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Liquitex Professional Paint Markers Fine Set of 6 - Vibrant Colors, 2mmSave Up to16%Off listBright Tones Expand your painting possibilities with paint marker sets and nibs! New Professional Paint Markers from Liquitex put all the control in the hands of the artist! These artist-quality paint markers feature lightfast, highly pigmented acrylic in transparent barrels with precision nibs for the ultimate control — and sets and accessories make them even more convenient! Available in both Fine (2mm) and Wide (15mm) sizes, starter sets of 6 serve as the perfect introduction to these low-odor, water-based acrylic paint markers. Already a fan? Don't toss your markers just because you've worn out the nib: get a couple handy packs of replacement nibs for Fine or Wide markers and keep on painting! Perfect for artwork indoors or out, on virtually any surface, Liquitex Professional Paint Marker Sets and Accessories are guaranteed to expand your artistic horizons! Packaging may vary. Key Features:* Acrylic water-based paint markers* Sets of 6 markers in 2 different sizes* Fine (2mm) nib pack with 2 each of Chisel & Round tips* Wide (15mm) nib pack with 3 Flat Chisel tips Perfect For:* An introduction to acrylic paint markers* Longer use by replacing nibs* Intermixing with other Liquitex lines* Graffiti, street art & fine art alike! See More
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Molotow One4All Marker 2mm Set of 6 Neon ColorsSave Up to20%Off listAssorted Colors Create your next graffiti masterpiece on almost any surface, from leather to canvas, with these acrylic markers! Molotow ONE4ALL Acrylic Marker Sets feature color sets of Molotow’s semi-gloss, acrylic based markers. The highly opaque, permanent ink that fills ONE4ALL markers was specially developed to work with Molotow spray paints. Suitable for most surfaces indoors and outdoors, these quick-drying, non-toxic markers are dilutable with water or acetone and is UV resistant. Each round tip, German made marker is refillable and features exchangeable tips. Key Features: * Semi-gloss, acrylic based markers * Highly opaque, permanent ink * Developed to work with Molotow spray paints * Refillable & features exchangeable tips Perfect For: * Graffiti artists * Mixed media applications * Leather, plastic, metal, glass, and canvas * DIYers & crafters The Basic Color Sets include Zinc Yellow, DARE Orange, Traffic Red, True Blue, Signal White, and Signal Black. The Metallic Color Sets include Metallic Black, Metallic Blue, Metallic Pink, Metallic Light Green, Metallic Silver, and Metallic Gold. The Neon Color Sets include Neon Yellow Fluorescent, Neon Orange Fluorescent, Neon Pink Fluorescent, Neon Green Fluorescent, Signal White, and Signal Black. The Basic No.1 Color Sets include Zinc Yellow, Dare Orange, Traffic Red, True Blue, Signal White, and Signal Black. The Basic No.2 Color Sets include Shock Blue, Current, Neon Pink, Lagoon Blue, Grasshopper, and Mister Green. See More
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Amsterdam Acrylic Marker - Small Nibs (Pack of 10), 2mmSave Up to26%Off list…wood, cardboard, plastic, metal and even glass. They are available in three different sizes and replacement nibs are available. Also available in sets, plus replacement nibs. Made with high-quality, lightfast pigments, these marker-style pens give you the ability to do all that and more. These… Water-based, Safe to Use Quick Drying Acrylic Markers Amsterdam Acrylic Markers allow you to work quickly and directly with both transparent and opaque colors. They are water-based, dry quickly and can be used on many surfaces including paper, canvas, wood, cardboard, plastic, metal and even glass. They are available in three different sizes and replacement nibs are available. Also available in sets, plus replacement nibs. Made with high-quality, lightfast pigments, these marker-style pens give you the ability to do all that and more. These odorless markers are quick drying, water resistant when dry and work on various surfaces. If you’re looking for a simple solution to create clear lines and add final touches to your acrylic painting, Amsterdam acrylic markers are perfect for you. Key Features:* High-quality lightfast pigments* Need to be shaken to mix paint* Available in 3 different nib sizes* 2 mm round nibs, 4 mm round nibs, or 15 mm square nibs* Water-based* Quick drying* Intermixable with other Amsterdam acrylic paints Perfect For:* Paper, canvas, wood, cardboard and more* Broad washes or drawing small details* Mixing with acrylic paints See More
