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Staedtler FIMO® Soft Polymer Clay - Basic Colors, Set of 12Save Up to10%Off listAssorted Colors Oven-bake clay stays workable right up until you bake it! FIMO® Soft Clay is easier to use than ever before, making it perfect for children, crafters, and artists of all skill levels. So whether the project is a playful fish kitchen magnet or an intricately designed necklace and matching earrings, FIMO® Soft Clay is ideal. Although softer than FIMO® Classic objects made with FIMO® Soft Clay is very durable and strong after baking. You can bake your finished pieces in any home oven or toaster oven for 30 minutes at 265℉ (130℃). After they are thoroughly cooled, objects are ready to paint, varnish, or wear. Key Features: * Oven-bake clay stays workable until you bake it * Soft and smooth clay * No special equipment needed * Can be mixed with FIMO Effect and Professional clays * Bake in any oven at 265℉ for 30 minutes * Solid baked pieces can be carved and are break-resistant Perfect For: * Making your own professional-level crafts * Artists of all skill levels * Making jewelry or beads * Mixed media applications * Sculpture * Character modeling See More
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Fabriano EcoQua Notebook 8.3 x 11.7" Dot Grid Staple-Bound YellowSave Up to40%Off listYellow Environmentally-friendly recyclable paper, blank or dot grid pattern Made in Italy by Fabriano, these versatile notebooks are entirely recyclable and contain FSC-certified, chlorine-free, acid-free paper. Perfect for writing and drafting with pencils, ballpoint pens, fountain pens, and marker pens, each notebook contains multiple sheets of off-white 90 or 85 gsm paper. Available blank or in a dot grid pattern (0.5 cm squares). The glue-bound notebooks come with 90 sheets, while the spiral-bound notebooks contain 70 sheets of paper. EcoQua Notebooks are available in a variety of fashionable cover colors, including Raspberry, Black, and Stone. Key Features: * FSC-certified, chlorine-free, acid-free paper * Off-white paper with a 90 or 85 gsm weight * Blank or dot grid pattern (0.5 cm squares) * Glue-bound notebooks 90 sheets of 85 gsm paper * Spiral-bound notebooks contain 70 sheets * Staple-bound notebooks contain 40 pages * Fashionable cover colors * Made in Italy by Fabriano Perfect For: * Writing and drafting with pencils * Ballpoint pens and fountain pens * Marker pens * Recycling * Travel and studio work * Workshops and travel * Discerning students and amateurs See More
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Awagami Kitakata Paper Roll 36gsm 38"x10.9ydSave Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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