, or Alcohol Ink Blending Solution in spray bottles as these contents contain alcohol and should not be airborne. See More
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Awagami Papers Mulberry (45GSM) Pack of 25Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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