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Sennelier Egg Tempera - Ivory Black, 34ml TubeSave Up to35%Off listBlack A highly pigmented, professional tempera medium Sennelier Egg Tempera paint is a semi-opaque, water-soluble and permanent painting medium used for fine art painting and restoration (and can even be used as an underpainting for oil paints). Unlike oils, egg tempera does not age or yellow, due to being egg emulsion-based instead of oil based. Varnished egg tempera paintings are difficult to distinguish from oils due to their vibrancy and brilliance in how the pigment suspends in the emulsion. It is a popular medium with oil painters who seek a health alternative to the harsh and dangerous solvents involved with oil colors, as it requires nothing more than soap and water cleanup. Like their other paint lines, Sennelier Egg Tempera paints are professional quality pigments with the highest pigment loads possible. Key Features:* Classical painting medium* Water soluble, no need for solvents* Highly archival* Rich satin-matte finish* Highly pigmented paints* Authentic egg tempera made in the traditional manner* Use varnish over egg tempera paintings for an oil painting like appearance Perfect For:* Fine art painting, restoration, and icon painting* Underpainting for oil painters* Restoration Work * Icon Painting* Technical illustrative painting styles Intro Set of 5- Contains five 21 ml tubes including: Titanium White, Lemon Yellow, Rose Madder Lake, Ultramarine Blue, and Ivory Black Light Wooden Box Set Of 15 - Contains: One 34 ml tube of Titanium White, one 60 ml jar of Egg Tempera Binding Medium, a wooden palette, one metal palette cup, two brushes, a Flat #4 and a Round #5, 15, 21 ml tubes of Egg Tempera: Burnt Sienna, Cadmium Yellow Deep Genuine, Carmine, Cobalt Violet Hue, Emerald Green, Ivory Black, Lemon Yellow, Naples Yellow, Permanent Intense Red, Prussian Blue, Raw Umber, Ultramarine Blue, Vermilion, Viridian, and Yellow Ochre. Capable of creating detailed and complex effects, the medium of egg tempera can be traced back as early as ancient Greece. During the early Italian Renaissance, egg tempera reached its’ zenith, and was the predominant medium for religious icon panel paintings done between the 12th and 15th centuries. Even with the rise in popularity of oils beginning in the 15th century, Renaissance masters such as Michelangelo and Botticelli continued to prefer the deep luminosity of the medium. Even with the decline of the medium in favor to oils, artists like Marc Chagall (who exclusively used Sennelier) in the early 1900’s led to the medium’s revival, and it became more popular with the use by American painters such as Andrew Wyeth and Thomas Hart Benton. In 1892, chemist and fine arts purveyor Gustave Sennelier created his own line of Sennelier Egg Tempera paints, after extensive research into classical, authentic Renaissance formulas. Egg Tempera is a semi-opaque, water-soluble and permanent painting medium used for fine art painting and restoration (and can even be used as an underpainting for oil paints). Unlike oils, egg tempera does not age or yellow, due to being egg emulsion-based instead of oil based. The egg emulsion recipe binder produces a satin-matte finish that is water resistant when dry, and is thinned with water or egg tempera medium when painting. Varnished egg tempera paintings are difficult to distinguish from oils due to their vibrancy and brilliance in how the pigment suspends in the emulsion. It is a popular medium with oil painters who seek a health alternative to the harsh and dangerous solvents involved with oil colors, as it requires nothing more than soap and water cleanup. Like their other paint lines, Sennelier Egg Tempera paints are professional quality pigments with the highest pigment loads possible. Unlike oil paint, egg emulsion binder is stiffer and more brittle, so it does not lend well to impasto painting techniques. Traditionally, due to the brittle nature, egg tempera is best used on wood or canvas panels, or heavy primed paper that has been mounted on a hard surface. Note: Sennelier recommends artists give their finished egg tempera works a coating of charcoal or pastel fixative before applying a final oil paint picture varnish, to seal and protect the work. See More
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Awagami Papers Mulberry (45GSM) Pack of 25Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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