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Edding 5000 Acrylic Marker Broad Nib Set of 5, Neon ColorsSave Up to28%Off listAssorted Colors Experience the true acrylic revolution! Jumpstart your art practice and create vibrant paintings in minutes with edding acrylic markers! The edding broad acrylic markers have a 5-10mm wide chisel nib ideal for making broad strokes and coloring large areas. In contrast, the edding medium bullet nib has a stroke width of 2-3mm, perfect for drawing precise lines and shapes. Each acrylic marker contains artist-quality, lightfast, water-based acrylic paint. Are you tired of losing creative time to clean up and material prep? The medium and broad edding markers allow you to paint different line widths and expressive brushstrokes quickly. Perfect for all artists, these low odor markers are ideal for spontaneous creativity on canvas or painting paper. Easy to transport and ready to use. Uncap and let your creativity flow. Key Features: * Vibrant lightfast colors * Medium bullet and wide chisel tips * Stroke width of 2-3 mm and 5-10 mm * Highly pigmented acrylic paint * Low odor neutral smell * Waterproof and heat-resistant * Wear-resistant and smudge-proof * Made in Germany Perfect For: * Painting on dark and light surfaces * Canvas, wood, and painting paper * Unique painting techniques * Ready to use * No brush needed * Even paint coverage * Broad washes or drawing small details * Easy and clean up * Uncomplicated, spontaneous creativity Usage tips * Shake the marker with the cap on * Remove the cap * Pump the marker with the nib downwards on a piece of scrap paper * Carefully pump it up and down until ink fills the nib * The marker is now ready to use * Store horizontally and at room temperature (41-86 ℉) Nordic Colors Mixed Size Starter Set of 8: The collection includes Black and Traffic White in the fine tip. The colors Mild Mint, Elegant Midnight Blue, Classy Mauve, Pastel Yellow, Berry, and Moss Green come in the medium-sized nib. The colors Black, Elegant Midnight Blue, Berry, and Moss Green are very opaque. The other colors are semi-opaque. Creative Colors Mixed Size Starter Set of 12: The set contains fine tip Black and Traffic White. The colors Yellow-Green, Sun-Yellow, Traffic Red, Berry, Warm Beige, and Hazelnut, come in the medium tip size. Wide tip colors Moss Green, Gentian Blue, and Traffic Yellow are also included. In addition, the set contains one 3D double-sided acrylic liner in Pastel Blue. The colors Black, Traffic Red, Gentian Blue, Berry, Hazelnut, Yellow Green, and Moss Green are very opaque. The other colors are semi-opaque. Neon Set of 5 (Broad Nib): Includes Traffic White Matt, Neon Orange, Neon Pink, Neon Yellow, Deep Black Matt. Abstract Set of 5 (Broad Nib): Includes Gentian Blue Matt, Traffic Yellow Matt, Sun Yellow Matt, Telemagenta Matt, and Opulent Turquoise. Basics Set of 5 (Medium Nib): Includes Deep Black Matt, Traffic Red Matt, Gentian Blue Matt, Traffic Yellow Matt, and Yellow-Green Matt. Pastel Set of 5 (Medium Nib): Includes Pastel Yellow Matt, Pastel Blue Matt, Pastel Green Matt, Anthracite Matt, and Elegant Mauve Matt. Metallic Set of 5 (Medium Nib): Includes Moss Green Matt, Berry Matt, Rich Gold Matt, Silver Matt, and Elegant Night Blue Matt. See More
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Sennelier Egg Tempera - Ivory Black, 34ml TubeSave Up to35%Off listBlack A highly pigmented, professional tempera medium Sennelier Egg Tempera paint is a semi-opaque, water-soluble and permanent painting medium used for fine art painting and restoration (and can even be used as an underpainting for oil paints). Unlike oils, egg tempera does not age or yellow, due to being egg emulsion-based instead of oil based. Varnished egg tempera paintings are difficult to distinguish from oils due to their vibrancy and brilliance in how the pigment suspends in the emulsion. It is a popular medium with oil painters who seek a health alternative to the harsh and dangerous solvents involved with oil colors, as it requires nothing more than soap and water cleanup. Like their other paint lines, Sennelier Egg Tempera paints are professional quality pigments with the highest pigment loads possible. Key Features:* Classical painting medium* Water soluble, no need for solvents* Highly archival* Rich satin-matte finish* Highly pigmented paints* Authentic egg tempera made in the traditional manner* Use varnish over egg tempera paintings for an oil painting like appearance Perfect For:* Fine art painting, restoration, and icon painting* Underpainting for oil painters* Restoration Work * Icon Painting* Technical illustrative painting styles Intro Set of 5- Contains five 21 ml tubes including: Titanium White, Lemon Yellow, Rose Madder Lake, Ultramarine Blue, and Ivory Black Light Wooden Box Set Of 15 - Contains: One 34 ml tube of Titanium White, one 60 ml jar of Egg Tempera Binding Medium, a wooden palette, one metal palette cup, two brushes, a Flat #4 and a Round #5, 15, 21 ml tubes of Egg Tempera: Burnt Sienna, Cadmium Yellow Deep Genuine, Carmine, Cobalt Violet Hue, Emerald Green, Ivory Black, Lemon Yellow, Naples Yellow, Permanent Intense Red, Prussian Blue, Raw Umber, Ultramarine Blue, Vermilion, Viridian, and Yellow Ochre. Capable of creating detailed and complex effects, the medium of egg tempera can be traced back as early as ancient Greece. During the early Italian Renaissance, egg tempera reached its’ zenith, and was the predominant medium for religious icon panel paintings done between the 12th and 15th centuries. Even with the rise in popularity of oils beginning in the 15th century, Renaissance masters such as Michelangelo and Botticelli continued to prefer the deep luminosity of the medium. Even with the decline of the medium in favor to oils, artists like Marc Chagall (who exclusively used Sennelier) in the early 1900’s led to the medium’s revival, and it became more popular with the use by American painters such as Andrew Wyeth and Thomas Hart Benton. In 1892, chemist and fine arts purveyor Gustave Sennelier created his own line of Sennelier Egg Tempera paints, after extensive research into classical, authentic Renaissance formulas. Egg Tempera is a semi-opaque, water-soluble and permanent painting medium used for fine art painting and restoration (and can even be used as an underpainting for oil paints). Unlike oils, egg tempera does not age or yellow, due to being egg emulsion-based instead of oil based. The egg emulsion recipe binder produces a satin-matte finish that is water resistant when dry, and is thinned with water or egg tempera medium when painting. Varnished egg tempera paintings are difficult to distinguish from oils due to their vibrancy and brilliance in how the pigment suspends in the emulsion. It is a popular medium with oil painters who seek a health alternative to the harsh and dangerous solvents involved with oil colors, as it requires nothing more than soap and water cleanup. Like their other paint lines, Sennelier Egg Tempera paints are professional quality pigments with the highest pigment loads possible. Unlike oil paint, egg emulsion binder is stiffer and more brittle, so it does not lend well to impasto painting techniques. Traditionally, due to the brittle nature, egg tempera is best used on wood or canvas panels, or heavy primed paper that has been mounted on a hard surface. Note: Sennelier recommends artists give their finished egg tempera works a coating of charcoal or pastel fixative before applying a final oil paint picture varnish, to seal and protect the work. See More
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Fabriano EcoQua Notebook 5.8 x 8.3" Dot Grid Glue-Bound OrangeSave Up to40%Off listOrange Environmentally-friendly recyclable paper, blank or dot grid pattern Made in Italy by Fabriano, these versatile notebooks are entirely recyclable and contain FSC-certified, chlorine-free, acid-free paper. Perfect for writing and drafting with pencils, ballpoint pens, fountain pens, and marker pens, each notebook contains multiple sheets of off-white 90 or 85 gsm paper. Available blank or in a dot grid pattern (0.5 cm squares). The glue-bound notebooks come with 90 sheets, while the spiral-bound notebooks contain 70 sheets of paper. EcoQua Notebooks are available in a variety of fashionable cover colors, including Raspberry, Black, and Stone. Key Features: * FSC-certified, chlorine-free, acid-free paper * Off-white paper with a 90 or 85 gsm weight * Blank or dot grid pattern (0.5 cm squares) * Glue-bound notebooks 90 sheets of 85 gsm paper * Spiral-bound notebooks contain 70 sheets * Staple-bound notebooks contain 40 pages * Fashionable cover colors * Made in Italy by Fabriano Perfect For: * Writing and drafting with pencils * Ballpoint pens and fountain pens * Marker pens * Recycling * Travel and studio work * Workshops and travel * Discerning students and amateurs See More
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Awagami Ginwashi 39gsm Cream 25" x 38" (Pack of 25)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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